KA110 User Manual

Total Page:16

File Type:pdf, Size:1020Kb

KA110 User Manual STAGE PIANO Owner's Manual INFORMATION FOR YOUR SAFETY! THE FCC REGULATION WARNING (for USA) PRECAUTIONS This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of PLEASE READ CAREFULLY BEFORE PROCEEDING the FCC Rules. These limits are designed to provide reasonable protection Please keep this manual in a safe place for future reference. against harmful interference in a residential installation. This Power Supply equipment generates, uses, and can radiate radio frequency Please connect the designated AC adaptor to an AC outlet energy and, if not installed and used in accordance with the of the correct voltage. instructions, may cause harmful interference to radio communications. However, there is no guarantee that Do not connect it to an AC outlet of voltage other than that interference will not occur in a particular installation. for which your instrument is intended. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the Unplug the AC power adaptor when not using the equipment off and on, the user is encouraged to try to instrument, or during electrical storms. correct the interference by one or more of the following Connections measures: Before connecting the instrument to other devices, turn off the power to all units. This will help prevent malfunction and Reorient or relocate the receiving antenna. Increase the separation between the equipment and / or damage to other devices. receiver. Connect the equipment into an outlet on a circuit Location different from that to which the receiver is connected. Do not expose the instrument to the following conditions to Consult the dealer or an experienced radio/TV technician avoid deformation, discoloration, or more serious damage: for help. Direct sunlight Unauthorized changes or modification to this system can Extreme temperature or humidity void the user's authority to operate this equipment. Excessive dusty or dirty location Strong vibrations or shocks Close to magnetic fields Interference with other electrical devices Radios and televisions placed nearby may experience reception interference. Operate this unit at a suitable CAUTION distance from radios and televisions. The normal function of the product may be disturbed by Strong Electro Magnetic Interference. If so, simply reset Cleaning the product to resume normal operation by following the Clean only with a soft, dry cloth. owner's manual. In case the function could not resume, Do not use paint thinners, solvents, cleaning fluids, or please use the product in other location. chemical-impregnated wiping cloths. Handling Do not apply excessive force to the switches or controls. Do not let paper, metallic, or other objects into the instrument. If this happens, unplug the AC adaptor from the wall outlet. Then have the instrument inspected by qualified service personnel. Disconnect all cables before moving the instrument. 2 Contents Panel & Display Description Pedal Type...............................................................19 Front Panel.................................................................4 Harmony Type..........................................................20 LCD............................................................................ 4 Harmony Switch.......................................................20 Rear Panel................................................................. 5 MIDI IN.....................................................................20 MIDI OUT..................................................................21 DSP effect................................................................21 Setup Touch........................................................................21 Power Jack........................................................ .........6 Setting a Music Stand................................................6 Language.................................................................21 Connecting a Unit Pedal.............................................6 PowerOff..................................................................21 Connecting an Assign Pedal......................................6 Register Memory Connections Registering the Panel Setting...................................22 Connecting a pair of Headphones..............................7 Recalling the Registered Panel Settings..................22 Connecting an Audio Equipment................................7 Selecting a Registration Bank..................................22 Connecting an MP3/CD Player..................................7 Connecting a Computer.............................................7 Song Recording Start Recording........................................................23 Adjusting the Master Volume........................8 Stop Recording.........................................................24 Playback Recording.................................................24 Adjusting the Voice Brilliance.......................8 Delete User Song.....................................................24 Playing the Demo Song...................................8 Song Listening to the songs..............................................25 Song Control............................................................25 Playing Voices Playing Voices............................................................9 Playing two voices simultaneously-DUAL..................9 Restore Factory Setting.................................25 Playing Different Voices with Both hands-LOWER....9 Pitch Bend/Modulation effect...................................10 Connecting an SD Device SD Device Operation................................................26 Twinova................................................................11 Play...........................................................................26 Load.........................................................................27 Save.........................................................................27 Auto Accompaniment Delete.......................................................................28 