DOCSLIB.ORG

Irish Studies Burns Library Bc-Ireland Irish Studies Burns Visiting Scholar, Spring 2016 Semester

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Irish Studies Burns Library Bc-Ireland Irish Studies Burns Visiting Scholar, Spring 2016 Semester center for irish programs irish studies burns library bc-ireland irish studies Burns Visiting Scholar, Spring 2016 Semester and Devotion in Medieval Ireland (with Salvador Ryan and Rachel Moss, Dublin: Four Courts Press, 2006), and, most recently, Soldiers of Christ: The Knights Templar and Knights Hospitaller in Medieval Ireland (with Martin Browne, Dublin: Four Courts Press, 2015). His monograph The Friars in Ireland, 1224–1500 (Dublin: Four Courts Press, 2012) was awarded the 2013 National University of Ireland Prize for Irish Historical Research. Apart from these book-length publications, Ó Clabaigh has contributed articles, reviews, and editions of documents to numerous Irish and international journals. He has lectured and taught courses for institutions and organizations in Ireland, Great Britain, Italy, and Nigeria and comes to Boston College having completed a semester as visiting professor at the School of Theology, St. John’s University, Collegeville, Minnesota. His current research focuses on popular religion in Medieval Ireland and, while serving as the Burns Visiting Colmán Ó Clabaigh Scholar in Irish Studies, he will teach a course on religion and society in Ireland, c. 1215 to 1526, in the Colmán Ó Clabaigh is a Benedictine monk of Boston College Department of History. Glenstal Abbey, Co. Limerick, and a medievalist specializing in the history of monasticism and religion in Late Medieval Ireland. He was awarded a B.A. in 1989 at NUI Galway, and after undertaking research in Italy, Belgium, and Oxford, received his A Time of Transition ... doctorate in 1998 from the National University of If you would like to continue to receive Ireland. His thesis was published as The Franciscans the newsletter, please ensure that we have in Ireland, 1400–1534: From Reform to Reformation (Dublin: Four Courts Press, 2002). He has co-edited your e-mail address. Please send it to: irish@ the following proceedings of the Glenstal History bc.edu. See “A Time of Transition in Irish Conference: The Irish Benedictines: A History (with Studies” on page 4 for more information. Martin Browne, Dublin: Columba Press, 2005); Art spring 2016 vol. 19 no. 1 1 Irish Studies Spring 2016 Events The Center for Irish Programs at Boston College is pleased to offer a variety of events that are free and open to the public: January 21 | Thursday, 5:00 p.m. Connolly House Professor Mike Cronin, Academic Director, BCI, Sheila Falls Jimmy Noonan Kieran Jordan presents “The Enemy in Dublin, 1916: Who Were February 25 | Thursday, 6:30-7:30 p.m. Mike Cronin the British?” Connolly House BC Students & Teachers in Irish Music and Dance, February 4 | Thursday, 6:30-8:30 p.m. featuring Sheila Falls on fiddle, Jimmy Noonan on Cadigan Alumni Center, Brighton Campus tin whistle & dance performance by Kieran Jordan. Gaelic Roots Concert of Scottish, Québecois & Celtic music. Featuring cellist Natalie Haas with February 27 | Saturday, 2:00 p.m. guitarist/vocalist Yann Falquet. Devlin Hall 101 and McMullen Museum of Art Fintan O’Toole presents “Culture & Society in February 8 | Monday, 7:00-9:00 p.m. Ireland, 1916; Contexts for the Arts & Crafts McMullen Museum of Art, Devlin Hall Movement.” Public Opening; “The Arts and Crafts Movement: Making It Irish.” Exhibition runs February 29 | Monday, 4:30-7:00 p.m. through May 2016. Connolly House Hugh O’Neill at 400 February 9 | Tuesday, 2:00 p.m. Presentations will include: Hiram Morgan (UCC), McMullen Museum of Art, Devlin Hall “Enemy of England: the career of Hugh O’Neill, “The Arts and Crafts Movement: Making It Irish.” Earl of Tyrone (1550–1616),” James O’Neill (UCC), Introduction by Paul Larmour; lecture and gallery “The Nine Years War in Ireland and the Military walk to follow. Revolution”, Ruth Canning (UCC), “The Pale and the political reasons preventing Irish victory in February 10 | Wednesday, 5:00-8:00 p.m. the Nine Years War,” and Malachy O’Neill (Ulster Connolly House University), “Irish language sources for the Nine Waywords and Meansigns Years War and the Flight of the Earls.” Launch of Waywords and Meansigns. Finnegans Wake set