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Towards a Poetics of Becoming: Samuel Taylor Coleridge's and John Keats's Aesthetics Between Idealism and Deconstruction
Towards a Poetics of Becoming: Samuel Taylor Coleridge’s and John Keats’s Aesthetics Between Idealism and Deconstruction Dissertation zur Erlangung der Doktorwürde der Philosophischen Fakultät IV (Sprach- und Literaturwissenschaften) der Universität Regensburg eingereicht von Charles NGIEWIH TEKE Alfons-Auer-Str. 4 93053 Regensburg Februar 2004 Erstgutachter: Prof. Dr. Rainer EMIG Zweitgutachter: Prof. Dr. Dieter A. BERGER 1 TABLE OF CONTENTS PAGE DEDICATION .............................................................................................................. I ACKNOWLEDGMENTS ........................................................................................... II ABSTRACT ............................................................................................................... VI English........................................................................................................................ VI German...................................................................................................................... VII French...................................................................................................................... VIII INTRODUCTION Aims of the Study......................................................................................................... 1 On the Relationship Between S. T. Coleridge and J. Keats.......................................... 5 Certain Critical Terms................................................................................................ -
Lukacs the Historical Novel
, LUKACS THE HISTORICAL NOVEL THE HISTORICAL NOVE�_ Georg Lukacs TRANSLATED FROM THE GERMAN BY Hannah and Stanley Mitchell Preface to the American edition by Irving Howe BEACON PRESS BOSTON First published in Russia, translated from the German, Moscow, I9 37 First German edition published in I955 in East Germany Second German edition published in I961 in West Germany English translation, from the second German edition, first published in 1962 by Merlin Press Limited, London Copyright© I962 by Merlin Press Limited First published as a Beacon Paperback in I963 by arrangement with Merlin Press Limited Library of Congress catalog card number: 63-8949 Printed in the United States of America ERRATA page II, head. For Translator's Note read Translators' Note page 68, lines 7-8 from bottom. For (Uproar in the Cevennes) read (The Revolt in the Cevennes) page 85, line I2. For with read which page ll8, para. 4, line 6. For Ocasionally read Occasionally page 150, line 7 from bottom. For co-called read so-called page I 54, line 4. For with which is most familiar read with which he is most familiar page I79, line 4 from bottom. For the injection a meaning read the injection of a meaning page I80, para. 4, line l. For historical solopism read historical solecism page I97, para. 3, line 2. For Gegenwartighkeit read Gegenwartigkeit page 22I, line 4 from bottom. For Bismark read Bismarck page 237, para. 3, line 2. For first half of the eighteenth century read first half of the nineteenth century page 246, para. 2, line 9. -
The Story of Chivalry
MISCELLANEOUS. THE STORY OF CHIVALRY. In a series of books entitled "Social England," published by Swan Sonnen- schein & Co., of London, and by The Macmillan Company, of New York, the at- tempt has been made to reconsider certain phases of English life that do not re- ceive adequate treatment in the regular histories. To understand what a nation was, to understand its greatness and weakness, we must understand the way in which its people spent their lives, what they cared for, what they fought for, what they lived for. Without this, which constitutes nine tenths of a nation's life, his- tory becomes a ponderous chronicle, full of details and without a guiding principle. Therefore, not only politics and wars, but also religion, commerce, art, literature, law, science, and agriculture, must be intelligently