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Hearsay in the Smiley Face: Analyzing the Use of Emojis As Evidence Erin Janssen St
St. Mary's Law Journal Volume 49 | Number 3 Article 5 6-2018 Hearsay in the Smiley Face: Analyzing the Use of Emojis as Evidence Erin Janssen St. Mary's University School of Law Follow this and additional works at: https://commons.stmarytx.edu/thestmaryslawjournal Part of the Civil Procedure Commons, Courts Commons, Criminal Procedure Commons, Evidence Commons, Internet Law Commons, Judges Commons, Law and Society Commons, Legal Remedies Commons, and the State and Local Government Law Commons Recommended Citation Erin Janssen, Hearsay in the Smiley Face: Analyzing the Use of Emojis as Evidence, 49 St. Mary's L.J. 699 (2018). Available at: https://commons.stmarytx.edu/thestmaryslawjournal/vol49/iss3/5 This Article is brought to you for free and open access by the St. Mary's Law Journals at Digital Commons at St. Mary's University. It has been accepted for inclusion in St. Mary's Law Journal by an authorized editor of Digital Commons at St. Mary's University. For more information, please contact [email protected]. Janssen: Analyzing the Use of Emojis as Evidence COMMENT HEARSAY IN THE SMILEY FACE: ANALYZING THE USE OF EMOJIS AS EVIDENCE ERIN JANSSEN* I. Introduction ............................................................................................ 700 II. Background ............................................................................................. 701 A. Federal Rules of Evidence ............................................................. 701 B. Free Speech and Technology ....................................................... -
Songs by Artist
DJ Song list Songs by Artist DJ Song list Title Versions Title Versions Title Versions Title Versions -- 360 Ft Pez 50 Cent Adam & The Ants Al Green -- 360 Ft Pez - Live It Up DJ 21 Questions DJ Ant Music DJ Let's Stay Together We -- Chris Brown Ft Lil Wayne Candy Shop DJ Goody Two Shoes DJ Al Stuart -- Chris Brown Ft Lil Wayne - DJ Hustler's Ambition DJ Stand And Deliver DJ Year Of The Cat DJ Loyal If I Can't DJ Adam Clayton & Larry Mullen Alan Jackson -- Illy In Da Club DJ Theme From Mission DJ Hi Chattahoochee DJ -- Illy - Tightrope (Clean) DJ Just A Li'l Bit DJ Impossible Don't Rock The Jukebox DJ -- Jason Derulo Ft Snoop Dog 50 Cent Feat Justin Timberlake Adam Faith Gone Country DJ -- Jason Derulo Ft Snoop Dog DJ Ayo Technology DJ Poor Me DJ Livin' On Love DJ - Wiggle 50 Cent Feat Mobb Deep Adam Lambert Alan Parsons Project -- Th Amity Afflication Outta Control DJ Adam Lambert - Better Than I DJ Eye In The Sky 2010 Remix DJ -- Th Amity Afflication - Dont DJ Know Myself 50 Cent Ft Eminem & Adam Levin Alanis Morissette Lean On Me(Warning) If I Had You DJ 50 Cent Ft Eminem & Adam DJ Hand In My Pocket DJ - The Potbelleez Whataya Want From Me Ch Levine - My Life (Edited) Ironic DJ Shake It - The Potbelleez DJ Adam Sandler 50Cent Feat Ne-Yo You Oughta Know DJ (Beyonce V Eurythmics Remix (The Wedding Singer) I DJ Baby By Me DJ Alannah Myles Sweet Dreams DJ Wanna Grow Old With You 60 Ft Gossling Black Velvet DJ 01 - Count On Me - Bruno Marrs Adele 360 Ft Gossling - Price Of DJ Albert Lennard Count On Me - Bruno Marrs DJ Fame Adele - Skyfall DJ Springtime In L.A. -
Emoji Article
