Film (Filmografie) Lijst : Stem Op Uw Favorieten

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Film (Filmografie) Lijst : Stem Op Uw Favorieten

Shunji Iwai Film Lijst (Filmografie) Hana and Alice https://nl.listvote.com/lists/film/movies/hana-and-alice-1192488/actors Swallowtail https://nl.listvote.com/lists/film/movies/swallowtail-1036921/actors The Case of Hana & Alice https://nl.listvote.com/lists/film/movies/the-case-of-hana-%26-alice-18389392/actors Friends After 3.11 https://nl.listvote.com/lists/film/movies/friends-after-3.11-22126745/actors A Bride For Rip Van Winkle https://nl.listvote.com/lists/film/movies/a-bride-for-rip-van-winkle-23542835/actors Ghost Soup https://nl.listvote.com/lists/film/movies/ghost-soup-5557159/actors Last Letter https://nl.listvote.com/lists/film/movies/last-letter-56354233/actors The Kon Ichikawa Story https://nl.listvote.com/lists/film/movies/the-kon-ichikawa-story-7744910/actors Fireworks, Should We See It from the https://nl.listvote.com/lists/film/movies/fireworks%2C-should-we-see-it-from-the-side- Side or the Bottom? or-the-bottom%3F-1054710/actors April Story https://nl.listvote.com/lists/film/movies/april-story-1072582/actors All about Lily Chou-Chou https://nl.listvote.com/lists/film/movies/all-about-lily-chou-chou-1329381/actors Picnic https://nl.listvote.com/lists/film/movies/picnic-1888621/actors New York, I Love You https://nl.listvote.com/lists/film/movies/new-york%2C-i-love-you-44935/actors Vampire https://nl.listvote.com/lists/film/movies/vampire-4902517/actors Love Letter https://nl.listvote.com/lists/film/movies/love-letter-958125/actors.

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Horaire Films
DESHORAIRE FILMS FESTIVAL INTERNATIONAL DE FILMS · 25 e ÉDITION 5-25 AOÛT 2021 FESTIVAL EN LIGNE ET EN SALLE www.fantasiafestival.com DISPONIBLE EN LIGNE À TRAVERS LE CANADA Illustration : Donald Caron Ça comprend des films qui vous suivent partout. APPLI HELIX TV Certaines conditions s’appliquent. IPTV-FANTASIA-REQUIN-10.5X14.125-2107 Document: IPTV-FANTASIA-REQUIN-10.5X14.125-2107 Échelle: 25% Format: 10.5 po X 14.125 po DPI final: 100 dpi ÉPREUVE Coordo: Anouk Chollet Bleed: 0.04 po Imprimeur: Safety: 0.3 po 01 COULEUR PAPIER FOND CMYK RGB Couché Retro Enr Montage: 9 juillet PANTONE Mat Jrnl Final: par: VGAUD ACT OF VIOLENCE IN A AGNES #BLUE_WHALE THE 12 DAY TALE OF THE YOUNG JOURNALIST ÉTATS-UNIS | USA Réal/Dir: Mickey Reece RUSSIE | RUSSIA Réal/Dir: Anna Zaytseva MONSTER THAT DIED IN 8 URUGUAY | URUGUAY Réal/Dir: Manuel Lamas PREMIÈRE INTERNATIONALE | INTERNATIONAL PREMIERE PREMIÈRE MONDIALE | WORLD PREMIERE JAPON | JAPAN Réal/Dir: Shunji Iwai PREMIÈRE NORD-AMÉRICAINE | NORTH AMERICAN PREMIERE Avec son style romantique et maximaliste, Un déchirant et anxiogène thriller russe en PREMIÈRE NORD-AMÉRICAINE | NORTH AMERICAN PREMIERE Blanca, une brillante jeune journaliste qui Mickey Reece nous amène dans un couvent Screenlife qui explore un défi sur les médias Le plus récent film de Shunji Iwai est une rédige une thèse sur la violence, ignore qu’un aux prises avec des rumeurs de possession sociaux menant à une vague de suicides. savoureuse tranche de vie pandémique méta tueur psychopathe est sur ses traces. démoniaque. Gut-wrenching dread tears through this tense entremêlant isolement et kaiju! Blanca, a brilliant young journalist who is writing a With his signature romantic maximalism, Mickey Russian Screenlife thriller that explores a grisly Shunji Iwai’s latest is a delightfully meta slice of thesis on violence, is unaware that a psychopathic Reece’s latest draws us into a convent gripped by social media suicide challenge.
