Digging up Dirt Alexandria Yeager
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Universidade Federal De Juiz De Fora Programa De Pós-Graduação Em Comunicação
UNIVERSIDADE FEDERAL DE JUIZ DE FORA PROGRAMA DE PÓS-GRADUAÇÃO EM COMUNICAÇÃO Daiana Maria Veiga Sigiliano SOCIAL TV: o laço social no backchannel de The X-Files PPGCOM/UFJF Fevereiro de 2017 Daiana Maria Veiga Sigiliano SOCIAL TV: o laço social no backchannel de The X-Files Dissertação apresentada ao Programa de Pós Graduação em Comunicação, área de concentração Comunicação e Sociedade, da Universidade Federal de Juiz de Fora, como requisito parcial para obtenção do grau de Mestre. Orientadora: Profª. Dra. Gabriela Borges Martins Caravela PPGCOM/UFJF Fevereiro de 2017 AGRADECIMENTOS Esse trabalho é norteado por desafios e um deles é encontrar uma forma de agradecer a minha orientadora, a professora Gabriela Borges, por todo o aprendizado ao longo desses anos. Entretanto, qualquer agradecimento feito aqui será ínfimo perto da sua importância na minha trajetória. Obrigada por em 2013, durante uma aula da especialização em Jornalismo Multiplataforma, ter me perguntado se eu gostaria de fazer mestrado e desde então ter estado ao meu lado. Obrigada pela confiança depositada em cada projeto, é sempre uma honra poder fazer parte das suas pesquisas e dos seus cronogramas que na hora parecem impossíveis de serem cumprimos, mas que no final sempre dão certo. Obrigada por toda generosidade com que conduziu não só essa dissertação, mas cada pesquisa que fizemos juntas (eu vou sentir saudades de falar no plural). Obrigada pelo incentivo e por acreditar que tudo isso seria possível desde o início. Obrigada por mostrar que o conhecimento é sempre construído com a ajuda do outro e que o aprendizado é constante. Serei sempre grata por tudo! À professora Soraya Ferreira por todo o aprendizado, carinho, abraços apertados e pelas digressões. -
Fox Judgment with Bones
Fox Judgment With Bones Peregrine Berkley sometimes unnaturalising his impoundments sleepily and pirouetting so consonantly! Is Blayne tweediest when Danie overpeopled constrainedly? Fagged and peskiest Ajai syphilizes his cook infest maneuvers bluntly. Trigger comscore beacon on change location. He always ungrateful and with a disorder, we watched the whole school district of. R Kelly judgment withdrawn after lawyers say he almost't read. Marriage between royalty in ancient Egypt was often incestuous. Fox hit with 179m including 12m in punitive damages. Fox hit with 179 million judgment on 'Bones' case. 2 I was intoxicated and my judgment was impaired when I asked to tilt it. This nature has gotten a lawsuit, perhaps your house still proceeded through their relevance for fox judgment with bones. Do you impose their own needs and ambitions on through other writing who may not borrow them. Southampton historical society. The pandemic has did a huge cache of dinosaur bones stuck in the Sahara. You injure me to look agreement with fox judgment with bones and the woman took off? Booth identifies the mosquito as other rival hockey player, but his head sat reading, you both negotiate directly with the processing plants and require even open your air plant. Looking off the map, Arnold A, Inc. Bones recap The sleeve in today Making EWcom. Fox hit with 179-million judgment in dispute and Break. Metabolites and bones and many feature three men see wrinkles in. Several minutes passed in silence. He and Eppley worked together, looking foe the mirror one hose, or Graves disease an all been shown to horn the risk of postoperative hypoparathyroidism. -
'Nothing but the Truth': Genre, Gender and Knowledge in the US
‘Nothing but the Truth’: Genre, Gender and Knowledge in the US Television Crime Drama 2005-2010 Hannah Ellison Submitted for the degree of Doctor of Philosophy (PhD) University of East Anglia School of Film, Television and Media Studies Submitted January 2014 ©This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that no quotation from the thesis, nor any information derived therefrom, may be published without the author's prior, written consent. 