to music. Presented by Derek Pyle, David March 2 | Wednesday, 4:30 p.m. Kahne, Brian Hall, Mike Watt, and many more. Burns Scholar Lecture in Burns Library Thompson Room with reception to follow in the February 22 | Burns Library Irish Room Monday, 6:00 p.m. Burns Visiting Scholar Professor Colmán Ó Gasson Hall, Room 100 Clabaigh presents “Fifty Ways to Cleave Your MA Congressman Richard Brother: Mayhem, Mischief & Misfits in Medieval Neal will speak on the Irish Monasteries.” Easter Rising of 1916. Richard Neal 2 March 9 | Wednesday, 6:00 p.m. April 7 | Thursday, 6:30-8:30 p.m. Boston College-Ireland Cadigan Alumni Center 43 St. Stephen’s Green, Dublin Gaelic Roots Concert of Irish music with Cillian Catalogue launch: “The Arts and Crafts Movement: Vallely & Kevin Crawford of the Irish supergroup Making It Irish,” edited by Vera Kreilkamp. Declan Lúnasa performing on uilleann pipes, low whistles, Kiberd will speak and a reception will follow. and Irish flute. March 16 | April 9 | Saturday, 9:30 a.m.-4:00 p.m. Wednesday, 7:00 p.m. Connolly House Gasson Hall, Room 100 “James Joyce & the Easter Rising” Author Colm Tóibín will Speakers include: Professor Clair Wills of deliver a Lowell Humanities Princeton University, Professor Joe Valente of Series lecture titled “The University of Buffalo, Professor Mike Cronin Knowledge & the Power: of BC-Ireland, and Professor Richard Kearney of Writing & Violence.” Boston College. Colm Tóibín March 18-20 April 12 | Tuesday, 3:00 p.m. International Conference: “Easter 1916: McMullen Museum of Art & Devlin Hall 101 ‘A Terrible Beauty is Born.’” Gallery walk: The Illustration & Stained Glass of Conference opens at 6:00 p.m. on March 18, Harry Clarke, with lecture by Kelly Sullivan. Devlin Hall, Room 101, followed by a reception; luncheons on Saturday and Sunday in the BC April 16 | Saturday, 9:00 a.m.-5:00 p.m. Faculty Dining Room. Devlin Hall, Room 101; luncheon in BC’s Speakers include: Colm Tóibín, Professor Alvin Faculty Dining Room. Jackson of Edinburgh University, Professor Emily “Faith in the Future: Religion in Ireland in the Bloom of Georgia State University, Dr. Roisín 21st Century,” presented in association with BC’s Higgins of Teeside University, and Professor Keith School of Theology and Ministry and with support Jeffrey of Queen’s University Belfast. from the BC Theology Department, the Boisi Center, and the Church in the 21st Century Center. March 28 | Monday, 6:30-8:45 p.m. Conference speakers include: Dr. Michael Jackson, Gasson Hall, Room 100 Church of Ireland, Archbishop of Dublin, Baroness Easter Rising Commemorative Concert featuring Nuala O’Loan, Maire Collins, Patsy McGarry and Irish music, song, verse & dance. Performers Archbishop Diarmuid Martin of Dublin. will include: Charlie Lennon, Regina Delaney, Seamus Connolly, The Murphy Beds, the Boston April 21 | Thursday, 5:00 p.m. College Chorale, and the Boston College Chamber Connolly House Music Society. Dr. Ronan Fanning, UCD, will present “Eamon de Valera, A Will to Power,” followed by the launch of April 5 | Tuesday, 3:00 p.m. his new book of the same title. Burns Library, O’Brien Fine Print Room Arts & Crafts Panel Discussion moderated by BC’s vice provost for faculties, Patricia DeLeeuw, followed by campus tour. Please share your e-mail address so we may keep you advised of upcoming news, events, and event details. You may send contact information to: [email protected]. 3 of Irish music at Boston College. The University is looked to by people in the profession as an important center for the practice and performance of traditional Irish music, and all this is attributable to Seamus’s A Fond hard work. He retires with our thanks. We trust he will have a restful retirement but we know that we will Farewell to see him from time to time and, indeed, he has already agreed to come back to the campus on Easter Monday Seamus 2016 to take part in the commemorative concert that Connolly will mark the centenary of the Rising of 1916. Once again, we thank Seamus for all that he has done and we look forward to continued cooperation with him in the years ahead. The Irish Studies program is confident that music and dance will continue to be Seamus Connolly, our Sullivan Artist-in-Residence, an important part of what we do in Irish Studies at retired on the 31st of December 2015. Seamus worked at Boston