Harvey CV 2020
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Steven Weinberg Cv Born
STEVEN WEINBERG CV BORN: May 3, 1933, in New York, N.Y. EDUCATION: Cornell University, 1950–1954 (A.B., 1954) Copenhagen Institute for Theoretical Physics, 1954–1955 Princeton University, 1955–1957 (Ph.D.,1957). HONORARY DEGREES: Harvard University, A.M., 1973 Knox College, D.Sc., 1978 University of Chicago, Sc.D., 1978 University of Rochester, Sc.D., l979 Yale University, Sc.D., 1979 City University of New York,Sc.D., 1980 Clark University, Sc.D., 1982 Dartmouth College, Sc.D., 1984 Weizmann Institute, Ph.D. Hon.Caus., 1985 Washington College, D.Litt., 1985 Columbia University, Sc.D., 1990 University of Salamanca, Sc.D., 1992 University of Padua, Ph.D. Hon.Caus., 1992 University of Barcelona, Sc.D., 1996 Bates College, Sc. D., 2002 McGill University, Sc. D., 2003 University of Waterloo, Sc. D., 2004 Renssalear Polytechnic Institue, Sc. D., 2016 Rockefeller University, Sc. D., 2017 PRESENT POSITION: Josey Regental Professor of Science, University of Texas, 1982– PAST POSITIONS: Columbia University, 1957–1959 Lawrence Radiation Laboratory, 1959–1960 University of California, Berkeley, 1960–1969 On leave, Imperial College, London, 1961–1962 Steven Weinberg 2 Became full professor, 1964 On leave, Harvard University, 1966–1967 On leave, Massachusetts Institute of Technology, 1967–1969 Massachusetts Institute of Technology, 1969–1973, Professor of Physics Harvard University, 1973–1983, Higgins Professor of Physics On leave 1976–1977, as Visiting Professor of Physics, Stanford University Smithsonian Astrophysical Observatory, 1973-1983, Senior -
Finnegans Wake
Dublin Celebrates the Wake 's 80th Birthday: " Finnegans Wake at 80"; "Lucia Joyce: Perspectives"; "Text/Sound/Performance: Making in Canadian Space"; and "Finnegans Wake-End," 11-13 April, 25-27 April, and 3-5 May, 2019 Derek Pyle James Joyce Quarterly, Volume 56, Number 1-2, Fall 2018-Winter 2019, pp. 10-17 (Article) Published by The University of Tulsa DOI: https://doi.org/10.1353/jjq.2019.0029 For additional information about this article https://muse.jhu.edu/article/736656 Access provided at 4 Nov 2019 15:59 GMT from Nypl Research James Joyce Quarterly 56.1-2 2018-2019 Sadly, I was unable to attend the Lucia Joyce: Perspectives event which took place directly after the symposium; I had to return home to my own daughter. But, from several reports—via word-of-mouth and Lawrence’s continued live tweeting (#LuciaJoycePerspectives)— it seems to have been an excellent event, expertly organized by Genevieve Sartor. It was about time that Lucia had an occasion of her own, rather than being squeezed into events focusing on her father. “Finnegans Wake at 80” was, for me, a resounding success. Although I have not fully switched my allegiance from Team Ulysses to Team Wake, since the symposium, I have returned to Joyce’s 1939 master- piece with renewed vigor, inquisitiveness, and conviction. Cleo Hanaway-Oakley University of Bristol Dublin Celebrates the Wake’s 80th Birthday: “Finnegans Wake at 80”; “Lucia Joyce: Perspectives”; “Text/Sound/Performance: Making in Canadian Space”; and “Finnegans Wake-End,” 11-13 April, 25-27 April, and 3-5 May, 2019 4 May 2019 marked eighty years since the first publication of Finnegans Wake, and this spring multiple events in Dublin celebrated the book’s impact, history, and continuing legacy. -
What Cant Be Coded Can Be Decorded Reading Writing Performing Finnegans Wake
ORBIT - Online Repository of Birkbeck Institutional Theses Enabling Open Access to Birkbecks Research Degree output What cant be coded can be decorded Reading Writing Performing Finnegans Wake http://bbktheses.da.ulcc.ac.uk/198/ Version: Public Version Citation: Evans, Oliver Rory Thomas (2016) What cant be coded can be decorded Reading Writing Performing Finnegans Wake. PhD thesis, Birkbeck, University of London. c 2016 The Author(s) All material available through ORBIT is protected by intellectual property law, including copyright law. Any use made of the contents should comply with the relevant law. Deposit guide Contact: email “What can’t be coded can be decorded” Reading Writing Performing Finnegans Wake Oliver