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Press Release
Media Contact: Erik Jansen MediaLab [email protected] (714) 620-5017 PRESS RELEASE FOR IMMEDIATE RELEASE 2016 JAPAN FILM FESTIVAL OF SAN FRANCISCO ANNOUNCES THEATRICAL FILM PREMIERES SHOWCASING DYNAMIC JAPANESE CINEMA The S.F. Bay Area’s 4th Annual Dedicated Japanese Film Festival Returns With Premiere Screenings And Very Special Guests Of Honor Taking Place At NEW PEOPLE Cinema In Japantown San Francisco, CA, June 9, 2016 – The 2016 Japan Film Festival of San Francisco (JFFSF), the first and only fully-dedicated Japanese film celebration for the S.F. Bay Area, has announced a diverse roster of films that are set to screen as part of this year’s program. This year’s JFFSF proudly presents a broad collection of current and acclaimed Japanese cinema across a variety of genres such as action, sci-fi, documentary, anime, shorts, live music, kabuki theatre, crime mystery, and family drama. All films will be presented in Japanese language with English subtitles. The 2016 Japan Film Festival of San Francisco opens Saturday, July 23rd and runs thru Sunday, July 31st at NEW PEOPLE Cinema located inside the NEW PEOPLE in Japantown at 1746 Post St., San Francisco, CA 94115 (www.newpeoplecinema.com). Tickets to individual screenings are $15.00 each, unless otherwise noted. All ticket prices include the service fee with no further extra charge. For the true film aficionado, this year, the JFFSF also offers the special JFFSF Festival Passports. Available for $150 each, a passport grants the holder priority access and seating at all JFFSF 2016 screenings. A complete listing of film summaries, trailers, screening times and advance tickets as well as festival passports are available at: JFFSF.org.
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Kinderfilmfest/14plus/IFB 2005 HANA & ALICE 14plus HANA & ALICE HANA & ALICE HANA & ALICE Regie: Shunji Iwai Japan 2004 Darsteller Hana Anne Suzuki Länge 135 Min. Alice Yu Aoi Format 35 mm, 1:1.85 Miyamoto Tomohiro Kaku Farbe Alices Mutter Shoko Aida Ihr Liebhaber Hiroshi Abe Stabliste Ihr Ehemann Sei Hiraizumi Buch Shunji Iwai Ryo Taguchi Takao Osawa Kamera Noburo Shinoda Lagerarbeiter Ryoko Hirosue Shinichi Tsunoda Schnitt, Musik Shunji Iwai Ton Naotaka Kishi Production Design Yohei Taneda Herstellungsltg. Kenichi Nakayama Produzent Shunji Iwai Associate Producer Koko Maeda Produktion Rockwell Eyes Inc Trentdeux #103, 5-2-5 Shironganedai, Minato-ku Yu Aoi, Anne Suzuki J-Tokyo 108-0071 Tel.: 3-34 44 70 11 Fax: 3-34 44 70 13 HANA & ALICE Hana und Alice kennen sich von klein auf. Alice ist die Lebhafte von den Weltvertrieb beiden. Sie hat ihren eigenen Kopf, und allzu oft ist es Hana, die kitten muss, Fortissimo Film Sales was Alice zerstört. Aber Alice hat auch ihre guten Seiten. Schließlich ist sie Veemarkt 77-79 es, die Hana zu ihrer ersten Liebesgeschichte verhilft. NL-1019 DA Amsterdam Tel.: 20-627 32 15 Ganz im Sinn ihres Vorsatzes der Liebe auf den ersten Blick folgt Alice einem Fax: 20-626 11 55 Angebeteten, die widerspenstige Hana immer im Schlepptau. Bei einer die- [email protected] ser Gelegenheiten legt Alice ihrer Freundin Hana nun Miyamoto, den Freund des Jungen, ans Herz. Und tatsächlich beginnt die widerstrebende Hana sich für den Oberschüler zu interessieren. Im April sind die Freundinnen endlich auch Schülerinnen der Oberschule. Um ihrem Angebeteten nahe zu sein, tritt Hana dem Club der Comic-Erzähler bei.