College. Boston College for some 25 years and began teaching Irish music in 1990. The music program was seen as complementing the Irish Studies program by adding Irish music and dance. A Time of Transition in Irish Studies Seamus began organizing Irish music concerts Readers of this newsletter will have seen that under the title Gaelic Roots. Following his we are in a time of transition with regard to Irish appointment by then-president of Boston College Studies at Boston College. Tom Hachey retired last Father Don Monan, Seamus not only conducted summer and, as noted above, Seamus Connolly, classes on a weekly basis but also put together a BC’s Sullivan Artist-in-Residence, retired at the summer program beginning in 1993. This again was end of December 2015. Seamus’s place, apropos of under the title of Gaelic Roots and, indeed, Gaelic the Gaelic Roots series, will be taken for the pre- Roots became a trademark that is owned by Boston sent by Sheila Falls, who is well known to the Irish College. The Gaelic Roots summer conferences began music community in Boston and who teaches fid- as a weekend event in 1993 and continued from dle at Boston College.
Load more

Recommended publications
  • Steven Weinberg Cv Born
    STEVEN WEINBERG CV BORN: May 3, 1933, in New York, N.Y. EDUCATION: Cornell University, 1950–1954 (A.B., 1954) Copenhagen Institute for Theoretical Physics, 1954–1955 Princeton University, 1955–1957 (Ph.D.,1957). HONORARY DEGREES: Harvard University, A.M., 1973 Knox College, D.Sc., 1978 University of Chicago, Sc.D., 1978 University of Rochester, Sc.D., l979 Yale University, Sc.D., 1979 City University of New York,Sc.D., 1980 Clark University, Sc.D., 1982 Dartmouth College, Sc.D., 1984 Weizmann Institute, Ph.D. Hon.Caus., 1985 Washington College, D.Litt., 1985 Columbia University, Sc.D., 1990 University of Salamanca, Sc.D., 1992 University of Padua, Ph.D. Hon.Caus., 1992 University of Barcelona, Sc.D., 1996 Bates College, Sc. D., 2002 McGill University, Sc. D., 2003 University of Waterloo, Sc. D., 2004 Renssalear Polytechnic Institue, Sc. D., 2016 Rockefeller University, Sc. D., 2017 PRESENT POSITION: Josey Regental Professor of Science, University of Texas, 1982– PAST POSITIONS: Columbia University, 1957–1959 Lawrence Radiation Laboratory, 1959–1960 University of California, Berkeley, 1960–1969 On leave, Imperial College, London, 1961–1962 Steven Weinberg 2 Became full professor, 1964 On leave, Harvard University, 1966–1967 On leave, Massachusetts Institute of Technology, 1967–1969 Massachusetts Institute of Technology, 1969–1973, Professor of Physics Harvard University, 1973–1983, Higgins Professor of Physics On leave 1976–1977, as Visiting Professor of Physics, Stanford University Smithsonian Astrophysical Observatory, 1973-1983, Senior
    [Show full text]
  • Moving Ahead with the Stevens Competition
    the WORSHIPFUL COMPANY of GLAZIER S & PAINTERS OF GLASS Issue Number 63 Spring 20 21 the 2020 competition or do it differently. Then came lockdown two! No problem, Moving ahead We chose the latter. we have been here before. We reintroduced Firstly, we delayed the entry date by four the Design Only category and sat back. with the Stevens months in the hope that lockdown would be Inevitably, lockdown three arrived, so the eased in time for participants to complete entry date has been delayed to July and Competition their work. This worked. Secondly, we Prizegiving until October. Judging will be introduced a new type of entry, Design Only, virtual again and we have a panel of judges BRIAN GREEN reports: Organising the which allowed competitors to submit their who are looking forward to the challenge. Stevens Competition in 2020 and 2021 has design but removed the need to produce a The delay has been used to widen the been quite a game! So far, the Glaziers are sample panel. This worked; roughly 40% of potential field of entry; translations of the in the lead and we intend to keep it that way. the entries fell into this category. Thirdly, the brief have been circulated in Spanish, French The original game plan for Stevens 2020 decision was taken to judge the competition and German. had to be abandoned when the country online. This worked surprisingly well. We hope Stevens 2022 will be more went into the first lockdown in March 2020 At the end of the day the Prizegiving was straightforward.
