DEMO 18 Columbia College Chicago

Total Page:16

File Type:pdf, Size:1020Kb

DEMO 18 Columbia College Chicago Columbia College Chicago Digital Commons @ Columbia College Chicago Alumni Newsletters Alumni Spring 2013 DEMO 18 Columbia College Chicago Follow this and additional works at: http://digitalcommons.colum.edu/alumnae_news This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation DEMO 18 (Spring-Summer 2013), Alumni Magazine, College Archives & Special Collections, Columbia College Chicago. http://digitalcommons.colum.edu/alumnae_news/85 This Article is brought to you for free and open access by the Alumni at Digital Commons @ Columbia College Chicago. It has been accepted for inclusion in Alumni Newsletters by an authorized administrator of Digital Commons @ Columbia College Chicago. ISSUE 18 SPRING/SUMMER 2013 DEMOThe Alumni Magazine of Columbia College Chicago The avant-garde fashion designs of AGNES HAMERLIK Revitalizing Detroit with PHILLIP COOLEY Lessons learned on KICKSTARTER May 17, 2013 ALUMNI AT Want to perform? Volunteer? Or just come out and be a part of the awesome Manifest audience? If you are an alumnus and would like an application to perform on the Alumni Stage, contact Cyn Vargas at [email protected]. Stop by, sit back, and ALUMNI LOUNGE relax in our alumni ALUMNI & lounge! You'll enjoy your Noon – 7PM fellow alumni performers GRADUATION PARTY singing, reciting, dancing, 623 South Wabash and other cool stuff. 8PM – 11PM Quincy Wong Center Hilton Chicago for Artistic Expression 720 S. Michigan Ave. Grand Ballroom colum.edu/alumnimanifest Art: Thumy Phan, Manifest Creative Director Creative Phan, Manifest Art: Thumy ’12) Jacob Boll (BA Photos: CONTENTS DEMO ISSUE 18 SPRING/SUMMER 2013 18 11 FEATURES PORTFOLIO SPOT ON DEpaRTMENTS 8 22 30 Justin “Nordic Thunder” 03 Vision A question for Howard (BA ’07) reigns as President Carter KICKSTART MY ART LIFE DURING king in the competitive world Columbia alumni, students, WARTIME of air guitar. 04 Wire News from the and faculty share lessons Photographer Andrew Nelles Columbia community learned on their way to crowd- (BA ’08) recounts his days 32 Karine Saporta (BA ’72), funding success. covering American troops in knighted in France, 38 Alumni News & Notes By Stephanie Ewing (MA ’12) Afghanistan. As told to Andrew stays in demand as a Featuring class news, notes, Greiner (BA ’05) dancer, choreographer, and networking 14 and photographer. USED TO BE A GYPSY 26 46 Point & Shoot Caught on 33 G eling Yan (MFA ’99), camera around the country Musicians Nikola Dokic (BA DARK STAR novelist and screenwriter, ’08), Robert Palos (BA ’08), and Agnes Hamerlik (BFA ’12) draws inspiration from her 48 U pcoming Events What’s Adis Sirbubalo (BA ’07) found is a designer on the rise native China. happening on campus friendship and fulfillment by with a romantic, avant-garde embracing—instead of running aesthetic. By Audrey Michelle 34 John “J.C.” Peterson 49 Backstory Sam Weller from—their roots. Mast (BA ’00) (BA ’91), fundraiser by day (MFA ’01) shares a valuable life By Sean McEntee (’13) and screenwriter by night, lesson gleaned from his 12 years finds his voice with a winning as Ray Bradbury’s biographer. 