Many People in Austin Don't Know I Am Transsexual
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Archiving Possibilities with the Victorian Freak Show a Dissertat
UNIVERSITY OF CALIFORNIA RIVERSIDE “Freaking” the Archive: Archiving Possibilities With the Victorian Freak Show A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English by Ann McKenzie Garascia September 2017 Dissertation Committee: Dr. Joseph Childers, Co-Chairperson Dr. Susan Zieger, Co-Chairperson Dr. Robb Hernández Copyright by Ann McKenzie Garascia 2017 The Dissertation of Ann McKenzie Garascia is approved: Committee Chairperson University of California, Riverside ACKNOWLEDGEMENTS This dissertation has received funding through University of California Riverside’s Dissertation Year Fellowship and the University of California’s Humanities Research Institute’s Dissertation Support Grant. Thank you to the following collections for use of their materials: the Wellcome Library (University College London), Special Collections and University Archives (University of California, Riverside), James C. Hormel LGBTQIA Center (San Francisco Public Library), National Portrait Gallery (London), Houghton Library (Harvard College Library), Montana Historical Society, and Evanion Collection (the British Library.) Thank you to all the members of my dissertation committee for your willingness to work on a project that initially described itself “freakish.” Dr. Hernández, thanks for your energy and sharp critical eye—and for working with a Victorianist! Dr. Zieger, thanks for your keen intellect, unflappable demeanor, and ready support every step of the process. Not least, thanks to my chair, Dr. Childers, for always pushing me to think and write creatively; if it weren’t for you and your Dickens seminar, this dissertation probably wouldn’t exist. Lastly, thank you to Bartola and Maximo, Flora and Martinus, Lalloo and Lala, and Eugen for being demanding and lively subjects. -
The Uk's Top 200 Most Requested Songs in 1980'S
The Uk’s top 200 most requested songs in 1980’s 1. Billie Jean - Michael Jackson 2. Into the Groove - Madonna 3. Super Freak Part I - Rick James 4. Beat It - Michael Jackson 5. Funkytown - Lipps Inc. 6. Sweet Dreams (Are Made of This) - Eurythmics 7. Don't You Want Me? - Human League 8. Tainted Love - Soft Cell 9. Like a Virgin - Madonna 10. Blue Monday - New Order 11. When Doves Cry - Prince 12. What I Like About You - The Romantics 13. Push It - Salt N Pepa 14. Celebration - Kool and The Gang 15. Flashdance...What a Feeling - Irene Cara 16. It's Raining Men - The Weather Girls 17. Holiday - Madonna 18. Thriller - Michael Jackson 19. Bad - Michael Jackson 20. 1999 - Prince 21. The Way You Make Me Feel - Michael Jackson 22. I'm So Excited - The Pointer Sisters 23. Electric Slide - Marcia Griffiths 24. Mony Mony - Billy Idol 25. I'm Coming Out - Diana Ross 26. Girls Just Wanna Have Fun - Cyndi Lauper 27. Take Your Time (Do It Right) - The S.O.S. Band 28. Let the Music Play - Shannon 29. Pump Up the Jam - Technotronic feat. Felly 30. Planet Rock - Afrika Bambaataa and The Soul Sonic Force 31. Jump (For My Love) - The Pointer Sisters 32. Fame (I Want To Live Forever) - Irene Cara 33. Let's Groove - Earth, Wind, and Fire 34. It Takes Two (To Make a Thing Go Right) - Rob Base and DJ EZ Rock 35. Pump Up the Volume - M/A/R/R/S 36. I Wanna Dance With Somebody (Who Loves Me) - Whitney Houston 37. -
Ghost Signs Are More Than Paintings on Brick
Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 2020 ghost signs are more than paintings on brick Eric Anthony Berdis Virginia Commonwealth University Follow this and additional works at: https://scholarscompass.vcu.edu/etd Part of the Art Practice Commons © Eric Anthony Berdis Downloaded from https://scholarscompass.vcu.edu/etd/6287 This Thesis is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. ©2020 All Rights Reserved ghost signs are more than paintings on brick A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts at Virginia Commonwealth University Eric Anthony Berdis B.F.A. Slippery Rock University, 2013 Post-baccalaureate Tyler School of Art, 2016 M.F.A. Virginia Commonwealth University, 2020 Director: Hillary Waters Fayle Assistant Professor- Fiber and Area Head of Fiber Craft/ Material Studies Department Jack Wax Professor - Glass and Area Head of Glass Craft/ Material Studies Department Kelcy Chase Folsom Assistant Professor - Clay Craft/ Material Studies Department Dr. Tracy Stonestreet Graduate Faculty Craft/ Material Studies Department v Acknowledgments Thank you to my amazing studio mate Laura Boban for welcoming me into your life, dreams, and being a shoulder of support as we walk on this journey together. You have taught me so much and your strength, thoughtfulness, and empathy make me both grateful and proud to be your peer. Thank you to Hillary Fayle for the encouragement, your critical feedback has been imperative to my growth. -
