A Male Headdress
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The Pileus Cap Quick and Dirty Instructions for Aethelmearc 12Th Night Saturnalia Meisterin Felicitas Fluβmüllnerin
The Pileus Cap Quick and Dirty Instructions for AEthelmearc 12th Night Saturnalia Meisterin Felicitas Fluβmüllnerin What is a pileus? The pileus (or pilos) was a Greek-style traveling hat given to Roman slaves upon receiving their freedom. It is associated with Castor and Pollux, representing the egg that they hatched from, just as the slave is becoming a new man in his freedom. During the Festival of Saturnalia, everyone was allowed to wear the pileus, including slaves, and there was a topsy-turvy role reversal for the duration of the festival. Odysseus wearing the pilos. Ancient Greek red-figure plate Ancient Greek terracotta statuette of Ancient Greek red-figure from Apulia, third quarter of the a peasant wearing a pilos, 1st century situla from Apulia, ca. 360 4th century BC, Louvre. BC. BC, Museo Nazionale Archaeologico, Naples. Pair of Roman statuettes (3rd century AD) depicting the Dioscuri (Castor and Pollux) as horsemen, with their characteristic skullcaps (Metropolitan Museum of Art) What is it made of? Traditionally the pileus would be made of white wool to represent an egg shell, however, Saturnalia was a festival of color and celebration so feel free to use color and decorations, especially blue and gold (Saturnalia), red and white (AEthelmearc), and decorations of fertility and life: sun, moon, stars, herd animals, pinecones, nuts, and acorns. How to create a pileus: *I recommend felted wool or felt as the material. If made with a softer fabric, it will require a stiffener to stand tall. 1. Measure your head circumference loosely. 2. Add 6”. Bottom Brim Curve: _______________________ 3. -
If the Hat Fits, Wear It!
If the hat fits, wear it! By Canon Jim Foley Before I put pen to paper let me declare my interests. My grandfather, Michael Foley, was a silk hatter in one of the many small artisan businesses in Claythorn Street that were so characteristic of the Calton district of Glasgow in late Victorian times. Hence my genetic interest in hats of any kind, from top hats that kept you at a safe distance, to fascinators that would knock your eye out if you got too close. There are hats and hats. Beaver: more of a hat than an animal As students for the priesthood in Rome the wearing of a ‘beaver’ was an obligatory part of clerical dress. Later, as young priests we were required, by decree of the Glasgow Synod, to wear a hat when out and about our parishes. But then, so did most respectable citizens. A hat could alert you to the social standing of a citizen at a distance of a hundred yards. The earliest ‘top’ hats, known colloquially as ‘lum’ hats, signalled the approach of a doctor, a priest or an undertaker, often in that order. With the invention of the combustion engine and the tram, lum hats had to be shortened, unless the wearer could be persuaded to sit in the upper deck exposed to the elements with the risk of losing the hat all together. I understand that the process of shortening these hats by a few inches led to a brief revival of the style and of the Foley family fortunes, but not for long. -
Convocation for New Students (2000 Program)
Illinois Wesleyan University Digital Commons @ IWU New Students Convocations Fall 8-20-2000 Convocation for New Students (2000 Program) Illinois Wesleyan University Follow this and additional works at: https://digitalcommons.iwu.edu/new_students_docs Recommended Citation Wesleyan University, Illinois, "Convocation for New Students (2000 Program)" (2000). New Students. 11. https://digitalcommons.iwu.edu/new_students_docs/11 This Article is protected by copyright and/or related rights. It has been brought to you by Digital Commons @ IWU with permission from the rights-holder(s). You are free to use this material in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This material has been accepted for inclusion by faculty at Illinois Wesleyan University. For more information, please contact [email protected]. ©Copyright is owned by the author of this document. Illinois Wesleyan University CONVOCATION FOR FIRST-YEAR STUDENTS Shirk Center Arena August 20, 2000 4:30 p.m. PROGRAM President Minor Myers, jr., Presiding Organ Prelude ...................................................................................... Sean Parsons ‘01 * Invocation ........................................................................................Dennis E. Groh ’61 University Chaplain President’s Welcome ......................................................... -
Smart Moves Smart