18 feature film. MOTOR CITY MOGUL Model-turned-entrepreneur Phillip Cooley (BA ’00) intends to make ON THE COVER: Born and raised in Poland, Agnes Hamerlik (BFA ’12) over Detroit, one building at a time. is a designer on the rise with a darkly romantic, avant-garde aesthetic. By Sean McEntee (’13) Photo: Drew Reynolds (BA ’97) Art: Thumy Phan, Manifest Creative Director Creative Phan, Manifest Art: Thumy ’12) Jacob Boll (BA Photos: LETTER FROM THE EDITOR DEMO ISSUE 18 SPRING/SUMMER 2013 Welcome to your new DEMO magazine. We hope you noticed that it looks different—and in the best possible way. DEMO MAGAZINE Staff Since DEMO debuted in 2005, it hasn’t received a makeover. Executive Editor Eric V. A. Winston, PhD Over the past two years, we’ve tweaked the magazine’s look and Editor-in-Chief Kristi Turnbaugh feel as we moved away from being a publication about the college Editorial Assistants Megan Kirby in general and more toward a magazine about, for, and by alumni. Sean McEntee (’13) After conducting a 2012 reader survey with 1,000+ randomly selected alumni, we assessed what needed to change—and what Tim Shaunnessey (’13) shouldn’t—and we learned that you most like reading about Alumni Content Manager Michelle Passarelli (BA ’99) alumni work and professional accomplishments. As a result, Researcher Amy Wilson we’ve increased the number of alumni included throughout the Class Notes Editor Tyson Griffard (’14) magazine (more Class Notes, more alumni in features), we’ve Creative Director Ben Bilow beefed up our showcase of visual work by alumni (Portfolio), and Susannah Kim we’ve enhanced the alumni personality profiles (Spot On). Senior Designer Staff Photographer Jacob Boll (BA ’12) DEMO aims to COLUMBIA COLLEGE CHIcaGO keep you connected Chair, Board of Trustees Richard P. Kiphart President Warrick L. Carter, PhD to the college. Senior Vice President Warren K. Chapman, PhD Vice President for Eric V. A. Winston, PhD DEMO aims to keep you connected to the college, and Institutional Advancement survey results indicate that the majority of you believe we’re Associate Vice President of Diane Doyne succeeding. But we heard loud and clear that you would like Public Relations, Marketing more information about networking and career opportunities. and Advertising Therefore, we revamped our Alumni News & Notes section Mary Forde (previously called Out There). Now you’ll find a treasure trove Assistant Vice President for Creative Services of useful content—including a bigger alumni events calendar (see page 40) and more information on how to get involved with Associate Director of Michelle Passarelli (BA ’99) the Columbia Alumni Association & Network (CAAN) chapter Alumni Operations in your region (or if there isn’t one, how to start one). Look to Associate Director of Cynthia Vargas (BA ’01) this section every issue for what’s happening with alumni, and Alumni Events and Programs how you can take advantage of networking and professional Sarah Schroeder (BA ’00) development opportunities. Director of Alumni Relations, West Coast Finally, we hope you love the clean, modern, and highly readable new design, all thanks to our talented inhouse creative team. DEMO (volume 8, number 1) is published by Columbia College Chicago. DEMO is mailed free of charge to alumni and friends of the college two times per year. I hope you enjoy your new alumni magazine. Please let us know The ideas and opinions expressed are those of the writers alone and do not necessarily reflect those of Columbia College Chicago. © Columbia College Chicago 2013. what you think at [email protected]. Contact us: For address changes or deletions, email your first and last name, mailing address, city, state, zip code, and phone number to [email protected] and specify if your request is an address update or a request to stop receiving DEMO. For other inquiries, email [email protected], call 312.369.1000, or mail DEMO magazine, Columbia College Kristi Turnbaugh Chicago, 600 S. Michigan Ave., Chicago, IL 60605. Editor-in-Chief ’97) Dufour (BA Erika Photo: Photo: Become a fan! DEMO colum.edu/demo magazine is on Facebook. 