Play Auto Accompaniment(rhythm track only)..........11 Format......................................................................28 Play Auto Accompaniment(all tracks).......................12 Keyboard and ASCII Character Relative Table........28 Accompaniment Sections.........................................12 Playing Different Accompaniment Sections..............13 Accompaniment Volume...........................................13 MIDI Chord Fingering........................................................13 What's MIDI?............................................................29 Tempo.......................................................................15 MIDI Terminals.........................................................29 One Touch Setting....................................................15 Downloading Data from the Computer.....................29 Metronome...............................................................15 Troubleshooting................................................30 Mixer......................................................................16 Specifications....................................................30 Pedal Function..................................................17 Appendices Other Functions Voice List..................................................................31 Tune.........................................................................18 Style List...................................................................35 Transpose.................................................................18 Song List..................................................................37 KeySplit....................................................................19 Chord List.................................................................39 Beat Type.................................................................19 MIDI Implementation Chart......................................40 Beat Volume.............................................................19 3 Panel & Display Description Front Panel 1. [BRILLIANCE] Slider STYLE MODE: SONG MODE: Adjust voice brilliance 10. [START/STOP] button 10. [START/STOP] button Start or stop playing the style Start or stop playing the 2. [VOLUME] Slider song Adjust master volume 11. [SYNC START] button Turn the Sync Start on and off 11. [PAUSE] button When [SHIFT] button pressed Pause the playing song 3. Style button 12. [INTRO/ENDING] button or start it Enter the style mode Play the Intro or Ending 12. [REPEAT A/B] button When [SHIFT] button released 13. [FILL A] button Set the location of loop 3. Style direct button A Fill-in A plays begin and loop end to Select a direct style the current song 14. [FILL B] button 4. [TEMPO+/-] button A Fill-in B plays 13. [REW] button Adjust the current tempo Rewind the song 15. [FILL C] button 5. [ACC VOL] button A Fill-in C plays 14. [FF] button Adjust ACCOMP volume Fast forward the song 16. [FILL D] button 6. [MIXER] button A Fill-in D plays Enter mixer menu 17. [CHORD MODE] button 38. LCD 7. [FUNCTION+/-] button Choose chord mode Show all important settings for Enter function menu the instrument 8. A.B.C. MODE lamp 39. PITCH BEND / MODULATION Indicate A.B.C. mode status: Joystick open or closed Add a vibrato effect or bend note up or down 9. FULL RANGE MODE lamp Indicate full range mode status: 40. PHONE 1 open or closed 41. PHONE 2 Please
Recommended publications
  • Overture Digital Piano
    Important Safety Instructions 1. Do not use near water. 2. Clean only with dry cloth. 3. Do not block any ventilation openings. 4. Do not place near any heat sources such as radiators, heat registers, stoves, or any other apparatus (including amplifiers) that produce heat. 5. Do not remove the polarized or grounding-type plug. 6. Protect the power cord from being walked on or pinched. 7. Only use the included attachments/accessories. 8. Unplug this apparatus during lightning storms or when unused for a long period of time. 9. Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as when the power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped. FCC Statements FCC Statements 1. Caution: Changes or modifications to this unit not expressly approved by the party responsible for compliance could void the user’s authority to operate the equipment. 2. Note: This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation.
    [Show full text]
  • WOODWIND INSTRUMENT 2,151,337 a 3/1939 Selmer 2,501,388 a * 3/1950 Holland
    United States Patent This PDF file contains a digital copy of a United States patent that relates to the Native American Flute. It is part of a collection of Native American Flute resources available at the web site http://www.Flutopedia.com/. As part of the Flutopedia effort, extensive metadata information has been encoded into this file (see File/Properties for title, author, citation, right management, etc.). You can use text search on this document, based on the OCR facility in Adobe Acrobat 9 Pro. Also, all fonts have been embedded, so this file should display identically on various systems. Based on our best efforts, we believe that providing this material from Flutopedia.com to users in the United States does not violate any legal rights. However, please do not assume that it is legal to use this material outside the United States or for any use other than for your own personal use for research and self-enrichment. Also, we cannot offer guidance as to whether any specific use of any particular material is allowed. If you have any questions about this document or issues with its distribution, please visit http://www.Flutopedia.com/, which has information on how to contact us. Contributing Source: United States Patent and Trademark Office - http://www.uspto.gov/ Digitizing Sponsor: Patent Fetcher - http://www.PatentFetcher.com/ Digitized by: Stroke of Color, Inc. Document downloaded: December 5, 2009 Updated: May 31, 2010 by Clint Goss [[email protected]] 111111 1111111111111111111111111111111111111111111111111111111111111 US007563970B2 (12) United States Patent (10) Patent No.: US 7,563,970 B2 Laukat et al.
