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The Gothic Revival Character of Ecclesiastical Stained Glass in Britain
Folia Historiae Artium Seria Nowa, t. 17: 2019 / PL ISSN 0071-6723 MARTIN CRAMPIN University of Wales THE GOTHIC REVIVAL CHARACTER OF ECCLESIASTICAL STAINED GLASS IN BRITAIN At the outset of the nineteenth century, commissions for (1637), which has caused some confusion over the subject new pictorial windows for cathedrals, churches and sec- of the window [Fig. 1].3 ular settings in Britain were few and were usually char- The scene at Shrewsbury is painted on rectangular acterised by the practice of painting on glass in enamels. sheets of glass, although the large window is arched and Skilful use of the technique made it possible to achieve an its framework is subdivided into lancets. The shape of the effect that was similar to oil painting, and had dispensed window demonstrates the influence of the Gothic Revival with the need for leading coloured glass together in the for the design of the new Church of St Alkmund, which medieval manner. In the eighteenth century, exponents was a Georgian building of 1793–1795 built to replace the of the technique included William Price, William Peckitt, medieval church that had been pulled down. The Gothic Thomas Jervais and Francis Eginton, and although the ex- Revival was well underway in Britain by the second half quisite painterly qualities of the best of their windows are of the eighteenth century, particularly among aristocratic sometimes exceptional, their reputation was tarnished for patrons who built and re-fashioned their country homes many years following the rejection of the style in Britain with Gothic features, complete with furniture and stained during the mid-nineteenth century.1 glass inspired by the Middle Ages. -
Free Catholic Monthly Newspaper
FREE CATHOLIC MONTHLY NEWSPAPER TDS AND SENATORS CRITICISE PERSECUTION ALIVE!NO. 267 SEPTEMBER 2020 | NATIONWIDE DISTRIBUTION | WWW.ALIVE.IE | OF UYGHURS PAGE 2 CHELSEA CHILDHOOD SHOULD BE FREE OF ADULT GENDER STRIKER’S POLITICS PAGE 3 REAL GOAL CORK EVENT CLOSES THE DISTANCE FOR YOUTH PAGE 3 FR. PAT COLLINS – helsea striker Olivier Giroud on-line course to achieve this. “I HOLISTIC HEALING PAGE 7 has always practised his highly recommend it. Don’t hesi- CCatholic faith. And he puts tate to do it. It’s fantastic and you that faith into action, as last year, won’t be disappointed,” the Chelsea he, along with several other Chris- footballer explained. tian players, organised a gala event in London, to raise money for St. Mary’s, in Cork, this year, ran persecuted Christians. “It is unim- the same course that Giroud rec- aginable to see so many persecuted ommends and they are running a Christians in the world today. We have to talk about it. There needs to similar course online, in Septem- be awareness,” said Giroud. ber. It is open to all, to those who Also a goal of Giroud, as he believe or those who are searching revealed recently, is to “know more for some of life’s answers. Email about Jesus Christ’s life.” In the [email protected] for TWO WOMEN DIE AFTER past month he has completed an further details. TAKING ABORTION PILLS IN BRITAIN PAGE 11 THE BLUE WAVE: A PRO-LIFE TIDE IS SWEEPING SOUTH AMERICA PAGE 4 • The content of the newspaper ALIVE! and the views expressed in it are those of the editor and contributors, and do not necessarily represent the views of the Irish Dominican Province. -
The Life and Works of Beatrice Elvery, 1881-1920