studied if our historical picture of a nation is to be complete. Vast indeed is the field which is here to be covered, the following being some of the subjects requiring distinct treatment : the influence upon the thought of geo- graphical discovery, of commerce, and of science; the part inventions have played, the main changes in political theories, the main changes in English thought upon great topics, such as the social position of women, of children, and of the church, the treatment of the indigent poor and the criminal, the life of the soldier, the sailor, the lawyer and the physician, the life of the manor, the life of the working classes, the life of the merchants, the universities, the fine arts, music, the horues of the people, and the implements of the people, the conception of the duties of the nobleman and of the statesman, the story of crime, of the laws of trade, com- merce, and industry. -
Legendary Author Sir Walter Scott Is Star of Saturday Night Show
19/03/21 Legendary author Sir Walter Scott is star of Saturday night show An international celebration for the 250th anniversary of the life and works of Sir Walter Scott gets underway this weekend (Saturday March 20th) with an online broadcast of a spectacular light show from the Scottish Borders. Scott fans around the globe are being invited to view the stunning display at Smailholm Tower by visiting the website, www.WalterScott250.com, at 6pm (GMT) on Saturday, which is World Storytelling Day (March 20th). The broadcast will feature well-known Scott enthusiasts, including Outlander author Diana Gabaldon who will share how Scott inspired her and what her writing has in common with the 19th Century author. This will be followed by the world premiere of a brand-new short film of the Young Scott, created by artist and director, Andy McGregor, which will be projected onto the 15th-century tower. The 250th anniversary launch event is being funded by EventScotland and organised by Abbotsford, home of Sir Walter Scott, on behalf of the international Walter Scott 250 Partnership. Smailholm Tower, which is owned by Historic Environment Scotland, was chosen as the location to start the celebrations because of its influence on Scott as a child. The tower is next door to the farm where Scott lived as a boy, and his early experiences here continued to inspire him throughout his life. The programme for the launch evening is: 6pm Start of broadcast at www.WalterScott250.com. This will be presented by Brian Taylor, former BBC correspondent and past President of the Edinburgh Sir Walter Scott Club. -
Industrial Relations: Carlyle's Influence on Hard Times
Industrial Relations: Carlyle's influence on Hard Times Graham Law I. Introduction The aim of the present paper is the strictly limited one of presenting detailed internal evidence of the nature and extent of the influence of the writings of Thomas Carlyle on Charles Dickens's anti-utilitarian novel of 1854 Hard Times. The principal works of Carlyle in question here are: Sartor Resartus (1833-4, cited as SR), Chartism (1839, cited as CH), Past and Present (1843, cited as P&P), and Latter-Day Pamphlets (1850, cited as LDP), three works which return explicitly to the 'Condition-of-England question' first raised in the 1929 essay 'Signs of the Times' (cited as SofT), plus the History of the French Revolution (1837, cited as FR), a book less explicitly connected to the theme of industrialism but with which Dickens appears to have been especially familiar.1 Specific citations in the extensive exemplification which follows refer to the Centenary Edition of Carlyle's works, published in thirty volumes by Chapman & Hall in 1898, using the abbreviation CE. Citations from Hard Times refer to the 'Charles Dickens' edition published by Chapman and Hall in 1868, using the abbreviation HT. Citations from the weekly family journal Dickens conducted during the 1850s, Household Words, are indicated by the abbreviation HW. The wider implications of this material, in particular with regard to Dickens's contribution to the early Victorian genre of the industrial novel and the debate on industrialisation which Carlyle called 'the Condition-of-England question,'2 are here only briefly outlined but are discussed in greater detail elsewhere.3 The relative literary status of Carlyle's social criticism and Dickens's novel is now almost precisely the reverse of that pertaining when they were first received by the Victorian reading public. -