    [Show full text]
  • Model 6100 Assembly Instructions My First Piano Tutor
    Model 6100 Assembly Instructions My First Piano Tutor Schoenhut® Piano Company, 6480B US1 North, Saint Augustine, FL USA Phone 904-810-1945 Fax 904-823-9213 Email [email protected] Website www.toypiano.com “Manufacturer of Toy Pianos since 1872” Schoenhut® Piano Company Page 1 all rights reserved © 2011 Printed in China WARNING! This product must be assembled by an adult prior to play. Unassembled parts may have sharp edges which could cause injury. The piano and bench are designed for use by a child. Inspect the hardware periodically for tightness and integrity, tightening or replacing any loose parts. Parts Piano body Bench seat Piano Crosspiece leg support 7” Bench Legs (two) Piano Legs (two) 6.25” Bench Legs (two) Music Stand Long Screws (ten) Song book and color strip Short Screws (four) Learning System book Barrel Nuts (fourteen) Microphone (one) Pedal (one) Power Adapter (one) Assembly Alert: Hardware is located inside the Styrofoam packing material Step1: Insert barrel nuts into the top portion of the (2) sets of piano legs. Use (2) long screws to attach the piano leg to the piano body. Repeat this for other side. Step 2: Insert (4) barrel nuts into the crosspiece. Use (4) long screws to attach the piece onto the piano legs. Step 3: To put the bench together, you will insert barrel nuts into the holes of each bench leg. Place (1) 7 inch bench leg and (1) 6.25 inch bench leg together so that they make “V” shape. Attach these together using (2) long screws. Do the same for the remaining (2) bench legs.
    [Show full text]
  • Real-Time Physical Model of a Wurlitzer and Rhodes Electric Piano
    Proceedings of the 20th International Conference on Digital Audio Effects (DAFx-17), Edinburgh, UK, September 5–9, 2017 REAL-TIME PHYSICAL MODEL OF A WURLITZER AND RHODES ELECTRIC PIANO Florian Pfeifle Systematic Musicology, University of Hamburg Hamburg, DE [email protected] ABSTRACT tation methodology as is published in [21]. This work aims at extending the existing physical models of mentioned publications Two well known examples of electro-acoustical keyboards played in two regards by (1) implementing them on a FPGA for real-time since the 60s to the present day are the Wurlitzer electric piano synthesis and (2) making the physical model more accurate when and the Rhodes piano. They are used in such diverse musical gen- compared to physical measurements as is discussed in more detail res as Jazz, Funk, Fusion or Pop as well as in modern Electronic in section 4 and 5. and Dance music. Due to the popularity of their unique sound and timbre, there exist various hardware and software emulations which are either based on a physical model or consist of a sample 2. RELATED WORK based method for sound generation. In this paper, a real-time phys- ical model implementation of both instruments using field pro- Scientific research regarding acoustic and electro-mechanic prop- grammable gate array (FPGA) hardware is presented. The work erties of both instruments is comparably sparse. Freely available presented herein is an extension of simplified models published user manuals as well as patents surrounding the tone production before. Both implementations consist of a physical model of the of the instruments give an overview of basic physical properties of main acoustic sound production parts as well as a model for the both instrument [5]; [7]; [8]; [13]; [4].
