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Star Trek and Religion
Star Trek and Religion: Changing attitudes towards religion Changingin Voyagerattitudes towardsand DS9 religion in Voyager and DS9 Star Trek: Deep Space Nine • Differences between DS9 and other Trek series: – Takes place on space station (repeated contact with different species, not just per- episode contact… deeper cultural understanding? – Religion central to premise, multiple episodes – Regular worship events featured: prayers, temple attendance, meditation, religious hierarchy, etc. Star Trek: Deep Space Nine • Does DS9 as a series respect religion? What factors might indicate that it does respect religion? What factors might indicate it does not? • Were we more open to the spiritual in the late 1990’s then we were in the 1980's (or 1960's), or less so? • Is “respect” another way of saying “patronizing rejection”? Star Trek: Deep Space Nine • Sisko’s “divine parentage”:revealed in Season Seven, Sisko’s mother was human, possessed by Bajoran Prophet – Mother left after Sisko born - mission accomplished! – Sisko is therefore sort-of, in a sci-fi way, of divine parentage - brought to life deliberately by beings worshipped as Gods. – First time ever “gods” are shown to act outside the species to whom they are sacred • What does this say about Star Trek: DS9’s treatment of the divine? Is this a more sympathetic treatment than Classic Trek or Next Gen? Star Trek: Deep Space Nine • Sisko’s Journey – Identified as the Emissary by spiritual leader of Bajor in pilot episode (“Emissary” 1993) – Religious role accepted reluctantly, but only as subordinate to Starfleet secular way of understanding (“Destiny” 1995; “Accession” 1996) – Truly accepts his religious role in fifth season - (“Rapture” 1997) Star Trek: Deep Space Nine • Sisko’s Journey, con’t – Starfleet role and Emissary role come into conflict in sixth season - Sisko chooses Starfleet role, and disaster follows (“Tears of the Prophets” 1998) – Season seven (final season) - Sisko follows spiritual path, fulfils destiny - religious journey compete. -
___... -.:: GEOCITIES.Ws
__ __ _____ _____ _____ _____ ____ _ __ / / / / /_ _/ / ___/ /_ _/ / __ ) / _ \ | | / / / /__/ / / / ( ( / / / / / / / /_) / | |/ / / ___ / / / \ \ / / / / / / / _ _/ |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ersion 1.21 By K. Bradley Washburn "The Historian" ______________ | __ | | \| /\ / | | |/_/ / | | |\ \/\ / | | |_\/ \/ | |______________| K. Bradley Washburn HISTORY OF THE FUTURE Page 2 of 2 FOREWARD Relevant Notes WARNING: THIS FILE IS HAZARDOUS TO YOUR PRINTER'S INK SUPPLY!!! [*Story(Time Before:Time Transpired:Time After)] KEY TO ABBREVIATIONS AS--The Amazing Stories AST--Animated Star Trek B5--Babylon 5 BT--The Best of Trek DS9--Deep Space Nine EL--Enterprise Logs ENT--Enterprise LD--The Lives of Dax NE--New Earth NF--New Frontier RPG--Role-Playing Games S.C.E.--Starfleet Corps of Engineers SA--Starfleet Academy SNW--Strange New Worlds sQ--seaQuest ST--Star Trek TNG--The Next Generation TNV--The New Voyages V--Voyager WLB—Gateways: What Lay Beyond Blue italics - Completely canonical. Animated and live-action movies, episodes, and their novelizations. Green italics - Officially canonical. Novels, comics, and graphic novels. Red italics – Marginally canonical. Role-playing material, source books, internet sources. For more notes, see the AFTERWORD K. Bradley Washburn HISTORY OF THE FUTURE Page 3 of 3 TIMELINE circa 13.5 billion years ago * The Big Bang. -
Bajoran Language