Rory Thomas Evans Phd Thesis School of Arts, Birkbeck College, University of London (2016) 2 3 This thesis examines the ways in which performances of James Joyce’s Finnegans Wake (1939) navigate the boundary between reading and writing. I consider the extent to which performances enact alternative readings of Finnegans Wake, challenging notions of competence and understanding; and by viewing performance as a form of writing I ask whether Joyce’s composition process can be remembered by its recomposition into new performances. These perspectives raise questions about authority and archivisation, and I argue that performances of Finnegans Wake challenge hierarchical and institutional forms of interpretation. By appropriating Joyce’s text through different methodologies of reading and writing I argue that these performances come into contact with a community of ghosts and traces which haunt its composition. In chapter one I argue that performance played an important role in the composition and early critical reception of Finnegans Wake and conduct an overview of various performances which challenge the notion of a ‘Joycean competence’ or encounter the text through radical recompositions of its material. -
2018 BAM Next Wave Festival #Bamnextwave
2018 BAM Next Wave Festival #BAMNextWave Brooklyn Academy of Music Adam E. Max, Katy Clark, Chairman of the Board President William I. Campbell, Joseph V. Melillo, Vice Chairman of the Board Executive Producer Place BAM Harvey Theater Oct 11—13 at 7:30pm; Oct 13 at 2pm Running time: approx. one hour 15 minutes, no intermission Created by Ted Hearne, Patricia McGregor, and Saul Williams Music by Ted Hearne Libretto by Saul Williams and Ted Hearne Directed by Patricia McGregor Conducted by Ted Hearne Scenic design by Tim Brown and Sanford Biggers Video design by Tim Brown Lighting design by Pablo Santiago Costume design by Rachel Myers and E.B. Brooks Sound design by Jody Elff Assistant director Jennifer Newman Co-produced by Beth Morrison Projects and LA Phil Season Sponsor: Leadership support for music programs at BAM provided by the Baisley Powell Elebash Fund Major support for Place provided by Agnes Gund Place FEATURING Steven Bradshaw Sophia Byrd Josephine Lee Isaiah Robinson Sol Ruiz Ayanna Woods INSTRUMENTAL ENSEMBLE Rachel Drehmann French Horn Diana Wade Viola Jacob Garchik Trombone Nathan Schram Viola Matt Wright Trombone Erin Wight Viola Clara Warnaar Percussion Ashley Bathgate Cello Ron Wiltrout Drum Set Melody Giron Cello Taylor Levine Electric Guitar John Popham Cello Braylon Lacy Electric Bass Eileen Mack Bass Clarinet/Clarinet RC Williams Keyboard Christa Van Alstine Bass Clarinet/Contrabass Philip White Electronics Clarinet James Johnston Rehearsal pianist Gareth Flowers Trumpet ADDITIONAL PRODUCTION CREDITS Carolina Ortiz Herrera Lighting Associate Lindsey Turteltaub Stage Manager Shayna Penn Assistant Stage Manager Co-commissioned by the Los Angeles Phil, Beth Morrison Projects, Barbican Centre, Lynn Loacker and Elizabeth & Justus Schlichting with additional commissioning support from Sue Bienkowski, Nancy & Barry Sanders, and the Francis Goelet Charitable Lead Trusts. -
Molly Vs. Bloom in Midnight Court James Joyce Quarterly 41: 4
1 Joyce’s Merrimanic Heroine: Molly vs. Bloom in Midnight Court James Joyce Quarterly 41: 4 (Summer 2004): 745-65 James A. W. Heffernan In 1921, just one year before Ulysses first appeared, T.S. Eliot wrote the prescription for the kind of writer--Eliot’s word was “poet”--who would be required to produce it. He--male of course-- must bring to his work a “historical sense,” a capacity to integrate the life and literature of “his own generation” and “his own country” with “the whole of the literature of Europe from Homer” onward.12 Ulysses manifests Joyce’s command of that tradition on almost every page. Besides initiating a radically modern retelling of The Odyssey in a language that includes scraps of Greek, Latin, and French (with bits of German and Italian to come), the very first chapter of the novel spouts Homeric epithets, references to ancient Greek history and rhetoric, Latin passages from the Mass and Prayers for the Dying, allusions to Dante’s Commedia