The Cauldron 2015
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Pillow with Pleated-Smocked Front
Pillow with Pleated-Smocked Front Th is is an elegant design which creates a textured and eye-catching accent pillow. Materials and Supplies: Items Face Fabric Perfect Pleating Tape – DYC85 or DYC86 Fusible Stabilizer – FB10 Erasable Marker – PM21 John James Needles – TP110 or any other size 1 ¾ yards covered welt cord – WCP2/L or decorative trim 5 decorative or fabric covered buttons 12” x 16” Pillow Form – FD32/25, FD32/10 or PJ32 Step-by-step 1. Cut fabric for pillow front 15” x 54”. Place Perfect Pleating Tape along both long edges on the back of the face fabric, being careful to line up marks evenly to match. (Photo 1) 2. Pleat up fabric to create fi ve, 3” wide box pleats. Leave at least ½” on each side of the fi rst and last pleat for a seam allowance. (Photo 2) 3. Cut a piece of Fusible Stabilizer 15” x 18” and iron to the back of the pleats. (Photo 3) Photo 1 Photo 2 Photo 3 4. On the front of the pillow, mark the center at the edge of each pleat with an Erasable marker. Tack pleats to create smocking using a hand sewing needle and matching thread. Stitch the two edges together for each pleat and stab the thread through the front to the back and knot securely. (Photo 4) Photo 4 ©Rowley Company 2010 1 5. Place the smocked pillow front on the worktable and pin top and bottom of pleat fl at with the edge. (Photo 5) 6. Measure pillow from top to bottom and side to side and mark it at 12”x 16”, being sure the smocked stitching is centered. -
The Intriguing Human Preference for a Ternary Patterned Reality
75 Kragujevac J. Sci. 27 (2005) 75-114. THE INTRIGUING HUMAN PREFERENCE FOR A TERNARY PATTERNED REALITY Lionello Pogliani,* Douglas J. Klein,‡ and Alexandru T. Balaban¥ *Dipartimento di Chimica Università della Calabria, 87030 Rende (CS), Italy; ‡Texas A&M University at Galveston, Galveston, Texas, 77553-1675, USA; ¥ Texas A&M University at Galveston, Galveston, Texas, 77551, USA E-mails: [email protected]; [email protected]; balabana @tamug.tamu.edu (Received February 10, 2005) Three paths through the high spring grass / One is the quicker / and I take it (Haikku by Yosa Buson, Spring wind on the river bank Kema) How did number theory degrade to numerology? How did numerology influence different aspects of human creation? How could some numbers assume such an extraordinary meaning? Why some numbers appear so often throughout the fabric of reality? Has reality really a preference for a ternary pattern? Present excursion through the ‘life’ and ‘deeds’ of this pattern and of its parent number in different fields of human culture try to offer an answer to some of these questions giving at the same time a glance of the strange preference of the human mind for a patterned reality based on number three, which, like the 'unary' and 'dualistic' patterned reality, but in a more emphatic way, ended up assuming an archetypical character in the intellectual sphere of humanity. Introduction Three is not only the sole number that is the sum of all the natural numbers less than itself, but it lies between arguably the two most important irrational and transcendental numbers of all mathematics, i.e., e < 3 < π. -
Grunge Is Dead Is an Oral History in the Tradition of Please Kill Me, the Seminal History of Punk