    [Show full text]
  • 2018 BAM Next Wave Festival #Bamnextwave
    2018 BAM Next Wave Festival #BAMNextWave Brooklyn Academy of Music Adam E. Max, Katy Clark, Chairman of the Board President William I. Campbell, Joseph V. Melillo, Vice Chairman of the Board Executive Producer Place BAM Harvey Theater Oct 11—13 at 7:30pm; Oct 13 at 2pm Running time: approx. one hour 15 minutes, no intermission Created by Ted Hearne, Patricia McGregor, and Saul Williams Music by Ted Hearne Libretto by Saul Williams and Ted Hearne Directed by Patricia McGregor Conducted by Ted Hearne Scenic design by Tim Brown and Sanford Biggers Video design by Tim Brown Lighting design by Pablo Santiago Costume design by Rachel Myers and E.B. Brooks Sound design by Jody Elff Assistant director Jennifer Newman Co-produced by Beth Morrison Projects and LA Phil Season Sponsor: Leadership support for music programs at BAM provided by the Baisley Powell Elebash Fund Major support for Place provided by Agnes Gund Place FEATURING Steven Bradshaw Sophia Byrd Josephine Lee Isaiah Robinson Sol Ruiz Ayanna Woods INSTRUMENTAL ENSEMBLE Rachel Drehmann French Horn Diana Wade Viola Jacob Garchik Trombone Nathan Schram Viola Matt Wright Trombone Erin Wight Viola Clara Warnaar Percussion Ashley Bathgate Cello Ron Wiltrout Drum Set Melody Giron Cello Taylor Levine Electric Guitar John Popham Cello Braylon Lacy Electric Bass Eileen Mack Bass Clarinet/Clarinet RC Williams Keyboard Christa Van Alstine Bass Clarinet/Contrabass Philip White Electronics Clarinet James Johnston Rehearsal pianist Gareth Flowers Trumpet ADDITIONAL PRODUCTION CREDITS Carolina Ortiz Herrera Lighting Associate Lindsey Turteltaub Stage Manager Shayna Penn Assistant Stage Manager Co-commissioned by the Los Angeles Phil, Beth Morrison Projects, Barbican Centre, Lynn Loacker and Elizabeth & Justus Schlichting with additional commissioning support from Sue Bienkowski, Nancy & Barry Sanders, and the Francis Goelet Charitable Lead Trusts.
    [Show full text]
  • The Gothic Revival Character of Ecclesiastical Stained Glass in Britain
    Folia Historiae Artium Seria Nowa, t. 17: 2019 / PL ISSN 0071-6723 MARTIN CRAMPIN University of Wales THE GOTHIC REVIVAL CHARACTER OF ECCLESIASTICAL STAINED GLASS IN BRITAIN At the outset of the nineteenth century, commissions for (1637), which has caused some confusion over the subject new pictorial windows for cathedrals, churches and sec- of the window [Fig. 1].3 ular settings in Britain were few and were usually char- The scene at Shrewsbury is painted on rectangular acterised by the practice of painting on glass in enamels. sheets of glass, although the large window is arched and Skilful use of the technique made it possible to achieve an its framework is subdivided into lancets. The shape of the effect that was similar to oil painting, and had dispensed window demonstrates the influence of the Gothic Revival with the need for leading coloured glass together in the for the design of the new Church of St Alkmund, which medieval manner. In the eighteenth century, exponents was a Georgian building of 1793–1795 built to replace the of the technique included William Price, William Peckitt, medieval church that had been pulled down. The Gothic Thomas Jervais and Francis Eginton, and although the ex- Revival was well underway in Britain by the second half quisite painterly qualities of the best of their windows are of the eighteenth century, particularly among aristocratic sometimes exceptional, their reputation was tarnished for patrons who built and re-fashioned their country homes many years following the rejection of the style in Britain with Gothic features, complete with furniture and stained during the mid-nineteenth century.1 glass inspired by the Middle Ages.