Bajoran Language All Bajoran written languages are based on a series of ideograms; even copies of the Bajoran texts found at ancient archaeological sites share certain root ideograms. Bajoran ideogrammatic symbols are vaguely square shaped, and feature a series of complex, interconnecting swirls. In times past, the symbols were rectangular; modern Bajoran script breaks down words into their components more frequently, thus two modern symbols often correlate to a single ancient word. Bajoran spoken language also consists of many small words for simple concepts, which can combine to produce words representing more complex ideas. There are 25 basic Bajoran language symbols, which form the foundation of all ideograms. Each symbol can be used in any of eight rotations (flipped and rotated each and every way). Bajoran tends to be written in horizontal lines, although it can be written vertically. In the Bajoran alphabet, the analogue of “C” is the fourth letter, the analogue of “E” the seventh. List of Words and Language Components Edit A: Prefix signifying definite article “the”, as in a prime or model example. Aclim: An era of history. Alva: A yellow fruit. The syllabic component “va” translates to “source”, and is found in the names of other foods like Veklava and Kava. Amojan: “The Evil One” (From “A”- “the”, “Mo”- “one”, and “Jan”- “Evil”). Amoran: “The Banishment"”(From “A”- “the”, and “Moran”- “Banishment", itself derived from the syllabic roots for “one” and “aftermath”- essentially, to have become "one", cut off from others). Ara/Arra: “Place”, usually in a spiritual or figurative sense rather than denoting literal location, although as the Bajoran proverb teaches, “the land and the people are one”. -
October USF PADD
1 From the Editor Greetings one and all! While we carry over some of the celebratory mood of last month's issue for Star Trek's 45th anniversary, this month's main focus is the man behind it all. Gene Roddenberry. In a more somber reflection, we pay tribute to his genius and imagination, for this month marks 20 years since his death. Would he have imagined his vision to continue on so strongly after he had reached his final frontier? We can't say for certain, but surely he had wished. So, aside from the second part of the Star Trek Culture article, we also have a nice little tribute to “the man”, and even some interesting and perhaps little known facts about him. And since I haven't been able to find anyone that attended the big 45th anniversary Vegas Convention and would be willing to share their experience and perhaps pictures, I decided to take us all back in time to the 30th anniversary with the help of a willing simmer. (But I'm still looking for the scoop on this year!) Plus, we have a few “firsts” in this issue. Namely: the first two official strips from the new comic “Prime Defective”, the first time Chief Squill is handing out his astute Ferengi advice, and the first issue of the Cookbook under a new culinary chef... or is she an alchemist? You could think so, considering what she “cooked” up for her debut. And now... I won't hold you up any more. Enjoy the read! Lori Wanted: Ads Consider advertising for your Sim in the USF PADD All USF hosts are warmly invited to submit GRAPHIC or TEXT ADS to be displayed in various sections of this magazine. -
DEEP SPACE NINE® on DVD
Star Trek: DEEP SPACE NINE® on DVD Prod. Season/ Box/ Prod. Season/ Box/ Title Title # Year Disc # Year Disc Abandoned, The 452 3/1994 3/2 Emissary, Part I 401 1/1993 721 1/1 Accession 489 4/1996 4/5 Emissary, Part II 402 1/1993 Adversary, The 472 3/1995 3/7 Emperor's New Cloak, The 562 7/1999 7/3 Afterimage 553 7/1998 7/1 Empok Nor 522 5/1997 5/6 Alternate, The 432 2/1994 2/3 Equilibrium 450 3/1994 3/1 Apocalypse Rising 499 5/1996 5/1 Explorers 468 3/1995 3/6 Armageddon Game 433 2/1994 2/4 Extreme Measures 573 7/1999 7/6 Ascent, The 507 5/1996 5/3 Facets 471 3/1995 3/7 Assignment, The 504 5/1996 5/2 Family Business 469 3/1995 3/6 Babel 405 1/1993 1/2 Far Beyond the Stars 538 6/1998 6/4 Badda-Bing, Badda-Bang 566 7/1999 7/4 Fascination 456 3/1994 3/3 Bar Association 488 4/1996 4/4 Favor the Bold 529 6/1997 6/2 Battle Lines 413 1/1993 1/4 Ferengi Love Songs 518 5/1997 5/5 Begotten, The 510 5/1997 5/3 Field of Fire 563 7/1999 7/4 Behind the Lines 528 6/1997 6/1 For the Cause 494 4/1996 4/6 Blaze of Glory 521 5/1997 5/6 For the Uniform 511 5/1997 5/4 Blood Oath 439 2/1994 2/5 Forsaken, The 417 1/1993 1/5 Body Parts 497 4/1996 4/7 Hard Time 491 4/1996 4/5 Broken Link 498 4/1996 4/7 Heart of Stone 460 3/1995 3/4 Business as Usual 516 5/1997 5/5 Hippocratic Oath 475 4/1995 4/1 By Inferno's Light 513 5/1997 5/4 His Way 544 6/1998 6/5 Call to Arms 524 5/1997 5/7 Homecoming, The 421 2/1993 2/1 Captive Pursuit 406 1/1993 1/2 Homefront 483 4/1996 4/3 Cardassians 425 2/1993 2/2 Honor Among Thieves 539 6/1998 6/4 Change of Heart 540 6/1998 6/4 House -