THE ORAL SEATTLE ROCK MUSIC HISTORY OF GREG PRATO WEAVING TOGETHER THE DEFINITIVE STORY OF THE SEATTLE MUSIC SCENE IN THE WORDS OF THE PEOPLE WHO WERE THERE, GRUNGE IS DEAD IS AN ORAL HISTORY IN THE TRADITION OF PLEASE KILL ME, THE SEMINAL HISTORY OF PUNK. WITH THE INSIGHT OF MORE THAN 130 OF GRUNGE’S BIGGEST NAMES, GREG PRATO PRESENTS THE ULTIMATE INSIDER’S GUIDE TO A SOUND THAT CHANGED MUSIC FOREVER. THE GRUNGE MOVEMENT MAY HAVE THRIVED FOR ONLY A FEW YEARS, BUT IT SPAWNED SOME OF THE GREATEST ROCK BANDS OF ALL TIME: PEARL JAM, NIRVANA, ALICE IN CHAINS, AND SOUNDGARDEN. GRUNGE IS DEAD FEATURES THE FIRST-EVER INTERVIEW IN WHICH PEARL JAM’S EDDIE VEDDER WAS WILLING TO DISCUSS THE GROUP’S HISTORY IN GREAT DETAIL; ALICE IN CHAINS’ BAND MEMBERS AND LAYNE STALEY’S MOM ON STALEY’S DRUG ADDICTION AND DEATH; INSIGHTS INTO THE RIOT GRRRL MOVEMENT AND OFT-OVERLOOKED BUT HIGHLY INFLUENTIAL SEATTLE BANDS LIKE MOTHER LOVE BONE, THE MELVINS, SCREAMING TREES, AND MUDHONEY; AND MUCH MORE. GRUNGE IS DEAD DIGS DEEP, STARTING IN THE EARLY ’60S, TO EXPLAIN THE CHAIN OF EVENTS THAT GAVE WAY TO THE MUSIC. THE END RESULT IS A BOOK THAT INCLUDES A WEALTH OF PREVIOUSLY UNTOLD STORIES AND FRESH INSIGHT FOR THE LONGTIME FAN, AS WELL AS THE ESSENTIALS AND HIGHLIGHTS FOR THE NEWCOMER — THE WHOLE UNCENSORED TRUTH — IN ONE COMPREHENSIVE VOLUME. GREG PRATO IS A LONG ISLAND, NEW YORK-BASED WRITER, WHO REGULARLY WRITES FOR ALL MUSIC GUIDE, BILLBOARD.COM, ROLLING STONE.COM, RECORD COLLECTOR MAGAZINE, AND CLASSIC ROCK MAGAZINE. -
Pleat Effects with Alternative Materials and Finishing Methods
TEKSTİL VE KONFEKSİYON VOL: 29, NO. 1 DOI: 10.32710/tekstilvekonfeksiyon.397595 Pleat Effects With Alternative Materials and Finishing Methods Sedef Acar1*, Derya Meriç1, Elif Kurtuldu1† Dokuz Eylül University, Faculty of Fine Arts, Textile and Fashion Design Department, 35320, İzmir, Turkey Corresponding Author: Sedef ACAR, [email protected] ABSTRACT ARTICLE HISTORY In this study, various pleating methods formed by shrinking and finishing are experienced as an Received: 22.02.2018 alternative to the pleats formed with weaving method, numerical and visual values of these methods Accepted: 31.12.2018 were determined and in the conclusion part, their contributions to new design ideas were analyzed. In the experimental study, the factors such as weaving method, structure, and density were kept at KEYWORDS standard values, besides polyurethane-elastomer, wool and cotton yarns that could shrink under different conditions were used as variable groups. As a result, it was observed that the results obtained Pleat, elastane, wool, caustic from the fabrics passing through alternative processes such as the use of elastomer, fulling, and soda, seamless garment, local caustic soda application, supported ‘the local shrinking on fabrics and clothes’ idea. shrinking, woven pleat 1. INTRODUCTION (4). Therefore, the raw material and the yarn has a significant role in the chemical, physical and visual structure Nowadays, trends that guide fashion in all design areas and of the fabric (1). also in fabric design require an innovative perspective. In the field of textiles as in the case of all areas of human Creating three dimensional relief effects are significant in interest, the widespread and even foreground of design quest of innovation and variety in woven fabrics. -
Dress with Pleat
Lekala 2262 Dress With Pleat Dress With Pleat - Sewing Pattern #2262 Recommendations on fabric: natural/mixed fabric suitable for dresses. You will also need: dress zipper, fusible interfacing. Seam allowances: all seams 1 cm; seam allowance for hem of garment and hem of sleeve – 2.0 cm. Note on seam allowances: - If the pattern has double contour the seam allowances are included. They are 1 cm unless specified otherwise. - If the pattern has single contour, the seam allowances are NOT included and need to be added when laying out the pattern. Note on length of fabric: Attention! The amount of fabric needed for your pattern is not included. It will depend on the selected pattern size, the width, and design of the fabric you plan to use. First, print all the paper patterns and lay them out at the width of fabric you plan to use (usually from 90 to 150 cm). Measure how much fabric you will need. Don't forget to account for pieces that need to be cut multiple times and pieces that are cut on the fold. CUTTING: Note on cutting: On the pattern pieces, “beam” means straight of grain. Lay out your pieces accordingly. Some pieces will be cut on the fold. This is noted on the pattern piece. Mark all notches and other design features such as pleats etc. from the pattern onto your fabric. When sewing the garment, pay attention to notches, they must match up. Main fabric: 1. Back - cut 2 2. Front - cut 1 on fold 3. Sleeve - cut 2 4. -
