A Somewhat Brief Sistory
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Archiving Possibilities with the Victorian Freak Show a Dissertat
UNIVERSITY OF CALIFORNIA RIVERSIDE “Freaking” the Archive: Archiving Possibilities With the Victorian Freak Show A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English by Ann McKenzie Garascia September 2017 Dissertation Committee: Dr. Joseph Childers, Co-Chairperson Dr. Susan Zieger, Co-Chairperson Dr. Robb Hernández Copyright by Ann McKenzie Garascia 2017 The Dissertation of Ann McKenzie Garascia is approved: Committee Chairperson University of California, Riverside ACKNOWLEDGEMENTS This dissertation has received funding through University of California Riverside’s Dissertation Year Fellowship and the University of California’s Humanities Research Institute’s Dissertation Support Grant. Thank you to the following collections for use of their materials: the Wellcome Library (University College London), Special Collections and University Archives (University of California, Riverside), James C. Hormel LGBTQIA Center (San Francisco Public Library), National Portrait Gallery (London), Houghton Library (Harvard College Library), Montana Historical Society, and Evanion Collection (the British Library.) Thank you to all the members of my dissertation committee for your willingness to work on a project that initially described itself “freakish.” Dr. Hernández, thanks for your energy and sharp critical eye—and for working with a Victorianist! Dr. Zieger, thanks for your keen intellect, unflappable demeanor, and ready support every step of the process. Not least, thanks to my chair, Dr. Childers, for always pushing me to think and write creatively; if it weren’t for you and your Dickens seminar, this dissertation probably wouldn’t exist. Lastly, thank you to Bartola and Maximo, Flora and Martinus, Lalloo and Lala, and Eugen for being demanding and lively subjects. -
Ghost Signs Are More Than Paintings on Brick
Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 2020 ghost signs are more than paintings on brick Eric Anthony Berdis Virginia Commonwealth University Follow this and additional works at: https://scholarscompass.vcu.edu/etd Part of the Art Practice Commons © Eric Anthony Berdis Downloaded from https://scholarscompass.vcu.edu/etd/6287 This Thesis is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. ©2020 All Rights Reserved ghost signs are more than paintings on brick A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts at Virginia Commonwealth University Eric Anthony Berdis B.F.A. Slippery Rock University, 2013 Post-baccalaureate Tyler School of Art, 2016 M.F.A. Virginia Commonwealth University, 2020 Director: Hillary Waters Fayle Assistant Professor- Fiber and Area Head of Fiber Craft/ Material Studies Department Jack Wax Professor - Glass and Area Head of Glass Craft/ Material Studies Department Kelcy Chase Folsom Assistant Professor - Clay Craft/ Material Studies Department Dr. Tracy Stonestreet Graduate Faculty Craft/ Material Studies Department v Acknowledgments Thank you to my amazing studio mate Laura Boban for welcoming me into your life, dreams, and being a shoulder of support as we walk on this journey together. You have taught me so much and your strength, thoughtfulness, and empathy make me both grateful and proud to be your peer. Thank you to Hillary Fayle for the encouragement, your critical feedback has been imperative to my growth. -
The Caffe Cino
DESIGNATION REPORT The Caffe Cino Landmarks Preservation Designation Report Designation List 513 Commission The Caffe Cino LP-2635 June 18, 2019 DESIGNATION REPORT The Caffe Cino LOCATION Borough of Manhattan 31 Cornelia Street LANDMARK TYPE Individual SIGNIFICANCE No. 31 Cornelia Street in the Greenwich Village neighborhood of Manhattan is culturally significant for its association with the Caffe Cino, which occupied the building’s ground floor commercial space from 1958 to 1968. During those ten years, the coffee shop served as an experimental theater venue, becoming the birthplace of Off-Off-Broadway and New York City’s first gay theater. Landmarks Preservation Designation Report Designation List 513 Commission The Caffe Cino LP-2635 June 18, 2019 Former location of the Caffe