    [Show full text]
  • Electric Piano Machine Information on Warranty Repairs at [email protected] Or +1-718-937-8300
    - WARRANTY INFORMATION - Please register online at http://www.ehx.com/product-registration or complete and return the enclosed warranty card within 10 days of purchase. Electro-Harmonix will repair or replace, at its discretion, a product that fails to operate due to defects in materials or workmanship for a period of one year from date of purchase. This applies only to original purchasers who have bought their product from an authorized Electro- Harmonix retailer. Repaired or replaced units will then be warranted for the unexpired portion of the original warranty term. KEY9 If you should need to return your unit for service within the warranty period, please contact the appropriate office listed below. Customers outside the regions listed below, please contact EHX Customer Service for Electric Piano Machine information on warranty repairs at [email protected] or +1-718-937-8300. USA and Canadian customers: please obtain a Return Authorization Number (RA#) from EHX Customer Service before returning your product. Include with your returned unit: a written description of the problem as well as your name, address, Congratulations on purchasing the Electro-Harmonix KEY9 Electric Piano Machine. The telephone number, e-mail address, and RA#; and a copy of your receipt clearly showing the purchase date. KEY9 transforms the tone of a guitar and/or keyboard into a convincing electric piano emulation, including several variations of the classic Rhodes® and Wurlitzer® sounds. United States & Canada The KEY9 also features lively recreations of vibes, mallets, an organ, and even steel EHX CUSTOMER SERVICE drums! Based on the popular EHX B9 and C9 pedals, the KEY9 swerves into electro- ELECTRO-HARMONIX acoustic territory via knobs that control DRY and KEY volume, as well as preset-specific c/o NEW SENSOR CORP.
    [Show full text]
  • Product Catalog 2017
    Nord Keyboards Product Catalog 2017 Catalog Product Keyboards Nord STAGE PIANOS • SYNTHESIZERS • COMBO ORGAN Handmade in Sweden by Clavia DMI AB PRODUCT CATALOG 2017 The Original Red Keyboards The Nord factory is located in the creative area of Stockholm also known as SoFo, in the district of Södermalm. With everything located in the same building, communication between development and production is only a matter of walk- ing a few meters. We are proud to say all our Nord products are assembled by hand and they all go through a series of tough tests to ensure they’ll be ready for a long and happy life ‘on the road’. CONTENTS STAGE PIANOS NORD STAGE 3 6 NEW NORD PIANO 3 16 NORD ELECTRO 5 22 SYNTHESIZERS NORD LEAD A1 30 NORD LEAD 4 38 NORD DRUM 3P 46 COMBO ORGAN NORD C2D 50 SOUND LIBRARIES 58 Manufacturer: Clavia DMI AB, Box 4214, SE-102 65 Stockholm, Sweden Phone: +46 8 442 73 60 | Fax: +46 8 644 26 50 | Email: [email protected] | www.nordkeyboards.com 3 COMPANY HISTORY COMPANY IT ALL STARTED BACK IN 1983... In 1983 founder Hans Nordelius created the Digital introducing stunning emulations of classic vintage Chamberlin. The Electro 3 became one of the most In 2013 we celebrated our 30th anniversary as a musical Percussion Plate 1 – the first drum pad allowing for electro-mechanical instruments with a level of successful products we’ve ever made. instrument company by releasing the Nord Lead 4, Nord dynamic playing using sampled sounds. The DPP1 portability generally not associated with the original In 2010 the streamlined Nord Piano was introduced, Drum 2, Nord Pad and the Nord Piano 2 HP! At NAMM was an instant success and soon thereafter the instruments… a lightweight stage piano that featured advanced 2014 we announced the Nord Lead A1 – our award- brand name ddrum was introduced.
    [Show full text]
  • Jazz Solo Instrument Classification with Convolutional Neural Networks, Source Separation, and Transfer Learning
    JAZZ SOLO INSTRUMENT CLASSIFICATION WITH CONVOLUTIONAL NEURAL NETWORKS, SOURCE SEPARATION, AND TRANSFER LEARNING Juan S. Gomez´ Jakob Abeßer Estefan´ıa Cano Semantic Music Technologies Group, Fraunhofer IDMT, Ilmenau, Germany fgomejn,abr,[email protected] ABSTRACT ment classification in ensemble music recordings. In par- ticular, this paper focuses on the identification of predom- Predominant instrument recognition in ensemble record- inant solo instruments in multitimbral music recordings, ings remains a challenging task, particularly if closely- i. e., the most salient instruments in the audio mixture. This related instruments such as alto and tenor saxophone need assumes that the spectral-temporal envelopes that describe to be distinguished. In this paper, we build upon a recently- the instrument’s timbre are dominant in the polyphonic proposed instrument recognition algorithm based on a hy- mixture [11]. As a particular use-case, we focus on the brid deep neural network: a combination of convolu- classification of solo instruments in jazz ensemble record- tional and fully connected layers for learning character- ings. Here, we study the task of instrument recognition istic spectral-temporal patterns. We systematically eval- both on a class and sub-class level, e. g. between soprano, uate harmonic/percussive and solo/accompaniment source alto, and tenor saxophone. Besides the high timbral sim- separation algorithms as pre-processing steps to reduce the ilarity between different saxophone types, a second chal- overlap among multiple instruments prior to the instrument lenge lies in the large variety of recording conditions that recognition step. For the particular use-case of solo in- heavily influence the overall sound of a recording [21,25].