2 spring/summer 2013 DEMO VISION A QUESTION FOR PRESIDENT caRTER “I feel good about where we are. I couldn’t have done it alone.” DEMO: As you get set to retire after We’ve increased the number of nearly 13 years as president, what are you campus buildings. The building of the most proud of? Media Production Center probably will stand as one of the important activities DR. CARTER: It’s been an interesting, during this presidency. It ended up rewarding, and challenging 13 years. I being our first and, so far, only building hope that when people look at the college that was built from scratch. It works they think it’s a different-looking place. well for what it was designed to do. It is I know it’s a larger place in terms of a showpiece for us. We’re so proud of facilities and enrollment. I hope people the building. feel it’s a better place. But we’re proud of what we’ve done The student body population is differ- also in our old buildings. We have refur- ent. We were still a commuter institution bished them and changed them into some when I arrived. When we began to get a very, very effective teaching and learning sense that applications were coming from spaces. We’ve got a good brand that we’ve around the globe, we knew we had to be established here in the South Loop, and more residential. And the first important our buildings carry it well. move in that direction was the University The college wasn’t raising much money Center of Chicago. The year before we when I arrived. My predecessor [John opened the UCC, we were housing 500 Duff] was the first president to try to do students. We’re now close to 3,000 beds something in fundraising. We’ve been of students who stay in our facilities. able to move forward mainly in personal That really helped to change the mixture fundraising; we made some right deci- of our students. Our demographics sions in terms of leadership in that area. are completely different now in terms of I’m very, very pleased that our last gala where our students come from—nation- raised over $800,000. Our numbers have ally and internationally. grown in fundraising, specifically in board Growing new programs has been and alumni giving. important. We’ve identified and have I feel good about where we are. always tried to keep our eyes on new, I couldn’t have done it alone.
Recommended publications
  • Catalogo-Festivaldorio-2015.Pdf
    Sumário TABLE OF CONTENTS 012 APRESENTAÇÃO PRESENTATION 023 GALA DE ABERTURA OPENNING NIGHT GALA 025 GALA DE ENCERRAMENTO CLOSING NIGHT GALA 033 PREMIERE BRASIL PREMIERE BRASIL 079 PANORAMA GRANDES MESTRES PANORAMA: MASTERS 099 PANORAMA DO CINEMA MUNDIAL WORLD PANORAMA 2015 141 EXPECTATIVA 2015 EXPECTATIONS 2015 193 PREMIERE LATINA LATIN PREMIERE 213 MIDNIGHT MOVIES MIDNIGHT MOVIES 229 MIDNIGHT DOCS MIDNIGHT DOCS 245 FILME DOC FILM DOC 251 ITINERÁRIOS ÚNICOS UNIQUE ITINERARIES 267 FRONTEIRAS FRONTIERS 283 MEIO AMBIENTE THREATENED ENVIRONMENT 293 MOSTRA GERAÇÃO GENERATION 303 ORSON WELLS IN RIO ORSON WELLS IN RIO 317 STUDIO GHIBLI - A LOUCURA E OS SONHOS STUDIO GHIBLI - THE MADNESS AND THE DREAMS 329 LIÇÃO DE CINEMA COM HAL HARTLEY CINEMA LESSON WITH HAL HARTLEY 333 NOIR MEXICANO MEXICAN FILM NOIR 343 PERSONALIDADE FIPRESCI LATINO-AMERICANA DO ANO FIPRESCI’S LATIN AMERICAN PERSONALITY OF THE YEAR 349 PRÊMIO FELIX FELIX AWARD 357 HOMENAGEM A JYTTE JENSEN A TRIBUTE TO JYTTE JENSEN 361 FOX SEARCHLIGHT 20 ANOS FOX SEARCHLIGHT 20 YEARS 365 JÚRIS JURIES 369 CINE ENCONTRO CINE CHAT 373 RIOMARKET RIOMARKET 377 A ETERNA MAGIA DO CINEMA THE ETERNAL MAGIC OF CINEMA 383 PARCEIROS PARTNERS AND SUPPLIES 399 CRÉDITOS E AGRADECIMENTOS CREDITS AND AKNOWLEDGEMENTS 415 ÍNDICES INDEX CARIOCA DE CORPO E ALMA CARIOCA BODY AND SOUL Cidade que provoca encantamento ao olhar, o Rio Enchanting to look at, Rio de Janeiro will once de Janeiro estará mais uma vez no primeiro plano again take centre stage in world cinema do cinema mundial entre os dias 1º e 14 de ou- between the 1st and 14th of October.
