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Diplomski Rad Filozofski fakultet Beograd Odeljenje za istoriju Katedra za istoriju stare Grčke i Starog istoka DIPLOMSKI RAD Orfizam Mentor: Student: prof. dr Marijana Ricl Marko Stoković Beograd, 2018. Sadržaj Lista skraćenica ........................................................................................... 4 Uvod ............................................................................................................ 5 I Izvori za orfizam ........................................................................................ 7 1. Orfički izvori ................................................................................ 7 1a. Orfičke Himne ............................................................................ 7 1b. Zlatne tablice .............................................................................. 9 Sadržaj tablica .......................................................................... 10 1c. Olbijske koštane tablice .............................................................. 11 1d. Orfičke teogonije ........................................................................ 12 Fragmenti ................................................................................. 12 2. Izvori koji govore o orfizmu ......................................................... 14 2a.Papirus iz Dervenija ..................................................................... 14 2b. Papirus iz Guroba ....................................................................... 16 2c. Edikt Ptolemeja IV Filopatora ..................................................... 16 2d. Antički pisci ............................................................................... 17 2e. Ikonografija ................................................................................ 18 3. Lista korišćenih izvora .................................................................. 18 II Orfej ......................................................................................................... 25 1. Orfejeva istoričnost ....................................................................... 25 2. Orfej u umetnosti .......................................................................... 26 3. Mit o Orfeju .................................................................................. 27 3a. Poreklo Orfeja ............................................................................. 27 1 3b. Orfej pesnik ................................................................................ 27 3c. Orfej Argonaut ............................................................................ 28 3d. Orfej u Hadu ............................................................................... 28 3e. Orfejeva smrt i epilog .................................................................. 29 4. Orfej kao religijska ličnost ............................................................ 29 III Orfička mitologija: kosmogonija i teogonija ............................................ 32 1. Izvori ............................................................................................ 32 2. Sadržaj orfičkih teogonija ............................................................. 32 2a. Stvaranje sveta i bogova .............................................................. 32 2b. Fan i orfičko Jaje ........................................................................ 34 3. Orfički mit o Dionisu .................................................................... 36 3a. Zaplet oko Dionisovog ubistva .................................................... 36 4. Sličnost orfičke i drugih kosmogonija ........................................... 38 IV Eshatologija zlatnih tablica ...................................................................... 40 1. Vrste tablica .................................................................................. 40 2. Sadržina tablica ............................................................................. 40 3. Geografija podzemlja u tablicama ................................................. 41 4. Motivi i frazeologija u sadržaju tablica .......................................... 42 5. Koncept reinkarnacije kod Pindara? .............................................. 45 6. Tablice čistote – posebna grupa ..................................................... 46 7. Tablice koje zastupaju dušu u podzemlju ...................................... 47 V Ritualna praksa, dionisijski kultovi misterija i orfička učenja .................... 49 1. Tablice kao ritualni tekstovi .......................................................... 49 2. Ὀρφικά nasuprot/uz βακχικά ......................................................... 50 2a. Kultno štovanje Dionisa .............................................................. 50 2 2b. Krit ............................................................................................. 50 2c. Teba ............................................................................................ 52 3. Pročišćenje, ὀρφεοτελεσταί, eshatologija i ludilo ........................... 53 4. Drugi ekstatični kultovi i Dionis ................................................... 56 5. Ikonografija rituala ....................................................................... 57 5a. Λίκνον ........................................................................................ 57 5b. Drugi ikonografski motivi ........................................................... 57 6. Svedočanstvo papirusa iz Dervenija .............................................. 58 7. Slučaj papirusa iz Guroba ............................................................. 59 8. Orfičke Himne .............................................................................. 61 9. Veza zlatnih tablica i obreda misterija ........................................... 62 10. Bakhički rituali sahranjivanja ...................................................... 63 10a. Slučaj iz Kime ........................................................................... 63 10b. Razlike dionisijskih i uobičajenih obreda sahranjivanja? ........... 63 11. Orfičke zajednice ........................................................................ 66 12. Inicijacija ili rituali sahranjivanja? .............................................. 67 VI Orfički način života i srodnja učenja ....................................................... 68 1. Platonovo svedočanstvo o učenju o telu ........................................ 68 2. Životne navike i praksa jednog sledbenika Orfeja ......................... 69 3. Apstiniranje od mesa ..................................................................... 70 4. Druge orfičke zabrane ................................................................... 71 5. Etička dimenzija orfizma? ............................................................. 71 6. Orfička inicijacija ......................................................................... 72 Zaključak ..................................................................................................... 74 Literatura ..................................................................................................... 77 3 Lista skraćenica ABV Attic Black-Figure Vase Painters, J.D. Beazley, second ed. Clarendon Press, Oxford, 1971. Anth. Pal. Anthologia Palatina: Carmina latina epigraphica I-II, In Aedibus B.G. Teubneri, Leipzig, 1897. CLE Carmina Latina Epigraphica I-II, ed. Bücheler-Lommatzsch, Teubner, Leipzig, 1895-1926. DK Die Fragmente der Vorsokratiker, H. Diels, sixth ed. by W. Kranz, Weidmann, Berlin, 1951. FGrH Fragmente der griechischen Historiker I-III, F. Jacoby, Brill, Leiden, 1997. IG Inscriptiones Graecae I-II, ed. D. Lewis-Jeffery, Berlin, 1994. O.F. Orphicorum Fragmenta, ed. O. Kern, Weidmann, Berlin, 1922. O.F. Bernabé Orphicorum Fragmenta, ed. A. Bernabé, Poetae Epici Graeci II: Orphicorum et Orphicis similium testimonia et fragmenta, Fasc. 1-2, In Aedibus K.G. Saur, München, Leipzig, 2004. PMG Poetae Melici Graeci, ed. D.L. Page, Clarendon Press, Oxford, 1962. SEG Supplementum Epigraphicum Graecum XXXI-XXXII, ed. Chaniotis- Corsten-Papazardakas-Stavrianopoulou-Tubout, Brill, Leiden. 4 Uvod Cilj ovog rada je detaljno istraživanje, opisivanje i kontekstualizacija orfičke religije u skromnoj meri koju rad ovakvog tipa dopušta. Usredsredićemo se pre svega na orfičku religiju arhajskog i klasičnog perioda, premda nije uvek moguće razdvojiti proučavanje tog fenomena po hronološkom principu. Stoga ćemo se truditi da ostanemo u granicama ta dva perioda, iako je orfizam ostao prisutan u religijskom životu sve do pozne antike. Razmotrićemo istorijski kontekst u kom se pojavio i pratićemo na koji način se manifestovao u životu Grka koliko god je to moguće na osnovu postojećih izvora. Na početku treba definisati neka od ključnih pitanja kojima ćemo se baviti i koja će nam pomoći u tumačenju orfizma. Glavni deo rada čine šest poglavlja koja obuhvataju najvažnije teme orfičke religije. U prvom poglavlju će biti obrađeni najbitniji izvori kojima raspolažemo uz osvrt na metodološke probleme koji nas očekuju prilikom istraživanja orfičke religije. U nastavku rada ćemo raspravljati o pitanjima koja se tiču orfizma kroz prizmu relevantnih izvora. Drugo poglavlje bavi se Orfejem, koji je uz Dionisa glavna ličnost orfičke religije. U trećem poglavlju ćemo predstaviti orfičku teogoniju, kosmogoniju i orfički mit o Dionisu, ključne elemente ove religije. Četvrto poglavlje bavi se eshatologijom koju najbolje poznajemo iz zlatnih tablica i referenci kod antičkih pisaca. Peto poglavlje
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