    [Show full text]
  • PSR-E233/YPT-230 Owner's Manual
    DIGITAL KEYBOARD Owner’s Manual Thank you for purchasing this Yamaha Digital Keyboard! We recommend that you read this manual carefully so that you can fully take advantage of the advanced and convenient functions of the instrument. We also recommend that you keep this manual in a safe and handy place for future reference. Before using the instrument, be sure to read “PRECAUTIONS” on pages 4–5. EN (US only) LIMITED 1-YEAR WARRANTY ON PORTABLE KEYBOARDS (NP, NPV, PSRE, YPG AND YPT SERIES) Thank you for selecting a Yamaha product. Yamaha products are designed and manufactured to provide a high level of defect-free performance. Yamaha Corporation of America (“Yamaha”) is proud of the experience and craftsmanship that goes into each and every Yamaha product. Yamaha sells its products through a network of reputable, specially authorized dealers and is pleased to offer you, the Original Owner, the following Limited Warranty, which applies only to products that have been (1) directly purchased from Yamaha’s authorized dealers in the fifty states of the USA and District of Columbia (the “Warranted Area”) and (2) used exclusively in the Warranted Area. Yamaha suggests that you read the Limited Warranty thoroughly, and invites you to contact your authorized Yamaha dealer or Yamaha Customer Service if you have any questions. Coverage: Yamaha will, at its option, repair or replace the product covered by this warranty if it becomes defective, malfunctions or otherwise fails to conform with this warranty under normal use and service during the term of this warranty, without charge for labor or materials.
    [Show full text]
  • Williams Legato Digital Piano Will Supply You with Years of Musical Enjoyment If You Follow the Suggestions Listed Below
    LEGATO digital piano owner's manual LEGATO DIGITAL PIANO CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER OR BACK. NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL IMPORTANT SAFETY INSTRUCTIONS Do not use near water. Clean only with a soft, dry cloth. Do not block any ventilation openings. Do not place near any heat sources such as radiators, heat registers, stoves, or any other apparatus (including amplifiers) that produces heat. Protect the power cord from being walked on or pinched. Only use the included attachments/accessories. Unplug this apparatus during lightning storms or when unused for a long period of time. Refer all servicing to qualified service personnel. Servicing is equiredr when the apparatus has been damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped. FCC STATEMENTS 1) Caution: Changes or modifications to this unit not expressly approved by the party responsible for compliance could void the user’s authority to operate the equipment. 2) NOTE: This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications.
    [Show full text]
  • Illustrated Guide to the CP1
    Illustrated Guide to the CP1 U.R.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation ©2009 Yamaha Corporation WR95750 909 MWDH**-01A0 Printed in Japan +20dB 0dB -20dB 10 Hz 10 0 Hz 1. 0 kHz 10 . 0 kHz +20dB 0dB -20dB 10 Hz 10 0 Hz 1. 0 kHz 10 . 0 kHz Only Yamaha could bring so much to the stage piano: Perfect marriage of keyboard touch and sound was possible only thanks to our extensive knowledge and experience of the building of acoustic pianos. Unrivalled richness of tone is a direct product of our tireless participation in the development of pianos for stage and +20dB recording environments. And against the backdrop of our continued stage-piano 0dB production since introducing the CP70 and CP80 in the -20dB seventies, we have remained loyal to the proud tradition of vintage electric pianos in the recreation of their unique 10 Hz 10 0 Hz 1. 0 kHz 10 . 0 kHz sound. Achieved through uncompromising pursuit of perfection in an instrument that surpasses the sum of its +20dB parts, allow us to present… 0dB The Yamaha CP1 – Ultimate Stage Piano -20dB 10 Hz 10 0 Hz 1. 0 kHz 10 . 0 kHz +20dB 0dB -20dB 10 Hz 10 0 Hz 1. 0 kHz 10 . 0 kHz +20dB 0dB -20dB 10 Hz 10 0 Hz 1. 0 kHz 10 . 0 kHz The CP1 Concept Contents In the CP1, we have recreated the unique sounds not only of acoustic pianos, vintage electric pianos, and synthesizer piano voices, but also of the effect units, amplifiers, and other equipment commonly used with each in actual performance and recording settings.