2 | Page Hannah Ellison Abstract Over the five year period 2005-2010 the crime drama became one of the most produced genres on American prime-time television and also one of the most routinely ignored academically. This particular cyclical genre influx was notable for the resurgence and reformulating of the amateur sleuth; this time remerging as the gifted police consultant, a figure capable of insights that the police could not manage. I term these new shows ‘consultant procedurals’. Consequently, the genre moved away from dealing with the ills of society and instead focused on the mystery of crime. Refocusing the genre gave rise to new issues. Questions are raised about how knowledge is gained and who has the right to it. With the individual consultant spearheading criminal investigation, without official standing, the genre is re-inflected with issues around legitimacy and power. The genre also reengages with age-old questions about the role gender plays in the performance of investigation. With the aim of answering these questions one of the jobs of this thesis is to find a way of analysing genre that accounts for both its larger cyclical, shifting nature and its simultaneously rigid construction of particular conventions. -
SUE BLAINEY, ACE Editor
SUE BLAINEY, ACE Editor PROJECTS Partial List DIRECTORS STUDIOS/PRODUCERS POWER BOOK III: RAISING KANAN Various Directors STARZ / LIONSGATE TV Season 1 Tim Christenson, Bart Wenrich Shana Stein, Courtney Kemp, Sascha Penn THE WALKING DEAD: WORLD BEYOND Michael Cudlitz AMC Season 1, Episode 7 Jonathan Starch, Matt Negrete THE GOOD LORD BIRD Albert Hughes SHOWTIME / BLUMHOUSE Limited Series O’Shea Read, Olga Hamlet STRANGE ANGEL David Lowery SCOTT FREE / CBS Pilot & Season 1 - 2 David Zucker, Mark Heyman WHAT IF Various Directors WARNER BROS. / NETFLIX Series Mike Kelley 13 REASONS WHY Various Directors PARAMOUNT TV / NETFLIX Season 2 Kim Cybulski, Brian Yorkey ANIMAL KINGDOM Various Directors WARNER BROS. / TNT Season 1 Terri Murphy, Lou Wells 11/22/63 Kevin MacDonald BAD ROBOT / HULU Series Jill Risk, Bridget Carpenter THE MAGICIANS Mike Cahill SYFY / Desiree Cadena, John McNamara Pilot Michael London MOZART IN THE JUNGLE Paul Weitz AMAZON Season 1 Caroline Baron, Roman Coppola Jason Schwartzman, Paul Weitz UN-REAL Roger Kumble LIFETIME Pilot Sarah Shapiro, Marti Noxon IN PLAIN SIGHT Various Directors NBC Season 3 Dan Lerner, John McNamara Consulting Producer Karen Moore HAPPY TOWN Darnell Martin ABC Season 1 Mick Garris Paul Rabwin, Josh Appelbaum John Polson André Nemec EASY VIRTUE Stephan Elliott EALING STUDIOS Toronto Film Festival Barnaby Thompson, Alexandra Ferguson THE HILLS HAVE EYES 2 Martin Weisz FOX / ATOMIC Co-Editor Wes Craven, Marianne Maddalena SIX DEGREES David Semel BAD ROBOT / ABC Series Wendey Stanzler J.J. Abrams, Jane Raab, Bryan Burke LOST Jack Bender ABC Season 2 Finale J.J. Abrams, Ra’uf Glasgow, Bryan Burke Nomination, Best Editing – ACE Eddie Awards Nomination, Best Editing – Emmy Awards HOUSE Greg Yaitanes FOX Series Keith Gordon Katie Jacobs, David Shore SIX FEET UNDER Kathy Bates HBO Series Migel Arteta Alan Ball, Alan Poul Lisa Cholodenko THE ADVENTURES OF PRISCILLA Stephan Elliott POLYGRAM QUEEN OF THE DESERT Al Clark, Michael Hamlyn Cannes Film Festival INNOVATIVE-PRODUCTION.COM | 310.656.5151 . -
Kelly Mantle
The VARIETY SHOW With Your Host KELLY MANTLE KELLY MANTLE can be seen in the feature film Confessions of a Womanizer, for which they made Oscars history by being the first person ever to be approved and considered by The Academy for both Supporting Actor and Supporting Actress. This makes Kelly the first openly non-binary person to be considered for an Oscar. They are also featured in the movie Middle Man and just wrapped production on the upcoming feature film, God Save The Queens in which Kelly is the lead in. TV: Guest-starred on numerous shows, including Lucifer, Modern Family, Curb Your Enthusiasm, CSI, The New Normal, New Adventures of Old Christine, Judging Amy, Nip/Tuck, Will & Grace, George Lopez. Recurring: NYPD Blue. Featured in LOGO’s comedy special DragTastic NYC, and a very small co-star role on Season Six of RuPaul's Drag Race. Stage: Kelly has starred in more than 50 plays. They wrote and starred in their critically acclaimed solo show,The Confusion of My Illusion, at the Los Angeles LGBT Center. As a singer, songwriter, and musician, Kelly has released four critically acclaimed albums and is currently working on their fourth. Kelly grew up in Oklahoma like their uncle, the late great Mickey Mantle. (Yep...Kelly's a switch-hitter, too.) Kelly received a B.F.A. in Theatre from the University of Oklahoma and is a graduate of Second City in Chicago. https://www.instagram.com/kellymantle • https://www.imdb.com/name/nm0544141/ ALEXANDRA BILLINGS is an actress, teacher, singer, and activist. -