Placket Construction Options
Placket Construction Options 1 Type1: Two Separate Bound Edges on a rectangular stitching box The key to this structure is that the bindings are initially stitched only to the seam allowances on each side, and NOT stitched across the end, of the clipped box, which means that they, and the clipped triangle at the bottom, remain loose and can be arranged before the nal nishing to go on either side of the fabric, as well as either over or under the other, after joining them at the sides. The widths and lengths of the bindings and the space between the sides of the clipped box determine all the other options available in this most exible of all the placket types I know of. Variation 1: Both bindings t inside the stitching box If you cut the bindings so the nished, folded widths of both are equal to or smaller than the space between the initial stitching lines, as shown above, you can arrange both ends at the clipped corners to all go on one side of the fabric (right or wrong side), along with the clipped triangle on the garment. You’ll get the best results if the underlapping binding is slightly smaller than the overlapping one. This can be man- aged by taking slightly deeper seam allowances when you join this piece, so they can initially be cut from the same strip. Or, you can place one end on each side with the Both ends on RS One end on RS, Both ends on WS triangle sandwiched in between. -
A Retrospective of Sculpture by CLOSE PROXIMITY: Neil Goodman
PRESENTS CLOSE PROXIMITY: A Retrospective of Sculpture by Neil Goodman Contents Introduction ............................. 10 Foreword ..................................19 Artist’s Statement ..................... 33 PRESENTS Interview ................................. 38 Neil Goodman Biography .......... 48 CLOSE PROXIMITY: Artwork Plates ......................... 50 A Retrospective of Sculpture by Founded in 1981 with the mission of “making art a part of everyday life”, the Museum of Outdoor Arts (MOA) is a forerunner in the placement of site-specific sculpture in Colorado. Our art collection is located at public locations throughout the Denver metro area. From commercial office parks to botanic gardens, city parks and traditional sculpture gardens; art is placed to interpret space as Neil Goodman “a museum without walls.” MOA also curates indoor galleries and hosts world-class art exhibitions and educational programs. Please visit our website to learn more about MOA. MOAonline.org MOA INDOOR GALLERY Follow Us @OutdoorArts 1000 Englewood Parkway, Second Floor, Englewood, CO 80110 Exhibiting September 15 – November 17, 2018 OUTDOOR INSTALLATION AT WESTLANDS PARK All photography by 5701 South Quebec Street, Greenwood Village, CO 80111 Heather Longway Exhibiting September 2018 – August 2019 2 CLOSE PROXIMITY: A Retrospective of Sculpture by Neil Goodman MOA, September 15 - November 17, 2018 3 4 CLOSE PROXIMITY: A Retrospective of Sculpture by Neil Goodman MOA, September 15 - November 17, 2018 5 6 CLOSE PROXIMITY: A Retrospective of Sculpture by Neil Goodman MOA, September 15 - November 17, 2018 7 8 CLOSE PROXIMITY: A Retrospective of Sculpture by Neil Goodman MOA, September 15 - November 17, 2018 9 INTRODUCTION retrospective exhibition. We all became fast the massive sculptures frame the landscape. friends and enthusiastic collaborators. -
Don't Forget to Save!