Cino, 31 Cornelia Street 2019 LANDMARKS PRESERVATION COMMISSION COMMISSIONERS Lisa Kersavage, Executive Director Sarah Carroll, Chair Mark Silberman, Counsel Frederick Bland, Vice Chair Kate Lemos McHale, Director of Research Diana Chapin Cory Herrala, Director of Preservation Wellington Chen Michael Devonshire REPORT BY Michael Goldblum MaryNell Nolan-Wheatley, Research Department John Gustafsson Anne Holford-Smith Jeanne Lutfy EDITED BY Adi Shamir-Baron Kate Lemos McHale and Margaret Herman PHOTOGRAPHS BY LPC Staff Landmarks Preservation Designation Report Designation List 513 Commission The Caffe Cino LP-2635 June 18, 2019 3 of 24 The Caffe Cino the National Parks Conservation Association, Village 31 Cornelia Street, Manhattan Preservation, Save Chelsea, and the Bowery Alliance of Neighbors, and 19 individuals. No one spoke in opposition to the proposed designation. The Commission also received 124 written submissions in favor of the proposed designation, including from Bronx Borough President Reuben Diaz, New York Designation List 513 City Council Member Adrienne Adams, the LP-2635 Preservation League of New York State, and 121 individuals. -
Article Under Her Eye: Digital Drag As Obfuscation and Countersurveillance
Under Her Eye: Digital Drag as Obfuscation Article and Countersurveillance Harris Kornstein New York University, USA [email protected] Abstract Among drag queens, it is common to post screenshots comically highlighting moments in which Facebook incorrectly tags their photos as one another, suggesting that drag makeup offers a unique method for confusing facial recognition algorithms. Drawing on queer, trans, and new media theories, this article considers the ways in which drag serves as a form of informational obfuscation, by adding “noise” in the form of over-the-top makeup and social media profiles that feature semi-fictional names, histories, and personal information. Further, by performing identities that are highly visible, are constantly changing, and engage complex forms of authenticity through modes of camp and realness, drag queens disrupt many common understandings about the users and uses of popular technologies, assumptions of the integrity of data, and even approaches to ensuring privacy. In this way, drag offers both a culturally specific framework for conceptualizing queer and trans responses to surveillance and a potential toolkit for avoiding, thwarting, or mitigating digital observation. Introduction When particular surveillance technologies, in their development and design, leave out some subjects and communities for optimum usage, this leaves open the possibility of reproducing existing inequalities… [But] could there be some potential in going about unknown or unremarkable, and perhaps unbothered, where CCTV, camera-enabled devices, facial recognition, and other computer vision technologies are in use? —Simone Browne, Dark Matters: On the Surveillance of Blackness (2015: 162–63) Around late 2014, I began to take note of a curious social media phenomenon: drag queens were posting screenshots to Facebook to highlight instances in which the platform’s predictive facial recognition algorithms incorrectly tagged their photos as one another. -
Beyond the Gay Ghetto
chapter 1 Beyond the Gay Ghetto Founding Debates in Gay Liberation In October 1969, Gay Liberation Theater staged a street performance the group called “No Vietnamese Ever Called Me a Queer.” These activ- ists brought their claims to two distinct audiences: fellow students at the University of California, Berkeley’s Sproul Plaza and fellow gay men at a meeting of the San Francisco–based Society for Individual Rights (SIR). The student audience was anti-war but largely straight, while SIR backed gay inclusion in the military and exemplified the moderate center of the “homophile” movement—“homophile” being the name for an existing and older network of gay and lesbian activism. Gay Liberation Theater adapted Muhammad Ali’s statement when refusing the draft that “no Viet Cong ever called me nigger” and, through this, indicted a society that demanded men kill rather than desire one another. They opposed the Vietnam War and spoke to the self-interest of gay men by declaring: “We’re not going to fight in an army