    [Show full text]
  • Depaul Animation Zine #1
    Conditioner // Shane Beam D i e F l u c h t / / C a r t e r B o y c e 2 0 1 6 S t u d e n t A c a d e m y A w a r d B r o n z e M e d a l 243 South Wabash Avenue Chicago, IL 60604 #1 zine a z i n e e x p l o r i n g t h e A n i m a t i o n C u l t u r e a t D e P a u l U n i v e r s i t y in Chicago R a n k e d t h e # 1 0 A n i m a t i o n M F A P r o g r a m a n d # 1 4 A n i m a t i o n P r o g r a m i n t h e U . S . b y A n i m a t i o n C a r e e r R e v i e w i n 2 0 1 8 D e P a u l h a s 1 3 f u l l - t i m e A n i m a t i o n p r o f e s s o r s , o n e o f t h e l a r g e s t f u l l - t i m e A n i m a t i o n f a c u l t i e s i n t h e U S , w i t h e x p e r t i s e i n t r a d i t i o n a l c h a r a c t e r a n i m a t i o n , 3 D , s t o r y b o a r d i n g , g a m e a r t , s t o p m o t i o n , c h r a c t e r d e s i g n , e x p e r i m e n t a l , a n d m o t i o n g r a p h i c s .
    [Show full text]
  • USA // 90 Min // 2.39:1 // 5.1 Dolby ** TELLURIDE FILM FESTIVAL ** ** VENICE FILM FESTIVAL – in COMPETITION ** **TORONTO INTER
    USA // 90 min // 2.39:1 // 5.1 Dolby ** TELLURIDE FILM FESTIVAL ** ** VENICE FILM FESTIVAL – IN COMPETITION ** **TORONTO INTERNATIONAL FILM FESTIVAL ** **SAN SEBASTIAN FILM FESTIVAL** Venice Film Festival - international press contacts Premier Annabel Hutton / [email protected] +44 7710 199 324 Aneeka Verma / [email protected] +44 7974 086 665 SYNOPSIS Michael Stone (David Thewlis), husband, father and respected author of How May I Help You Help Them? is a man crippled by the mundanity of his life. On a business trip to Cincinnati, where he's scheduled to speak at a convention of customer service professionals, Michael checks into the Fregoli Hotel and meets Lisa Hesselman (Jennifer Jason Leigh), a socially awkward sales rep from Akron who may or may not be the love of his life. From Charlie Kaufman (writer, BEING JOHN MALKOVICH, ADAPTATION, ETERNAL SUNSHINE OF THE SPOTLESS MIND, director, SYNECDOCHE, NEW YORK), and Duke Johnson comes a darkly comedic and surreal stop-motion journey into the mind of a man whose dark night of the soul becomes a Kafkaesque — make that Kaufmanesque — nightmare. ABOUT THE PRODUCTION The first animated film directed by Charlie Kaufman and Duke Johnson began its life as a play in 2005, as part of composer Carter Burwell's adventurous Theater of a New Ear project, bringing together Academy Award®-winning writer- directors Charlie Kaufman and Joel & Ethan Coen for a double-bill "sound play," performed in New York, London and Los Angeles. For these performances, Burwell — who wrote the score for Kaufman penned screenplays’ BEING JOHN MALKOVICH and ADAPTATION and many of the Coen Brothers' films — assembled a chamber ensemble, performing live accompaniment alongside Foley artist Marko Costanzo's sound effects, as Kaufman's "Hope Leaves the Theater," starring Hope Davis, Peter Dinklage and Meryl Streep, and the Coens' "Sawbones" unfurled on a barren stage with actors reading their lines from stools in the style of old-time radio plays.
