If It Looks Like a Duck: Emojis, Emoticons and Ambiguity by Ronald H
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Hearsay in the Smiley Face: Analyzing the Use of Emojis As Evidence Erin Janssen St
St. Mary's Law Journal Volume 49 | Number 3 Article 5 6-2018 Hearsay in the Smiley Face: Analyzing the Use of Emojis as Evidence Erin Janssen St. Mary's University School of Law Follow this and additional works at: https://commons.stmarytx.edu/thestmaryslawjournal Part of the Civil Procedure Commons, Courts Commons, Criminal Procedure Commons, Evidence Commons, Internet Law Commons, Judges Commons, Law and Society Commons, Legal Remedies Commons, and the State and Local Government Law Commons Recommended Citation Erin Janssen, Hearsay in the Smiley Face: Analyzing the Use of Emojis as Evidence, 49 St. Mary's L.J. 699 (2018). Available at: https://commons.stmarytx.edu/thestmaryslawjournal/vol49/iss3/5 This Article is brought to you for free and open access by the St. Mary's Law Journals at Digital Commons at St. Mary's University. It has been accepted for inclusion in St. Mary's Law Journal by an authorized editor of Digital Commons at St. Mary's University. For more information, please contact [email protected]. Janssen: Analyzing the Use of Emojis as Evidence COMMENT HEARSAY IN THE SMILEY FACE: ANALYZING THE USE OF EMOJIS AS EVIDENCE ERIN JANSSEN* I. Introduction ............................................................................................ 700 II. Background ............................................................................................. 701 A. Federal Rules of Evidence ............................................................. 701 B. Free Speech and Technology ....................................................... -
Emoji Article
20 Headnotes l D allas B ar A s s o c iatio n A pr il 2019 Do You Speak Emoji? District of Michigan determined that uses of emojis as evidence came dur- used by the plaintiffs in emails and BY CAROL PAYNE AND TERAH MOXLEY an emoticon—a “-D,” which the court ing a 2015 trial involving Silk Road, self-assessments as evidence that the It all started with a . Throw in a viewed as a wide open-mouth smile— an online black market. In that case, plaintiffs did not subjectively believe , , , , , and a and two would- “did not materially alter the meaning the federal district judge presiding over their working conditions were abusive. be renters in Tel Aviv found themselves of a text message” included in an affi- the trial sustained an objection by the So, what does all this mean? For on the wrong side of a judgment in davit in support of a search warrant. defense after the prosecutor read text one thing, employers should have favor of a landlord who took a vacant Conversely, in a 2014 opinion from messages without mentioning smiley- strong electronic communications apartment off the market based on a Michigan appellate court, a similar face emojis contained in the messages. policies that explicitly cover symbols enthusiastic text messages he received emoticon—“:P”—sank a defamation The judge instructed the jury that it like emojis and emoticons (and even from the prospective tenants. After the case brought by a public official. In should take note of any such symbols GIFs, hashtags, and memes). -
Expanding Information Access Through Data-Driven Design
©Copyright 2018 Danielle Bragg Expanding Information Access through Data-Driven Design Danielle Bragg A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2018 Reading Committee: Richard Ladner, Chair Alan Borning Katharina Reinecke Program Authorized to Offer Degree: Computer Science & Engineering University of Washington Abstract Expanding Information Access through Data-Driven Design Danielle Bragg Chair of the Supervisory Committee: Professor Richard Ladner Computer Science & Engineering Computer scientists have made progress on many problems in information access: curating large datasets, developing machine learning and computer vision, building extensive networks, and designing powerful interfaces and graphics. However, we sometimes fail to fully leverage these modern techniques, especially when building systems inclusive of people with disabilities (who total a billion worldwide [168], and nearly one in five in the U.S. [26]). For example, visual graphics and small text may exclude people with visual impairments, and text-based resources like search engines and text editors may not fully support people using unwritten sign languages. In this dissertation, I argue that if we are willing to break with traditional modes of information access, we can leverage modern computing and design techniques from computer graphics, crowdsourcing, topic modeling, and participatory design to greatly improve and enrich access. This dissertation demonstrates this potential -