Don’t Forget to Save! The Impact of User Experience Design on Workflow of Authoring Video Game Narratives (Transfer Thesis) Daniel Green Department of Science and Technology Bournemouth University A thesis submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy November 2019 This page is intentionally left blank. This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with its author and due acknowledgement must always be made of the use of any material contained in, or derived from, this thesis. This page is intentionally left blank. Abstract Since their inception, video games have been a capable storytelling device. This is only amplified as technology improves. Contemporary video games boast awide range of interaction and presentational techniques that can enrich the narrative experience. Supporting authors with tools to prototype their stories, or even as direct integration into a game, is vital. This is especially important as the complexity and length of such narratives continues to increase. Designing these kinds of tools is no easy feat. In order to develop authoring systems for game developers that support prototyping or implementation of their envisioned narratives, we must gain an understanding of the underlying constituents that make up video game narrative and their structural and relational properties. Additionally, when designing the interface of and interactions with such systems, the User Experience (UX) design decisions taken may impact the workflow of the authors to implement their vision. Therefore, we must also gain an understanding of how various UX design paradigms alter the usability of our programs. -
Hand Tailored Clothing Style Manual Vest Front Style Options
HAUTEBUTCH Hand Tailored Clothing Style Manual www.hautebutch.com Vest Front Style Options #14162 #14163 #14164 8 x 4 Buttons Five Buttons Six Buttons Double Breasted Single Breasted I Notch Lapel Single Breasted I Peak Lapel No Breast Pocket No Breast Pocket No Breast Pocket Straight Welt Pockets Straight Welt Pockets Straight Welt Pockets #14165 #14166 #14167 Four Buttons 6 x 3 Buttons 8 x 4 Buttons Single Breasted I Shawl Collar Double Breasted I Peak Lapel Double Breasted I Shawl Collar No Breast Pocket No Breast Pocket No Breast Pocket Straight Welt Pockets Straight Welt Pockets Straight Welt Pockets - 19 - Vest Formalwear Front Style Options #14168 #14169 One Button 6 x 3 Buttons Single Breasted Shawl Collar Double Breasted Peak Lapel Straight Piped Pockets Straight Piped Pockets Satin on Lapel & Covered Buttons Satin on Lapel & Covered Buttons - 20 - Vest Formalwear Front Style Options #14170 #14171 #14172 Three Button Four Button Five Button Single Breasted Single Breasted Single Breasted No Breast Pocket No Breast Pocket No Breast Pocket Straight Welt Pockets Straight Welt Pockets Straight Welt Pockets • #14173 #14174 #14175 4 x 2 Buttons 8 x 4 Buttons Three Button Double Breasted Double Breasted Single Breasted I Shawl Lapel No Breast Pocket No Breast Pocket No Breast Pocket Straight Welt Pockets Straight Welt Pockets Straight Welt Pockets - 21 - Pants/ Trousers Pleat Options ::::. I ::::. C I I ..... .. ..... .. , ... ·· #14176 #14177 #14178 Plain Front Single Forward Pleat Double Forward Pleat I I rJ ..... .. .... ·· #14179 #14180 Single Reverse Pleat Double Reverse Pleat - 22 - Pants/ Trousers Front Pocket Options I .. .. .. , .... , .... , .... L #14181 #14182 #14183 1/4 Top Pocket On-seam Pocket Offset Slanting Besom Pocket I I I l . -
PT, Freud, and Psychological Horror
Press Start Silent Halls Silent Halls: P.T., Freud, and Psychological Horror Anna Maria Kalinowski York University, Toronto Abstract “What is a ghost?” “An emotion, a terrible moment condemned to repeat itself over and over…” —The Devil’s Backbone (Del Toro, 2001) This paper analyses P.T. (Kojima Productions, 2014), a playable teaser made to demo a planned instalment within the Silent Hill franchise. While the game is now indefinitely cancelled, P.T. has cemented itself not only as a full gaming experience, but also as a juggernaut in the genre of psychological horror. Drawing from Sigmund Freud’s concept of the uncanny, the aim of the paper is to address how these psychological concepts surface within the now infamous never-ending hallway of P.T. and create a deeply psychologically horrifying experience. Keywords psychological horror; the uncanny; Freud; game design; Press Start 2019 | Volume 5 | Issue 