ORDEM CRONOLÓGICA: 1ª Star Trek: the Original Series (1966-1969
ORDEM CRONOLÓGICA: 1ª Star Trek: The Original Series (1966-1969) 2ª Star Trek: The Next Generation (1987-1993) 3ª Star Trek: Deep Space Nine (1993-1999) 4ª Star Trek: Voyager (1995-2001) 5ª Star Trek: Enterprise (2001-2005) Jornada nas Estrelas: A Série Original (NCC-1701) Temporada 1 (1966-1967) 01. The Cage (1964) (A Jaula) -02. Where No Man Has Gone Before (1965) (Onde Nenhum Homem Jamais Esteve) 03. The Corbomite Maneuver (O Ardil Corbomite) 04. Mudds Women (As Mulheres de Mudd) 05. The Enemy Within (O Inimigo Interior) 06. The Man Trap (O Sal da Terra) 07. The Naked Time (Tempo de Nudez) 08. Charlie X (O Estranho Charlie) 09. Balance of Terror (O Equilíbrio do Terror) 10. What Are Little Girls Made Of? (E as Meninas, de que São Feitas?) 11. Dagger of the Mind (O Punhal Imaginário) 12. Miri (Miri) 13. The Conscience of the King (A Consciência do Rei) 14. The Galileo Seven (O Primeiro Comando) -15. Court Martial (Corte Marcial) 16. The Menagerie, Parts I & II (A Coleção, Partes I & II) 17. Shore Leave (A Licença) 18. The Squire of Gothos (O Senhor de Gothos) -19. Arena (Arena) 20. The Alternative Factor (O Fator Alternativo) 21. Tomorrow Is Yesterday (Amanhã é Ontem) 22. The Return of the Archons (A Hora Rubra) 23. A Taste of Armageddon (Um Gosto de Armagedon) 24. Space Seed (Semente do Espaço) 25. This Side of Paradise (Deste Lado do Paraíso) 26. The Devil in the Dark (Demônio da Escuridão) 27. Errand of Mercy (Missão de Misericórdia) 28. The City on the Edge of Forever (Cidade à Beira da Eternidade) 29. -
Star Trek Episodeguide Lcars-Online.De 2
LCARS-ONLINE.DE STAR TREK EPISODEGUIDE LCARS-ONLINE.DE 2 STAR TREK: THE ORIGINAL SERIES 1 2 3 STAR TREK: THE NEXT GENERATION 1 2 3 4 5 6 7 STAR TREK: DEEP SPACE NINE 1 2 3 4 5 6 7 STAR TREK: VOYAGER 1 2 3 4 5 6 7 STAR TREK: ENTERPRISE 1 2 3 4 LCARS-ONLINE.DE 3 PILOTFOLGE Nr. DEUTSCH ENGLISCH 0x00 Der Käfig The Cage 1. STAFFEL Nr. DEUTSCH ENGLISCH 1x01 Das Letzte seiner Art The Man Trap 1x02 Der Fall Charlie Charlie X 1x03 Spitze des Eisbergs Where No Man Has Gone Before 1x04 Implosion in der Spirale The Naked Time 1x05 Kirk : 2 = ? The Enemy Within 1x06 Die Frauen des Mr. Mudd Mudd‘s Women 1x07 Der alte Traum What Are Little Girls Made Of? 1x08 Miri, ein Kleinling Miri 1x09 Der Zentralnervensystemmanipulator Dagger of the Mind 1x10 Pokerspiele The Corbomite Maneuver 1x11 Talos IV – Tabu, Teil 1 The Menagerie, Part I 1x12 Talos IV – Tabu, Teil 2 The Menagerie, Part II 1x13 Kodos, der Henker The Consience of the King 1x14 Spock unter Verdacht Balance of Terror 1x15 Landeurlaub Shore Leave 1x16 Notlandung auf Galileo 7 The Galileo Seven 1x17 Tödliche Spiele auf Gothos The Squire of Gothos 1x18 Ganz neue Dimensionen Arena 1x19 Morgen ist Gestern Tomorrow Is Yesterday 1x20 Kirk unter Anklage Court Martial LCARS-ONLINE.DE 4 1. STAFFEL (FORTSETZUNG) Nr. DEUTSCH ENGLISCH 1x21 Landru und die Ewigkeit The Return of the Archons 1x22 Der schlafende Tiger Space Seed 1x23 Krieg der Computer A Taste of Armageddon 1x24 Falsche Paradiese This Side of Paradise 1x25 Horta rettet ihre Kinder The Devil in the Dark 1x26 Kampf um Organia Errand of Mercy 1x27 Auf Messers Schneide The Alternative Factor 1x28 Griff in die Geschichte The City on the Edge of Forever 1x29 Spock außer Kontrolle Operation: Annihilate! LCARS-ONLINE.DE 5 2. -
This Show Periodically Replaces Their Ad Breaks with New Promotional Clips