Nationalism, Motherhood, and Activism: The Life and Works of Beatrice Elvery, 1881-1920 Melissa S. Bowen A Thesis Submitted to the Department of History California State University Bakersfield In Partial Fulfillment of the Requirements for the Degree of Master of Arts in History May 2015 Copyright By Melissa S. Bowen 2015 Acknowledgments I am incredibly grateful for the encouragement and support of Cal State Bakersfield’s History Department faculty, who as a group worked closely with me in preparing me for this fruitful endeavor. I am most grateful to my advisor, Cliona Murphy, whose positive enthusiasm, never- ending generosity, and infinite wisdom on Irish History made this project worthwhile and enjoyable. I would not have been able to put as much primary research into this project as I did without the generous scholarship awarded to me by Cal State Bakersfield’s GRASP office, which allowed me to travel to Ireland and study Beatrice Elvery’s work first hand. I am also grateful to the scholars and professionals who helped me with my research such as Dr. Stephanie Rains, Dr. Nicola Gordon Bowe, and Rector John Tanner. Lastly, my research would not nearly have been as extensive if it were not for my hosts while in Ireland, Brian Murphy, Miriam O’Brien, and Angela Lawlor, who all welcomed me into their homes, filled me with delicious Irish food, and guided me throughout the country during my entire trip. List of Illustrations Sheppard, Oliver. 1908. Roisin Dua. St. Stephen's Green, Dublin. 2 Orpen, R.C. 1908. 1909 Seal. The Royal Institute of the Architects of Ireland, Dublin. -
Register of Insurance & Reinsurance Intermediaries European
Register of Insurance & Reinsurance Intermediaries European Communities (Insurance Mediation) Regulations, 2005 Insurance Mediation Register: A list of Insurance & Reinsurance Intermediaries registered under the European Communities (Insurance Mediation) Regulations, 2005 (as amended). Registration of insurance/reinsurance intermediaries by the Central Bank of Ireland, does not of itself make the Central Bank of Ireland liable for any financial loss incurred by a person because the intermediary, any of its officers, employees or agents has contravened or failed to comply with a provision of these regulations, or any condition of the intermediary’s registration, or because the intermediary has become subject to an insolvency process. Ref No. Intermediary * Registered As Registered on Tied to** Persons Responsible*** Passporting Into C98 Gerry Owens Insurance Intermediary 31 July 2007 t/a Negotiators 1A Lislee Road Maryborough Douglas Co. Cork C100 Richard A Pratt Insurance Intermediary 29 June 2007 t/a Richard Pratt & Co Main Street Ballincollig Co Cork C136 Michael Creedon Insurance Intermediary 29 February 2008 t/a Cork Accounting Services Ballyvourney Co Cork C153 Norca Limited Insurance Intermediary 31 July 2007 Joe Cashin t/a EBS Drumcondra, EBS Swords, EBS Tallaght 8 Upper Drumcondra Road Drumcondra Dublin 9 C160 Barney Kiernan Insurance Intermediary 31 July 2007 Linenhall Street Castlebar Co Mayo C366 Melrose Finance Limited Insurance Intermediary 31 October 2007 John Murphy United Kingdom (FOS) Melrose House Dundrum Road Dundrum -
THS NEWSLETTER No. 1
THS NEWSLETTER No. 1 n TULSK HISTORY SOCIETY NEWSLETTER No. 1 July 2021 THS NEWSLETTER No. 1 Tulsk History Society [email protected] Members: Cathal McCormack (Chair), Mary Kelly, Deirdre Jones, John Higgins, Mike Lennon (Secretary), Pauline Jones, Catherine McGuire, Eileen Beirne, Noel Sheerin (Archivist), Maeve Hanley, Jim Dockery, Jody Moylan (PRO), Darragh Kelly, Therese Hanley (Treasurer), Fergus Moffitt, Michael Jones. WELCOME IT IS WITH great enthusiasm that we welcome our readers to Tulsk History Society’s very first newsletter. We hope this will be the first of many, in the Society’s aim of celebrating the rich history of the parish. From our initial steps only a few short months ago we have built up an enthusiastic membership and committee. We hope to push on to even better things as the year progresses. As we have mentioned elsewhere (in our constitution and on social media) the aim of the society is to pursue and promote all aspects of local history, be it social, cultural, political or economic, as well as our archaeological heritage, traditions, folklore, arts, crafts and games. The newsletter is our first venture into having our own publication, which will cover the broad range of history that is on our doorsteps. A collection of archival material is already gathering pace with contributions, and we hope our newsletters will form a central part of that archive going forward. We hope you enjoy reading, and please feel free to drop us a line through our email above. Membership details are included at the end. In this month’s edition our cover story, by Cathal McCormack, looks at the Cloonyquinn origins of the famous French family, while Mary Kelly takes a deep dive into the Dúchas Folklore Collection, of 1935, and its many contributions from the schools of the parish. -