The Caffe Cino
DESIGNATION REPORT The Caffe Cino Landmarks Preservation Designation Report Designation List 513 Commission The Caffe Cino LP-2635 June 18, 2019 DESIGNATION REPORT The Caffe Cino LOCATION Borough of Manhattan 31 Cornelia Street LANDMARK TYPE Individual SIGNIFICANCE No. 31 Cornelia Street in the Greenwich Village neighborhood of Manhattan is culturally significant for its association with the Caffe Cino, which occupied the building’s ground floor commercial space from 1958 to 1968. During those ten years, the coffee shop served as an experimental theater venue, becoming the birthplace of Off-Off-Broadway and New York City’s first gay theater. Landmarks Preservation Designation Report Designation List 513 Commission The Caffe Cino LP-2635 June 18, 2019 Former location of the Caffe Cino, 31 Cornelia Street 2019 LANDMARKS PRESERVATION COMMISSION COMMISSIONERS Lisa Kersavage, Executive Director Sarah Carroll, Chair Mark Silberman, Counsel Frederick Bland, Vice Chair Kate Lemos McHale, Director of Research Diana Chapin Cory Herrala, Director of Preservation Wellington Chen Michael Devonshire REPORT BY Michael Goldblum MaryNell Nolan-Wheatley, Research Department John Gustafsson Anne Holford-Smith Jeanne Lutfy EDITED BY Adi Shamir-Baron Kate Lemos McHale and Margaret Herman PHOTOGRAPHS BY LPC Staff Landmarks Preservation Designation Report Designation List 513 Commission The Caffe Cino LP-2635 June 18, 2019 3 of 24 The Caffe Cino the National Parks Conservation Association, Village 31 Cornelia Street, Manhattan Preservation, Save Chelsea, and the Bowery Alliance of Neighbors, and 19 individuals. No one spoke in opposition to the proposed designation. The Commission also received 124 written submissions in favor of the proposed designation, including from Bronx Borough President Reuben Diaz, New York Designation List 513 City Council Member Adrienne Adams, the LP-2635 Preservation League of New York State, and 121 individuals. -
Bonnie Pointer Obituary: Legendary Pointer Sisters Singer, Dies at 69 - Legacy.Com
6/11/2020 Bonnie Pointer Obituary: legendary Pointer Sisters singer, dies at 69 - Legacy.com NEWS OBITUARIES Bonnie Pointer (1950–2020), Pointer Sisters singer By Kirk Fox June 8, 2020 Bonnie Pointer started the legendary R&B group The Pointer Sisters with her sisters June and Anita in 1969. She left the group in 1977 for a solo career. Bonnie Pointer - Heaven must have sent you (video/audio edited & remastered) HQ https://www.legacy.com/news/celebrity-deaths/bonnie-pointer-1950-2020-pointer-sisters-singer/ 1/5 6/11/2020 Bonnie Pointer Obituary: legendary Pointer Sisters singer, dies at 69 - Legacy.com Died: Monday, June 8, 2020. (Who else died on June 8?) Details of Death: Died at the age of 69. We invite you to share condolences for Bonnie Pointer in our Guest Book. Singing Star Bonnie, June (1953 – 2006), and Anita started The Pointer Sisters in 1969. Older sister Ruth jo in 1972 and the R&B group had a hit in 1973 with “Yes We Can.” They blended elements of ro funk, and country into their R&B sound featuring the sisters’ terri¦c harmony singing. Bonni wrote their country crossover hit song “Fairytale” in 1974, the song reached the top 20 and wo the Grammy Award for Best song by a duo or group in country music. Bonnie left for a solo ca in 1977, she had a hit disco song in 1979 with her cover of “Heaven Must Have Sent You.” She continued to perform and reunited occasionally with her sisters. What they said about her “It is with great sadness that I have to announce to the fans of the Pointer Sisters that my sist Bonnie died this morning.” “Our family is devastated. -