and Shakespeare’s Macbeth, and quotations from Hamlet and Yeats’s Countess Cathleen. Yet conspicuous by its absence from this multi-cultural stew is anything explicitly Gaelic, anciently Irish.3 Standing by the parapet of a tower built by the English in the late eighteenth century to keep the French from liberating Ireland, Stephen hears Mulligan’s proposal to “Hellenise” the island now (1.158) with something less than nationalistic fervor or Gaelic fever running through his head. “To ourselves . new paganism . omphalos,” he thinks (U 1.176). With “to ourselves” he alludes to Sinn Fein, meaning “We Ourselves,” the Gaelic motto of a movement that was founded in the 1890s to revive Irish language and culture and that became about 1905 the name of a political movement which remains alive and resolutely--if not militantly--nationalistic to this very day. -
Henry Moore Institute Online Papers and Proceedings
Jürgen Partenheimer Carola Giedion Welcker at Doldertal – A personal encounter between literature and art 9 June 2006 Source: Henry Moore Institute Online Papers and Proceedings www.henry-moore.org/hmi This article has been downloaded from the Henry Moore Institute’s collection of Online Papers and Proceedings, an online publishing facility bringing you the most recent developments in sculpture studies from both inside and outside the Institute. Here you'll find proceedings from many of the Institute's international conferences as well as the latest research from both up-and-coming and established scholars. Copyright remains with the author. Any reproduction must be authorised by the author. Contact: [email protected] The Henry Moore Institute is a world-recognised centre for the study of sculpture in the heart of Leeds. An award-winning exhibitions venue, research centre, library and sculpture archive, the Institute hosts a year-round programme of exhibitions, conferences and lectures, as well as developing research and publications, to expand the understanding and scholarship of historical and contemporary sculpture. The Institute is a part of The Henry Moore Foundation, which was set up by Moore in 1977 to encourage appreciation of the visual arts, especially sculpture. To subscribe our newsletter email: [email protected] www.twitter.com/HMILeeds 1 Jürgen Partenheimer Carola Giedion Welcker at Doldertal – A personal encounter between literature and art A glimpse rather than a profile. I Let me begin this short article with a quote from a letter, which Carola Giedion-Welcker wrote to me from Zurich on the 7th of October 1975: ‘Just now I have received Les Lauriers sont coupe’ by E. -
Advertising and Plenty in Joyce's Ulysses
Georgia Southern University Digital Commons@Georgia Southern Electronic Theses and Dissertations Graduate Studies, Jack N. Averitt College of Fall 2009 All the Beef to the Heels Were in: Advertising and Plenty in Joyce's Ulysses Mindy Jo Ratcliff Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/etd Recommended Citation Ratcliff, Mindy Jo, "All the Beef to the Heels Were in: Advertising and Plenty in Joyce's Ulysses" (2009). Electronic Theses and Dissertations. 175. https://digitalcommons.georgiasouthern.edu/etd/175 This thesis (open access) is brought to you for free and open access by the Graduate Studies, Jack N. Averitt College of at Digital Commons@Georgia Southern. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. ―All the beef to the heels were in‖: Advertising and Plenty in Joyce‘s Ulysses by MINDY JO RATCLIFF (Under the Direction of Howard Keeley) ABSTRACT Privileging a historicist approach, this document explores the presence of consumer culture, particularly advertising, in James Joyce‘s seminal modernist novel, Ulysses (1922). It interrogates Joyce‘s awareness of how a broad upswing in Ireland‘s post-Famine economy precipitated advertising-intensive consumerism in both rural and urban Ireland. Foci include the late-nineteenth-century transition in agriculture from arable farming to cattle-growing (grazier pastoralism), which, spurring economic growth, facilitated the emergence of a ―strong farmer‖ rural bourgeoisie. The thesis considers how Ulysses inscribes and critiques that relatively affluent coterie‘s expenditures on domestic cultural tourism, as well as hygiene-related products, whose presence on the Irish scene was complicated by a British discourse on imperial cleanliness. -