20 Headnotes l D allas B ar A s s o c iatio n A pr il 2019 Do You Speak Emoji? District of Michigan determined that uses of emojis as evidence came dur- used by the plaintiffs in emails and BY CAROL PAYNE AND TERAH MOXLEY an emoticon—a “-D,” which the court ing a 2015 trial involving Silk Road, self-assessments as evidence that the It all started with a . Throw in a viewed as a wide open-mouth smile— an online black market. In that case, plaintiffs did not subjectively believe , , , , , and a and two would- “did not materially alter the meaning the federal district judge presiding over their working conditions were abusive. be renters in Tel Aviv found themselves of a text message” included in an affi- the trial sustained an objection by the So, what does all this mean? For on the wrong side of a judgment in davit in support of a search warrant. defense after the prosecutor read text one thing, employers should have favor of a landlord who took a vacant Conversely, in a 2014 opinion from messages without mentioning smiley- strong electronic communications apartment off the market based on a Michigan appellate court, a similar face emojis contained in the messages. policies that explicitly cover symbols enthusiastic text messages he received emoticon—“:P”—sank a defamation The judge instructed the jury that it like emojis and emoticons (and even from the prospective tenants. After the case brought by a public official. In should take note of any such symbols GIFs, hashtags, and memes). -
M-Phazes | Primary Wave Music
M- PHAZES facebook.com/mphazes instagram.com/mphazes soundcloud.com/mphazes open.spotify.com/playlist/6IKV6azwCL8GfqVZFsdDfn M-Phazes is an Aussie-born producer based in LA. He has produced records for Logic, Demi Lovato, Madonna, Eminem, Kehlani, Zara Larsson, Remi Wolf, Kiiara, Noah Cyrus, and Cautious Clay. He produced and wrote Eminem’s “Bad Guy” off 2015’s Grammy Winner for Best Rap Album of the Year “ The Marshall Mathers LP 2.” He produced and wrote “Sober” by Demi Lovato, “playinwitme” by KYLE ft. Kehlani, “Adore” by Amy Shark, “I Got So High That I Found Jesus” by Noah Cyrus, and “Painkiller” by Ruel ft Denzel Curry. M-Phazes is into developing artists and collaborates heavy with other producers. He developed and produced Kimbra, KYLE, Amy Shark, and Ruel before they broke. He put his energy into Ruel beginning at age 13 and guided him to RCA. M-Phazes produced Amy Shark’s successful songs including “Love Songs Aint for Us” cowritten by Ed Sheeran. He worked extensively with KYLE before he broke and remains one of his main producers. In 2017, Phazes was nominated for Producer of the Year at the APRA Awards alongside Flume. In 2018 he won 5 ARIA awards including Producer of the Year. His recent releases are with Remi Wolf, VanJess, and Kiiara. Cautious Clay, Keith Urban, Travis Barker, Nas, Pusha T, Anne-Marie, Kehlani, Alison Wonderland, Lupe Fiasco, Alessia Cara, Joey Bada$$, Wiz Khalifa, Teyana Taylor, Pink Sweat$, and Wale have all featured on tracks M-Phazes produced. ARTIST: TITLE: ALBUM: LABEL: CREDIT: YEAR: Come Over VanJess Homegrown (Deluxe) Keep Cool/RCA P,W 2021 Remi Wolf Sexy Villain Single Island P,W 2021 Yung Bae ft. -
Home Grown Issue 50
FEATURE always done band things or other people’s records. I definitely wanted a strong rhythm element, which is why I teamed up with drummer/percussionist Felix Bloxsom, who also co-produced my album. Felix and I went for a couple of definite sounds – Ringo’s Abbey Road tea-towels-on- the-kit sound, and the Curtis Mayfield & The Imperials’ big, open early ’60s bandstand kind of sound, too. We did a bunch of guides with click tracks in ProTools and lugged four drum kits up the stairs to Big Jesus Burger studios in Surry Hills to do three days of drums. Chris Townend tracked all the drums on his Ampex two-inch machine. We love Chris, he pulls ‘his’ drum sound, which involves nice toys like Reslo ribbon mics and his mad ’50s Rola mono tube tape preamp – and he’s laidback and fun. I value ‘fun’ over ‘difficult’ every time. If you’re a genius but a pain in the arse, go tell it to your mama, I’m not interested. Chris, like Felix and my friend Stu Hunter (who did all the string and horn arrangements for this album), are fun and gifted – and dress well, too! I pretty much sat on the couch up the back of HOME GROWN the studio and watched Chris and Felix do their thing. I was nursing a torn Achilles tendon so Singer/songwriters are a bit fashionable right now. Wanna I didn’t have much choice (a touch footy match know how to make a classic ‘song-based’ album? Let’s ask at a wedding if you must know). -