    [Show full text]
  • Issue 24 Spring / Summer 2016
    ISSUE 24 SPRING / SUMMER 2016 DEMOThe Alumni Magazine of Columbia College Chicago YEARS OF COLUMBIA Albert “Bill” Williams (BA ’73) has made a planned gift to Columbia through his estate. Have you considered including Columbia College Chicago in your estate plans? Provide for future generations. For more information, Make a bequest to Columbia contact Development and Alumni and support tomorrow’s creative Relations at [email protected] industry leaders. or 312-369-7287. colum.edu/plannedgiving ISSUE 24 The Alumni Magazine of DEMO SPRING / SUMMER 2016 Columbia College Chicago INTRO 1890–2015: CELEBRATING 125 YEARS 7 DEPARTMENTS VISION 5 Questions for President Kwang- Wu Kim ALUMNI NEWS & NOTES 53 Featuring class news, notes and networking When the Columbia School of Oratory opened in 1890, the founders couldn’t have imagined the school’s evolution from scrappy elocution college into a powerhouse arts and media institution. FEATURES 1890–1927: 1961–1992: FOUNDING AND BEGINNINGS 8 RENEWAL AND EXPANSION 26 As Chicago prepared for the World’s With flailing enrollment and few resources, Columbian Exposition of 1893, two orators Columbia could have folded. Instead, and educators chose the Windy City as the President Mike Alexandroff decided to break home of a new public speaking college. the mold of what an arts education could be. 1927–1944: 1992–2015: 16 COLUMBIA IN TRANSITION 16 CONTINUED GROWTH 37 Columbia went through a period of great An ever-increasing focus on the student change following the deaths of its founders. experience and a permanent home in The birth of radio created a completely new the South Loop continued to transform way to communicate, and Columbia had Columbia.
    [Show full text]
  • It Reveals Who I Really Am”: New Metaphors, Symbols, and Motifs in Representations of Autism Spectrum Disorders in Popular Culture
    “IT REVEALS WHO I REALLY AM”: NEW METAPHORS, SYMBOLS, AND MOTIFS IN REPRESENTATIONS OF AUTISM SPECTRUM DISORDERS IN POPULAR CULTURE By Summer Joy O’Neal A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in English Middle Tennessee State University 2013 Dissertation Committee: Dr. Angela Hague, Chair Dr. David Lavery Dr. Robert Petersen Copyright © 2013 Summer Joy O’Neal ii ACKNOWLEDGEMENTS There simply is not enough thanks to thank my family, my faithful parents, T. Brian and Pamela O’Neal, and my understanding sisters, Auburn and Taffeta, for their lifelong support; without their love, belief in my strengths, patience with my struggles, and encouragement, I would not be in this position today. I am forever grateful to my wonderful director, Dr. Angela Hague, whose commitment to this project went above and beyond what I deserved to expect. To the rest of my committee, Dr. David Lavery and Dr. Robert Petersen, for their seasoned advice and willingness to participate, I am also indebted. Beyond these, I would like to recognize some “unofficial” members of my committee, including Dr. Elyce Helford, Dr. Alicia Broderick, Ari Ne’eman, Chris Foss, and Melanie Yergau, who graciously offered me necessary guidance and insightful advice for this project, particularly in the field of Disability Studies. Yet most of all, Ephesians 3.20-21. iii ABSTRACT Autism has been sensationalized by the media because of the disorder’s purported prevalence: Diagnoses of this condition that was traditionally considered to be quite rare have radically increased in recent years, and an analogous fascination with autism has emerged in the field of popular culture.
