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Valve Biasing
VALVE AMP BIASING Biased information How have valve amps survived over 30 years of change? Derek Rocco explains why they are still a vital ingredient in music making, and talks you through the mysteries of biasing N THE LAST DECADE WE HAVE a signal to the grid it causes a water as an electrical current, you alter the negative grid voltage by seen huge advances in current to flow from the cathode to will never be confused again. When replacing the resistor I technology which have the plate. The grid is also known as your tap is turned off you get no to gain the current draw required. profoundly changed the way we the control grid, as by varying the water flowing through. With your Cathode bias amplifiers have work. Despite the rise in voltage on the grid you can control amp if you have too much negative become very sought after. They solid-state and digital modelling how much current is passed from voltage on the grid you will stop have a sweet organic sound that technology, virtually every high- the cathode to the plate. This is the electrical current from flowing. has a rich harmonic sustain and profile guitarist and even recording known as the grid bias of your amp This is known as they produce a powerful studios still rely on good ol’ – the correct bias level is vital to the ’over-biased’ soundstage. Examples of these fashioned valves. operation and tone of the amplifier. and the amp are most of the original 1950’s By varying the negative grid will produce Fender tweed amps such as the What is a valve? bias the technician can correctly an unbearable Deluxe and, of course, the Hopefully, a brief explanation will set up your amp for maximum distortion at all legendary Vox AC30. -
Vacuum Tube Theory, a Basics Tutorial – Page 1
Vacuum Tube Theory, a Basics Tutorial – Page 1 Vacuum Tubes or Thermionic Valves come in many forms including the Diode, Triode, Tetrode, Pentode, Heptode and many more. These tubes have been manufactured by the millions in years gone by and even today the basic technology finds applications in today's electronics scene. It was the vacuum tube that first opened the way to what we know as electronics today, enabling first rectifiers and then active devices to be made and used. Although Vacuum Tube technology may appear to be dated in the highly semiconductor orientated electronics industry, many Vacuum Tubes are still used today in applications ranging from vintage wireless sets to high power radio transmitters. Until recently the most widely used thermionic device was the Cathode Ray Tube that was still manufactured by the million for use in television sets, computer monitors, oscilloscopes and a variety of other electronic equipment. Concept of thermionic emission Thermionic basics The simplest form of vacuum tube is the Diode. It is ideal to use this as the first building block for explanations of the technology. It consists of two electrodes - a Cathode and an Anode held within an evacuated glass bulb, connections being made to them through the glass envelope. If a Cathode is heated, it is found that electrons from the Cathode become increasingly active and as the temperature increases they can actually leave the Cathode and enter the surrounding space. When an electron leaves the Cathode it leaves behind a positive charge, equal but opposite to that of the electron. In fact there are many millions of electrons leaving the Cathode. -
Commissioning of the Mice Rf System* A