Song List 2012
SONG LIST 2012 www.ultimamusic.com.au [email protected] (03) 9942 8391 / 1800 985 892 Ultima Music SONG LIST Contents Genre | Page 2012…………3-7 2011…………8-15 2010…………16-25 2000’s…………26-94 1990’s…………95-114 1980’s…………115-132 1970’s…………133-149 1960’s…………150-160 1950’s…………161-163 House, Dance & Electro…………164-172 Background Music…………173 2 Ultima Music Song List – 2012 Artist Title 360 ft. Gossling Boys Like You □ Adele Rolling In The Deep (Avicii Remix) □ Adele Rolling In The Deep (Dan Clare Club Mix) □ Afrojack Lionheart (Delicious Layzas Moombahton) □ Akon Angel □ Alyssa Reid ft. Jump Smokers Alone Again □ Avicii Levels (Skrillex Remix) □ Azealia Banks 212 □ Bassnectar Timestretch □ Beatgrinder feat. Udachi & Short Stories Stumble □ Benny Benassi & Pitbull ft. Alex Saidac Put It On Me (Original mix) □ Big Chocolate American Head □ Big Chocolate B--ches On My Money □ Big Chocolate Eye This Way (Electro) □ Big Chocolate Next Level Sh-- □ Big Chocolate Praise 2011 □ Big Chocolate Stuck Up F--k Up □ Big Chocolate This Is Friday □ Big Sean ft. Nicki Minaj Dance Ass (Remix) □ Bob Sinclair ft. Pitbull, Dragonfly & Fatman Scoop Rock the Boat □ Bruno Mars Count On Me □ Bruno Mars Our First Time □ Bruno Mars ft. Cee Lo Green & B.O.B The Other Side □ Bruno Mars Turn Around □ Calvin Harris ft. Ne-Yo Let's Go □ Carly Rae Jepsen Call Me Maybe □ Chasing Shadows Ill □ Chris Brown Turn Up The Music □ Clinton Sparks Sucks To Be You (Disco Fries Remix Dirty) □ Cody Simpson ft. Flo Rida iYiYi □ Cover Drive Twilight □ Datsik & Kill The Noise Lightspeed □ Datsik Feat. -
Alarm Over Dog Baits PAGE 4
WeekWANNEROOender Communitynews.com.au THURSDAY,JUNE 7, 2018 INSIDE Stolencar abandoned PAGE 3 Couple’slucky escape AHeathridgecouple are thankful no one was injured when acar ploughed through their front wall on Tuesday night. Story page 3 Wildcat honouredfor Damage to the Littorina Avenue property. Picture: Martin Kennealey Inset: The Holden Commodore smashed through the fence and into the house. youth work Alarm over dog baits PAGE 4 FIRST REPORTED AT PELLETS FOUND IN MULLALOO PARK warning out on Friday about more baits found in the park. Communitynews City of Joondalup chief execu- .com.au May 22. Mr Gibson occasionally hate to see some animal injured tive Garry Hunt confirmed the Mark Donaldson takes his pet ferret to the park. because of someone’s stupidity.” City was aware of the find. He wrapped the cake in abag Mr Gibson was unsure if any “The City has been engaging CHOCOLATE cake laced with and disposed of it before putting a park users resented the presence with amember of the public on what appears to be poison has warning outthrough his busi- of animals because he mostly dealt this matter but is not in aposition been found at apopular park for ness’s Facebook page. with pet owners at his cafe. tosay whether rat poison pellets dog walkers in Mullaloo. He said another park user also “My cafe is very animal friend- were present at Charonia Park on Chris Gibson, who owns nearby found abaitedcake and handed it ly and Iguess if someone did have Tuesday, May 22,” he said. The Presets animal-friendly The Yellow Bour- in to aworker at nearby IGA, who an issue (with animals), they prob- He encouraged residents to re- bon Coffee Shop,said he found reported it to authorities. -
Factual Releases Pre Sale and Acquistion