Rave-Culture-And-Thatcherism-Sam
Altered Perspectives: UK Rave Culture, Thatcherite Hegemony and the BBC Sam Bradpiece, University of Bristol Image 1: Boys Own Magazine (London), Spring 1988 1 Contents Introduction……………………………………………………………………………………………………...……… 7 Chapter 1. The Rave as a Counter-Hegemonic Force: The Spatial Element…….…………….13 Chapter 2. The Rave as a Counter Hegemonic Force: Confirmation and Critique..…..…… 20 Chapter 3. The BBC and the Rave: An Agent of Moral Panic……………………………………..… 29 Conclusion…………………………………………………………………………………………………………….... 37 Appendices…………………………………………………………………………………………………………...... 39 Bibliography………………………………………………………………………………………………………...... 50 2 ‘You cannot break it! The bonding between the ravers is too strong! The police and councils will never tear us apart.’ In-ter-dance Magazine1 1 ‘Letters’, In-Ter-Dance (Worthing), Jul. 1993. 3 Introduction Rave culture arrived in Britain in the late 1980s, almost a decade into the premiership of Margaret Thatcher, and reached its zenith in the mid 1990s. Although academics contest the definition of the term 'rave’, Sheila Henderson’s characterization encapsulates the basic formula. She describes raves as having ‘larger than average venues’, ‘music with 120 beats per minute or more’, ‘ubiquitous drug use’, ‘distinctive dress codes’ and ‘extensive special effects’.2 Another significant ‘defining’ feature of the rave subculture was widespread consumption of the drug methylenedioxyphenethylamine (MDMA), otherwise known as Ecstasy.3 In 1996, the government suggested that over one million Ecstasy tablets were consumed every week.4 Nicholas Saunders claims that at the peak of the drug’s popularity, 10% of 16-25 year olds regularly consumed Ecstasy.5 The mass media has been instrumental in shaping popular understanding of this recent phenomenon. The ideological dominance of Thatcherism, in the 1980s and early 1990s, was reflected in the one-sided discourse presented by the British mass media. -
95% of Internet Users Have Used an Emoji. Over 10 Billion Emojis Are Sent Daily
95% Of Internet Users Have Used An Emoji. Over 10 Billion Emojis Are Sent Daily July 17th recognizes World Emoji Day and many of the world’s symbolic icons for digital calendars. The day encourages us to use emojis to send unique messages. Before the emoji, there were emoticons. Emoticons (emotion + icon) was developed as an expression of emotions in the cold hard texts that were devoid of them. Emoji, a Japanese expression, roughly means “picture word” and was created by Shigetaka Kurita in 1990. While working for the Japanese telecom company NTT Docomo, Kurita would design these picture words as a feature on their pagers to make them more appealing to teens. The word “Emoji” is derived from the Japanese words e (for picture) and moji (for character), apparently the seeming connection to the words emotion and emoticon are purely incidental! The release of the first iPhone by Apple in 2007 had an emoji keyboard embedded into the phone to nab the Japanese market. While not intended for U.S. users to find, they did and quickly figured out how to use it. Every year new emojis (both emoji and emojis are acceptable plural forms of the word) are developed. The emojipedia.org keeps track of all the emoji updates across all platforms and operating systems. Over 1800 emojis cover much more than just emotions. Over 900M emojis are sent every day without text on Facebook Messengerr More than 700M emojis are used in Facebook posts every day. The biggest day for emoji usage on Messenger is New Year’s Eve For 2020, 117 new emojis are to be introduced, including a toothbrush, bubble tea, Transgender flag, black cat and more. -
Substitutive Emojis