5th International Particle Accelerator Conference IPAC2014, Dresden, Germany JACoW Publishing ISBN: 978-3-95450-132-8 doi:10.18429/JACoW-IPAC2014-WEPME020 COMMISSIONING OF THE MICE RF SYSTEM* A. Moss, A. Wheelhouse, T. Stanley, C. White, STFC, Daresbury Laboratory, Warrington, UK K. Ronald, C.G. Whyte, A.J. Dick, D.C. Speirs, SUPA, Dept.of Physics, University of Strathclyde, Glasgow, UK S. Alsari, Imperial College of Science and Technology, London, UK on behalf of the MICE Collaboration Abstract feature adjustable sections to change the response of the cavity to both input line and resistive load. On the output The Muon Ionisation Cooling Experiment (MICE) is of the amplifier, the cavity length and hence its resonant being constructed at Rutherford Appleton Laboratory in frequency can be adjusted, whilst a stub tuner is located in the UK. The muon beam will be cooled using multiple the output coax section to alter the coupling factor into hydrogen absorbers then reaccelerated using an RF cavity the output coax so that the amplifier may be used to drive system operating at 201MHz. This paper describes recent a range of different load conditions. For use in the MICE progress in commissioning the amplifier systems at their system the 4616 operates in long pulse mode using grid design operation conditions, installation and operation as pulsed operation and can provide up to 250kW RF output part of the MICE project. power. INTRODUCTION 4616 Power Supply The muon ionisation cooling experiment is a The power supply for the tetrode amplifier consists of a demonstration of practical cooling for future muon TDK-Lambda 500A capacitor charger power supply acceleration schemes. -
The EL34 Power Tube HI-'I
The EL34 Power Tube HI-'I .... o.l"r A lp Musical Evaluations of a Classic Design .... A_I . 4.551 Single. Ended EL·84 Stereo Amp ~ _ .... ,���\� . -""" ".. - ...-., p.,.��",-, �. 1""""' -�,�.. � . oPf' ' ".".. ._ '" "'� .,_ "'�•• '" "'� ...- ' ,t\1".' ,w ' � "'\)U'�..,. ,\ 1\ ' ��-;---""\.\. ",.-" " ".,... "", ""�_ " tt"�" ,....-" ...........,...1"'" '�" ""t\1 _,.,.""" ....'" 'r·\ �'� . � ......,. �,,,. � ,..' ",...., \PJOl8'i .... �,�oPf',.,....;:.. O\ �,cl\ ., .... " , � ...,,.. AA �r- . · :::- ,,<,<, ,. ..""'"':k ...0'\1. � ':;: "",;: .. .._ " r ,...,.. _ "" " .-;.,,...""".... ",.... ......,.,.,,, -;;. ,... :;..,� _ """;.... -� . 0 """ " . ,,..,. ,t" ,,'" <""" , .-_,.;.;.''' � .. '''''''-o<f' _ ....;;; .,;::; , -- '" " ,.,...,.. "" .'" ::, ,t"� ��. ...,.,..,.;.;."1"" ''/'''' � _.� "" f"'� . � ' M'''" ' "- """",,; ,.of .,.,..� .. ...,. ' "' 1" '". '_1"""' . .. " ,,,,,,,,,,,,,,,_ f"""";""';..::: .,... " '�,;;.;:' ' ......,,..,..,. _-:: -__':1oPf' ::;;'", --''''"", ""","" ", ' �':::', � ' ""r; """"-"' .''''''''�}.. ,t\1 \ �·, � ot ,;: "" � ,.,. ---� , _.at" � t\JV" �� � 'i"'f'- " .::... .. .... �. , ,�,....,.' .....;. _ ...-:> ".... JC8'I\\ -, \�..- WOl\ """,.""''1"'"- �""'" � '-,�� 6<1\"""- ' ""'..,... � ...... � 6U'." �. - ,t\1 , . _ , "'" 1J>b\"� ��, oPf''' .,..-._ " "" .0. " ..... ���_���\t"�'".. ' ....... "" "",",. N ��:L [\l\'J � ��i y< • D T 0 • , 5 P A G • A N D N D u 5 T • y N • w 5 Beware of FakeNOS Tubes! CE Distribution US Distributor for Electronic Tubes VTV Issue # 1 6 JJ Over the last year or so, we have JJ Electronic, -
The National Valve Museum
The National Valve Museum Updates August 2016 Added one article:- Focusing Cathode-Rays Added one timeline feature:- October 1966 – Captain H J Round Obituary. Added 108 vintage adverts:- adv-1007 Hivac XFW40 adv-1008 English Electric CRT T901A adv-1009 Osram Audio Output Valves adv-1010 Brimar 12AT7 adv-1011 Mullard 61SV adv-1012 Ediswan Photo-multiplier advert adv-1013 Mazda Brand Advert adv-1014 GEC Brand Advert adv-1015 Hivac Difference Diode Advert adv-1016 Osram Band III TV Valves Advert adv-1017 Ediswan Aluminized TV Tubes Advert adv-1018 Mullard PL81 Advert adv-1019 Ediswan 12E1 Advert adv-1020 Mullard QV06-20 Advert adv-1021 Ediswan Photo-multiplier advert adv-1022 Hivac Flat Sub-miniature Range Advert adv-1023 EMI RK6112 Klystron Advert adv-1024 GEC Rectangular TV Tubes Advert adv-1025 Ediswan Aluminised Television CRT's Advert adv-1026 Mullard EF80 Advert adv-1027 Mullard Valves for VHF Advert adv-1028 Brimar Brand Advert adv-1029 Hivac XR4 Advert adv-1030 Ediswan Glass-Metal Seals Advert adv-1031 Hivac XE2 Advert. adv-1032 Commercial Mullard 5-10 Amplifier Advert adv-1033 English Electric Image Orthicon Advert adv-1034 Thomson-CSF CRTs Advert adv-1035 Brimar M14-100 CRT Advert adv-1036 English Electric 0A2WA Advert adv-1037 English Electric RF Heating Valves Advert adv-1038 GEC New KT88 Advert adv-1039 Brimar D18-130 Advert adv-1040 English Electric CRTs Advert adv-1041 Ferranti Handbooks Advert adv-1042 Mullard Directly-heated Miniatures Advert adv-1043 STC 5A/170K Advert adv-1044 Ferranti Ceramic Valves Advert adv-1045 Westinghouse -