Article Under Her Eye: Digital Drag As Obfuscation and Countersurveillance
Under Her Eye: Digital Drag as Obfuscation Article and Countersurveillance Harris Kornstein New York University, USA [email protected] Abstract Among drag queens, it is common to post screenshots comically highlighting moments in which Facebook incorrectly tags their photos as one another, suggesting that drag makeup offers a unique method for confusing facial recognition algorithms. Drawing on queer, trans, and new media theories, this article considers the ways in which drag serves as a form of informational obfuscation, by adding “noise” in the form of over-the-top makeup and social media profiles that feature semi-fictional names, histories, and personal information. Further, by performing identities that are highly visible, are constantly changing, and engage complex forms of authenticity through modes of camp and realness, drag queens disrupt many common understandings about the users and uses of popular technologies, assumptions of the integrity of data, and even approaches to ensuring privacy. In this way, drag offers both a culturally specific framework for conceptualizing queer and trans responses to surveillance and a potential toolkit for avoiding, thwarting, or mitigating digital observation. Introduction When particular surveillance technologies, in their development and design, leave out some subjects and communities for optimum usage, this leaves open the possibility of reproducing existing inequalities… [But] could there be some potential in going about unknown or unremarkable, and perhaps unbothered, where CCTV, camera-enabled devices, facial recognition, and other computer vision technologies are in use? —Simone Browne, Dark Matters: On the Surveillance of Blackness (2015: 162–63) Around late 2014, I began to take note of a curious social media phenomenon: drag queens were posting screenshots to Facebook to highlight instances in which the platform’s predictive facial recognition algorithms incorrectly tagged their photos as one another. -
Beyond the Gay Ghetto
chapter 1 Beyond the Gay Ghetto Founding Debates in Gay Liberation In October 1969, Gay Liberation Theater staged a street performance the group called “No Vietnamese Ever Called Me a Queer.” These activ- ists brought their claims to two distinct audiences: fellow students at the University of California, Berkeley’s Sproul Plaza and fellow gay men at a meeting of the San Francisco–based Society for Individual Rights (SIR). The student audience was anti-war but largely straight, while SIR backed gay inclusion in the military and exemplified the moderate center of the “homophile” movement—“homophile” being the name for an existing and older network of gay and lesbian activism. Gay Liberation Theater adapted Muhammad Ali’s statement when refusing the draft that “no Viet Cong ever called me nigger” and, through this, indicted a society that demanded men kill rather than desire one another. They opposed the Vietnam War and spoke to the self-interest of gay men by declaring: “We’re not going to fight in an army that discriminates against us. Nor are we going to fight for a country that will not hire us and fires us. We are going to fight for ourselves and our lovers in places like Berkeley where the Berkeley police last April murdered homosexual brother Frank Bartley (never heard of him?) while cruising in Aquatic Park.” Frank Bartley was a thirty-three-year-old white man who had recently been killed by a plainclothes officer who claimed that Bartley “resisted arrest” and “reached for his groin.”1 In highlighting Bartley’s case, Gay Liberation Theater pushed back against the demands of assim- ilation and respectability and linked opposition to the Vietnam War with 17 Hobson - Lavender and Red.indd 17 29/06/16 4:30 PM 18 | Beyond the Gay Ghetto support for sexual expression. -
Musician Professionals to Make Your Event a Success! with Versatility and Showmanship, Rendezvous’ Journeyman Musicians Will Add a Touch of Class to Your Event