1 ISSN: 2055-8198 URL: http://press-start.gla.ac.uk Press Start is an open access student journal that publishes the best undergraduate and postgraduate research, essays and dissertations from across the multidisciplinary subject of game studies. Press Start is published by HATII at the University of Glasgow. Kalinowski Silent Halls Introduction The genre of psychological horror is a complex one to navigate through with ease, especially for those that are faint of heart. Despite its contemporary popularity, when the sub-genre first began to emerge within horror films, it was considered to be a detriment to the horror genre (Jancovich, 2010, p. 47). The term ‘psychological’ was often used to disguise the taming of horror elements instead of pushing the genre into more terrifying territories. -
The Pilgrim M Ther Schoenstatt Rosary Campaign ~ the Pilgrim Mother ~ Vol
The Pilgrim M ther Schoenstatt Rosary Campaign ~ The Pilgrim Mother ~ Vol. 3 Num. 2 ~ www.schoenstattrosarycampaign.com ~ 262-522-4326 ~ [email protected] Summer 2016 Dear Missionaries, Queridos Misioneros, In this jubilee year of Mercy our Schoenstatt Shrines across En este año jubilar de la Misericordia nuestros the USA become focal points of intense prayer life, but also Santuarios de Schoenstatt se convierten en of deep experiences of mercy. If that is the case, then our puntos centrales de intensa vida de oración, images of the Pilgrim Mother ought to become powerful pero también de experiencias profundas de instruments of God’s graces transmitted to all those who misericordia. Si esto es así, entonces nuestras imágenes de la Virgen Peregrina han de open their doors to the presence of Mary in their homes. convertirse en instrumentos poderosos por And, you are the chosen instruments to make this possible! medio de los cuales Dios transmite sus gracias a todos los que abren las puertas de sus That is why we want to crown our Pilgrim Mothers this year! hogares a María. Y, ¡ustedes son los We want to pull on her mantle, so to say, and remind her of instrumentos elegidos para realizar este our many dire needs in these times of extreme confusion, apostolado! persecution, and disasters. We won’t allow negativism and Por eso queremos coronar nuestras imágenes pessimism to have the last word. God’s will, God’s word, and de la Virgen Peregrina este año. Queremos God’s doing shall have the last word. Mary, the Mother of halar su manto, por decir así, y recordarle las God, the Handmaid of the Lord is an expert in making that muchas y grandes necesidades que happen. -
Death, Difference, and Dialogue
University of Denver Digital Commons @ DU Electronic Theses and Dissertations Graduate Studies 1-1-2009 April 4, 1968: Death, Difference, and Dialogue Kristine Marie Warrenburg University of Denver Follow this and additional works at: https://digitalcommons.du.edu/etd Part of the Communication Commons Recommended Citation Warrenburg, Kristine Marie, "April 4, 1968: Death, Difference, and Dialogue" (2009). Electronic Theses and Dissertations. 950. https://digitalcommons.du.edu/etd/950 This Dissertation is brought to you for free and open access by the Graduate Studies at Digital Commons @ DU. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ DU. For more information, please contact [email protected],[email protected]. APRIL 4, 1968: DEATH, DIFFERENCE, AND DIALOGUE ROBERT F. KENNEDY ANNOUNCES THE ASSASSINATION OF MARTIN LUTHER KING, JR. __________ A Dissertation Presented to the Faculty of Arts and Humanities University of Denver __________ In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy __________ by Kristine Warrenburg August 2009 Advisor: Darrin Hicks, Ph.D. ©Copyright by Kristine Warrenburg 2009 All Rights Reserved Author: Kristine Warrenburg Title: APRIL 4, 1968: DEATH, DIFFERENCE, AND DIALOGUE ROBERT F. KENNEDY ANNOUNCES THE ASSASSINATION OF MARTIN LUTHER KING, JR. Advisor: Darrin Hicks, Ph.D. Degree Date: August 2009 ABSTRACT Robert Kennedy’s announcement of the assassination of Martin Luther King, Jr., in an Indianapolis urban community that did not revolt in riots on April 4, 1968, provides one significant example in which feelings, energy, and bodily risk resonate alongside the articulated message. The relentless focus on Kennedy’s spoken words, in historical biographies and other critical research, presents a problem of isolated effect because the power really comes from elements outside the speech act.