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Moving Ahead with the Stevens Competition
the WORSHIPFUL COMPANY of GLAZIER S & PAINTERS OF GLASS Issue Number 63 Spring 20 21 the 2020 competition or do it differently. Then came lockdown two! No problem, Moving ahead We chose the latter. we have been here before. We reintroduced Firstly, we delayed the entry date by four the Design Only category and sat back. with the Stevens months in the hope that lockdown would be Inevitably, lockdown three arrived, so the eased in time for participants to complete entry date has been delayed to July and Competition their work. This worked. Secondly, we Prizegiving until October. Judging will be introduced a new type of entry, Design Only, virtual again and we have a panel of judges BRIAN GREEN reports: Organising the which allowed competitors to submit their who are looking forward to the challenge. Stevens Competition in 2020 and 2021 has design but removed the need to produce a The delay has been used to widen the been quite a game! So far, the Glaziers are sample panel. This worked; roughly 40% of potential field of entry; translations of the in the lead and we intend to keep it that way. the entries fell into this category. Thirdly, the brief have been circulated in Spanish, French The original game plan for Stevens 2020 decision was taken to judge the competition and German. had to be abandoned when the country online. This worked surprisingly well. We hope Stevens 2022 will be more went into the first lockdown in March 2020 At the end of the day the Prizegiving was straightforward. -
(Shakey) Bridge History
A History of Daly’s Bridge & Surrounds, Cork DR KIERAN MCCARTHY WWW.CORKHERITAGE.IE Entering Cork History Cork has experienced every phase of Irish urban development Each phase informing the next phase Challenge of engineering a city upon a swamp –reclamation issues Challenge of the city’s suburban topography and the hills and geology Some eras are busier in development than other eras ➢ Some sites are more pivotal than others for the city’s development ➢ Some sites have become more famous than others in the city’s development ➢ Mardyke area and site of Daly’s Bridge were and are very important (three centuries in the making) Both the latter looked at first in the early eighteenth century …pre 1700… to 1750 Corke c.1601 (Hardiman Collection TCD) Early 1700s Expansion Spread Source: Charles Smith, 1750 (Source: Cork City Library) Joseph O’Connor, 1774 (source: Cork City Library) Joseph O’Connor, 1774 (source: Cork City Library) Beauford 1801 (Source: Cork City Library) John Carr, Cork from the Mardyke Walk, 1806 (source: Crawford Art Gallery) Beauford, 1801 (source: Cork City Library) The Ferry Site: Ferry rights across the River Lee to the market were passed down from the Weber family to the Carlton family and then came to the Dooley family. In August 1824, it is recorded in the Cork Constitution newspaper that John Dooley of the Ferry Walk Sunday’s Well claimed compensation in consequence of the new Wellington Bridge to be built near the western end of the Mardyke. Mr Dooley claimed that his ferry rights would be injured. He had held the ferry for many years, but on cross-examination he admitted that he had no exclusive rights. -
Dorothy Cross Dorothy Cross B
Kerlin Gallery Dorothy Cross Dorothy Cross b. 1956, Cork, Ireland Like many of Dorothy Cross’ sculptures, Family (2005) and Right Ball and Left Ball (2007) sees the artist work with found objects, transforming them with characteristic wit and sophistication. Right Ball and Left Ball (2007) presents a pair of deflated footballs, no longer of use, their past buoyancy now anchored in bronze. Emerging from each is a cast of the artist’s hands, index finger extended upwards in a pointed gesture suggesting optimism or aspiration. In Family (2005) we see the artist’s undeniable craft and humour come together. Three spider crabs were found, dead for some time but still together. The intricacies of their form and the oddness of their sideways maneuvres forever cast in bronze. The ‘father’ adorned with an