Note: This show periodically replaces their ad breaks with new promotional clips. Because of this, both the transcription for the clips and the timestamps after them may be inaccurate at the time of viewing this transcript. 00:00:00 Music Transition Dark Materia’s “The Picard Song,” record-scratching into a Sisko- centric remix by Adam Ragusea. Picard: Here’s to the finest crew in Starfleet! Engage. [Music begins. A fast-paced techno beat.] Picard: Captain Jean-Luc Picard, the USS Enterprise! [Music slows, record scratch, and then music speeds back up.] Sisko: Commander Benjamin Sisko, the Federation starbase... Deep Space 9. [Music ends.] 00:00:13 Music Music Record scratch back into "The Picard Song," which plays quietly in the background. 00:00:14 Ben Host Welcome to The Greatest Generation: Deep Space Nine. It's a Star Harrison Trek podcast by a couple of guys who are a little bit embarrassed to have a Star Trek podcast. I’m “with-it” Ben Harrison. 00:00:25 Adam Host I’m—[chuckles]—I was wondering is—I defiantly heard some Pranica condescension in your introduction. [Ben laughs heartily.] I’m Adam Pranica. Not with it. 00:00:35 Ben Host You’re just barely Adam Pranica today. 00:00:38 Adam Host Less and less every day. 00:00:40 Ben Host [Chuckles] What will you change into? The people want to know. 00:00:45 Adam Host I’ve been doing a fairly rigorous workout every morning. 00:00:49 Ben Host Wow. 00:00:50 Adam Host Like, trying to stick to it. -
New Voyages/Phase II Carries
15 15 15 Publication of the U.S.S. Chesapeake Star Trek and Science-Fiction Club February/March, 2008 New Voyages/Phase II carries on legacy of Star Trek Even though the Star Trek feature film about his experience on the set of the new Star continues production, most of the franchise Trek film. news is centered on the independent film group “It started because Marc Zicree, who di- James Cawley por- trays Captain Kirk in previously known as Star Trek: New Voyages. rected ‘World Enough and Time,’ was friends Star Trek: Phase II. The group recently changed its name to with J.J. Abrams,” Cawley said. “Marc told Star Trek: Phase II, a reference to what could him, ‘I’m doing this Star Trek thing,’ and J.J. have been a continuation of Classic Trek after was very interested because he had just taken the show’s initial three-year run. the job to do the new feature film. Marc said, When the episode “World Enough and ‘You really should take a look at James. Maybe Time” was recently nominated for a Nebula there’s something in the picture you could put Award, a controversy erupted over the group’s him in. That would be really cool.’ I thanked official status. Some consider them to be a Marc but never expected anything. Then I got “professional” filmmaking set-up. a call for an audition. I auditioned in New However, James Cawley, who plays Cap- York. They videotaped it and sent it out.” tain Kirk and serves as the Phase II leader, said Cawley, who never auditioned for the role that: “Legally, we are a fan-based production. -
1 DS9 the Complete 2003 Rittenhouse
DS9 The Complete 2003 Rittenhouse 01 Deep Space Nine Montage 45 The Maquis, Part I 02 Deep Space Nine Montage 46 The Maquis, Part II 03 Deep Space Nine Montage 47 The Wire 04 SEASON ONE 48 Crossover 05 Emissary, Part I 49 The Collaborator 06 Emissary, Part II 50 Tribunal 07 Past Prologue 51 The Jem'Hadar 08 A Man Alone 52 SEASON THREE 09 Babel 53 The Search, Part I 10 Captive Pursuit 54 The Search, Part II 11 Q-Less 55 The House of Quark 12 Dax 56 Equilibrium 13 The Passenger 57 Second Skin 14 Move Along Home 58 The Abandoned 15 The Nagus 59 Civil Defense 16 Vortex 60 Meridian 17 Battle Lines 61 Defiant 18 The Storyteller 62 Fascination 19 Progress 63 Past Tense, Part I 20 If Wishes Were Horses 64 Past Tense, Part II 21 The Forsaken 65 Life Support 22 Dramatis Personae 66 Heart of Stone 23 Duet 67 Destiny 24 In the Hands of the Prophets 68 Prophet Motive 25 SEASON TWO 69 Visionary 26 The Homecoming 70 Distant Voices 27 The Circle 71 Through the Looking Glass 28 The Siege 72 Improbable Cause 29 Invasive Procedures 73 The Die Is Cast 30 Cardassians 74 Explorers 31 Melora 75 Family Business 32 