    [Show full text]
  • Henry Moore Institute Online Papers and Proceedings
    Jürgen Partenheimer Carola Giedion Welcker at Doldertal – A personal encounter between literature and art 9 June 2006 Source: Henry Moore Institute Online Papers and Proceedings www.henry-moore.org/hmi This article has been downloaded from the Henry Moore Institute’s collection of Online Papers and Proceedings, an online publishing facility bringing you the most recent developments in sculpture studies from both inside and outside the Institute. Here you'll find proceedings from many of the Institute's international conferences as well as the latest research from both up-and-coming and established scholars. Copyright remains with the author. Any reproduction must be authorised by the author. Contact: [email protected] The Henry Moore Institute is a world-recognised centre for the study of sculpture in the heart of Leeds. An award-winning exhibitions venue, research centre, library and sculpture archive, the Institute hosts a year-round programme of exhibitions, conferences and lectures, as well as developing research and publications, to expand the understanding and scholarship of historical and contemporary sculpture. The Institute is a part of The Henry Moore Foundation, which was set up by Moore in 1977 to encourage appreciation of the visual arts, especially sculpture. To subscribe our newsletter email: [email protected] www.twitter.com/HMILeeds 1 Jürgen Partenheimer Carola Giedion Welcker at Doldertal – A personal encounter between literature and art A glimpse rather than a profile. I Let me begin this short article with a quote from a letter, which Carola Giedion-Welcker wrote to me from Zurich on the 7th of October 1975: ‘Just now I have received Les Lauriers sont coupe’ by E.
    [Show full text]
  • Stained Glass in Ireland
    Stained Glass in Ireland By Coral - Daphne – Sofie – Uta Participant teachers in English Matters’ Programme Dublin, Ireland What? • art form • coloured glass • mosaic stained glass art can be: • Classic • Modern • Smooth • Painted • Rough • … A little bit of history… • Real origins of stained glass are lost • Egyptians and the Romans • 7th century churches and monasteries in Britain • Medieval times: western churches & mosques • 19th-20th century: revival Stained Glass in Ireland St Theresa’s, Dublin National Library, Dublin (Harry Clarke) Bewley’s Café, (Harry Clarke) Grafton Str., Dublin The An Túr Gloine ("Tower of Glass") cooperative studio • 1901 throughout the first half of the 20th century. • artists included Michael Healy, Evie Hone, Beatrice Elvery, Wilhelmina Geddes and founder Sarah Purser. • hoped to provide an alternative to the commercial stained glass imported from England and Germany • "perhaps the most noteworthy example of the newly- awakened desire to foster Irish genius" • Influences: Arts and Crafts Movement, Irish revivalism and the artistic tradition of Celtic manuscript illumination. Influences Design for Trellis Wallpaper, William Morris, 1862 Proserpine, Dante Gabriel Rossetti Harry Clarke (1889-1931) • studied at Belvedere College and the Dublin Metropolitan School of art. • commissions even outside Ireland (Australia, US) • also an illustrator • fine detail of his drawing use of rich colours (especially deep blues) an innovative integration of the window leading • influenced by the Art Nouveau and Art Deco movements the French Symbolist movement the Arts and Crafts movement and the Pre-Raphaelites in Britain the revival of the Celtic tradition Medieval as well as Gothic art Clarke’s Famous Works The Geneva Window St.