improbable appendage also pointing upwards and away. --- Working in sculpture, film and photography, Dorothy Cross examines the relationship between living beings and the natural world. Living in Connemara, a rural area on Ireland’s west coast, the artist sees the body and nature as sites of constant change, creation and destruction, new and old. This flux emerges as strange and unexpected encounters. Many of Cross’ works incorporate items found on the shore, including animals that die of natural causes. During the 1990s, the artist produced a series of works using cow udders, which drew on the animals' rich store of symbolic associations across cultures to investigate the construction of sexuality Dorothy Cross Right Ball and Left Ball 2007 cast bronze, unique 34 x 20 x 19 cm / 13.4 x 7.9 x 7.5 in 37 x 19 x 17 cm / 14.6 x 7.5 x 6.7 in DC20407A Dorothy Cross Family 2005 cast bronze edition of 2/4 dimensions variable element 1: 38 x 19 x 20 cm / 15 x 7.5 x 7.9 in element 2: 25 x 24 x 13 cm / 9.8 x 9.4 x 5.1 in element 3: 16 x 15 x 13 cm / 6.3 x 5.9 x 5.1 in DC17405-2/4 Dorothy Cross b. -
Urban October 2018
FREE URBAN OCTOBER IN CORK LIFE IN THE CITY During October you are invited to look at Cork City Centre through fresh eyes – to re-discover and re-engage with our city and to celebrate its advantages and attractions. Whatever your age or interest, you can enjoy ‘life in the city’ with plenty of events, all free. Cork prides itself as the rebel city, and is always different – so our Urban October programme actually starts in September. Urban October in Cork is supported and organised by Cork City Council and EcCoWeLL. It showcases how well designed and managed public spaces have a positive impact on people who live in, visit or work in the city. It’s inspired by the Urban October initiative of the United Nations, which aims to make cities “inclusive, safe, resilient and sustainable.” Details correct at time of going to press. For updates see www.corkcitycentre.ie email [email protected] Twitter: @corkcitycentre Facebook: citycentrecork Photos of city centre by Jim McCarthy, Joleen Cronin, Jim Coughlan, Kevin O Brien HIGHLIGHTS DOUGLAS ST REET FEST IVAL SELFIE COMPETIT ION The 160 year old Berwick Fountain on the Grand Parade was recently refurbished. To celebrate, take a selfie during October next to the fountain & post it on Twitter, Facebook or Instagram with the hashtag #urbanoctober. All selfies entered into a draw for a €100 voucher for Electric Restaurant. Closing date October 31. One entry per person, terms & conditions apply. Sunday Oct 7th (11am - 1pm) Wednesday Oct 17th (1pm - 2pm) FAMILY FUN ON GRAND PARADE NORDIC WALKING ON Urban October offers a range of family fun ST PATRICK’S HILL activities for all ages on the Boardwalk, Grand Cork Sports Partnership invites you to try Parade, with outdoor games, music & more, Nordic Walking - ‘using the sticks for a fitness including: fix.’ Limited spaces available, call Cork Sports • Cork Sports Partnership invites older Partnership on 021 434 7096 or email info@ adults to enjoy Go For Life! Games - a corksports.ie to book your place. -
West of Ireland Paintings at the National Gallery of Ireland from 1800 to 2000
West of Ireland Paintings at the National Gallery of Ireland from 1800 to 2000 I The West of Ireland National Gallery of Ireland / Gailearaí Náisiúnta na hÉireann West of Ireland Paintings at the National Gallery of Ireland from 1800 to 2000 Marie Bourke With contributions by Donal Maguire And Sarah Edmondson II Contents 5 Foreword, Sean Rainbird, Director, National Gallery of Ireland 23 The West as a Significant Place for Irish Artists Contributions by Donal Maguire (DM), Administrator, Centre for the Study of Irish Art 6 Depicting the West of Ireland in the Nineteenth and Twentieth Centuries, Dr Marie Bourke, Keeper, Head of Education 24 James Arthur O’Connor (1792–1841), The Mill, Ballinrobe, c.1818 25 George Petrie (1790–1866), Pilgrims at Saint Brigid’s Well, Liscannor, Co. Clare, c.1829–30 6 Introduction: The Lure of the West 26 Frederic William Burton (1816–1900), In Joyce Country (Connemara, Co. Galway), c.1840 6 George Petrie (1790–1866), Dún Aonghasa, Inishmore, Aran Islands, c.1827 27 Frederic William Burton (1816–1900), The Aran Fisherman’s Drowned Child, 1841 8 Timeline: Key Dates in Irish History and Culture, 1800–1999 28 Augustus Burke (c.1838–1891), A Connemara Girl 10 Curiosity about Ireland: Guide books, Travel Memoirs 29 Bartholomew Colles Watkins (1833–1891), A View of the Killaries, from Leenane 10 James Arthur O’Connor (1792–1841), A View of Lough Mask 30 Aloysius O’Kelly (1853–1936), Mass in a Connemara Cabin, c.1883 11 Frederic William Burton (1816–1900), Paddy Conneely (d.1850), a Galway Piper 31 Walter Frederick Osborne (1859–1903), A Galway Cottage, c.1893 32 Jack B. -
Cork City August 2019
CORK CITY AUGUST 2019 MOTHER JONES FLEA FEM – ALE CELEBRATING THE LEE SESSIONS BAM CORK CITY SPORTS MARKET WOMEN IN BREWING TRADITIONAL MUSIC 14 AUGUST YORK HILL OFF AUGUST 9 TO 10 WWW.THELEESESSIONS.IE CIT STADIUM MACCURTAIN ST FRANCISCAN WELL NORTH BISHOPSTOWN FRIDAY TO SUNDAY MALL WWW.CORKSPORTSDAY. 10AM TO 6PM WWW.FRANCISCANWELLBR IE FB/MOTHERJONESFLEAM EWERY.COM ARKET DATE TIME CATEGORY EVENT VENUE & CONTACT PRICE Monday 7.30pm Dancing Learn Irish Dancing Crane Lane Theatre Phoenix St €5 www.cranelanetheatre.ie Monday 9pm Blues One Horse Pony Franciscan Well North Mall Free 0214393434 Monday 6.30pm Trad Music Traditional Music Sin é Coburg St Free 0214502266 Monday 9.30pm Poetry O’Bheal Poetry Night The Hayloft @ The Long Valley Free Winthrop St www.obheal.ie Monday 9pm Music Rebel Red Sessions- Costigan’s Pub Washington St Free Roy Buckley 0214273340 Monday 9pm Band The Americhanics Coughlan’s Douglas St Free www.coughlans.ie Tuesday 8.30pm Trad Session Traditional Music Session The Franciscan Well North Mall Free 0214393434 Tuesday 8.30pm Comedy Comedy Cavern Coughlan’s Douglas St Free www.coughlans.ie Tuesday 7pm Comedy History Hysterical Histories – A An Spailpín Fánach South Main €28/€25/€2 Unique Dinner Theatre St 0876419355 0 Experience Tuesday 12noon Butter Butter Making Cork Butter Museum O’Connell €4/€3 Demonstration Sq. Shandon www.corkbutter.museum Tuesday 9.30pm Music Rebel Red Sessions - Costigan’s Pub Washington St Free Lee O’Donovan 0214273350 Disclaimer: The events listed are subject to change please contact the -
June 2018 Welcome Mike Hausberg
JUNE 2018 WELCOME MIKE HAUSBERG Welcome to The Old Globe and this production of The Tempest. Our goal is to serve all of San Diego and beyond through the art of theatre. Below are the mission and values that drive our work. We thank you for being a crucial part of what we do. MISSION STATEMENT The mission of The Old Globe is to preserve, strengthen, and advance American theatre by: creating theatrical experiences of the highest professional standards; producing and presenting works of exceptional merit, designed to reach current and future audiences; ensuring diversity and balance in programming; providing an environment for the growth and education of theatre professionals, audiences, and the community at large. STATEMENT OF VALUES The Old Globe believes that theatre matters. Our commitment is to make it matter to more people. The values that shape this commitment are: TRANSFORMATION Theatre cultivates imagination and empathy, enriching our humanity and connecting us to each other by bringing us entertaining experiences, new ideas, and a wide range of stories told from many perspectives. INCLUSION The communities of San Diego, in their diversity and their commonality, are welcome and reflected at the Globe. Access for all to our stages and programs expands when we engage audiences in many ways and in many places. EXCELLENCE Our dedication to creating exceptional work demands a high standard of achievement in everything we do, on and off the stage. STABILITY Our priority every day is to steward a vital, nurturing, and financially secure institution that will thrive for generations. IMPACT Our prominence nationally and locally brings with it a responsibility to listen, collaborate, and act with integrity in order to serve. -
12/05/2005 Case Announcements #2, 2005-Ohio-6408.]