Page 1 Thursday s FASHION: s REVIEWS: MEDIA: The s EYE: Partying collections/fall ’09 Michael Kors, Getting ready diversity with Giorgio Narciso for the $380 quotient Armani, Rodriguez million Yves rises on Leonardo and more, Saint Laurent the New DiCaprio, the pages art auction, York Rodarte sisters 6 to 14. page 16. runways, and more, NEW page 3. page 4. YORKWomen’s Wear Daily • The Retailers’ Daily Newspaper • February 19, 2009 • $3.00 WSportswear/Men’swDTHURSdAY Smart Moves It was ultrachic coming and going in Oscar de la Renta’s fall collection, a lineup that should delight his core customers. The look was decidedly dressed up, with plenty of citified polish. It was even set off by Judy Peabody hair, as shown by the duo here, wearing a tailored dress with a fur necklet and a fur vest over a striped skirt. For more on the season, see pages 6 to 14. Red-Carpet Economics: Oscars’ Party Goes On, Played in a Lower Key By Marcy Medina LOS ANGELES — From Sharon Stone to Ginnifer Goodwin, the 40-person table beneath the stone colonnade at the Chateau Marmont here was filled with Champagne-drinking stars. It appeared to be business as usual for Dior Beauty, back to host its sixth annual Oscar week dinner on Tuesday night. With the worldwide economy in turmoil, glamour lives in the run-up to Hollywood’s annual Academy Awards extravaganza on Sunday night, but brands are finding ways to save a buck: staging a cocktail party instead of a dinner, flying in fewer staffers or cutting back on or eliminating gift suites. -
Crosby Garrett Helmet
A Roman Cavalry Helmet and the Phrygian Cap The Crosby Garrett helmet is well preserved example of a two-piece Roman cavalry helmet in the style of a Phrygia Cap, discovered close to Carlisle in 2010 by metal detectorists. Grampus Heritage who lead the EVEHD project have been involved with local Cumbrian volunteers in surveying the site of the discovery to see if there are any associated Roman discoveries yet to be made. With sponsorship from the Tullie House Museum and Art Gallery and the Portable Antiquities Scheme, Grampus and a local team identified earthworks which seemed to be part of a substantial enclosure surrounded by ditches, within which buildings had once stood. The enclosure, which measures as much as 500 metres (1,600 ft) long on its southern side, combines both native British and Roman methods of fortification. A sunken area within the enclosure may possibly have served as a paddock for horses, while the evidence for the buildings is concentrated in the enclosure's northern portion. The remnants of Romano-British field systems in the surrounding area show that the area was under cultivation and animal remains found on the site indicate that the inhabitants also raised livestock, including sheep, goats and pigs. The presence of Roman pottery suggests that the inhabitants had adopted some elements of the Roman lifestyle, but their community may well have been there long before the Romans arrived. Archaeological evidence from the enclosure indicates that the site may have been first settled as far back as the Bronze Age, at least 1,000 years before the helmet was deposited. -
Page 0 Menu Roman Armour Page 1 400BC - 400AD Worn by Roman Legionaries
Roman Armour Chain Mail Armour Transitional Armour Plate Mail Armour Milanese Armour Gothic Armour Maximilian Armour Greenwich Armour Armour Diagrams Page 0 Menu Roman Armour Page 1 400BC - 400AD Worn by Roman Legionaries. Replaced old chain mail armour. Made up of dozens of small metal plates, and held together by leather laces. Lorica Segmentata Page 1 100AD - 400AD Worn by Roman Officers as protection for the lower legs and knees. Attached to legs by leather straps. Roman Greaves Page 1 ?BC - 400AD Used by Roman Legionaries. Handle is located behind the metal boss, which is in the centre of the shield. The boss protected the legionaries hand. Made from several wooden planks stuck together. Could be red or blue. Roman Shield Page 1 100AD - 400AD Worn by Roman Legionaries. Includes cheek pieces and neck protection. Iron helmet replaced old bronze helmet. Plume made of Hoarse hair. Roman Helmet Page 1 100AD - 400AD Soldier on left is wearing old chain mail and bronze helmet. Soldiers on right wear newer iron helmets and Lorica Segmentata. All soldiers carry shields and gladias’. Roman Legionaries Page 1 400BC - 400AD Used as primary weapon by most Roman soldiers. Was used as a thrusting weapon rather than a slashing weapon Roman Gladias Page 1 400BC - 400AD Worn by Roman Officers. Decorations depict muscles of the body. Made out of a single sheet of metal, and beaten while still hot into shape Roman Cuiruss Page 1 ?- 400AD Chain Mail Armour Page 2 400BC - 1600AD Worn by Vikings, Normans, Saxons and most other West European civilizations of the time. -
An Argument for the Wider Adoption and Use of Traditional Academic Attire Within Roman Catholic Church Services