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이와이 슌지(Iwai Shunji)의 디지털 영상미학 : <라스트 레터(Last Letter)>
https://doi.org/10.5392/JKCA.2020.20.11.157 이와이 슌지(Iwai Shunji)의 디지털 영상미학 : <라스트 레터(Last Letter)>를 중심으로 Digital Image Aesthetics of Iwai Shunji : Focused on <Last Letter> 김도형, 오동일 선문대학교 역사문화콘텐츠학부 Do-Hyeong Kim([email protected]), Dong-Il Oh([email protected]) 요약 21세기에 접어들며 영화예술의 제작환경 및 시스템은 아날로그에서 디지털로 매우 급격히 이행해 갔다. 그 러한 과정에서 영상기술의 발전과 변화는 영상미학의 표현적 양식에 지대한 영향을 미쳤다고 볼 수 있다. 그러 나 기존 아날로그적 영상미학이 디지털 환경으로 어떻게 이행되었는지에 관한 깊이 있는 논의는 다소 미흡하 다고 할 수 있다. 이에 본 연구에서는 아날로그 시대와 디지털 시대를 자유롭게 넘나들며 주목할만한 창작활동 을 계속해서 펼치고 있는 이와이ㅤ슌지의 최신 극영화 <라스트 레터>를 통해 그가 아날로그 시대에서부터 추 구해온 ‘이와이 미학’이 디지털 시대에 있어서 어떠한 모습으로 드러나고 있는지를 구체적으로 살펴보고 있다. 방법적으로는 이와이 슌지가 어떠한 과정을 거쳐 아날로그에서 디지털 시대로 이행했는지를 살펴보고, 그의 디지털 영상작품 <라스트 레터>를 ‘빛’, ‘구도’, ‘공간과 시선’이라는 의 세 가지 미학적 관점에서 접근하여 분석 하였다. ■ 중심어 :∣이와이 슌지∣디지털 영상∣영상미학∣라스트 레터∣영화∣ Abstract Entering the 21st century, the production environment and system of film art were very rapidly implemented from analog to digital. In such a process, the development and change of imaging technology have had a profound effect on the expressive modalities of visual aesthetics. However, in-depth discussions on how the existing analog aesthetic has been implemented into the digital environment are somewhat insufficient. In this study, Iwai Shunji's latest film <Last Lette>, which continues to carry out remarkable creative activities across the analog and digital ages, specifically examines what ‘Iwai aesthetics’ he has pursued since the analog era is revealing in the digital age.
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Nagasaki: Memories of My Son Starring Kazunari Ninomiya, Star of Japanese Boy Band Arashi
CORK SLIGO DUBLIN GALWAY LIMERICK DUNDALK MAYNOOTH WATERFORD WELCOME TO THE JAPANESE FILM FESTIVAL 2017 The Embassy of Japan is delighted that our collaboration with Access>Cinema has now reached its ninth year, thanks to the support of the Ireland Japan Association and the Japan Foundation. Even though over 500 films are made in Japan each year, many of them are never released overseas. Thanks to the tireless work of the team at Access>Cinema we have another incredible line up of films. In 2017 we celebrate the 60th Anniversary of Diplomatic Relations between Japan and Ireland. The celebrations kicked off in January with the visit of Foreign Minister Fumio Kishida to Ireland, which Irish Foreign Minister Charles Flanagan reciprocated in February. The Japanese Film Festival is one of the highlights of the ongoing celebrations. This year’s films will open a door on Japanese life. Her Love Boils Bathwater won a Best Actress Award, at the 40th Japan Academy Awards, in addition to Best Supporting Actress and Best Rookie. The festival’s prestigious line up continues with Japan’s entry to the 2017 Oscars, Nagasaki: Memories of My Son starring Kazunari Ninomiya, star of Japanese boy band Arashi. One of the most unique titles is Happy Hour, a 5 hour highlight which won the Best Actress Award at the Locarno Festival. Of course there is the usual selection of anime titles, including a special preview of Sword Art Online The Movie. We are delighted to have a total of 21 different titles at this year’s Festival showing in Cork, Limerick, Galway, Dundalk, Waterford, Sligo, Maynooth and Dublin.