    [Show full text]
  • DEMO 11 Columbia College Chicago
    Columbia College Chicago Digital Commons @ Columbia College Chicago Alumni Newsletters Alumni Winter 1-2010 DEMO 11 Columbia College Chicago Follow this and additional works at: http://digitalcommons.colum.edu/alumnae_news This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation DEMO 11 (Winter-Spring 2010), Alumni Magazine, College Archives & Special Collections, Columbia College Chicago. http://digitalcommons.colum.edu/alumnae_news/78 This Article is brought to you for free and open access by the Alumni at Digital Commons @ Columbia College Chicago. It has been accepted for inclusion in Alumni Newsletters by an authorized administrator of Digital Commons @ Columbia College Chicago. A r t s + M e d i A = c u l t u r e A rt s + M E d ia = c u l T u re W I N T E R / s p rin g 2 0 1 0 F O R A l u MNI & FRIEN d s O F 11 c O l u M B I A c O l l E g E c HI c A g O Video games and behavioral science converge to “get stuff done.” W i n t e r / s p r i n G 2 0 1 0 columbia college chicago presents 11 conversations fe A t u r e s in the arts Game On A year-long exploration of trends and issues in disciplines taught Columbia’s Interactive Arts and Media Department is creating innovative games “to get stuff done.” By paul M. davis. by Columbia’s School of Media Arts, focusing on social media, 14 Photography by drew Reynolds (B.A.
    [Show full text]
  • Starburns Industries Press Aims to Release B-Squad This Summer
    Starburns Industries Press Aims to Release B-Squad this Summer As it heads into its sophomore year of publishing, Starburns Industries Press sets it’s eyes on remastering an independent series, B-Squad, from indie darling author Eben Burgoon and a rotating roster illustrators and artists that change issue to issue. B-Squad shares the ridiculous and dangerous missions of an expendable team of misfit mercenaries ranging from pop-culture riffs to cut from whole cloth oddballs. The bargain-bin commandos tackle leftover assignments of other more respected mercenary groups. SBI Press’ run begins with a remaster of the series debut “Conspiracy in Cambodia”, originally independently published in 2013. Written by Burgoon and illustrated by Lauren Monardo, B-Squad is tasked with protecting a free-range cadre of “mugwai” from a group of radicalized hipsters who poach the furry critters for unknown gain. Series creator, Eben Burgoon, comments “I seriously can’t think of a better home for B-Squad than SBI Press. Bringing this passion project of mine to a creative-focused publisher that has a track record for making undeniably extraordinary work in so many mediums is a pinch-me caliber dream.” Illustrator Michael Calero returns to B-Squad to take over as the series’ Artistic Lead for Starburns Industries Press’ run. Calero previously contributed to B-Squad’s sixth book in 2015 and returns to create all-new covers and contribute to an all-new second mission. Additionally, he’ll also be debuting his own creator-owned comic, Monster Safari, as a back-up story to B-Squad beginning with Mission One.
    [Show full text]
  • Scott Adsit: …Careful
    Scott Adsit: …careful. And fun. But there’s nothing like performance going on anywhere. My parents didn’t listen to music. They didn’t obsess on anything apart from work and their kids, pretty much. Andrew Clark: You went to Columbia College in Chicago for Film, initially. Was the goal to be a filmmaker at first? SA: Yeah. I went to my dad’s college in Green Castle, Indiana for a semester and realized that I didn’t want to be my dad. Then I went to Columbia, which is like a great art school in downtown Chicago. It wasn’t a great school when I went there. It’s become a great school. It’s become a great, wide school, but the theater department there was always great, and run by really talented people. A great thing there was, you could not be a teacher if you were not already working in the field you’re teaching in. You had to have a job to have that job, which is cool, but also kind of cruel, I think, because it’s a cruel business, and if you lose one job, it’s like, “Oh, you’re done.” AC: Really? Wow. You had some pretty great instructors, but when did you kind of get the comedy bug? How did you sort of fall into that? SA: In junior high. There was an acting class that taught through improv, somehow. There was a teacher who was named Karin Little, who was a beautiful redhead who had been a Playmate. She was a centerfold in Playboy, and she had found herself teaching drama in a junior high.