Transactions of the Burgon Society Volume 17 Article 7 10-21-2018 An Argument for the Wider Adoption and Use of Traditional Academic Attire within Roman Catholic Church Services Seamus Addison Hargrave [email protected] Follow this and additional works at: https://newprairiepress.org/burgonsociety Part of the Catholic Studies Commons, Fiber, Textile, and Weaving Arts Commons, Higher Education Commons, History of Christianity Commons, and the Religious Education Commons This work is licensed under a Creative Commons Attribution-Noncommercial 4.0 License Recommended Citation Hargrave, Seamus Addison (2018) "An Argument for the Wider Adoption and Use of Traditional Academic Attire within Roman Catholic Church Services," Transactions of the Burgon Society: Vol. 17. https://doi.org/10.4148/2475-7799.1150 This Article is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Transactions of the Burgon Society by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. Transactions of the Burgon Society, 17 (2017), pages 101–122 An Argument for the Wider Adoption and Use of Traditional Academic Attire within Roman Catholic Church Services By Seamus Addison Hargrave Introduction It has often been remarked that whilst attending Church of England or Church of Scotland services there is frequently a rich and widely used pageantry of academic regalia to be seen amongst the ministers, whilst among the Catholic counterparts there seems an almost near wilful ignorance of these meaningful articles. The response often returned when raising this issue with various members of the Catholic clergy is: ‘well, that would be a Protestant prac- tice.’ This apparent association of academic dress with the Protestant denominations seems to have led to the total abandonment of academic dress amongst the clergy and laity of the Catholic Church. -
"Flemish" Hats Or, Why Are You Wearing a Lampshade? by BRIDGET WALKER
Intro to Late Period "Flemish" Hats Or, Why Are You Wearing a Lampshade? BY BRIDGET WALKER An Allegory of Autumn by Lucas Van Valkenborch Grietje Pietersdr Codde by Adriaen (1535-1597) Thomasz. Key, 1586 Where Are We Again? This is the coast of modern day Belgium and The Netherlands, with the east coast of England included for scale. According to Fynes Moryson, an Englishman traveling through the area in the 1590s, the cities of Bruges and Ghent are in Flanders, the city of Antwerp belongs to the Dutchy of the Brabant, and the city of Amsterdam is in South Holland. However, he explains, Ghent and Bruges were the major trading centers in the early 1500s. Consequently, foreigners often refer to the entire area as "Flemish". Antwerp is approximately fifty miles from Bruges and a hundred miles from Amsterdam. Hairstyles The Cook by PieterAertsen, 1559 Market Scene by Pieter Aertsen Upper class women rarely have their portraits painted without their headdresses. Luckily, Antwerp's many genre paintings can give us a clue. The hair is put up in what is most likely a form of hair taping. In the example on the left, the braids might be simply wrapped around the head. However, the woman on the right has her braids too far back for that. They must be sewn or pinned on. The hair at the front is occasionally padded in rolls out over the temples, but is much more likely to remain close to the head. At the end of the 1600s, when the French and English often dressed the hair over the forehead, the ladies of the Netherlands continued to pull their hair back smoothly. -
What They Wear the Observer | FEBRUARY 2020 | 1 in the Habit
SPECIAL SECTION FEBRUARY 2020 Inside Poor Clare Colettines ....... 2 Benedictines of Marmion Abbey What .............................. 4 Everyday Wear for Priests ......... 6 Priests’ Vestments ...... 8 Deacons’ Attire .......................... 10 Monsignors’ They Attire .............. 12 Bishops’ Attire ........................... 14 — Text and photos by Amanda Hudson, news editor; design by Sharon Boehlefeld, features editor Wear Learn the names of the everyday and liturgical attire worn by bishops, monsignors, priests, deacons and religious in the Rockford Diocese. And learn what each piece of clothing means in the lives of those who have given themselves to the service of God. What They Wear The Observer | FEBRUARY 2020 | 1 In the Habit Mother Habits Span Centuries Dominica Stein, PCC he wearing n The hood — of habits in humility; religious com- n The belt — purity; munities goes and Tback to the early 300s. n The scapular — The Armenian manual labor. monks founded by For women, a veil Eustatius in 318 was part of the habit, were the first to originating from the have their entire rite of consecrated community virgins as a bride of dress alike. Belt placement Christ. Using a veil was Having “the members an adaptation of the societal practice (dress) the same,” says where married women covered their Mother Dominica Stein, hair when in public. Poor Clare Colettines, “was a Putting on the habit was an symbol of unity. The wearing of outward sign of profession in a the habit was a symbol of leaving religious order. Early on, those the secular life to give oneself to joining an order were clothed in the God.” order’s habit almost immediately. -
How Do Cardinals Choose Which Hat to Wear?