CASE ANNOUNCEMENTS AND ADMINISTRATIVE ACTIONS December 5, 2005 [Cite as 12/05/2005 Case Announcements #2, 2005-Ohio-6408.] MISCELLANEOUS ORDERS On December 2, 2005, the Supreme Court issued orders suspending 13,800 attorneys for noncompliance with Gov.Bar R. VI, which requires attorneys to file a Certificate of Registration and pay applicable fees on or before September 1, 2005. The text of the entry imposing the suspension is reproduced below. This is followed by a list of the attorneys who were suspended. The list includes, by county, each attorney’s Attorney Registration Number. Because an attorney suspended pursuant to Gov.Bar R. VI can be reinstated upon application, an attorney whose name appears below may have been reinstated prior to publication of this notice. Please contact the Attorney Registration Section at 614/387-9320 to determine the current status of an attorney whose name appears below. In re Attorney Registration Suspension : ORDER OF [Attorney Name] : SUSPENSION Respondent. : : [Registration Number] : Gov.Bar R. VI(1)(A) requires all attorneys admitted to the practice of law in Ohio to file a Certificate of Registration for the 2005/2007 attorney registration biennium on or before September 1, 2005. Section 6(A) establishes that an attorney who fails to file the Certificate of Registration on or before September 1, 2005, but pays within ninety days of the deadline, shall be assessed a late fee. Section 6(B) provides that an attorney who fails to file a Certificate of Registration and pay the fees either timely or within the late registration period shall be notified of noncompliance and that if the attorney fails to file evidence of compliance with Gov.Bar R. -
Stained Glass in Ireland
Stained Glass in Ireland By Coral - Daphne – Sofie – Uta Participant teachers in English Matters’ Programme Dublin, Ireland What? • art form • coloured glass • mosaic stained glass art can be: • Classic • Modern • Smooth • Painted • Rough • … A little bit of history… • Real origins of stained glass are lost • Egyptians and the Romans • 7th century churches and monasteries in Britain • Medieval times: western churches & mosques • 19th-20th century: revival Stained Glass in Ireland St Theresa’s, Dublin National Library, Dublin (Harry Clarke) Bewley’s Café, (Harry Clarke) Grafton Str., Dublin The An Túr Gloine ("Tower of Glass") cooperative studio • 1901 throughout the first half of the 20th century. • artists included Michael Healy, Evie Hone, Beatrice Elvery, Wilhelmina Geddes and founder Sarah Purser. • hoped to provide an alternative to the commercial stained glass imported from England and Germany • "perhaps the most noteworthy example of the newly- awakened desire to foster Irish genius" • Influences: Arts and Crafts Movement, Irish revivalism and the artistic tradition of Celtic manuscript illumination. Influences Design for Trellis Wallpaper, William Morris, 1862 Proserpine, Dante Gabriel Rossetti Harry Clarke (1889-1931) • studied at Belvedere College and the Dublin Metropolitan School of art. • commissions even outside Ireland (Australia, US) • also an illustrator • fine detail of his drawing use of rich colours (especially deep blues) an innovative integration of the window leading • influenced by the Art Nouveau and Art Deco movements the French Symbolist movement the Arts and Crafts movement and the Pre-Raphaelites in Britain the revival of the Celtic tradition Medieval as well as Gothic art Clarke’s Famous Works The Geneva Window St. -
The Trinity College Dublin Art Collections
The Trinity College Dublin Art Collections Artist: Norah McGuinness Title: Thames Medium: gouache b. 1903, Co. Derry d.1980, Dublin Norah McGuinness’ artistic career began when she was still a school girl while taking life drawing classes at Derry Technical School. In the early 1920s she studied Drawing and Fine Art Printing at the Metropolitan School of Art, Dublin, before studying at the Chelsea Polytechnic, London (1923-24) and at the studio of André l’Hôte in Paris. In addition to working as an artist, McGuinness also earned a living as a graphic designer, illustrator, theatre set designer, costume designer and window dresser (for Altman’s, New York and Brown