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Press Conference: Acclaimed Director
PRESS RELEASE October 4, 2016 Press Conference: Acclaimed Director Shunji IWAI Appears to Highlight Japan Now Section A press conference was heldthrough to highlight Film the to TokyoJapan Now International Film Festival (TIFF)’s Japan Now section, followed by a screening of internationally acclaimed creator Shunji IWAI’s latest film, A Bride for Rip Van Winkle, at the Foreign Correspondents’ Club of Japan (FCCJ) this evening, on October 4. Following a welcoming address from Yasushi SHIINA, Tokyo International Film Festival Director General, the Programming Advisor of the Japan Now section, Kohei ANDO, talked about the lineup for the second year of the section, which is devoted to outstanding Japanese directors. ©2016 TIFF Along with special English-subtitled screenings of new films to boost their recognition internationally, there will also be special guest appearances. These will include Makoto Shinkai, director of your name., Kiyoshi Kurosawa, director of Daguerrotype, Koji Fukada, director of Harmonium, and many more. This year’s Japan Now Director in Focus, Shunji Iwai, whose groundbreaking style and youth-focused vision have been internationally hailed in his masterworks, was welcomed as a special guest at the press conference. He will also appear for Q&A sessions during TIFF. Over the 10-day celebration, more than 200 films will be screened and there will be unique film-related events every day at the festival venues, including stage appearances, Q&A sessions and symposia featuring celebrated guests from around the world. *The lineup and guests for Japan Now are listed on the following page. The 29th TIFF will take place from October 25 to November 3, 2016 at Roppongi Hills, EX Theater Roppongi (Minato City) and other venues in Tokyo.
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P-6179:P_ 30.01.2011 14:08 Uhr Seite 200 Berlinale 2011 Iwai Shunji Panorama VAMPIRE VAMPIRE VAMPIRE USA/Kanada 2011 Darsteller Simon Kevin Zegers Länge 120 Min. Jellyfish Keisha Castle- Format HDCAM Hughes Farbe Laura Rachael Leigh Cook Stabliste Maria Lucas Kristin Kreuk Regie Iwai Shunji Helga Amanda Plummer Buch Iwai Shunji Mina Yu Aoi Kamera, Schnitt, Ladybird Adelaide Clemens Musik Iwai Shunji Renfield Trevor Morgan Production Design Alexandra Rojek Casting Brad Gilmore Produzenten Iwai Shunji Tim Kwok Co-Produktion Convergence Entertainment, Vancouver Adelaide Clemens, Kevin Zegers VAMPIRE Simon Wade ist ein ganz normaler junger Mann, der seinem Beruf als Lehrer genauso verantwortungsvoll nachkommt, wie er seine kränkelnde Mutter pflegt. Doch unter dieser vertrauenerweckenden Oberfläche lauert noch eine ganz andere Seite des lieben Simon. Eine ungestillte Sehnsucht nach frischem Blut lässt den Junglehrer Websites nach jungen, suizidalen Frauen durchstöbern, deren Blut er stehlen kann. Iwai Shunji: „Die Grundidee zu diesem Film schrieb ich bereits vor ALL ABOUT LILY CHOU-CHOU, doch immer, wenn ich den Film machen wollte, kam ein anderer Film dazwischen, so blieb es beim Schreiben. Vor vier Jahren dann schrieb ich wieder an der Geschichte, als in Japan genau das- selbe passierte: Ein Typ hatte Leute umgebracht, und es kam heraus, dass er alle Opfer von einer Selbstmord-Website kannte. Der Typ war einfach zu krank, um als Charakter interessant zu sein. Aber für mich wurde es nun schwierig, den Stoff zu realisieren, weil das japanische Publikum gegen die- sen Typen und seinen Fall war. So musste ich das Projekt wieder zur Seite legen. Vor zwei Jahren jedoch, bei den Dreharbeiten zu NEW YORK, I LOVE YOU, habe ich in einer Bar mit Leuten gesprochen, die mich über Mordfälle in Japan ausfragten, und mir wurde klar, dass ich den Film hier, in den USA, machen könnte.