Unit 5: Samuel Taylor Coleridge: Life and Works
Samuel Taylor Coleridge: Life and Works Unit 5 UNIT 5: SAMUEL TAYLOR COLERIDGE: LIFE AND WORKS UNIT STRUCTURE: 5.1 Learning Objectives 5.2 Introduction 5.3 Samuel Taylor Coleridge: The Poet 5.3.1 His Life 5.3.2 His Works 5.4 Critical Reception of Coleridge as a Romantic Poet 5.5 Let us Sum up 5.6 Further Reading 5.7 Answers to Check Your Progress (Hints Only) 5.8 Possible Questions 5.1 LEARNING OBJECTIVES After going through this unit, you will be able to: • read briefly about the life and works of Samuel Taylor Coleridge • discuss certain basic features of English Romanticism through Coleridge’s poetry • identify the themes that consist in the philosophy of Coleridge as a poet • make an assessment of Coleridge as a poet of his time 5.2 INTRODUCTION This unit introduces you to Samuel Taylor Coleridge another of the important English poet, literary critic, philosopher and theologian of the Romantic era. With his friend Wordsworth, about whom you have read in the previous units, was the founder of the Romantic Movement in England. Coleridge was also a member of the group of poets known as the Lake Poets. He is well known for his poems like “The Rime of the Ancient Mariner” and “Kubla Khan”, as well as for his major critical work Biographia Literarira. Coleridge coined many familiar words and MA English Course 3 (Block 1) 81 Unit 5 Samuel Taylor Coleridge: Life and Works phrases, including the very famous ‘Willing Suspension of Disbelieve’. In this unit, an attempt has been made to discuss the life and works of S. -
François-Auguste-René, Vicomte De Chateaubriand
1 “TO BE CHATEAUBRIAND OR NOTHING”: FRANÇOIS-AUGUSTE-RENÉ, VICOMTE DE CHATEAUBRIAND “NARRATIVE HISTORY” AMOUNTS TO FABULATION, THE REAL STUFF BEING MERE CHRONOLOGY 1. Victor Hugo has been found guilty of scribbling “To be Chateaubriand or nothing” in one of his notebooks (but in his defense, when he scribbled this he was young). HDT WHAT? INDEX FRANÇOIS-AUGUSTE-RENÉ VICOMTE DE CHATEAUBRIAND 1768 September 4, Sunday: François-Auguste-René de Chateaubriand was born in Saint-Malo, the last of ten children of René de Chateaubriand (1718-1786), a ship owner and slavetrader. He would be reared in the family castle at Combourg, Brittany and then educated in Dol, Rennes, and Dinan, France. NOBODY COULD GUESS WHAT WOULD HAPPEN NEXT François-Auguste-René “Stack of the Artist of Kouroo” Project HDT WHAT? INDEX FRANÇOIS-AUGUSTE-RENÉ VICOMTE DE CHATEAUBRIAND 1785 At the age of 17 François-Auguste-René, vicomte de Chateaubriand, who had been undecided whether to become a naval officer or a priest, was offered a commission as a 2d lieutenant in the French Army based at Navarre. LIFE IS LIVED FORWARD BUT UNDERSTOOD BACKWARD? — NO, THAT’S GIVING TOO MUCH TO THE HISTORIAN’S STORIES. LIFE ISN’T TO BE UNDERSTOOD EITHER FORWARD OR BACKWARD. François-Auguste-René “Stack of the Artist of Kouroo” Project HDT WHAT? INDEX FRANÇOIS-AUGUSTE-RENÉ VICOMTE DE CHATEAUBRIAND 1787 By this point François-Auguste-René, vicomte de Chateaubriand had risen to the rank of captain in the French army. THE FUTURE IS MOST READILY PREDICTED IN RETROSPECT François-Auguste-René “Stack of the Artist of Kouroo” Project HDT WHAT? INDEX FRANÇOIS-AUGUSTE-RENÉ VICOMTE DE CHATEAUBRIAND 1788 François-Auguste-René, vicomte de Chateaubriand visited Paris and there made the acquaintance of a number of the leading writers of the era, such as Jean-François de La Harpe, André Chénier, and Louis-Marcelin de Fontanes. -
Richard Cobden, Educationist, Economist