FACTUAL RELEASES PRE SALE AND ACQUISTION WORLD’S FATTEST MAN 2 X 50 NEW EPISODES AVAILABLE Shot over seven years this is the first and only story of its king following the long term effects of super morbid obesity and food addiction. Brit Paul Mason, the world’s former fattest man starts this series weighing 1000 lbs/454 Kg. Following major surgery in the UK and US his weight falls to 275lbs/ 125Kg, he becomes a celebrity on US TV and falls in love with an American ady called Rebecca. The series shows how food addiction is always present and falling into its clutches is always a serious threat to the extent Paul not only balloons once again to over 600lbs/272Kg but faces homelessness and has to resort to stealing food and finding himself facing prison. In desperation he returns to the UK to get his weight under control again. Winner of a Royal Television Award. JIMI HENDRIX & THE SPOOK 1 X 50 & 1 X 88 AVAILABLE Q2 2020 In September 1966 Jimmy James anded in London, he would soon revert to his original surname of Hendrix, he had no idea that his other travelling companion, a mysterious suited man wearing dark gasses, would become embroiled in a Jimi Hendrix murder enquiry four years ater. Now fifty years on, The Animals and Jimi Hendrix not only remain top box office, the cause of Jimi’s death still remains an open verdict. No matter how imaginative the many stories that surround his death one fact is evident; none of the authors were actually there. -
Club Cultures Music, Media and Subcultural Capital SARAH THORNTON Polity
Club Cultures Music, Media and Subcultural Capital SARAH THORNTON Polity 2 Copyright © Sarah Thornton 1995 The right of Sarah Thornton to be identified as author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988. First published in 1995 by Polity Press in association with Blackwell Publishers Ltd. Reprinted 1996, 1997, 2001 Transferred to digital print 2003 Editorial office: Polity Press 65 Bridge Street Cambridge CB2 1UR, UK Marketing and production: Blackwell Publishers Ltd 108 Cowley Road Oxford OX4 1JF, UK All rights reserved. Except for the quotation of short passages for the purposes of criticism and review, no part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publisher. Except in the United States of America, this book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out, or otherwise circulated without the publisher’s prior consent in any 3 form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser. ISBN: 978-0-7456-6880-2 (Multi-user ebook) A CIP catalogue record for this book is available from the British Library. Typeset in 10.5 on 12.5 pt Palatino by Best-set Typesetter Ltd, Hong Kong Printed and bound in Great Britain by Marston Lindsay Ross International -
Microsoft Office Outlook
Eliot I. Bernstein Full Name: Above and Beyond First Name: Above and Beyond Job Title: James Grant - Manager Business: 44 20 8742 4950 E-mail: enquiries Categories: call ultrafest 09 20090319 cmb sent email to 20090319 cmb per recept not manager James Grant Media Ltd 94 Strand On The Green Chiswick London W4 3NN tel: 020 8742 4950 fax: 020 8742 4951 email: enquiries James Grant Music Management was formed in the early part of 2005 by Nick Worsley and Simon Hargreaves and is a joint venture with long established TV Management Company James Grant Media. Heading up the company are two former Sony Music Entertainment Executives - Nick Worsley who was Head of Radio Promotions and Simon Hargreaves who was Head Of Press and Publicity. Bringing together over 20 years of music industry experience across both Major labels and the Independent sector - James Grant Music delivers a fresh and extremely potent force in the Music Business and is already breaking new ground in the Music Management arena. 1 Eliot I. Bernstein Full Name: Alina First Name: Alina E-mail: [email protected] E-mail Display As: Alina ([email protected]) Categories: call ultrafest 09 20090319 cmb sent email to the email above AFFILIATION: Sequence Production BOOKING CONTACT: [email protected] BIOGRAPHY Alina Sequence career has begun in 1994 when it has started to work as the assistant to the arranger in a sound studio. Greater support was rendered by Andrey Ivanov (Triplex), having given many useful knowledge in the field of electronic tools, becoming first producer Alina. In 1997 Alina Sequence bases under the beginning a promo-label " Sequence Records " which is engaged in producing of young electronic musicians, and also release of releases of Russian electronic music. -