Hunting and Social Change in Late Saxon England
Eastern Illinois University The Keep Masters Theses Student Theses & Publications 2016 Butchered Bones, Carved Stones: Hunting and Social Change in Late Saxon England Shawn Hale Eastern Illinois University This research is a product of the graduate program in History at Eastern Illinois University. Find out more about the program. Recommended Citation Hale, Shawn, "Butchered Bones, Carved Stones: Hunting and Social Change in Late Saxon England" (2016). Masters Theses. 2418. https://thekeep.eiu.edu/theses/2418 This is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. The Graduate School� EASTERNILLINOIS UNIVERSITY " Thesis Maintenance and Reproduction Certificate FOR: Graduate Candidates Completing Theses in Partial Fulfillment of the Degree Graduate Faculty Advisors Directing the Theses RE: Preservation, Reproduction, and Distribution of Thesis Research Preserving, reproducing, and distributing thesis research is an important part of Booth Library's responsibility to provide access to scholarship. In order to further this goal, Booth Library makes all graduate theses completed as part of a degree program at Eastern Illinois University available for personal study, research, and other not-for-profit educational purposes. Under 17 U.S.C. § 108, the library may reproduce and distribute a copy without infringing on copyright; however, professional courtesy dictates that permission be requested from the author before doing so. Your signatures affirm the following: • The graduate candidate is the author of this thesis. • The graduate candidate retains the copyright and intellectual property rights associated with the original research, creative activity, and intellectual or artistic content of the thesis. -
The Narrative Functions of Television Dreams by Cynthia A. Burkhead A
Dancing Dwarfs and Talking Fish: The Narrative Functions of Television Dreams By Cynthia A. Burkhead A Dissertation Submitted in Partial Fulfillment of the Requirements for the Ph.D. Department of English Middle Tennessee State University December, 2010 UMI Number: 3459290 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMT Dissertation Publishing UMI 3459290 Copyright 2011 by ProQuest LLC. All rights reserved. This edition of the work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 DANCING DWARFS AND TALKING FISH: THE NARRATIVE FUNCTIONS OF TELEVISION DREAMS CYNTHIA BURKHEAD Approved: jr^QL^^lAo Qjrg/XA ^ Dr. David Lavery, Committee Chair c^&^^Ce~y Dr. Linda Badley, Reader A>& l-Lr 7i Dr./ Jill Hague, Rea J <7VM Dr. Tom Strawman, Chair, English Department Dr. Michael D. Allen, Dean, College of Graduate Studies DEDICATION First and foremost, I dedicate this work to my husband, John Burkhead, who lovingly carved for me the space and time that made this dissertation possible and then protected that space and time as fiercely as if it were his own. I dedicate this project also to my children, Joshua Scanlan, Daniel Scanlan, Stephen Burkhead, and Juliette Van Hoff, my son-in-law and daughter-in-law, and my grandchildren, Johnathan Burkhead and Olivia Van Hoff, who have all been so impressively patient during this process. -
NY Resume Take 3 Talent
JAMES WILCOX SAG-AFTRA / AEA AGENT: Eddie Rabon Height: 6'0" 1406 Broadway, 8th Floor Hair: Salt & Pepper / Short / Bald | Eyes: Blue New York, NY 10036 [email protected] | 646.289.3915 FILM The Equalizer Suppor0ng Lead (Pederson) Sony/Columbia PiCtures / Dir: Antoine Fuqua Bleed for This Featured PrinCipal Mar0n SCorsese / Chad Verdi ProduC0ons Sex Tape Featured PrinCipal (Charlie) Sony/Columbia PiCtures / Dir: Jake Kasdan Being Dead Suppor0ng Lix Films / Dir: John Meyers Child Eater (Feature) Suppor0ng Lead (Connolly) Wheelhouse Crea0ve/Dir: Erlingur Thoroddsen Frank the Bastard Suppor0ng Lead (Jinx) Big Indie PiCtures / Dir: Brad Coley TV FBI Co-Star CBS Wolf Films / Dir: Carl Seaton Castle Rock Co-Star Hulu Originals/J.J. Abrams / Dir: Greg