Filozofická fakulta Univerzity Palackého SUBSTITUTIVE EMOJIS (Diplomová práce) 2019 Michelle Martinek Filozofická fakulta Univerzity Palackého Katedra anglistiky a amerikanistiky SUBSTITUTIVE EMOJIS (Diplomová práce) Autor: Michelle Martinek Studijní obor: Anglická filologie Vedoucí práce: Mgr. Ondřej Molnár, Ph.D. Počet stran: 80 Počet znaků: 122,743 Olomouc 2019 Prohlášení Prohlašuji, že jsem diplomovou práci vypracovala samostatně a použila jen uvedenou literaturu a zdroje. V Olomouci dne…………………… Podpis………………………… Poděkování Děkuji Mgr. Ondřeji Molnárovi, Ph.D. za odborné vedení při tvorbě diplomové práce. Abstract This aim of this thesis is to investigate the possibility of emojis substituting language. Marcel Danesi outlines two functions of emojis in his book The Semiotics of Emoji: adjunctive and substitutive. Adjunctive emojis, which only complement the text, are the topic of a few publications and studies. However, when it comes to substitutive emojis, which replace words in text, there is incredibly little literature and no studies researching them in practice. The thesis begins with briefly reviewing the history of emojis and existing literature on emojis to identify a gap in knowledge. After this, other similar visual forms of script are discussed to determine the potential benefits and limitations of substitutive emojis. Following this is the practical part of the thesis, which is an analysis of over 900 examples of substitutive emojis from Instagram to better understand how they are used with text and why. Key words Emoji, substitution, emoticons, computer-mediated communication, multimodality Anotace Záměr diplomové práce je zkoumat emoji jako náhradu textu. V knize The Semiotics of Emoji Marcel Danesi upřesňuje dva způsoby návaznosti emoji na text. První způsob doplňuje, co je už vyjádřeno textem (anglicky adjunctive emojis). -
Ba Chelor Thesis
English (61-90), 30 credits BACHELOR BACHELOR Do you know what I mean > :( A linguistic study of the understanding of emoticons and emojis in text messages THESIS Caroline Kelly English and linguistic term paper, 15 credits Stockholm 2015-01-13 Caroline Kelly Title: Do you know what I mean > :( - A linguistic study of the understanding of the emoticons and emojis in text messages Abstract This study investigates the understanding of emoticons and emojis used in text messages. The aim of this study is to determine whether there is a universal understanding of emoticons and emojis, which is important considering the number of people using them every day when sending text messages. Many studies have been made of communication via text messages and the usage of emoticons and emojis, but no study has focused on the interpretation of the symbols and the importance of the context. For the purposes of this study, a questionnaire was completed in an upper secondary school (Swedish gymnasium) in Stockholm, during normal school hours in November 2014, by 90 16-19 year old students. The result was then analysed through a ‘Relevance Theory’ perspective, and in the light of the works of, amongst others, Saussure, Peirce and Thomas. The result revealed that, for the interpreter of a text message, it is important that a textual context is established, in order for the interpreter to be able to understand what the emoticons or emojis used in text messages mean. The result also showed that the emoticons and emojis do not have a meaning in themselves and that they can have different meanings depending on the situation, and the mood or the person for whom the message is intended. -
The Rise of Emoji
The Rise of Emoji 絵文字 Internationalization and Unicode Conference IUC 40 Alolita Sharma Board Director at Unicode Consortium Emoji has taken over the Web ● The word Emoji comes from Japanese ● Emoji were initially used by Japanese mobile operators, NTT DoCoMo, KDDI, and Origins of Emoji SoftBank Mobile ● First emoji was created in 1998 絵文字 in Japan by Shigetaka Kurita at NTT DoCoMo 絵 (e ≅ picture) ● Kurita created the first 180 emoji for browsing, doing email 文 (mo ≅ writing) on mobile phones 字 (ji ≅ character) The Unicode Standard started encoding Emoji in 2010 ● Unicode 6.0 added 722 characters ○ 114 characters were from the original Japanese character set which had been added earlier to Unicode and Emoji Unicode 5.2 ○ 608 new characters were also added ● Unicode 