    [Show full text]
  • STORYTELLER SUPREME Maeve Binchy - a Literary Life
    UCD_OFC.qxd 15/05/2007 10:50 Page 1 UCD ISSUE 12, 2007 CONNECTIONS THE INTERNATIONAL MAGAZINE FOR UNIVERSITY COLLEGE DUBLIN ALUMNI ENVIRONMENT Frank McDonald on Urban Sprawl VIEW FROM HOME Anne Heraty on Business Success STORYTELLER SUPREME Maeve Binchy - A Literary Life PLUS: EARLSFORT CELEBRATES * RESEARCH HIGHLIGHTS * FUTURE FUELS * CLASS NOTES UCD_2-3.qxd 15/05/2007 10:54 Page 3 WELCOME WELCOME TO UCD CONNECTIONS Welcome to this year’s edition of UCD Connections. This magazine contains lots of news about our graduates, where they are and what they are doing. It also aims to keep you informed on developments at your university. In October 2006, the university launched the Gateway Project – a major international architecture competition involving the redevelopment of some 10 hectares around the main entrance of the Belfield campus. The project challenged architects to create a defining structural feature for UCD to serve both as an internationally recognisable landmark and also meet extensive functional requirements. It is to comprise academic, cultural, leisure and business facilities and it marks the start of a 15-year Development Plan for a sustainable, healthy and living campus. Against this backdrop, another important episode of UCD history is playing out. Earlsfort Terrace has been sold to the State to facilitate the redevelopment of the National Concert Hall. UCD can now complete the move to Belfield and deliver on the vision set out by Michael Tierney, President of the university in the 1960s. As we say farewell to Earlsfort Terrace, I am reminded of the origins of that building, which for 124 years played such a central role in UCD life.
    [Show full text]
  • The Birth of String Theory
    THE BIRTH OF STRING THEORY String theory is currently the best candidate for a unified theory of all forces and all forms of matter in nature. As such, it has become a focal point for physical and philosophical dis- cussions. This unique book explores the history of the theory’s early stages of development, as told by its main protagonists. The book journeys from the first version of the theory (the so-called Dual Resonance Model) in the late 1960s, as an attempt to describe the physics of strong interactions outside the framework of quantum field theory, to its reinterpretation around the mid-1970s as a quantum theory of gravity unified with the other forces, and its successive developments up to the superstring revolution in 1984. Providing important background information to current debates on the theory, this book is essential reading for students and researchers in physics, as well as for historians and philosophers of science. andrea cappelli is a Director of Research at the Istituto Nazionale di Fisica Nucleare, Florence. His research in theoretical physics deals with exact solutions of quantum field theory in low dimensions and their application to condensed matter and statistical physics. elena castellani is an Associate Professor at the Department of Philosophy, Uni- versity of Florence. Her research work has focussed on such issues as symmetry, physical objects, reductionism and emergence, structuralism and realism. filippo colomo is a Researcher at the Istituto Nazionale di Fisica Nucleare, Florence. His research interests lie in integrable models in statistical mechanics and quantum field theory. paolo di vecchia is a Professor of Theoretical Physics at Nordita, Stockholm, and at the Niels Bohr Institute, Copenhagen.
    [Show full text]
  • Reading Comprehension Based on Neologisms in the Harry Potter Series
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Zagreb Faculty of Teacher Education - Digital repository SVEUČILIŠTE U ZAGREBU UČITELJSKI FAKULTET ODSJEK ZA UČITELJSKE STUDIJE KATARINA MARUŠIĆ DIPLOMSKI RAD READING COMPREHENSION BASED ON NEOLOGISMS IN THE HARRY POTTER SERIES Zagreb, rujan 2015. SVEUČILIŠTE U ZAGREBU UČITELJSKI FAKULTET ODSJEK ZA UČITELJSKE STUDIJE Petrinja PREDMET: ENGLESKI JEZIK UČITELJSKE STRUKE DIPLOMSKI RAD Ime i prezime pristupnika: Katarina Marušić TEMA DIPLOMSKOG RADA: Reading Comprehension Based on Neologisms in the Harry Potter Series MENTOR: Doc. dr. sc. Renata Šamo SUMENTOR: Alenka Mikulec, prof. Zagreb, rujan 2015. 2 For Lukas. My dearest, always remember: Happiness can be found even in the darkest of times, if one only remembers to turn on the light. A. Dumbledore 3 CONTENTS CONTENTS ........................................................................................................................... 4 SAŽETAK ............................................................................................................................ 5 SUMMARY .......................................................................................................................... 5 1. INTRODUCTION ............................................................................................................. 6 2. READING ......................................................................................................................... 7 2.1. What is Reading?