that discriminates against us. Nor are we going to fight for a country that will not hire us and fires us. We are going to fight for ourselves and our lovers in places like Berkeley where the Berkeley police last April murdered homosexual brother Frank Bartley (never heard of him?) while cruising in Aquatic Park.” Frank Bartley was a thirty-three-year-old white man who had recently been killed by a plainclothes officer who claimed that Bartley “resisted arrest” and “reached for his groin.”1 In highlighting Bartley’s case, Gay Liberation Theater pushed back against the demands of assim- ilation and respectability and linked opposition to the Vietnam War with 17 Hobson - Lavender and Red.indd 17 29/06/16 4:30 PM 18 | Beyond the Gay Ghetto support for sexual expression. -
Transgender History / by Susan Stryker
u.s. $12.95 gay/Lesbian studies Craving a smart and Comprehensive approaCh to transgender history historiCaL and Current topiCs in feminism? SEAL Studies Seal Studies helps you hone your analytical skills, susan stryker get informed, and have fun while you’re at it! transgender history HERE’S WHAT YOU’LL GET: • COVERAGE OF THE TOPIC IN ENGAGING AND AccESSIBLE LANGUAGE • PhOTOS, ILLUSTRATIONS, AND SIDEBARS • READERS’ gUIDES THAT PROMOTE CRITICAL ANALYSIS • EXTENSIVE BIBLIOGRAPHIES TO POINT YOU TO ADDITIONAL RESOURCES Transgender History covers American transgender history from the mid-twentieth century to today. From the transsexual and transvestite communities in the years following World War II to trans radicalism and social change in the ’60s and ’70s to the gender issues witnessed throughout the ’90s and ’00s, this introductory text will give you a foundation for understanding the developments, changes, strides, and setbacks of trans studies and the trans community in the United States. “A lively introduction to transgender history and activism in the U.S. Highly readable and highly recommended.” SUSAN —joanne meyerowitz, professor of history and american studies, yale University, and author of How Sex Changed: A History of Transsexuality In The United States “A powerful combination of lucid prose and theoretical sophistication . Readers STRYKER who have no or little knowledge of transgender issues will come away with the foundation they need, while those already in the field will find much to think about.” —paisley cUrrah, political -
Tracing the History of Trans and Gender Variant Filmmakers
Laura Horak Tracing the History of Trans and Gender Variant Filmmakers Abstract Most writing on transgender cinema focuses on representations of trans people, rather than works made by trans people. This article surveys the history of trans and gender variant people creating audiovisual media from the beginning of cinema through today. From the professional gender impersonators of the stage who crossed into film during the medium’s first decades to self- identified transvestite and transsexual filmmakers, like Ed Wood and Christine Jorgensen of the mid-twentieth century, to the enormous upsurge in trans filmmaking of the 1990s, this article explores the rich and complex history of trans and gender variant filmmaking. It also considers the untraceable gender variant filmmakers who worked in film and television without their gender history becoming known and those who made home movies that have been lost to history. “They cannot represent themselves, they must Keegan have importantly analyzed the work of be represented.”1 Viviane Namaste begins her particular trans and gender variant filmmakers, foundational essay on transsexual access to the focusing primarily on the 1990s and 2000s.7 More media with this quote from Karl Marx. Namaste recently, Keegan and others have investigated trans described the many obstacles to transsexual self- experiences of spectatorship and articulated a representation in the 1990s and early 2000s. Since concept of “trans aesthetics” that exceeds identity then, new technologies have enabled hundreds categories.8 Trans filmmakers have also begun to of thousands of trans people to create and theorize their own and others’ work.9 Scholars have circulate amateur videos on YouTube.2 However, also investigated trans multimedia production, in representations of trans people made by and the form of zines, Tumblr blogs, photography, and for cisgender people still dominate mainstream interactive digital media.10 However, there has not media. -