    [Show full text]
  • Production Information
    HOTEL TRANSYLVANIA (2012) PRODUCTION NOTES Production Information Welcome to the Hotel Transylvania, Dracula’s lavish five-stake resort, where monsters and their families can live it up, free to be the monsters they are without humans to bother them. On one special weekend, Dracula has invited some of the world’s most famous monsters — Frankenstein and his wife, the Mummy, the Invisible Man, a family of werewolves, and more — to celebrate his daughter Mavis’ 118th birthday. For Drac, catering to these infamous friends is no problem — but his world could come crashing down when a human stumbles on the hotel for the first time and befriends Mavis. Columbia Pictures presents a Sony Pictures Animation film, Hotel Transylvania. The film features the voices of Adam Sandler, Andy Samberg, Selena Gomez, Kevin James, Fran Drescher, Steve Buscemi, Molly Shannon, David Spade, and CeeLo Green. Directed by Genndy Tartakovsky. Produced by Michelle Murdocca. Screenplay by Peter Baynham and Robert Smigel. Story by Todd Durham and Dan Hageman & Kevin Hageman. Executive producers are Adam Sandler, Robert Smigel and Allen Covert. Music by Mark Mothersbaugh. Music Supervision by Liza Richardson. Imagery and Animation by Sony Pictures Imageworks Inc. Hotel Transylvania is rated PG by the Motion Picture Association of America for Some Rude Humor, Action and Scary Images. The computer-animated monster comedy will be released in 3D and traditional theaters nationwide on September 28, 2012. © 2012 Sony Pictures Animation 1 HOTEL TRANSYLVANIA (2012) PRODUCTION NOTES MONSTERS: THEY’RE JUST LIKE US! “Hotel Transylvania is a story about a father and a daughter – it’s just that the father happens to be Dracula,” says Genndy Tartakovsky, director of the Sony Pictures Animation film, Hotel Transylvania.
    [Show full text]
  • “Introduction to Statistics” Episode #106 Written by Jon
    “Introduction to Statistics” Episode #106 Written by Jon Pollack & Tim Hobert Directed by Justin Lin Production Draft – 8/30/09 Blue Revised Draft – 9/05/09 Pink Revised Draft – 9/07/09 SONY PICTURES TELEVISION INC. © 2009. All Rights Reserved. No portion of this script may be performed, or reproduced by any means, or quoted, or published in any medium without prior written consent of SONY PICTURES TELEVISION INC. 10202 West Washington Boulevard, Culver City, CA 90232 COMMUNITY EPISODE #106 SET LIST INTERIORS HALLWAY SPANISH CLASSROOM STATISTICS CLASSROOM PROFESSOR SLATER’S OFFICE CAFETERIA STUDY ROOM EXTERIORS CAMPUS LIBRARY COMMUNITY EPISODE #106 CAST LIST JEFF………………………………………………………………………………………………………………………JOEL MCHALE PIERCE…………………………………………………………………………………………………………………CHEVY CHASE BRITTA…………………………………………………………………………………………………………GILLIAN JACOBS SHIRLEY…………………………………………………………………………………………YVETTE NICOLE BROWN ABED…………………………………………………………………………………………………………………………DANNY PUDI ANNIE……………………………………………………………………………………………………………………ALISON BRIE TROY…………………………………………………………………………………………………………………DONALD GLOVER SEÑOR CHANG…………………………………………………………………………………………………………KEN JEONG DEAN PELTON……………………………………………………………………………………………………………JIM RASH PROFESSOR SLATER………………………………………………………………………………LAUREN STAMILE STAR-BURNS……………………………………………………………………………………DINO STAMATOPOULOS OLD WOMAN ON PHONE………………………………………………………………………………………………………TBD COLD OPEN FADE IN: 1 EXT./INT. CAMPUS/HALLWAY - ESTABLISHING (DAY 1) 1 Greendale and the hallways are decorated for Halloween. 2 INT. SPANISH CLASSROOM - CONTINUOUS