West of Ireland Paintings at the National Gallery of Ireland from 1800 to 2000
West of Ireland Paintings at the National Gallery of Ireland from 1800 to 2000 I The West of Ireland National Gallery of Ireland / Gailearaí Náisiúnta na hÉireann West of Ireland Paintings at the National Gallery of Ireland from 1800 to 2000 Marie Bourke With contributions by Donal Maguire And Sarah Edmondson II Contents 5 Foreword, Sean Rainbird, Director, National Gallery of Ireland 23 The West as a Significant Place for Irish Artists Contributions by Donal Maguire (DM), Administrator, Centre for the Study of Irish Art 6 Depicting the West of Ireland in the Nineteenth and Twentieth Centuries, Dr Marie Bourke, Keeper, Head of Education 24 James Arthur O’Connor (1792–1841), The Mill, Ballinrobe, c.1818 25 George Petrie (1790–1866), Pilgrims at Saint Brigid’s Well, Liscannor, Co. Clare, c.1829–30 6 Introduction: The Lure of the West 26 Frederic William Burton (1816–1900), In Joyce Country (Connemara, Co. Galway), c.1840 6 George Petrie (1790–1866), Dún Aonghasa, Inishmore, Aran Islands, c.1827 27 Frederic William Burton (1816–1900), The Aran Fisherman’s Drowned Child, 1841 8 Timeline: Key Dates in Irish History and Culture, 1800–1999 28 Augustus Burke (c.1838–1891), A Connemara Girl 10 Curiosity about Ireland: Guide books, Travel Memoirs 29 Bartholomew Colles Watkins (1833–1891), A View of the Killaries, from Leenane 10 James Arthur O’Connor (1792–1841), A View of Lough Mask 30 Aloysius O’Kelly (1853–1936), Mass in a Connemara Cabin, c.1883 11 Frederic William Burton (1816–1900), Paddy Conneely (d.1850), a Galway Piper 31 Walter Frederick Osborne (1859–1903), A Galway Cottage, c.1893 32 Jack B. -
June 2018 Welcome Mike Hausberg
JUNE 2018 WELCOME MIKE HAUSBERG Welcome to The Old Globe and this production of The Tempest. Our goal is to serve all of San Diego and beyond through the art of theatre. Below are the mission and values that drive our work. We thank you for being a crucial part of what we do. MISSION STATEMENT The mission of The Old Globe is to preserve, strengthen, and advance American theatre by: creating theatrical experiences of the highest professional standards; producing and presenting works of exceptional merit, designed to reach current and future audiences; ensuring diversity and balance in programming; providing an environment for the growth and education of theatre professionals, audiences, and the community at large. STATEMENT OF VALUES The Old Globe believes that theatre matters. Our commitment is to make it matter to more people. The values that shape this commitment are: TRANSFORMATION Theatre cultivates imagination and empathy, enriching our humanity and connecting us to each other by bringing us entertaining experiences, new ideas, and a wide range of stories told from many perspectives. INCLUSION The communities of San Diego, in their diversity and their commonality, are welcome and reflected at the Globe. Access for all to our stages and programs expands when we engage audiences in many ways and in many places. EXCELLENCE Our dedication to creating exceptional work demands a high standard of achievement in everything we do, on and off the stage. STABILITY Our priority every day is to steward a vital, nurturing, and financially secure institution that will thrive for generations. IMPACT Our prominence nationally and locally brings with it a responsibility to listen, collaborate, and act with integrity in order to serve. -
12/05/2005 Case Announcements #2, 2005-Ohio-6408.]