RICHARD COBDEN, EDUCATIONIST, ECONOMIST AND STATESMAN. BY PETER NELSON FARRAR M.A. (oxoN), M.A. (LVPL). THESIS SUBMITTED FOR THE DEGREE OF DOCTOR OF PHILOSOPHY OF THE UNIVERSITY OF SHEFFIELD. Division of Education, June 1987. ii CONTENTS Page Ref. Summary iv Abbreviations vi Photographs vii Preface and Acknowledgements viii Part I. An Analysis of Cobden's Ideas and the Formative Influences. Chapter 1. An introductory analysis of Cobden's social philosophy and political activities. 1, 18 2. Cobden's character and formative years. 21, 39 3. Cobden's religious, moral and educa- tional philosophy. 41, 63 4. Cobden's approach to economics. 65, 81 Part II. Thought and Action 1835-1865. 5. The pen of "a Manchester manufacturer". 85, 98 6. Education for the people of Sabden and Chorley. 100, 120 7. Awakening Manchester 1835-1836 123, 147 8. The establishment of the Manchester Society for Promoting National Education. 152, 173 9. Educating the working class: schools and lyceums. 177, 195 10. "The education of 17 millions" the Anti-Corn Law League. 199, 231 11. Cobden and Frederic Bastiat: defining the economics of a consumer society. 238, 264 12. Amid contending ideals of national education 1843-1850. 269, 294 13. Guiding the National Public School Association 1850-1854. 298, 330 14. The Manchester Model Secular School. 336, 353 15. Cobden's last bid for a national education 1855-57. 355, 387 iii Page Ref. 16. The schooling of Richard Cobden junior. 391, 403 17. Newspapers for the millions. 404, 435 18. Investing in a future civilisation: the land development of the Illinois Central Railroad. -
Samuel Taylor Coleridge (1772-1834)
Samuel Taylor Coleridge (1772-1834) Samuel Taylor Coleridge was an English poet, critic, and philosopher who is, along with his friend William Wordsworth, widely considered to be among the founders of the English Romantic movement. While many group Coleridge and Wordsworth together, believing that they shared a mutual poetic vision, Coleridge was in fact a far more radical and revolutionary poet than Wordsworth. Today, Coleridge is highly respected for not only his lasting poetic contributions, but also for his work as a literary critic and philosopher. During his youth, Coleridge was a lonely, bookish child who took a great interest in poetry and scholastic study at a very young age. Coleridge, as many of his biographers have argued, probably suffered from depression in his childhood, an illness that continued throughout the remainder of his life and had a tremendous influence— both for better and for worse—upon his poetry. His poetic career took off in 1798, when he and his friend William Wordsworth published one of the most important works of the Romantic age, Lyrical Ballads. Lyrical Ballads is a remarkable and highly original collection of some of both poets’ early poems, including what is often considered Coleridge’s greatest poem, Rime of the Ancient Mariner. While the publication of Lyrical Ballads firmly established Coleridge’s reputation as one of the finest poets of his generation, he soon also established himself as a gifted lecturer on literary subjects and as one of England’s premiere critical philosophers. However, while Coleridge’s intellectual and artistic careers flourished, his dependency on opium for relief from chronic pain developed into a full-blown addiction that began to consume his life. -
Byron and the Scottish Literary Tradition Roderick S
Studies in Scottish Literature Volume 14 | Issue 1 Article 16 1979 Byron and the Scottish Literary Tradition Roderick S. Speer Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the English Language and Literature Commons Recommended Citation Speer, Roderick S. (1979) "Byron and the Scottish Literary Tradition," Studies in Scottish Literature: Vol. 14: Iss. 1. Available at: https://scholarcommons.sc.edu/ssl/vol14/iss1/16 This Article is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. Roderick S. Speer Byron and the Scottish Literary 1radition It has been over forty years since T. S. Eliot proposed that we consider Byron as a Scottish poet. 1 Since then, anthologies of Scottish verse and histories of Scottish literature seldom neglect to mention, though always cursorily, Byron's rightful place in them. The anthologies typically make brief reference to Byron and explain that his work is so readily available else where it need be included in short samples or not at al1.2 An historian of the Scots tradition argues for Byron's Scottish ness but of course cannot treat a writer who did not use Scots. 3 This position at least disagrees with Edwin Muir's earlier ar gument that with the late eighteenth century passing of Scots from everyday to merely literary use, a Scottish literature of greatness had passed away.4 Kurt -