STORYTELLER SUPREME Maeve Binchy - a Literary Life
UCD_OFC.qxd 15/05/2007 10:50 Page 1 UCD ISSUE 12, 2007 CONNECTIONS THE INTERNATIONAL MAGAZINE FOR UNIVERSITY COLLEGE DUBLIN ALUMNI ENVIRONMENT Frank McDonald on Urban Sprawl VIEW FROM HOME Anne Heraty on Business Success STORYTELLER SUPREME Maeve Binchy - A Literary Life PLUS: EARLSFORT CELEBRATES * RESEARCH HIGHLIGHTS * FUTURE FUELS * CLASS NOTES UCD_2-3.qxd 15/05/2007 10:54 Page 3 WELCOME WELCOME TO UCD CONNECTIONS Welcome to this year’s edition of UCD Connections. This magazine contains lots of news about our graduates, where they are and what they are doing. It also aims to keep you informed on developments at your university. In October 2006, the university launched the Gateway Project – a major international architecture competition involving the redevelopment of some 10 hectares around the main entrance of the Belfield campus. The project challenged architects to create a defining structural feature for UCD to serve both as an internationally recognisable landmark and also meet extensive functional requirements. It is to comprise academic, cultural, leisure and business facilities and it marks the start of a 15-year Development Plan for a sustainable, healthy and living campus. Against this backdrop, another important episode of UCD history is playing out. Earlsfort Terrace has been sold to the State to facilitate the redevelopment of the National Concert Hall. UCD can now complete the move to Belfield and deliver on the vision set out by Michael Tierney, President of the university in the 1960s. As we say farewell to Earlsfort Terrace, I am reminded of the origins of that building, which for 124 years played such a central role in UCD life. -
The Birth of String Theory
THE BIRTH OF STRING THEORY String theory is currently the best candidate for a unified theory of all forces and all forms of matter in nature. As such, it has become a focal point for physical and philosophical dis- cussions. This unique book explores the history of the theory’s early stages of development, as told by its main protagonists. The book journeys from the first version of the theory (the so-called Dual Resonance Model) in the late 1960s, as an attempt to describe the physics of strong interactions outside the framework of quantum field theory, to its reinterpretation around the mid-1970s as a quantum theory of gravity unified with the other forces, and its successive developments up to the superstring revolution in 1984. Providing important background information to current debates on the theory, this book is essential reading for students and researchers in physics, as well as for historians and philosophers of science. andrea cappelli is a Director of Research at the Istituto Nazionale di Fisica Nucleare, Florence. His research in theoretical physics deals with exact solutions of quantum field theory in low dimensions and their application to condensed matter and statistical physics. elena castellani is an Associate Professor at the Department of Philosophy, Uni- versity of Florence. Her research work has focussed on such issues as symmetry, physical objects, reductionism and emergence, structuralism and realism. filippo colomo is a Researcher at the Istituto Nazionale di Fisica Nucleare, Florence. His research interests lie in integrable models in statistical mechanics and quantum field theory. paolo di vecchia is a Professor of Theoretical Physics at Nordita, Stockholm, and at the Niels Bohr Institute, Copenhagen. -
A Dream Before the Dawn of the Digital Age? Finnegans Wake, Media, and Communications