    [Show full text]
  • SOUNDSCAPES: the Arab World Vocabulary
    SOUNDSCAPES: The Arab World Vocabulary ADHAN The Islamic call to prayer. MAFRAJ A window‐lined room at the AL‐ANDALUS Around 1000 CE, the area now top of a house. called Spain and part of North MAGHREB The North African dessert. Africa. MAQAM Scales and notes that define AL‐QAHIRAH The Arabic name for Cairo, Arabic music tonality. Egypt. MINARET Part of a MOSQUE, a tower ARDHA A traditional Arabic dance, used for communication. common in Saudi Arabia. MIZHWIZ A double‐pipe double‐reed AS‐SANTOOR A multi‐stringed instrument wind instrument. played with wooden sticks. MIZMAR A single‐pipe double‐reed wind BEDOUIN Nomadic people of the Arabian instrument. and North African desert. MOSQUE An Islamic place of worship. BENDIR A round, flat, wooden‐framed NAY An end‐blown wind instrument. drum. OSTINATO Italian musical term for a BERBER Indigenous people of the North repeating pattern. African desert OUD/AL‐‘UD A pear‐shaped string CHA’ABI/SHA’ABI A style of dance and music instrument, similar to a lute. popular in some poorer Arab QANUN A large, flat multi‐stringed communities. instrument. DABKE A traditional line dance, RABABEH A single‐stringed bowed fiddle. popular in Lebanon. REBEC The European version of the DALOONAH Improvised music often used REBABEH, precursor to the with DABKE. violin. DERVISH Devout SUFI Muslims, similar to RIQ/TAR A round, flat, wooden‐framed Christian monks. drum with jingling plates DJELLABA A tunic, often worn by BERBER around the rim, similar to a men. tambourine. DJEMBE A West African drum, similar to SAWT A bluesy style of Arabic music, a DUMBEK.
    [Show full text]
  • Music Synthesizer
    MUSIC SYNTHESIZER For details please contact: http://www.yamaha.com/montage LPA656 This document is printed on chlorine free (ECF) paper. English Music in Motion Welcome to the new era in Synthesizers from the company that brought you the industry-changing DX and the hugely popular Motif. Building on the legacy of these two iconic keyboards, the Yamaha MONTAGE sets the next milestone for Synthesizers with sophisticated dynamic control, massive sound creation and streamlined workflow all combined in a powerful keyboard designed to inspire your creativity. 01 02 Motion Control Synthesis Engine Motion Control Synthesis Engine unifies and controls two iconic Sound Engines: AWM2 (high- quality waveform and subtractive synthesis) and FM-X (modern, pure Frequency Modulation synthesis.) These two engines can be freely zoned or layered across eight parts in a single MONTAGE Performance. Interact with MONTAGE Performances using Motion Control: a highly programmable control matrix for creating deep, dynamic and incredibly expressive sound. With Motion Control, you can create new sounds not possible on previous hardware synthesizers. Motion Control Synthesis Engine Motion Control Tone Generator Super Knob AWM2 Motion SEQ FM-X Envelope Follower 03 04 Sophisticated Dynamic Control Music is expression. MONTAGE adds a new level of expression with the Motion Control Synthesis Engine. This engine allows a variety of methods to interact with and channel your creativity into finding your own unique sound. Super Knob Motion SEQ Envelope Follower Create dynamic sound changes from radical to Motion Sequences are tempo-synchronized, The Envelope Follower converts audio into a control sublime with the Super Knob. The Super Knob can completely customizable control sequences that can source for control of virtually any synthesizer control multiple parameters simultaneously resulting in be assigned to virtually any synthesizer parameter and parameter.
    [Show full text]