www.rendezvouspdx.com Bookings 503-901-5135 Musician Professionals to Make Your Event a Success! With versatility and showmanship, Rendezvous’ journeyman musicians will add a touch of class to your event. Their musical range and abundant talent provide so many options to entertain your guests! Rendezvous was the featured band on New Year’s Eve at Spirit Mountain Casino in 2011 and on the 2012 Portland Spirit New Year’s Eve Cruise. Here is a sample of the music we love to play: • Swing Standards like In The Mood, Misty, Smoke Gets In Your Eyes, Jump Jive and Wail. • Classic Rock Hits of the 70s through the 90s from the Beatles, Rolling Stones, Beach Boys, and Jerry Lee Lewis to Van Morrison, Journey, Blondie, and Bonnie Raitt. • R & B, Soul and Disco favorites including The Supremes, Donna Summer, Temptations, the Pointer Sisters, and KC and the Sunshine Band. • Country Music favorites from Patsy Cline and Willie Nelson, right up to current country rock hits. See the songlist on the back of this page. Meet the Musicians What Clients Say About Us Linda Lee Michelet - vocals “We knew we wanted the music to be jazzy and classy, but we couldn’t Let Linda add her elegance and class to your even come up with a specific first dance song. They helped us select songs and plan the schedule of the reception. Everybody said it was the best event. A talented and versatile singer, she’s wedding they’d been to—even my grandmother danced!” been noticed by magazines including Port- —Michelle Moravan Sebot land Monthly and More, and has been fea- tured on nationally-syndicated Better TV and “Thanks Rendezvous for a phenomenal time!” locally on OPB TV’s Oregon ArtBeat. -
Transgender History / by Susan Stryker
u.s. $12.95 gay/Lesbian studies Craving a smart and Comprehensive approaCh to transgender history historiCaL and Current topiCs in feminism? SEAL Studies Seal Studies helps you hone your analytical skills, susan stryker get informed, and have fun while you’re at it! transgender history HERE’S WHAT YOU’LL GET: • COVERAGE OF THE TOPIC IN ENGAGING AND AccESSIBLE LANGUAGE • PhOTOS, ILLUSTRATIONS, AND SIDEBARS • READERS’ gUIDES THAT PROMOTE CRITICAL ANALYSIS • EXTENSIVE BIBLIOGRAPHIES TO POINT YOU TO ADDITIONAL RESOURCES Transgender History covers American transgender history from the mid-twentieth century to today. From the transsexual and transvestite communities in the years following World War II to trans radicalism and social change in the ’60s and ’70s to the gender issues witnessed throughout the ’90s and ’00s, this introductory text will give you a foundation for understanding the developments, changes, strides, and setbacks of trans studies and the trans community in the United States. “A lively introduction to transgender history and activism in the U.S. Highly readable and highly recommended.” SUSAN —joanne meyerowitz, professor of history and american studies, yale University, and author of How Sex Changed: A History of Transsexuality In The United States “A powerful combination of lucid prose and theoretical sophistication . Readers STRYKER who have no or little knowledge of transgender issues will come away with the foundation they need, while those already in the field will find much to think about.” —paisley cUrrah, political -
24K/Doctors Order Song List
24k/Doctors Order Song List 24k Magic-Bruno Mars 500 Miles (I'm Gonna Be)- The Proclaimers Addicted to Love-Robert Palmer Africa-Toto Ain't No Mountain High Enough-Marvin Gaye, Tammi Terrell Ain't Too Proud to Beg-The Temptations All I Do Is Win-DJ Khaled All of Me- John Legend All Shook Up- Elvis Presley All the Small Things- Blink 182 Always- Atlantic Starr Always and Forever- Heatwave And I Love Her- The Beatles At Last- Etta James Bang Bang-Jesie J., Ariana Grande Better Together- Jack Johnson Billie Jean-Michael Jackson Born This Way- Lady Gaga Born to Run- Bruce Springsteen Brick House- The Commodores Brown Eyed Girl-Van Morrison Build Me Up Buttercup- The Foundations Bust A Move- Young MC Cake By the Ocean-DNCE Call Me Maybe-Carly Rae Jepson Can't Help Falling in Love With You- Elvis Presley Can't Stop the Feeling-Justin Timberlake Can't Take My Eyes Off of You- Frankie Valli Careless Whisper- Wham! Chicken Fried-Zac Brown Band Clocks- Coldplay Closer- Chainsmokers Country Roads- John Denver Crazy Little Thing Called Love-Queen Crazy in Love-Beyonce Crazy Love- Van Morrison Dancing Queen-Abba Dancing in the Dark-Bruce Springsteen Dancing in The Moonlight- King Harvest Dancing in the Streets-Martha Reeves Despacito- Lois Fonsi Disco Inferno- The Trammps DJ Got Us Falling in