Thomas, Dublin). McGuinness executed vivid, highly coloured, works in a spontaneous style influenced in part by the colourist Fauvist movement and by the Cubism she learned under l’Hôte. She favoured landscape and still life painting, and to both of these McGuinness brought a sense of design and colour along with the feeling of energy and life that, since the thirties, have been recognised as the hallmarks of her style. McGuinness began showing her work at the Royal Hibernian Academy (RHA) in 1924, and had her first solo show in London in 1933. In 1943 she helped found the Irish Exhibition of Living Art, and succeeded Mainie Jellett as President of the organisation in 1944, where she remained in term until 1970. In 1950, McGuinness represented Ireland at the Venice Biennale with Nano Reid-this was the first time Ireland had participated in the Biennale. Seven years later, she became an honorary member of the RHA. -
Press Release 12/10/20 Catherine Martin T.D., Minister for Tourism, Culture, Art, Gaeltacht, Sport and Media, Announces an Acqui
Image: Jed Niezgoda Press Release 12/10/20 Catherine Martin T.D., Minister for Tourism, Culture, Art, Gaeltacht, Sport and Media, announces an acquisition fund of €1 million for the Crawford Art Gallery and the Irish Museum of Modern Art (IMMA) Crawford Art Gallery is to receive a substantial acquisition fund from the Department of Tourism, Culture, Art, Gaeltacht, Sport and Media. The fund of €400,000 will enable Crawford Art Gallery to purchase artworks which will enhance the national collection as it invests in works from contemporary Irish artists or artists based in Ireland. In providing these funds to Crawford Art Gallery and IMMA, the Department is significantly increasing the capacity of the two National Cultural Institutions to pursue their remit to support contemporary artists and to collect works reflecting the times in which we live. Minister Martin said: “I am delighted to announce this significant funding for the two National Cultural Institutions, Crawford Art Gallery and the Irish Museum of Modern Art. Arts and culture are a core part of who we are, and they have been the source of so much support over the last months. I am pleased to be able to make this allocation to enhance the national collection. By doing so, we are providing vital support to Irish artists during this unprecedented time.” Mary McCarthy, Director of Crawford Art Gallery, said: “With exhibition opportunities and international touring opportunities limited in these Covid times, this acquisition fund will enable Crawford Art Gallery and IMMA to continue to promote artists and their work by adding to the National Collection. -
Cork City Attractions (Pdf)
12 Shandon Tower & Bells, 8 Crawford Art Gallery 9 Elizabeth Fort 10 The English Market 11 Nano Nagle Place St Anne’s Church 13 The Butter Museum 14 St Fin Barre’s Cathedral 15 St Peter’s Cork 16 Triskel Christchurch TOP ATTRACTIONS IN CORK C TY Crawford Art Gallery is a National Cultural Institution, housed in one of the most Cork City’s 17th century star-shaped fort, built in the aftermath of the Battle Trading as a market since 1788, it pre-dates most other markets of it’s kind. Nano Nagle Place is an historic oasis in the centre of bustling Cork city. The The red and white stone tower of St Anne’s Church Shandon, with its golden Located in the historic Shandon area, Cork’s unique museum explores the St. Fin Barre’s Cathedral is situated in the centre of Cork City. Designed by St Peter’s Cork situated in the heart of the Medieval town is the city’s oldest Explore and enjoy Cork’s Premier Arts and Culture Venue with its unique historic buildings in Cork City. Originally built in 1724, the building was transformed of Kinsale (1601) Elizabeth Fort served to reinforce English dominance and Indeed Barcelona’s famous Boqueria market did not start until 80 years after lovingly restored 18th century walled convent and contemplative gardens are salmon perched on top, is one of the city’s most iconic landmarks. One of the history and development of: William Burges and consecrated in 1870, the Cathedral lies on a site where church with parts of the building dating back to 12th century.