    [Show full text]
  • Arts & Crafts Stained Glass
    Event Review: Summer lecture Friday 19 June : ‘Exploring Arts & Crafts Stained Glass: a 40-year adventure in light and colour – an illustrated lecture’ by Peter Cormack he lecture was an introduction to some of the main themes Tof the speaker’s newly-published book, Arts & Crafts Stained Glass (Yale University Press for the Paul Mellon Centre for Studies in British Art). He began by saying that his discovery of this rich field of research had begun when he was a student at Cambridge in the 1970s, and had developed particularly during his thirty years working as a curator at the William Morris Gallery in London. He paid tribute to the work of other scholars in the field, especially Martin Harrison’s V ictorian Stained Glass , Birkin Haward’s two books on 19th-century glass in Norfolk and Suffolk and Nicola Gordon Bowe’s studies of Irish stained glass. He also emphasized the critical importance of ‘field-work’ – actually going to the places where windows are located to see them in their architectural context. He felt that the internet, with its wealth of images, could sometimes deter people from studying stained glass properly. This was why the BSMGP’s conferences, with their focussed study-visits to churches and other sites, were such a valuable exercise. He then took us through the main narrative of his book, beginning with the pioneers who, from the late 1870s onwards, had championed stained glass as a modern and expressive art form, instead of the formulaic and imitative productions of firms like C. E. Kempe. Henry Holiday was one of the most effective campaigners against commercialism and historicism: his windows Christopher Whall: detail of window in Gloucester Cathedral Lady Chapel, 1901 feature superb figure-drawing combined with a real knowledge of his craft.
    [Show full text]
  • Spring 2017 Greetings from the President
    C ommencement Commencement SPRING 2017 Greetings from the President n behalf of the University of Florida, our faculty and our entire university community, I would like to extend my deepest congratulations to you, the Doctoral Graduates Oof 2017. Today’s ceremony celebrates your remarkable accomplishment in earning a doctoral degree from one of the world’s leading research institutions. I applaud you for your years dedicated to in-depth scholarship, thoughtful analysis and meticulous presentation of your findings. I join you in thanking your faculty advisor, mentors and the family and friends who have supported you in your journey to reach this day. Today is a day for celebration, and also for reflection on your future. Whether you choose to pursue a career in academe, the private sector, government or the nonprofit world, I am confident that the research and analysis skills you honed as a doctoral student will serve you well. The complexity and global nature of today’s professional opportunities demand nothing less. The university has benefited from your research work, teaching, insights and discoveries, and we are grateful to you for your time here. We hope you will recall these years fondly, and that you will remain connected to UF as active members of our distinguished alumni. Good luck, best wishes, and Go Gators! W. Kent Fuchs University of Florida President Dr. W. Kent Fuchs Dr. Kent Fuchs became the 12th president of the University of Florida in January 2015. Under President Fuchs’ leadership, the university has developed shared goals for the decade ahead. UF’s overarching aspiration is to be a premier comprehensive university that the state, nation and world look to for leadership.
    [Show full text]
  • Download Our 2021 Catalogue
    Contents Customer Service Information 2 Medieval Studies 3–11 Trinity Medieval Ireland Series 6–7 Dublin City Council Series 12 Early Modern Studies 12, 14 Local History 15 Modern Studies 13–23 Irish Legal History Society Series 8, 14, 20 20th-Century Studies 24–31 Media Studies 28 Science 29 The Making of Dublin City Series 31 Music 32 Folklore 33 National University of Ireland Publications 33 Select Backlist 34–5 Order Form 36 2 7 Malpas Street Dublin 8, D08 YD81 Four Courts Press Four Courts Ireland Tel.: International + 353-1-4534668 Web: www.fourcourtspress.ie Four Courts Press Email: [email protected] Well our 50th anniversary year (2020) didn’t go exactly to plan . and for a myriad of covid reasons our schedule of publications fell somewhat behind. So as we head out into a new year, with a little more hope now perhaps, some of our ‘friends’ from last year are to be found among an exciting new list of books for 2021. We embark on our journey this year in the company of Adomnán and Columba, and meet along the way William Marshal, Prior John de Pembridge and the swashbuckling Captain Cuéllar. After a sojourn along the streets of medieval Dublin we visit the Elizabethan Quadrangle at Trinity College, before surveying the final stand of the rebels on Vinegar Hill. We chart the rise and fall of the Orange Order during the Great Famine, examine the lavish contents of country houses, and chronicle the remarkable career of Teresa Ball, founder of the Loreto schools. Along the way we review the changing fortunes of Henrietta Street in Dublin, the politics and political culture of the long eighteenth century in Ireland, a new history of the city and county of Limerick, and we hear harp music from around the world.
    [Show full text]