7.0 added 250 characters, many from Webdings and Wingdings fonts ● Unicode 8 added 41 Emoji ○ 1,051 codepoints across 22 code blocks ● Unicode 9 added 72 Emoji ● Emoji Stats as of 11/2016 ○ 1394 Emoji ○ 435 Modified Emoji ○ 22 Sequences ○ 1851 Total Unicode and Emoji ● Unicode 10 Emoji candidates list ○ 8 Emoji candidates for consideration so far ○ http://unicode.org/emoji/charts/emoji-candidates.ht ml ● Emoji Unicode Technical Report 51 http://unicode.org/reports/tr51/ ● Emoji Chart http://unicode.org/emoji/charts/full-emoji-list.html How are people using Emoji? ● An Emoji is worth a thousand words! ● Emoji enables users to represent interests - cultural, entertainment, How are people regional, national, events, sports, diversity using Emoji? ● Emoji enables users express reactions - pleased, happy, sad, angry ● Emoji enables diverse people to connect across languages and cultures People and organizations are using emoji everywhere - on search, social media, messaging platforms, email ● News - local, national, global, disasters How are people using Emoji? ● Current events - public and personal News and Current Events Election campaigns and voting Restaurant reviews and menus Advertising Marketing and Branding Financial How are platforms leveraging Emoji? Search: Google Google with Emoji! ○ E.g. -
Perception of Meaning and Usage Motivations of Emoticons Among Americans and Chinese Users
Rochester Institute of Technology RIT Scholar Works Theses 9-14-2004 Perception of meaning and usage motivations of emoticons among Americans and Chinese users Yujiao Wang Follow this and additional works at: https://scholarworks.rit.edu/theses Recommended Citation Wang, Yujiao, "Perception of meaning and usage motivations of emoticons among Americans and Chinese users" (2004). Thesis. Rochester Institute of Technology. Accessed from This Thesis is brought to you for free and open access by RIT Scholar Works. It has been accepted for inclusion in Theses by an authorized administrator of RIT Scholar Works. For more information, please contact [email protected]. Emoticons Usage and Meaning 1 EMOTICONS USAGE AND MEANING Perception of Meaning and Usage Motivations of Emoticons Among Americans and Chinese Users By Yujiao Wang Paper Presented in Partial Fulfillment of the Master of Science Degree in Communication & Media Technologies September 14, 2004 Emoticons Usage and Meaning 2 The following members ofthe thesis committee approve the thesis of Yujiao Wang presented on September 14,2004. Dr. Susan B. Barnes Department ofCommunication Thesis Advisor Dr. Evelyn Rozanski B. Thomas Golisano College of Computing and Information Sciences Thesis Advisor Dr. Bruce Austin Department ofCommunication Chairman Emoticons Usage and Meaning 3 Thesis Author Permission Statement Title of thesis or dissertation: Perception of Meaning and Usage Motivations of Emoticons Among Americans and Chinese Users Name of author: Yujiao Wang Degree: Master of Science Program: Communication Media and Technologies College: College of Liberal Arts I understand that I must submit a print copy of my thesis or dissertation to the RIT Archives, per current RIT guidelines for the completion of my degree. -
Emoji]: Understanding the Effects of a New Language of Self-Expression
V5.05 I Heart [Emoji]: Understanding the Effects of a New Language of Self-expression Diana Duque I Heart [Emoji]: Understanding the Effects of a New Language of Self-expression by Diana Duque In Plato’s dialogue The Phaedrus, the protagonist, Socrates, shares with his in- terlocutor Phaedrus a disdain for the use of letters—predicting begrudgingly that the discovery of the alphabet “will create forgetfulness in the learners’ souls because they will not use their memories; they will trust to the external written characters and not remember of themselves.”1 Could it be that the discovery of, and pervasive use of emoji will also create forgetfulness in the learners of our time? Or could it be that we are at risk of forgetting our native, written tongue altogether, as Karl Marx suggests is the case with newly acquired language? In like manner, a beginner who has learnt a new language always translates it back into his mother tongue, but he has assimilated the spirit of the new language and can freely express himself in it only when