Rave-Culture-And-Thatcherism-Sam
Altered Perspectives: UK Rave Culture, Thatcherite Hegemony and the BBC Sam Bradpiece, University of Bristol Image 1: Boys Own Magazine (London), Spring 1988 1 Contents Introduction……………………………………………………………………………………………………...……… 7 Chapter 1. The Rave as a Counter-Hegemonic Force: The Spatial Element…….…………….13 Chapter 2. The Rave as a Counter Hegemonic Force: Confirmation and Critique..…..…… 20 Chapter 3. The BBC and the Rave: An Agent of Moral Panic……………………………………..… 29 Conclusion…………………………………………………………………………………………………………….... 37 Appendices…………………………………………………………………………………………………………...... 39 Bibliography………………………………………………………………………………………………………...... 50 2 ‘You cannot break it! The bonding between the ravers is too strong! The police and councils will never tear us apart.’ In-ter-dance Magazine1 1 ‘Letters’, In-Ter-Dance (Worthing), Jul. 1993. 3 Introduction Rave culture arrived in Britain in the late 1980s, almost a decade into the premiership of Margaret Thatcher, and reached its zenith in the mid 1990s. Although academics contest the definition of the term 'rave’, Sheila Henderson’s characterization encapsulates the basic formula. She describes raves as having ‘larger than average venues’, ‘music with 120 beats per minute or more’, ‘ubiquitous drug use’, ‘distinctive dress codes’ and ‘extensive special effects’.2 Another significant ‘defining’ feature of the rave subculture was widespread consumption of the drug methylenedioxyphenethylamine (MDMA), otherwise known as Ecstasy.3 In 1996, the government suggested that over one million Ecstasy tablets were consumed every week.4 Nicholas Saunders claims that at the peak of the drug’s popularity, 10% of 16-25 year olds regularly consumed Ecstasy.5 The mass media has been instrumental in shaping popular understanding of this recent phenomenon. The ideological dominance of Thatcherism, in the 1980s and early 1990s, was reflected in the one-sided discourse presented by the British mass media. -
ACJ'al` (OR Djs from Competition by Maria Jimenez
Groovem ix Music BBC Radio 1 Picks Dance ACJ'Al` (OR DJs From Competition by Maria Jimenez UNITED KINGDOM in rap, swing, ragga and jungle, while Ram- ASSORTED SINGLES MOVIN' THROUGH THE INTERNATIONAL CIR- by DomPhillips pling's one of the instigators of the scene." CUIT: Barbara Tucker, who hit with powerful underground tracks Deep Deep Meanwhile, the BBC can expect compe- Inside and Beautiful People, strikes again with I Get Lifted (Positiva), another highly As BCC Radio 1 FM-the UK's only tition from Kiss FM's new member. "Repu- charged, positivity track. With remixes from the UK's Loveland, NY's Masters At national pop radio station-struggles with tation by night, revenue by day,"is how Work and San Francisco's DJ EFX, there's a world of remixes to explore. Ideal ceaselessly tumbling audience figures, the Eugene Perera, marketing director at Man- crossover dance music. Legendary producer/remixer David Morales delivers the station has made some radical new program- chester's latest dance radio station Kiss 102 highly commercial, street credible remix of Ace Of Bace's Living In Danger (ffrr). ming changes for dance fans. approximates their approach. Kiss 102 is a Smooth and uplifting this house number rides alternatively on bright piano, synth In a spectacular coup, Radio 1 poached franchise of the London station, but with a pads, light bass and beats. The slightly ominous lyrics are balanced by a lofty, spa- top dance presenters from the two leading closer working relationship as regards spon- cious production. No stranger to the ever -evolving "cutting edge" of new music, London stations.