How Do Cardinals Choose Which Hat to Wear? By Forrest Wickman March 12, 2013 6:30 PM A cardinal adjusts his mitre cap. Photo by Alessia Pierdomenico/Reuters One-hundred-fifteen Roman Catholic cardinals locked themselves up in the Vatican today to select the church’s next pope. In pictures of the cardinals, they were shown wearing a variety of unusual hats. How do cardinals choose their hats? To suit the occasion, to represent their homeland, or, sometimes, to make a personal statement. Cardinals primarily wear one of three different types. The most basic hat is a skullcap called the zucchetto (pl. zucchetti), which is a simple round hat that looks like a beanie or yarmulke. Next is the collapsible biretta, a taller, square-ridged cap with three peaks on top. There are certain times when it’s customary to put on the biretta, such as when entering and leaving church for Mass, but it’s often just personal preference. Cardinals wear both of these hats in red, which symbolizes how each cardinal should be willing to spill his blood for the church. (The zucchetto is actually worn beneath the biretta.) Some cardinals also wear regional variations on the hat, such as the Spanish style, which features four peaks instead of three. On special occasions, such as when preparing to elect the next leader of their church, they may also wear a mitre, which is a tall and usually white pointed hat. The mitre is the same style of cap commonly worn by the pope, and it comes in three different styles with varying degrees of ornamentation, according to the occasion. -
Costume Crafts an Exploration Through Production Experience Michelle L
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2010 Costume crafts an exploration through production experience Michelle L. Hathaway Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Theatre and Performance Studies Commons Recommended Citation Hathaway, Michelle L., "Costume crafts na exploration through production experience" (2010). LSU Master's Theses. 2152. https://digitalcommons.lsu.edu/gradschool_theses/2152 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. COSTUME CRAFTS AN EXPLORATION THROUGH PRODUCTION EXPERIENCE A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Fine Arts in The Department of Theatre by Michelle L. Hathaway B.A., University of Colorado at Denver, 1993 May 2010 Acknowledgments First, I would like to thank my family for their constant unfailing support. In particular Brinna and Audrey, girls you inspire me to greatness everyday. Great thanks to my sister Audrey Hathaway-Czapp for her personal sacrifice in both time and energy to not only help me get through the MFA program but also for her fabulous photographic skills, which are included in this thesis. I offer a huge thank you to my Mom for her support and love. -
Counsels of Religion
COUNSELS OF RELIGION Author: Imam Al-Haddad Number of Pages: 280 pages Published Date: 24 Jan 2011 Publisher: Fons Vitae, US Publication Country: Kentucky, United States Language: English ISBN: 9781891785405 DOWNLOAD: COUNSELS OF RELIGION These three matters, in themselves often innocent and not forbidden to the devout Christian , may yet, even when no kind of sin is involved, hold back the soul from its true aim and vocation, and delay it from becoming entirely conformed to the will of God. It is, therefore, the object of the three counsels of perfection to free the soul from these hindrances. The soul may indeed be saved and heaven attained without following the counsels; but that end will be reached more easily and with greater certainty , if the counsels be accepted and the soul does not wholly confine herself to doing that which is definitely commanded. On the other hand, there are, no doubt, individual cases in which it may be actually necessary for a person , owing to particular circumstances, to follow one or more of the counsels, and one may easily conceive a case in which the adoption of the religious life might seem, humanly speaking, the only way in which a particular soul could be saved. Such cases, however, are always of an exceptional character. As there are three great hindrances to the higher life, so also the counsels are three, one to oppose each. The love of riches is opposed by the counsel of poverty; the pleasures of the flesh, even the lawful pleasures of holy matrimony, are excluded by the counsel of chastity; while the desire for worldly power and honour is met by the counsel of holy obedience.