Love- Usher Domino- Van Morrison Don't Leave Me This Way-Thelma Houston Don't Stop Believing-Journey Don't Stop Me Now- Queen Don't Stop ‘Till You Get Enough-Michael Jackson Don’t You Forget About Me-Simple Minds Dynamite- Taio Cruz Endless Love- Lionel Richie/Diana Ross Everybody- Backstreet Boys Everybody Wants to Rule The World-Tears For Fears 24k/Doctors Order Song List Everything-Michael Buble Ex's and Ohs-Ellie King Feel It Still-Portugal, the Man Finesse-Bruno Mars Firework- Katy Perry Fly me To The Moon- Frank Sinatra Footloose-Kenny Loggins Forever Young- Rod Stewart Forget You-Cee-Lo Freeway of Love-Aretha Franklin Get Down Tonight- K.C. -
Tracing the History of Trans and Gender Variant Filmmakers
Laura Horak Tracing the History of Trans and Gender Variant Filmmakers Abstract Most writing on transgender cinema focuses on representations of trans people, rather than works made by trans people. This article surveys the history of trans and gender variant people creating audiovisual media from the beginning of cinema through today. From the professional gender impersonators of the stage who crossed into film during the medium’s first decades to self- identified transvestite and transsexual filmmakers, like Ed Wood and Christine Jorgensen of the mid-twentieth century, to the enormous upsurge in trans filmmaking of the 1990s, this article explores the rich and complex history of trans and gender variant filmmaking. It also considers the untraceable gender variant filmmakers who worked in film and television without their gender history becoming known and those who made home movies that have been lost to history. “They cannot represent themselves, they must Keegan have importantly analyzed the work of be represented.”1 Viviane Namaste begins her particular trans and gender variant filmmakers, foundational essay on transsexual access to the focusing primarily on the 1990s and 2000s.7 More media with this quote from Karl Marx. Namaste recently, Keegan and others have investigated trans described the many obstacles to transsexual self- experiences of spectatorship and articulated a representation in the 1990s and early 2000s. Since concept of “trans aesthetics” that exceeds identity then, new technologies have enabled hundreds categories.8 Trans filmmakers have also begun to of thousands of trans people to create and theorize their own and others’ work.9 Scholars have circulate amateur videos on YouTube.2 However, also investigated trans multimedia production, in representations of trans people made by and the form of zines, Tumblr blogs, photography, and for cisgender people still dominate mainstream interactive digital media.10 However, there has not media. -
FOR IMMEDIATE RELEASE CONTACT Voleine Amilcar, ITVS 415
FOR IMMEDIATE RELEASE CONTACT Voleine Amilcar, ITVS 415-356-8383 x 244 [email protected] Mary Lugo 770-623-8190 [email protected] Cara White 843-881-1480 [email protected] For downloadable images, visit http://pressroom.pbs.org WE WERE HERE, A HEART-WRENCHING LOOK AT THE EARLY DAYS OF THE AIDS CRISIS IN SAN FRANCISCO AS TOLD BY THE SURVIVORS, PREMIERES ON INDEPENDENT LENS ON THURSDAY, JUNE 14, 2012 “Of all the cinematic explorations of the AIDS crisis, not one is more heartbreaking and inspiring than We Were Here. The humility, wisdom and cumulative sorrow expressed lend the film a glow of spirituality and infuse it with grace. One of the top ten films of the year.” -- Stephen Holden, The New York Times “It’s impossible for a single film to capture the devastation wrought by AIDS, or the heroism with which many in the LGBT community responded to it. But director David Weissman’s documentary is such a powerful achievement because he just about does it.” -- Ernest Hardy, LA Weekly (San Francisco, CA) — Both inspiring and devastating, David Weissman’s We Were Here revisits the arrival in San Francisco of what was called the “Gay Plague” in the early 1980s. It illuminates the profound personal and community issues raised by the AIDS epidemic as well as the broad political and social upheavals it unleashed. It offers a cathartic validation for the generation that suffered through, and responded to, the onset of AIDS while opening a window of understanding to those who have only the vaguest notions of what transpired in those years.