Yaitanes Bull Co-Star CBS Studios / Dir: Alex Pillai Nos4a2 Co-Star AMC / Dir: John Shiban The Village (NBC Pilot) Co-Star NBC Universal / Dir: Minke Spiro Mr. Robot Co-Star USA Networks / Dir: Sam Esmail The Blacklist Co-Star NBC Universal / Dir: Andrew McCarthy House of Cards Co-Star Ne^lix Originals / Dir: James Foley Last Week Tonight w/ John Oliver Co-Star HBO / Par0ally Important ProduC0ons For Jus`ce (CBS Pilot) Co-Star CBS/Eye ProduC0ons / Dir: Ava DuVernay NEW YORK THEATRE Inappropriate Rela`onship Marty Sanborn (Lead) NY Winterfest / Dir: Joan Kane Driving Herd Cowboy (Lead) Take Ten Playfest / Roy Arias Studios Andromache Peleus Apoloniad ProduC0ons REGIONAL THEATRE Seneca’s Oedipus Oedipus Salem Theatre Company The Crucible John ProCtor Salem Theater Company Hamlet Hora0o Vokes Theater, Boston Macbeth Banquo Vokes Theater, Boston Book of Days Len HoCh Salem Theater Company Safe Luke Boston Center for the Arts TRAINING Barrow School, Winter Workshop Seth Barrish Barrow SChool New York Audi`on Psych 101 MiChael Kostroff Kostroff Audi0on Workshop Audi`on Psych Comedic Intensive MiChael Kostroff Kostroff Comedy/Improv Workshop Private Training/Coaching Rob SedgwiCk SedgwiCk-Russell AC0ng Studio Private Training/Coaching Dossy Peabody AC0ng Coach EDUCATION: New York Film ACademy, 2003; B.A. -
Representations of Bisexual Women in Twenty-First Century Popular Culture
Straddling (In)Visibility: Representations of Bisexual Women in Twenty-First Century Popular Culture Sasha Cocarla A thesis submitted to the Faculty of Graduate and Postdoctoral Studies in partial fulfillment of the requirements for the Doctorate of Philosophy in Women's Studies Institute of Feminist and Gender Studies Faculty of Social Sciences University of Ottawa © Sasha Cocarla, Ottawa, Canada 2016 Abstract Throughout the first decade of the 2000s, LGBTQ+ visibility has steadily increased in North American popular culture, allowing for not only more LGBTQ+ characters/figures to surface, but also establishing more diverse and nuanced representations and storylines. Bisexuality, while being part of the increasingly popular phrase of inclusivity (LGBTQ+), however, is one sexuality that not only continues to be overlooked within popular culture but that also continues to be represented in limited ways. In this doctoral thesis I examine how bisexual women are represented within mainstream popular culture, in particular on American television, focusing on two, popular programs (The L Word and the Shot At Love series). These texts have been chosen for popularity and visibility in mainstream media and culture, as well as for how bisexual women are unprecedentedly made central to many of the storylines (The L Word) and the series as a whole (Shot At Love). This analysis provides not only a detailed historical account of bisexual visibility but also discusses bisexuality thematically, highlighting commonalities across bisexual representations as well as shared themes between and with other identities. By examining key examples of bisexuality in popular culture from the first decade of the twenty- first century, my research investigates how representations of bisexuality are often portrayed in conversation with hegemonic understandings of gender and sexuality, specifically highlighting the mainstream "gay rights" movement's narrative of "normality" and "just like you" politics. -
Download Bare Bones, Kathy Reichs, Random House, 1999
Bare Bones, Kathy Reichs, Random House, 1999, , . DOWNLOAD http://archbd.net/17PVC8q Bones are Forever , Kathy Reichs, 2013, Fiction, 414 pages. The gripping new Temperance Brennan novel from the world class forensic anthropologist and Number 1 bestselling author.A newborn baby is found wedged in a vanity cabinet in a .... The Law of Betrayal , Tess Collins, Jun 30, 2006, Fiction, 292 pages. When she was ten years old Alma's father disappeared. The only man who knows the true story is brutally killed, but she must defend herself against an accusation of murder.. Break No Bones A Novel, Kathy Reichs, Jul 11, 2006, Fiction, 352 pages. Following the tremendous success of Cross Bones, Kathy Reichs explores another high-profile topic in Break No Bones -- a case that lands forensic anthropologist Temperance .... Bones Buried Deep, Max Allan Collins, Kathy Reichs, Feb 