Babies Bloomington-Normal
Eastern Illinois University The Keep The Post Amerikan (1972-2004) The Post Amerikan Project 1-1984 Volume 12, Number 9 Post Amerikan Follow this and additional works at: https://thekeep.eiu.edu/post_amerikan Part of the Gender, Race, Sexuality, and Ethnicity in Communication Commons, Journalism Studies Commons, Publishing Commons, and the Social Influence and oliticalP Communication Commons narcs; art; liquor; water meters; babies Bloomington-Normal I WANT THE. NAMES oF £VER.YBoDY WHdS C.HECI<.E-D OUT THIS Bool<! you'RE NoT· C.ooPE.AAT!NG WITH THE POL.IC.E. DO you WANT ME: io GET A COURT ORDER? \ \ \ BOOK REIURN PUBLIG. SEMINARS SUPPORT YOUR -w ... tA~>.,.. ~INVASioN OF PRIVAC.Y ~-- A GROWING IHR.eAI 1 PUBLIC LIIRAlY Cl-"'-·lfTHE 4 .!! AMENDMENT ~ © ~ -- MY GOD} MAR.THA/ (SN 1T THAT iHE. ONE --YOU ---i8~~-~.:::W£RE f<.E}..DIN& LAST MONTH?'---' TOLT9 ~I 1 NO~~Niwoo~a TSLT9 ~I 1 NO~~NIWOQ~g zsv£ xoa ~~I~~o ~SOd ~IWCI~d N'i)IHI:IWV-~SOd 891 "ON ·a~~S3:D0~CI NOI~:::>~CIO:::>. SS~CIGOV GIVd a~V~SOd ·s·n ~.r.VCI )l~na • In this ISSUe Post sellers POLICE SUBPOENA LIBRARY RECORDS IN HENDRICKS CASE Reading may be dangerous to your freedom •.••••.•••••••••.•.•.•.••.. 3 BLOOMINGTON DAN WHITE IS OUT AND NOT SORRY ~Jtrak station, 1200 w. Front Twinkie killer gets released after just 5 years .••.••.•••.••••.•••• S Ault Pharmacy, 1102 s. Main The Back Porch, 402~ N. Main LIQUOR COMMISSION SHOW THEIR CLASS_ ~iasi's Drugstone, 217 N. Main New license decisions smack of discrimin~tion •.•••••.•.••...•••.••• 8 Bus Depot, 523 N. -
FOR IMMEDIATE RELEASE CONTACT Voleine Amilcar, ITVS 415
FOR IMMEDIATE RELEASE CONTACT Voleine Amilcar, ITVS 415-356-8383 x 244 [email protected] Mary Lugo 770-623-8190 [email protected] Cara White 843-881-1480 [email protected] For downloadable images, visit http://pressroom.pbs.org WE WERE HERE, A HEART-WRENCHING LOOK AT THE EARLY DAYS OF THE AIDS CRISIS IN SAN FRANCISCO AS TOLD BY THE SURVIVORS, PREMIERES ON INDEPENDENT LENS ON THURSDAY, JUNE 14, 2012 “Of all the cinematic explorations of the AIDS crisis, not one is more heartbreaking and inspiring than We Were Here. The humility, wisdom and cumulative sorrow expressed lend the film a glow of spirituality and infuse it with grace. One of the top ten films of the year.” -- Stephen Holden, The New York Times “It’s impossible for a single film to capture the devastation wrought by AIDS, or the heroism with which many in the LGBT community responded to it. But director David Weissman’s documentary is such a powerful achievement because he just about does it.” -- Ernest Hardy, LA Weekly (San Francisco, CA) — Both inspiring and devastating, David Weissman’s We Were Here revisits the arrival in San Francisco of what was called the “Gay Plague” in the early 1980s. It illuminates the profound personal and community issues raised by the AIDS epidemic as well as the broad political and social upheavals it unleashed. It offers a cathartic validation for the generation that suffered through, and responded to, the onset of AIDS while opening a window of understanding to those who have only the vaguest notions of what transpired in those years. -
Trans Resources Helpful Organizations, Products, and Information
Trans Resources Helpful Organizations, Products, and Information Contents Coming Out As Transgender ......................................................................................................................... 2 Transition ...................................................................................................................................................... 2 . DFAB Appearance ............................................................................................................................ 3 . DMAB Appearance ........................................................................................................................... 4 Healthcare, Hormones & Surgery ................................................................................................................. 