CASE ANNOUNCEMENTS AND ADMINISTRATIVE ACTIONS December 5, 2005 [Cite as 12/05/2005 Case Announcements #2, 2005-Ohio-6408.] MISCELLANEOUS ORDERS On December 2, 2005, the Supreme Court issued orders suspending 13,800 attorneys for noncompliance with Gov.Bar R. VI, which requires attorneys to file a Certificate of Registration and pay applicable fees on or before September 1, 2005. The text of the entry imposing the suspension is reproduced below. This is followed by a list of the attorneys who were suspended. The list includes, by county, each attorney’s Attorney Registration Number. Because an attorney suspended pursuant to Gov.Bar R. VI can be reinstated upon application, an attorney whose name appears below may have been reinstated prior to publication of this notice. Please contact the Attorney Registration Section at 614/387-9320 to determine the current status of an attorney whose name appears below. In re Attorney Registration Suspension : ORDER OF [Attorney Name] : SUSPENSION Respondent. : : [Registration Number] : Gov.Bar R. VI(1)(A) requires all attorneys admitted to the practice of law in Ohio to file a Certificate of Registration for the 2005/2007 attorney registration biennium on or before September 1, 2005. Section 6(A) establishes that an attorney who fails to file the Certificate of Registration on or before September 1, 2005, but pays within ninety days of the deadline, shall be assessed a late fee. Section 6(B) provides that an attorney who fails to file a Certificate of Registration and pay the fees either timely or within the late registration period shall be notified of noncompliance and that if the attorney fails to file evidence of compliance with Gov.Bar R. -
Stained Glass in Ireland
Stained Glass in Ireland By Coral - Daphne – Sofie – Uta Participant teachers in English Matters’ Programme Dublin, Ireland What? • art form • coloured glass • mosaic stained glass art can be: • Classic • Modern • Smooth • Painted • Rough • … A little bit of history… • Real origins of stained glass are lost • Egyptians and the Romans • 7th century churches and monasteries in Britain • Medieval times: western churches & mosques • 19th-20th century: revival Stained Glass in Ireland St Theresa’s, Dublin National Library, Dublin (Harry Clarke) Bewley’s Café, (Harry Clarke) Grafton Str., Dublin The An Túr Gloine ("Tower of Glass") cooperative studio • 1901 throughout the first half of the 20th century. • artists included Michael Healy, Evie Hone, Beatrice Elvery, Wilhelmina Geddes and founder Sarah Purser. • hoped to provide an alternative to the commercial stained glass imported from England and Germany • "perhaps the most noteworthy example of the newly- awakened desire to foster Irish genius" • Influences: Arts and Crafts Movement, Irish revivalism and the artistic tradition of Celtic manuscript illumination. Influences Design for Trellis Wallpaper, William Morris, 1862 Proserpine, Dante Gabriel Rossetti Harry Clarke (1889-1931) • studied at Belvedere College and the Dublin Metropolitan School of art. • commissions even outside Ireland (Australia, US) • also an illustrator • fine detail of his drawing use of rich colours (especially deep blues) an innovative integration of the window leading • influenced by the Art Nouveau and Art Deco movements the French Symbolist movement the Arts and Crafts movement and the Pre-Raphaelites in Britain the revival of the Celtic tradition Medieval as well as Gothic art Clarke’s Famous Works The Geneva Window St. -
The Baptistery Window at St Mary's
The Baptistery Window at St Mary’s We are fortunate in St Mary’s in having what is widely regarded to be one of the most beautiful churches in Dublin. It is very much appreciated by the many visitors who come here, particularly during the summer months. In our visitors’ book one finds expressions of appreciation both for the spirit of our community Eucharist and the beauty of our church. This is something that we are proud of and is worth celebrating. Central to the interior of the church is the stained glass. One author has noted that: ’St. Mary’s is fortu- nate to have such a rich variety of stained glass and it provides parishioners and visitors alike with an opportunity to see and appreciate European and Irish stained-glass side by side.’ One of the more hidden pieces of stained glass of St Mary’s church is in the baptistery, near the front door, on the left as one enters the church. This is The Baptism of the Lord by Beatrice Elvery, which is one of four very beautiful, interesting and historically important pieces of Irish stained glass in the church, the others being A.E. Child’s ( 875-1939) St Cecilia, created in 1910, and the two very impres- sive windows by the Earley company, Christ the King, a work that dates to the 1920s and the great Rose Window, created in 1940. Beatrice Elvery (1881-1970), later known a Lady Glenavy, was a painter, stained glass artist and sculp- tor. She was the second daughter of the Dublin businessman, William Elvery, whose family originated from Spain where they were silk merchants. -
James S. Jaffe Rare Books Llc
JAMES S. JAFFE RARE BOOKS LLC OCCASIONAL LIST: NEW YORK ANTIQUARIAN BOOK FAIR 2020 P. O. Box 930 Deep River, CT 06417 Tel: 212-988-8042 Email: [email protected] Website: www.jamesjaffe.com Member Antiquarian Booksellers Association of America / International League of Antiquarian Booksellers All items are offered subject to prior sale. Libraries will be billed to suit their budgets. Digital images are available upon request. WITH AN ORIGINAL PHOTOGRAPH 1. [ART – BURCKHARDT] KATZ, Vincent & Rudy BURCKHARDT. Boulevard Transportation. Tall 8vo, illustrated with photographs by Rudy Burkhardt, original pictorial wrappers. N.Y.: Tibor de Nagy Editions, 1997. First edition. One of 26 lettered copies signed by the artist and poet, and with an original photographic print by Burckhardt, signed with the title “Rain Pavement” and dated 1995 in pencil on the back, tipped in as a frontispiece. The image “Rain Pavement” is not one of the images reproduced in the book. A fine copy. $3,500.00 2. [ART – CELMINS] CELMINS, Vija. Drawings of the Night Sky. Oblong folio, illustrated, original linen, in publisher’s card slipcase. London: Anthony d’Offay, (2001). First edition. Limited to 480 copies signed by Celmins. Comprises portraits of the artist by Hendrika Sonnenberg and Leo Holub, reproductions of drawings by Celmins, and an essay entitled “Night Skies: The Distance Between Things” and an interview with the artist by Adrian Searle. Laid in is a separately printed insert with a portrait of the artist by James Lingwood and, on the verso, William Butler Yeats’s poem “The Lake Isle of Inisfree.” As new. $500.00 INSCRIBED BY KANDINSKY TO JAMES JOHNSON SWEENEY 3. -
September 2020 | Nationwide Distribution | | of Uyghurs Page 2 Chelsea Childhood Should Be Free of Adult Gender Striker’S Politics Page 3
FREE CATHOLIC MONTHLY NEWSPAPER TDS AND SENATORS CRITICISE PERSECUTION ALIVE!NO. 267 SEPTEMBER 2020 | NATIONWIDE DISTRIBUTION | WWW.ALIVE.IE | OF UYGHURS PAGE 2 CHELSEA CHILDHOOD SHOULD BE FREE OF ADULT GENDER STRIKER’S POLITICS PAGE 3 REAL GOAL CORK EVENT CLOSES THE DISTANCE FOR YOUTH PAGE 3 FR. PAT COLLINS – helsea striker Olivier Giroud on-line course to achieve this. “I HOLISTIC HEALING PAGE 7 has always practised his highly recommend it. Don’t hesi- CCatholic faith. And he puts tate to do it. It’s fantastic and you that faith into action, as last year, won’t be disappointed,” the Chelsea he, along with several other Chris- footballer explained. tian players, organised a gala event in London, to raise money for St. Mary’s, in Cork, this year, ran persecuted Christians. “It is unim- the same course that Giroud rec- aginable to see so many persecuted ommends and they are running a Christians in the world today. We have to talk about it. There needs to similar course online, in Septem- be awareness,” said Giroud. ber. It is open to all, to those who Also a goal of Giroud, as he believe or those who are searching revealed recently, is to “know more for some of life’s answers. Email about Jesus Christ’s life.” In the [email protected] for TWO WOMEN DIE AFTER past month he has completed an further details. TAKING ABORTION PILLS IN BRITAIN PAGE 11 THE BLUE WAVE: A PRO-LIFE TIDE IS SWEEPING SOUTH AMERICA PAGE 4 • The content of the newspaper ALIVE! and the views expressed in it are those of the editor and contributors, and do not necessarily represent the views of the Irish Dominican Province.