VACUUM TUBE VALLEY Fall 1995 Price $6.50
Pub/ish«lQuarterly Celebrating the History and QlIOlity of Vocllum Tube Te<lmology luue 2 Vo/LlI7U! I VACUUM TUBE VALLEY Fall 1995 Price $6.50 Magnum SE Amplifier Da\-c Wolze rec.:nrlydesigned and built an SE amp with power and punch. Page 17 ...... Tube Review: EL·34 In one of existence since 1953 and th(Omost popular audio tubes of all time, rhe EL-34 has many variarions and performance characteristics. Page 8 Heath W-6M Heathkit: Early Tube Hi-Fi years. In This Issue .. manufacturer of Heathkit was the largest d�c Ironic kits in the US, alone time, selling over ntbe bldustry News 350 different types of kts. Learn more aboUl Check OUt the latest happen gs i in in the the early days of Heath Hi-Fi. Page 3 world of vacuum tubes. Learn the results of a recent survey of tuhe dislfih mors and sellers conducted by VIV. MU/UlrdEL-34s Harbouroudines the latest Ilem and Eric Early Cinema Sound Views. Page 15 vrv examines an early \xre�ternElectric [heater sound system. Page 24 Guitar Amplifiers Learn about how to get the best guitar tone. Chaclie Kittleson interviews Terry Buddingh, Tube Amp Expert from GuiTdrPi4yer Magazine. Page 20 Heatb w-4AM Tube Matching: Get the best soutuisfrom your amp. Matched tubes arc essential for opti mum performance from push-pull amps. n John Atwood explai s tube matching techniques for the layman. Page 22 Vacuum Tube Valleyis published quarterly for electronic enthusiasts interested in the See (Jur newfiatures in this months colorfv1 past, present and fvture af yocuum tube electronics. -
TECHNIQUE for TUBE DATA
Web: http://www.pearl-hifi.com 86008, 2106 33 Ave. SW, Calgary, AB; CAN T2T 1Z6 E-mail: [email protected] Ph: +.1.403.244.4434 Fx: +.1.403.245.4456 Inc. Perkins Electro-Acoustic Research Lab, Inc. ❦ Engineering and Intuition Serving the Soul of Music Please note that the links in the PEARL logotype above are “live” and can be used to direct your web browser to our site or to open an e-mail message window addressed to ourselves. To view our item listings on eBay, click here. To see the feedback we have left for our customers, click here. This document has been prepared as a public service . Any and all trademarks and logotypes used herein are the property of their owners. It is our intent to provide this document in accordance with the stipulations with respect to “fair use” as delineated in Copyrights - Chapter 1: Subject Matter and Scope of Copyright; Sec. 107. Limitations on exclusive rights: Fair Use. Public access to copy of this document is provided on the website of Cornell Law School at http://www4.law.cornell.edu/uscode/17/107.html and is here reproduced below: Sec. 107. - Limitations on exclusive rights: Fair Use Notwithstanding the provisions of sections 106 and 106A, the fair use of a copyrighted work, includ- ing such use by reproduction in copies or phono records or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for class- room use), scholarship, or research, is not an infringement of copyright. -
6C33C-B OTL Amplifier - Background and OTL Circuits