he finds his way in it without recalling the old and forgets his native tongue in the use of the new.2 54 Plot(s) It is unlikely that we will abandon modern linguistic and structural forms of writ- ten language altogether, but current trends in communication technology, in- cluding the ubiquity of smartphones, have drastically altered our traditional forms of writing and cultivated a novel and ephemeral form of graphic dialect: emoji. As the language of computers and the interface of smartphone technology has de- veloped, expressive-yet-rudimentary emoticons—a series of printable characters such as :-) —have lost their appeal as they have been superseded by their digital cousin, the emoji.3 As exemplars of the new normal in digital communication, emoji represent a class of covetable widgets we took for granted until realizing modern-day text-based communication lacked something without it. -
The History of the Emojis
The History of the Emojis Ancestors - Smiley - Emoticon - Kaomoji - Emoji CC by sa nc, icon-stories.ch 1 Emojis Sent Daily on Facebook (2017) Image: Facebook CC by sa nc, icon-stories.ch 2 Ancestors of the Emoticons • Already centuries ago, typesetters tried to represent faces with punctuation marks or letters. • The experiment of the American magazine "Puck“ in 1881 is famous. > see next slide CC by sa nc, icon-stories.ch 3 “Puck” 1881 CC by sa nc, icon-stories.ch 4 1963: The Smiley is invented • The Smiley was invented in 1963 by the graphic artist Harvey Ross Ball in Worcester, Massachusetts, USA. • At that time, he was asked to draw a graphic to improve the mood of the employees of an insurance company. • Harvey Ball completed the design in less than 10 minutes and earned $45 for his work. CC by sa nc, icon-stories.ch 5 The Second Most Famous Smile • The original Smiley has two differently sized oval eyes. • The mouth is not a perfect geometric bow. • The most famous smile in the world, that of Mona Lisa, has often been compared to the smiley. CC by sa nc, icon-stories.ch 6 The Most Famous Smile in the World Mona Lisa by Leonardo da Vinci CC by sa nc, icon-stories.ch 7 No Copyright for the Smiley … • Harvey Ball didn't realize what he had created. He forgot to copyright his work. • Others made hundreds of millions of dollars with the Smiley on clothes, hats, toys, etc. shortly after. > see next slide CC by sa nc, icon-stories.ch 8 Items of the “Smiley Company” (2019) CC by sa nc, icon-stories.ch 9 1982: Scott Fahlman invents emoticons • emotion + icon = emoticon • At that time, the Internet did not yet exist in its modern form. -
Baby Raves: Youth, Adulthood and Ageing in Contemporary British EDM Culture
Baby Raves: Youth, Adulthood and Ageing in Contemporary British EDM Culture Feature Article Zoe Armour De Montfort University (UK) Abstract This article begins with a reconsideration of the parameters ofage in translocal EDM sound system and (super)club culture through the conceptualisation of a fluid multigenerationality in which attendees at EDM-events encompass a spectrum of ages from 0–75 years. Since the 1980s, it remains the case that the culture is fuelled through a constant influx of newcomers who are predominantly emerging youth, yet there are post-youth members in middle adulthood and later life that are also a growing body that continues to attend EDM-events. In this context, the baby rave initiative (2004–present) has capitalised on a gap in the family entertainment market and created a new chapter in (super)club and festival culture. I argue that the event is a catalyst for live heritage in which the accompanying children (aged from 0–12 years) temporarily become the beneficiaries of their parent’s attendee heritage and performance of an unauthored heritage. Keywords: fluid multigenerationality, EDM-family, baby rave, live heritage, unauthored heritage Zoe Armour is completing a PhD in electronic dance music culture. Her work is interdisciplinary and draws from the fields of cultural sociology, popular music, memory studies, media and communication and film. She is the author of two book chapters on Ageing Clubbers and the Internet and the British Free Party Counterculture in the late 1990s. She is a member of the Media Discourse Centre, IASPM and follows the group for Subcultures, Popular Music and Social Change.