5 Trans Rights ................................................................................................................................................... 7 Emergency/Crisis Support ............................................................................................................................. 8 Spiritual & Religious Support ........................................................................................................................ 9 Advocacy in Schools .................................................................................................................................... 10 Employment ............................................................................................................................................... -
Unreason and Enchantment in the Gay Liberation Movement A
The Falling Dream: Unreason and Enchantment in the Gay Liberation Movement A Dissertation SUBMITTED TO THE FACULTY OF UNIVERSITY OF MINNESOTA BY Abram J. Lewis IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Regina Kunzel, adviser; Roderick Ferguson, co-adviser July 2015 © Abram J. Lewis 2015 Acknowledgements Completing a PhD is a colossal undertaking that highlights the ineluctably social character of knowledge production. This dissertation could not have been possible without the generosity of many, both within and beyond my academic life. I am grateful to everyone who invested their knowledge, labor, patience, and support in this project over the last several years. These remarks will not do justice to those contributions, but I will nonetheless attempt to confer some recognition here. This dissertation is the product of an exceptionally committed and insightful committee. Kevin Murphy has effectively served as my third advisor throughout my graduate career: Kevin has provided feedback on innumerable seminar papers, funding proposals, job applications, and publication materials. Beyond scholarly feedback, Kevin has been integral to my attempts to figure out how to “do” academia. Roderick Ferguson has remained a generous, engaged, and at times, especially challenging reader, for which I feel particularly fortunate. It has been exciting to have Rod as a co-advisor as our current projects have brought us into overlapping historical and theoretical loops of flight. I am thankful to have retained Rod as an interlocutor, even as our professional trajectories drew us to Chicago and New York City respectively. Jean Langford was a serendipitous addition to a committee otherwise populated by Americanists associated with gender and sexuality studies. -
File N0.190389 Amended in Committee 6/17/19 Ordinance
AMENDED IN COMMITTEE 6/17/19 FILE N0.190389 ORDINANCE NO. 160-19 1 [Administrative Code - Castro Lesbian, Gay, Bisexual, Transgender, and Queer (LGBTQ) Cultural District] 2 3 Ordinance amending the Administrative Code to establish the Castro Lesbian, Gay, 4 Bisexual, Transgender, and Queer (LGBTQ) Cultural District in and around the Castro 5 neighborhood; to require the Mayor's Office of Housing and Community Development 6 to submit written reports and recommendations to the Board of Supervisors and the 7 Mayor describing the cultural attributes of the District and proposing strategies to 8 acknowledge and preserve the cultural legacy of the District; and affirming the 9 Planning Department's determination under the California Environmental Quality Act. 10 NOTE: Unchanged Code text and uncodified text are in plain Arial font. Additions to Codes are in single-underline italics Times New Roman font. 11 Deletions to Codes are in strikethrough italics Times 1Vev.· Roman font. Board amendment additions are in double-underlined Arial font. 12 Board amendment deletions are in strikethrough /\rial font. Asterisks (* * * *) indicate the omission of unchanged Code 13 subsections or parts of tables. 14 15 Be it ordained by the People of the City and County of San Francisco: 16 17 Section 1. Findings. 18 (a) The Planning Department has determined that the actions contemplated in this 19 ordinance comply with the California Environmental Quality Act (California Public Resources 20 Code Sections 21000 et seq.). Said determination is on file with the Clerk of the Board of 21 Supervisors in File No. 190389 and is incorporated herein by reference.