6C33C-B OTL Amplifier - Background and OTL Circuits http://www.audiodesignguide.com/otl/aria.html Tube Lovers Anonymous 6C33C-B OTL Amplifier - Background and OTL Circuits INTRODUCTION The purpose of this paper is to explain the selection process and trade-offs involved in choosing the circlotron as the optimal topology for a high-power OTL amplifier. The issues involved in making this selection include circuit simplicity, balanced performance under small- and large-signal operation, and achieving low output impedance (and hence a high damping factor) without the excessive use of feedback. BACKGROUND For many of us, the vacuum tube remains the only acceptable electronic component for amplifying music. Endless debates and discussions on the merits of solid state versus tubes rage on, but we find that the transparency and realism offered by a device consisting of metal and vacuum just cannot be matched by silicon for sheer musical enjoyment and getting as close as possible to the original sound. Prove what you like, tell us we're imagining things, but we know it just sounds better. However, by insisting on all-tube amplification, there is classically a major penalty to be paid in the power amplifier. Tubes are simply not designed to couple directly to today's modern low impedance speakers, and a transformer must be used to match the power output to the load. Even with finest modern materials, the output transformer remains the weakest link. At low frequencies its finite inductance steals current away from the load, and at high frequencies its stray capacitance, leakage inductance, and high-frequency copper losses combine to attenuate amplitude and introduce severe phase shifts. -
Optomized Electron Stream Web Pages
Web: http://www.pearl-hifi.com 86008, 2106 33 Ave. SW, Calgary, AB; CAN T2T 1Z6 E-mail: [email protected] Ph: +.1.403.244.4434 Fx: +.1.403.244.7134 Precision Electro-Acoustic Research Laboratory ❦ Hand-Builders of Fine Music-Reproduction Equipment Please note that the links in the PEARL logotype above are “live” and can be used to direct your web browser to our site or to open an e-mail message window addressed to ourselves. To view our item listings on eBay, click here. To see the feedback we have left for our customers, click here. This document has been prepared as a public service . Any and all trademarks and logotypes used herein are the property of their owners. It is our intent to provide this document in accordance with the stipulations with respect to “fair use” as delineated in Copyrights - Chapter 1: Subject Matter and Scope of Copyright; Sec. 107. Limitations on exclusive rights: Fair Use. Public access to copy of this document is provided on the website of Cornell Law School ( http://www4.law.cornell.edu/uscode/17/107.html ) and is here reproduced below:: Sec. 107. - Limitations on exclusive rights: Fair Use Notwithstanding the provisions of sections 106 and 106A, the fair use of a copyrighted work, includ- ing such use by reproduction in copies or phonorecords or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for class- room use), scholarship, or research, is not an infringement of copyright. In determining whether the use made of a work in any particular case is a fair use the factors to be considered shall include: 1 - the purpose and character of the use, including whether such use is of a commercial nature or is for nonprofit educational purposes; 2 - the nature of the copyrighted work; 3 - the amount and substantiality of the portion used in relation to the copy righted work as a whole; and 4 - the effect of the use upon the potential market for or value of the copy- righted work. -
A 25W OTL Tube Amplifier Presenting a New Output-Transformerless Circuit with Direct Coupling to the Loudspeaker
Copyright Segment LLC. This article cannot be reprinted without permission: [email protected]. To subscribe: www.circuitcellar.com/subscription/ t u b e s By Tim Mellow A 25W OTL Tube Amplifier Presenting a new output-transformerless circuit with direct coupling to the loudspeaker. f you have spent $500 or more more in common with the Futterman ample loop DC feedback, which—after on 5m or so of exotic loudspeak- circuit2, except that a long-tailed pair initial adjustment—keeps the offset er cable, have you ever wondered of pentodes is used for the driver stage voltage within 20mV between tube re- I about the 500m of standard copper instead of the concertina phase splitter. placements. Similarly, the DC bias needs wire in the output transformers of your The pentodes provide the current drive hardly any adjustment over