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LANDA-DISSERTATION-2017.Pdf (4.978Mb)
The Dissertation Committee for Amanda Landa certifies that this is the approved version of the following dissertation: Contemporary Japanese Seishun Eiga Cinema Committee: Lalitha Gopalan, Supervisor Janet Staiger, Co-Supervisor Kirsten Cather Shanti Kumar David Desser Michael Kackman Contemporary Japanese Seishun Eiga Cinema by Amanda Landa Dissertation Presented to the Faculty of the GraduateSchool of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2017 Acknowledgements The dissertation process is always present and foreboding in one’s graduate career. An always looming presence, the first chapter is always theoretically sketched, perhaps even drafted, but the rest are generally to be filed under “fiction.” The same, of course, happened for me, and throughout this endeavor I have learned to draft, to re-read and edit, and most especially to never be afraid to start over. My primary goal was to hone my writerly voice, to elevate from description into argument and most of all, to slow down. Time and financial pressures are plentiful, and early in the writing process I wanted to rush; to achieve quickly what was later revealed to me something that could not and should not be rushed. I chose to write chapter by chapter as the films and genre categories presented themselves, allowing myself to enjoy each chapter’s research process in small achievable steps. Integral to this process are my co-supervisors, Associate Professor Lalitha Gopalan and Professor Emeritus Janet Staiger. In particular, I want to give thanks for Lalitha’s rigorous mentorship, guidance, and enthusiasm for this project and its films and Janet, a constant mentor, whose patience and attendance to both my writerly and emotional well- being will never be forgotten.
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NYILY Madman Press Kit Jan 2010
From the producer of PARIS, JE T’AIME NEW YORK, I LOVE YOU Press Kit In cinemas: 4 March 2010 Running time: 103 minutes Classification: MA 15+ (Strong Sexual References) Language: English, Russian, Yiddish Country: France, USA. Year: 2009 View the trailer: http://www.newyorkiloveyouthemovie.com/#/video For more information contact: T: 02 9211 6650 E: [email protected] NEW YORK, I LOVE YOU Synopsis: Since the birth of movies, New York has long been cinema’s dream city – its teeming populace of one-of-a-kind characters, its stone-and-glass skyscrapers rocketing towards the heavens, its subterranean cultures and its rooftop love affairs all making for the perfect backdrop to all manner of action, comedy, drama and poetry. The city has been immortalised on screen in hundreds of different ways in thousands of movies. But now comes a fresh, diverse and unabashedly romantic window into the city, this time seen entirely through the eyes of love -- love in all its varieties, from first love, tough love and momentary love to love remembered, love denied, love yearned for and love that lasts forever – from a collaboration of young, impassioned filmmakers from around the world. Directed by an eclectic group of some of today’s most imaginative filmmakers that includes Jiang Wen, Mira Nair, Shunji Iwai, Yvan Attal, Brett Ratner, Allen Hughes, Shekhar Kapur, Natalie Portman, Fatih Akin, Joshua Marston and Randy Balsmeyer , NEW YORK, I LOVE YOU invites the audience into the intimate lives of New Yorkers as they grapple with, delight in and search for love. In the Diamond District, an intercultural romantic fantasy transforms the purchase of a precious stone.