    [Show full text]
  • Fandango Portobello
    Presents WIENER-DOG A film by Todd Solondz (90 min., USA, 2016) Language: English Distribution Publicity Bonne Smith Star PR 1352 Dundas St. West Tel: 416-488-4436 Toronto, Ontario, Canada, M6J 1Y2 Fax: 416-488-8438 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com @MongrelMedia MongrelMedia SHORT SYNOPSIS From director Todd Solondz, WIENER-DOG is a dark, starkly funny story of a single dog and the many different people she touches over her short lifetime. Man’s best friend starts out teaching a young boy some contorted life lessons before being taken in by a compassionate vet tech named Dawn Wiener. Dawn reunites with someone from her past and sets off on a road trip. After leaving Dawn, Wiener-Dog encounters a floundering film professor, as well as an embittered elderly woman and her needy granddaughter—all longing for something more. Solondz’s perversely dark comedy offers an appallingly honest look at the American experience, brought to life by its all- star cast. DIRECTOR'S STATEMENT I love dogs and would love one of my own, the only problem being that I don't like walking them or feeding them or cleaning them or having to stay home because of them. When I was a child we (my family) went through a lot of them, and they never lasted very long. Todd Solondz ABOUT THE PRODUCTION DINA It’s sad, but true. We’re a dog’s only friend. Writer/Director Todd Solondz’s idiosyncratic comedies force his audiences to explore the difficult truths of the human existence.
    [Show full text]
  • Master Class with Tim Burton: Selected Filmography 1 the Higher
    Master Class with Tim Burton: Selected Filmography The Higher Learning staff curate digital resource packages to complement and offer further context to the topics and themes discussed during the various Higher Learning events held at TIFF Bell Lightbox. These filmographies, bibliographies, and additional resources include works directly related to guest speakers’ work and careers, and provide additional inspirations and topics to consider; these materials are meant to serve as a jumping-off point for further research. Please refer to the event video to see how topics and themes relate to the Higher Learning event. Early Uses of Stop-Motion Animation (Pre-1960) Matches: An Appeal. Dir. Arthur Melbourne Cooper, 1899, U.K. 1 min. Production Co.: Brit Acres. The ‘Teddy’ Bears. Dir. Edwin S. Porter, 1907, U.S.A. 13 mins. Production Co.: Edison Manufacturing Company. The Cameraman’s Revenge (Mest kinematograficheskogo operatora). Dir. Wladyslaw Starewicz, 1912, Russia. 12 mins. Production Co.: Khanzhonkov. Christmas Forest Dwellers (Rozhdestvo obitateley lesa). Dir. Wladyslaw Starewicz, 1913, Russia. 7 mins. Production Co.: Khanzhokov. The Dragonfly and the Ant (Strekoza i muravey). Dir. Wladyslaw Starewicz, 1913, Russia. 5 mins. Production Co.: Khanzhonkov. Larks in Toyland. Dir. Arthur Melbourne Cooper, 1913, U.K. Runtime unknown. Production Co.: Empire Film Manufacturing Company. The Dinosaur and the Missing Link: A Prehistoric Tragedy. Dir. Willis H. O’Brien, 1915, U.S.A. 5 mins. Production Co.: Conquest Pictures Company / Edison Company. Liliya Belgii. Dir. Wladyslaw Starewicz, 1915, Russia. 14 mins. Production Co.: Skobelev Committee. Cinderella (Aschenputtel). Dir. Lotte Reiniger, 1922, Germany. 13 mins. Production Co.: Institut für Kulturforschung. The Frogs That Demand a King (Les grenouilles qui demandent un roi).
    [Show full text]