time. tube amplifier? Audio output trans- as well as greater voltage swing than I know that signal feedback is a con- formers are large, expensive compo- triodes. troversial issue and there are those who nents that require complicated winding A general aim of the design was to maintain that the ultimate goal should arrangements in order to work properly have as simple a circuit as possible with be 0dB. However, zero feedback in this at high frequencies. They are the prime a minimal number of components in design would result in audible noise culprits for the soft bass sound associ- the signal path as well as push-pull op- and an output impedance of 8Ω, which ated with tube amplifiers. eration throughout (Fig. -
SCREEN GRIDS in AUDIO and RF MODULATOR POWER TUBES
SCREEN GRIDS in AUDIO and RF MODULATOR POWER TUBES Readers - please note this page is presented for your education, information and guidance only. This paper refers only to the characteristics and performance of push-pull tube audio amplifiers without trans-stage or loop negative feedback. For reasons detailed elsewhere in my website I have no interest whatsoever in either single-ended amplifiers or trans- stage negative feedback. For full ratings and applications of specific tube types in which you are interested please refer to the manufacturer's catalogue. Please note that no warranty is expressed or implied - see footnote notice. The whole or part thereof of this paper and/or the designs and design concepts expressed therein may be reproduced for personal use - but not for commercial gain or reward without the express written permission of the author. © Copyright: Dennis R. Grimwoood - All rights reserved. Copyright in all quoted works remains with their original owner, author and publisher, as applicable. 1. INTRODUCTION Traditionally, the design of audio amplifiers has followed fairly clear and well established design principles. Some of those principles relate to the way in which Screen Grids are used to control current flow in audio amplifier tubes, particularly power tubes. Examination of professionally designed commercial circuits spanning more than 60 years' audio technology shows us there has been very little innovation in the way in which Screen Grids are used - ie little variation in, or departure from, conventional, traditional Screen-Grid application design concepts. It is understandable why this is so, because innovative engineering was not encouraged in the consumption driven expanding global marketplaces of the 1940's through 1970's. -
Yellow Jackets Dimensions Sheet
TUBE CONVERTERS Yellow Jackets® tube converters allow EL84 power tubes to be used in place of the most common guitar amp power tubes including 6L6, EL34, 6V6, 7027, 6550 and 7591. Most Yellow Jackets® screen No provide a substantial output power grid Connection reduction and a “self-bias” Class A 9 1 No EL84 configuration for the EL84 so that no Connection control bias adjustment is required. Yellow 8 2 grid Jackets® are like getting a whole new amp. plate 7 3 cathode + suppressor grid Yellow Jackets® Types No 6 4 Connection 5 filament YJS p. 2 filament YJSHORT p. 3 YJC p. 3 YJ20 p. 4 YJUNI p. 4 1 9 YJ7591 p. 4 YJR p. 5 1 8 screen control grid 4 5 grid plate 3 6 No Connection 2 7 filament filament No 1 8 cathode Connection + suppressor grid 1 Why would I want to convert to EL84's using Yellow Jackets®? Every power tube type offers a different characteristic sound and feel. EL84's have a very tight and focused sound which has become world renown by their use in the British VOX™ AC30 guitar amplifiers. Additionally, most Yellow Jackets® converters will produce a substantial maximum power reduction (50% to 90%) making it easier to find that sweet, warm mix of preamp and power amp distortion at a lower volume. Yellow Jackets also convert the power tube bias to “self-bias” Class A so that no bias adjustment is necessary. You can switch back and forth between EL84's and your amplifier’s original power tubes without rebiasing.