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La Búsqueda De Un Tiempo Perdido, En La Película Love
The search of a lost time, into the film Love Letter of the filmmaker LA BÚSQUEDA DE UN TIEMPO PERDIDO, EN LA PELÍCULA LOVE Shunji Iwai La recherche du temps perdu, dans LETTER (CARTA DE AMOR) DEL DIRECTOR SHUNJI IWAI le long métrage Love Letter du réalisateur Shunji Iwai ORLANDO BETANCOR Universidad De La Laguna Resumen: Este artículo aborda el tema de la Abstract: This article approaches the subject of the búsqueda de un tiempo perdido, imposible de volv- search of a lost time, impossible to return, into the er, en la película Love Letter (Carta de amor, 1995), film Love Letter (1995), directed by the Japanese dirigida por el realizador japonés Shunji Iwai. Esta filmmaker Shunji Iwai. This movie tells the story of película narra la historia de una joven que escribe a young woman who writes a letter to her boyfriend, una carta a su novio, fallecido en un trágico acci- expired in a tragic accident two years ago, and sur- dente hace dos años, y sorprendentemente recibe prisingly she receives a response. Likewise this film una respuesta. Igualmente, esta cinta trata aspectos deals with aspects such as love, pain and the de- como el amor, el dolor y los designios del destino. signs of the destiny. Palabras clave: Cine japonés, recuerdo, amor, do- Keywords: Japanese cinema, memory, love, pain, lor, destino destiny Résumé: Cet article aborde le sujet de la recherche du temps perdu, impossible de revenir, dans le long métrage Love Letter (1995), dirigé par le réalisateur japonais Shunji Iwai. Ce film raconte l’histoire d’une jeune femme qui écrit une lettre à son fiancé, décédé dans un tragique accident il y a deux ans, et d’une façon surprenante reçoit une réponse.
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Sanchu Uprising: Voices at Dawn Tag 新しき民リアル鬼ごっこ
WELCOME TO THE JAPANESE FILM FESTIVAL 2016 The continued collaboration between the Embassy of Japan and access>cinema has now reached its eighth year. Without the support of the Ireland Japan Association and the Japan Foundation, it wouldn’t have been possible. This year we will have 22 different films showing in Cork, Limerick, Galway, Dundalk, Waterford, Sligo and of course, Dublin. We are delighted so many people throughout Ireland will get to experience these fantastic films. This year’s programme is one of the best yet, including films such as 100 Yen Love, a multi- award winning drama about how one argument can help transform your life. Nominated as Japan’s selection for Best Foreign Film at the 2016 Academy Awards, this film will surely warm your heart. When Marnie Was There, nominated for Best Animated Feature at the 2016 Academy Awards, is a Studio Ghibli produced animation telling the story of Anna, and her friendship with Marnie, who promises to keep her secrets from everyone. If you’re a fan of superstar idol Atsuko Maeda, we have two of her films: Initiation Love, a romance with a dark twist, and Tamako in Moratorium about an unemployed university graduate living with her father. 2016 is the 5th anniversary of the Great East Japan earthquake. Joy of Man’s Desiring is a film that explores the impact an unnamed earthquake has on children who lost their parents in the disaster. Informed by the director’s own childhood experience after the 1995 Kobe earthquake this film won a special mention at the 64th Berlin International Film Festival.
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Japan Now Press Conference Featuring Shunji IWAI, with a Special Screening of a Bride for Rip Van Winkle at FCCJ on October 4
PRESS INFORMATION September 28, 2016 Japan Now Press Conference featuring Shunji IWAI, with a Special Screening of A Bride for Rip Van Winkle at FCCJ on October 4 Tokyo International Film Festival is pleased to hold a Japan Now Press Conference featuring internationally acclaimed creator Shunji Iwai, with a very special English-subtitled screening of his latest film, A Bride for Rip Van Winkle at the Foreign Correspondents’ Club of Japan (FCCJ) on Tuesday, October 4, 2016. The Japan Now section was created in 2015 to showcase outstanding Japanese films from recent and coming months, demonstrating the diversity © 2016 RVW FP of the domestic film industry, as well as providing a multifaceted look at the country today. The section also highlights a Director in Focus, with special screenings of their films to boost their recognition overseas. This year, following his recent experiences in Hollywood and in animation, that director is Shunji Iwai, whose groundbreaking style and youth-focused vision have been internationally hailed in such masterworks as Love Letter (95), Swallowtail Butterfly (96), All About Lily Chou-Chou (2001) and Hana and Alice (2004). We cordially invite members of the press to join us for this special opportunity to hear from Mr. Iwai, who will appear before the screening with TIFF Director General Yasushi Shiina and Japan Now Programming Advisor Kohei Ando. The 29th TIFF will run from October 25 – November 3 at Roppongi Hills, EX Theater Roppongi and other venues in Tokyo. Date and time: October 4 (Tue), 2016 Doors open at 4:00 pm Press conference starts at 4:30 pm (-5:15pm) Special Screening of A Bride for Rip Van Winkle [2016/180 min.
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