A Dream Before the Dawn of the Digital Age? Finnegans Wake, Media, and Communications The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Shen, Emily. 2020. A Dream Before the Dawn of the Digital Age? Finnegans Wake, Media, and Communications. Bachelor's thesis, Harvard University Engineering and Applied Sciences. Citable link https://nrs.harvard.edu/URN-3:HUL.INSTREPOS:37367286 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA A DREAM BEFORE THE DAWN OF THE DIGITAL AGE? FINNEGANS WAKE, MEDIA, AND COMMUNICATIONS by Emily Shen Presented to the Committee on Degrees in History and Literature and the Department of Computer Science in Partial Fulfillment of the Requirements for the Degree of Bachelor of Arts with Honors Harvard College Cambridge, Massachusetts October 29, 2020 Word Count: 19,741 TABLE OF CONTENTS INTRODUCTION .............................................................................................................. 1 Writing Finnegans Wake ........................................................................................................... 4 The Emergence of Information Theory ................................................................................... 8 Finnegans Wake as Medium and Message ............................................................................ -
Reading Comprehension Based on Neologisms in the Harry Potter Series
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Zagreb Faculty of Teacher Education - Digital repository SVEUČILIŠTE U ZAGREBU UČITELJSKI FAKULTET ODSJEK ZA UČITELJSKE STUDIJE KATARINA MARUŠIĆ DIPLOMSKI RAD READING COMPREHENSION BASED ON NEOLOGISMS IN THE HARRY POTTER SERIES Zagreb, rujan 2015. SVEUČILIŠTE U ZAGREBU UČITELJSKI FAKULTET ODSJEK ZA UČITELJSKE STUDIJE Petrinja PREDMET: ENGLESKI JEZIK UČITELJSKE STRUKE DIPLOMSKI RAD Ime i prezime pristupnika: Katarina Marušić TEMA DIPLOMSKOG RADA: Reading Comprehension Based on Neologisms in the Harry Potter Series MENTOR: Doc. dr. sc. Renata Šamo SUMENTOR: Alenka Mikulec, prof. Zagreb, rujan 2015. 2 For Lukas. My dearest, always remember: Happiness can be found even in the darkest of times, if one only remembers to turn on the light. A. Dumbledore 3 CONTENTS CONTENTS ........................................................................................................................... 4 SAŽETAK ............................................................................................................................ 5 SUMMARY .......................................................................................................................... 5 1. INTRODUCTION ............................................................................................................. 6 2. READING ......................................................................................................................... 7 2.1. What is Reading? -
Spring 2017 Greetings from the President
C ommencement Commencement SPRING 2017 Greetings from the President n behalf of the University of Florida, our faculty and our entire university community, I would like to extend my deepest congratulations to you, the Doctoral Graduates Oof 2017. Today’s ceremony celebrates your remarkable accomplishment in earning a doctoral degree from one of the world’s leading research institutions. I applaud you for your years dedicated to in-depth scholarship, thoughtful analysis and meticulous presentation of your findings. I join you in thanking your faculty advisor, mentors and the family and friends who have supported you in your journey to reach this day. Today is a day for celebration, and also for reflection on your future. Whether you choose to pursue a career in academe, the private sector, government or the nonprofit world, I am confident that the research and analysis skills you honed as a doctoral student will serve you well. The complexity and global nature of today’s professional opportunities demand nothing less. The university has benefited from your research work, teaching, insights and discoveries, and we are grateful to you for your time here. We hope you will recall these years fondly, and that you will remain connected to UF as active members of our distinguished alumni. Good luck, best wishes, and Go Gators! W. Kent Fuchs University of Florida President Dr. W. Kent Fuchs Dr. Kent Fuchs became the 12th president of the University of Florida in January 2015. Under President Fuchs’ leadership, the university has developed shared goals for the decade ahead. UF’s overarching aspiration is to be a premier comprehensive university that the state, nation and world look to for leadership.