Rules of Acquisition 76 Shakaar 33 Necessary Evil 77 Facets 34 Second Sight 78 The Adversary 35 Sanctuary 79 SEASON FOUR 36 Rivals 80 The Way of the Warrior, Part I 37 The Alternate 81 The Way of the Warrior, Part II 38 Armageddon Game 82 The Visitor 39 Whispers 83 Hippocratic Oath 40 Paradise 84 Indiscretion 41 Shadowplay 85 Rejoined 42 Playing God 86 Starship Down 43 Profit and Loss 87 Little Green Men 44 Blood Oath 88 The Sword of Kahless http://de.geocities.com/csxbst/index.html 1 DS9 The Complete 2003 Rittenhouse 89 Our Man Bashir 135 Rocks and Shoals 90 Homefront 136 Sons and Daughters 91 Paradise Lost 137 Behind the Lines 92 Crossfire 138 Favor the Bold 93 Return to Grace 139 Sacrifice of Angels 94 Sons of Mogh 140 You Are Cordially Invited.. -
Nicole Valeria Companiytsev
Among Us: Cross-Cultural Encounters in Science Fiction Media by Nicole Valeria Companiytsev A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts Department of Anthropology University of Alberta © Nicole Valeria Companiytsev, 2019 ii Abstract Storytelling is an essential part of our experience as human beings. We turn to narrative to explain our own lives – casting ourselves as protagonists, others as secondary characters and antagonists, and the myriad of events that happen to us as a coherent, linear story. Fiction and metaphor are lenses for our collective imagination – a representation of how we see ourselves as a society, and how we see others outside of our culture. In the Western world, nowhere is this view more prominent than in the genre of science fiction. In the fictional interactions between humans and aliens – diplomacy, conflict, oppression, misunderstandings, and cultural sharing – we can see a reflection of our society’s values, its moral prescriptions, and its warnings for the future. Anthropologists, as experts on extracting cultural rules from observation, and picking up on cross-cultural misunderstandings, have long been aware of the human tendency to exaggerate difference between cultures in order to define them as distinct. Thus, an anthropological study of science fiction is crucial for understanding how a society defines itself. In this thesis, I undertake an analysis of the influential science fiction television serial, Star Trek. I seek to answer how the portrayal of specific alien societies in Star Trek inform and reflect the American society’s understanding of both itself and “the other”. -
Let That Be Your Last Battlefield : Hegemony and the Construction Of
LET THAT BE YOUR LAST BATTLEFIELD: HEGEMONY AND THE CONSTRUCTION OF BIRACIALITY IN SITUATION COMEDY, SOAP OPERA, AND SCIENCE FICTION TELEVISION By MICHELE SARAH FOSS A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2002 Copyright 2002 by Michele Sarah Foss To Delores Theresa Brown and David Virgil Foss, for having the strength in themselves and the faith in each other to enter into an interracial marriage, and for having the wisdom and love to inform their only child about her beautiful and unique multiethnic heritage. To my hero, Dr. Loubertha Hayes, for setting the standard. To Jessica. ACKNOWLEDGMENTS I would like to thank Dr. Deborah M. Treise for being such an amazing chair and advisor. I could not have completed this dissertation without the help of this very special person. I would also like to thank Dr. Michael Leslie, Dr. Lisa Lee Duke, and Dr. Heman Vera for their interest in my project, their patience with my madness, and their belief in the quality of my thoughts. I would like to thank Anastasia Smith, Laura Stephenson, Courtney Myers, Dana Littlefield, and Stephynie Chapman for their encouragement and support as my colleagues and friends. Finally, I would like to thank my family for their constant confidence in me, and for their unending support and love. IV PREFACE As with most public school children in the United States, I remember my teachers handing me forms filled with blanks and circles, and on these forms, I was to fill in the appropriate circle corresponding to my race.