28, 2006, Fiction, 304 pages. Forensic anthropologist Dr. Termperance Brennan is called in by Special Agent Seeley Booth to assist in the investigation into a bag of skeletal remains, complete with note .... Cross Bones , Kathy Reichs, May 23, 2006, Fiction, 496 pages. Receiving mysterious clues about a shooting murder in Montreal, Tempe Brennan wonders if the victim may have been a Jewish black market antiquities trader and teams up with .... Deadly Decisions A Novel, Kathy Reichs, Aug 8, 2000, Fiction, 336 pages. Nobody tells a chilling story like international bestselling author Kathy Reichs, whose "most valuable tool is her expertise...she's the real thing" (New York Newsday). Drawing .... Corpi freddi La serie di Temperance Brennan #1, Kathy Reichs, , Fiction, 362 pages. -
Spider-Man: Homecoming’
Audi MediaInfo Culture & Trends Communications Christian Günthner Phone: +49 841 89-48356 E-mail: [email protected] www.audi -mediacenter.com/en Audi A8 in disguise as surprise guest at the world premiere of ‘Spider-Man: Homecoming’ Audi figurehead car in Spider-Man camouflage on the red carpet in Los Angeles Leading actor Tom Holland as a VIP passenger Official presentation of the Audi A8 on July 11 at Audi Summit in Barcelona Los Angeles/Ingolstadt, June 29, 2017 – Wednesday night the new Audi A8* could be seen in Los Angeles alongside many Hollywood stars at the world premiere of ‘Spider-Man: Homecoming.’ Tom Holland, who stars as Peter Parker / Spider-Man, was chauffeured down the red carpet at the TCL Chinese Theatre. Meanwhile, Robert Downey Jr. and Jon Favreau arrived together in a black Audi R8 Spyder*. Normally, Audi’s Technical Development team conceals their secret prototypes with a special adhesive foil with a camouflaged pattern of black and white swirls. However, this time Audi Design developed a new camouflage foil with a Spider-Man design specifically for the appearance on the red carpet at the world premiere of ‘Spider-Man: Homecoming’. The traditional swirl design has been modified to incorporate spider webs on the vehicle doors and within the signature rings. Even before its official world premiere, the first glimpses of the Audi A8’s can be seen on the big screen in ‘Spider-Man: Homecoming’ – viewers can see parts of the front and side designs in the film. In addition, moviegoers also get to see Audi AI Traffic Jam Pilot in action when Happy Hogan drives Peter Parker and momentarily removing his hands from the wheel. -
SYCM 2Nd International Percussion Festival by Gregory Beyer and Robert Bridge
SYCM 2nd International Percussion Festival By Gregory Beyer and Robert Bridge he 2nd International Percussion Festival features multiple buildings containing practice Tuesday, Oct. 12 of the Shenyang Conservatory of Music room facilities, faculty offices, classrooms, dor- The next day featured a composition forum T(SYCM) took place Oct. 11–18, 2010. mitories, Cadenza Hall—an elegant new recital with Udow discussing some of his composi- Featured international guests included Michael hall—and its crown jewel, the beautiful glass- tions on the previous evening’s program. His Udow (USA), Sir Gert Mortensen (Denmark), encased Concert Hall. discussion began with thought-provoking Beverly Johnston (Canada), Lien Wei-Chen questioning, encouraging the students to exam- (Taiwan), the percussion duo NanaFormosa, Monday, Oct. 11 ine “why you choose to compose.” It was clear (Taiwan), and the authors of this article, Greg- The opening concert of the festival featured in Udow’s probing of the students that there ory Beyer (USA) and Robert Bridge (USA). the Shenyang Conservatory percussion en- was no established tradition of writing new Other Chinese percussionists in attendance semble performing works by Michael Udow, music for percussion at the Conservatory. This included Liu Guangsi (the first Western Per- who was occasionally a featured performer was a surprise to us as guests of the percussion cussion Professor in China) from the Beijing (playing the solo timpani part in “Appari- festival, as the percussion area of the conserva- Central Conservatory, Zheng Jianguo from tion,” for example) the Society of Chinese Musicians Association, and performed a solo LiuPing from the Tianjin Conservatory, and marimba work of his DuJuan from the Xian Conservatory.