1 Schiller and the Young Coleridge
Notes 1 Schiller and the Young Coleridge 1. For the details of Schiller’s career and thought I am drawing on a number of works including Lesley Sharpe, Friedrich Schiller: Drama, Thought and Politics (Cambridge: Cambridge University Press, 1991); Walter Schafarschik, Friedrich Schiller (Stuttgart: Philipp Reclam, 1999); F. J. Lamport, German Classical Drama: Theatre, Humanity, and Nation, 1750–1870 (Cambridge: Cambridge University Press, 1990); and T. J. Reed, The Classical Centre: Goethe and Weimar, 1775–1832 (Oxford: Oxford University Press, 1986), and Schiller- Handbuch, ed. Helmut Koopmann (Stuttgart: Alfred Kröner, 1998). 2. Schiller later revised the essay and published it in his Shorter Works in Prose under the title ‘The Stage Considered as a Moral Institution’ (‘Die Schaubühne als eine moralische Anstalt betrachtet’). 3. See David Pugh, ‘“Die Künstler”: Schiller’s Philosophical Programme’, Oxford German Studies, 18/19 (1989–90), 13–22. 4. See J. M. Ellis, Schiller’s ‘Kalliasbriefe’ and the Study of his Aesthetic Theory (The Hague and Paris: Mouton, 1969). 5. See Paul Robinson Sweet, Wilhelm von Humboldt: a Biography, 2 vols (Columbus: Ohio State University Press, 1978–80) and W. H. Bruford, The Ger- man Tradition of Self-Cultivation: ‘Bildung’ from Humboldt to Thomas Mann (Cambridge: Cambridge University Press, 1975), ch. 1; also E. S. Shaffer, ‘Romantic Philosophy and the Organization of the Disciplines: the Found- ing of the Humboldt University of Berlin’, in Romanticism and the Sciences, ed. Andrew Cunningham and Nicholas Jardine (Cambridge: Cambridge University Press, 1990), 38–54. 6. Norbert Oellers, Schiller: Geschichte seiner Wirkung bis zu Goethes Tod, 1805– 1832 (Bonn: Bouvier, 1967). -
Cain in Early Nineteenth-Century Literature: Traditional Biblical Stories Revised to Encompass Contemporary Advances in Science Kara Davis Iowa State University
Iowa State University Capstones, Theses and Graduate Theses and Dissertations Dissertations 2012 Cain in early nineteenth-century literature: Traditional biblical stories revised to encompass contemporary advances in science Kara Davis Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/etd Part of the Literature in English, British Isles Commons Recommended Citation Davis, Kara, "Cain in early nineteenth-century literature: Traditional biblical stories revised to encompass contemporary advances in science" (2012). Graduate Theses and Dissertations. 12308. https://lib.dr.iastate.edu/etd/12308 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Cain in early nineteenth-century literature: Traditional biblical stories revised to encompass contemporary advances in science by Kara Anne Davis A thesis submitted to the graduate faculty in partial fulfillment of the requirements for the degree of MASTER OF ARTS Major: English (Literature) Program of Study Committee: Dometa Wiegand Brothers, Major Professor Linda Shenk KJ Gilchrist Iowa State University Ames, Iowa 2012 Copyright © Kara Anne Davis, 2012. All rights reserved. ii TABLE OF CONTENTS CHAPTER 1: INTRODUCTION 1 CHAPTER 2: “TO KNOW MORTAL NATURE’S NOTHINGNESS”: 11 REVISIONS OF IMMORTALITY IN BYRON’S CAIN CHAPTER 3: THE PHYSICALITY OF FAITH: 38 SENSING GOD IN NATURE IN “THE WANDERINGS OF CAIN” CHAPTER 4: “THIRD AMONG THE SONS OF LIGHT”: 62 THE INTERSECTION OF ASTRONOMICAL METAPHORS AND THE APOTHEOSIS OF JOHN KEATS IN SHELLEY’S ADONAIS CHAPTER 5: CONCLUSION 86 1 Introduction During the early nineteenth century, a number of authors sought to revise the traditional story of Cain, frequently using non-canonical sources to complete these revisions.