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Protecting Postmodern Historicism: Identification, Ve Aluation, and Prescriptions for Preeminent Sites
University of Pennsylvania ScholarlyCommons Theses (Historic Preservation) Graduate Program in Historic Preservation 2013 Protecting Postmodern Historicism: Identification, vE aluation, and Prescriptions for Preeminent Sites Jonathan Vimr University of Pennsylvania Follow this and additional works at: https://repository.upenn.edu/hp_theses Part of the Historic Preservation and Conservation Commons Vimr, Jonathan, "Protecting Postmodern Historicism: Identification, vE aluation, and Prescriptions for Preeminent Sites" (2013). Theses (Historic Preservation). 211. https://repository.upenn.edu/hp_theses/211 Suggested Citation: Vimr, Jonathan (2013). Protecting Postmodern Historicism: Identification, vE aluation, and Prescriptions for Preeminent Sites. (Masters Thesis). University of Pennsylvania, Philadelphia, PA. This paper is posted at ScholarlyCommons. https://repository.upenn.edu/hp_theses/211 For more information, please contact [email protected]. Protecting Postmodern Historicism: Identification, vE aluation, and Prescriptions for Preeminent Sites Abstract Just as architectural history traditionally takes the form of a march of styles, so too do preservationists repeatedly campaign to save seminal works of an architectural manner several decades after its period of prominence. This is currently happening with New Brutalism and given its age and current unpopularity will likely soon befall postmodern historicism. In hopes of preventing the loss of any of the manner’s preeminent works, this study provides professionals with a framework for evaluating the significance of postmodern historicist designs in relation to one another. Through this, the limited resources required for large-scale preservation campaigns can be correctly dedicated to the most emblematic sites. Three case studies demonstrate the application of these criteria and an extended look at recent preservation campaigns provides lessons in how to best proactively preserve unpopular sites. -
Hobbies-And-Habits.Pdf
THE AUTHOR Lisa Eldred Lisa Eldred is a Digital Communication Specialist at Covenant Eyes, where she has authored several other books, most notably More Than Single: Finding Purpose Beyond Porn. In her free time she plays video games, writes sonnets (published online at www.wasabijane.com), and volunteers at her church. Other Contributers Designer | Grace Bolzman Editor | Chris McKenna Illustrator | Rachael Moss Editor | Nicole Morris You are free to distribute print copies of this ebook to anyone you choose. As a courtesy, email us at: [email protected] and let us know you are doing this so we can keep you informed of other similar resources. To distribute this ebook electronically, we ask that you share the page: https://learn.covenanteyes.com/hobbies-and-habits/ For more information about sharing our materials electronically, see: www.covenanteyes.com/permissionspolicy/ Hobbies & Habits | 2 TABLE OF CONTENTS 06 — A Liturgy for One Battling a Destructive Desire 08 PART 1: UNDERSTANDING THE CAGE 09 — Chapter 1: Welcome to Rat Park 13 — Chapter 2: Why We Turn to Porn 20 — Chapter 3: The Secret to Freedom 26 PART 2: FIRST STEPS FORWARD 27 — Chapter 4: Who Do You Want to Be? 31 — Chapter 5: Harnessing the Power of Community 42 — Chapter 6: Reshaping Our Cages 52 — Chapter 7: You Are What You Consume Hobbies & Habits | 3 TABLE OF CONTENTS 61 PART 3: FILLING OUR TIME WITH SOMETHING BETTER 62 — Chapter 8: Why We Don’t Need Willpower to Fight Porn 68 — Chapter 9: Countering Emotional Pain with Creative Hobbies 80 — Chapter 10: Redeeming -
Saturday, February 27, 2021 8:30 A.M.—1:00 P.M
Saturday, February 27, 2021 8:30 a.m.—1:00 p.m. ~ VIRTUAL ~ Parent Camp is brought to you through a collaboration between Northville Public Schools & the Northville Educational Foundation Presented by Program 8:30 a.m. —10:00 a.m. Welcome & Introduction Keynote Speaker: Dr. Jim Harris “Understanding Trauma & Stress: A Guide for Parents” It is no secret that raising children in a society today is nothing short of challenging. In his keynote, Dr. Harris will help you better understand the developmental landscape as it relates to trauma and stress. He will also explore the effects that trauma and stress can have on the physiology and psychology of young people and how understanding these potential effects can help us provide more responsible and effective supports for our children. 10:10 a.m.—11:00 a.m. Breakout Session 1 11:10 a.m.—12:00 p.m. Breakout Session 2 12:10 p.m.—1:00 p.m. Breakout Session 3 Parent Camp will be VIRTUAL this year. Click here to see the Parent Camp website for the Zoom links necessary to attend the keynote address and participate in the breakout sessions. You can also go to www.supportnef.org/parent-camp to access the Parent Camp website. Special thanks to all of our presenters for sharing their knowledge, resources and tools to help our parents and students be more successful! Dr. Jim Harris: ”Understanding Trauma & Stress: A Guide for Parents” Dr. Jim Harris is the owner of Opportunities Consulting Services and the Associate Director of the West Virginia Autism Training Center at Marshall University. -
Supplément Spécial N° 10 / Juillet 2014
/10 Supplément spécial n° 10 / Juillet 2014 La qualité, ou plutôt l’ineptie de la plupart des films français qui se sont succédé depuis le début de l’année serait-elle proportionnelle à la débâcle critique qui ne cesse de prendre de l’ampleur ? Constat un tantinet exagéré mais une certaine tendance au nivellement par le très très bas s’opère pourtant. Ce n’est pas nouveau que la parole critique concernant le cinéma soit si peu affutée sur le service public, notre consœur L’ouvreuse s’était essayée en 2009 à une immersion intensive d’une semaine dans l’enfer du PAF côté émissions de ciné. Depuis, pas grand chose n’a changé, certaines émissions ont disparu mais globalement une véritable réflexion critique se fait toujours aussi rare. Bien sûr, le net propose une alternative réjouissante car parmi les nombreux sites et blogs se contentant de régurgiter ce que les attachés de presse leur adressent, sont apparus des espaces d’expression tenus par des passionnés livrant leurs réflexions avec une certaine verve et acuité, mais généralement ces sites ne sont pas les mieux référencés ou les plus visités. La quasi absence de développement critique accessible au plus grand nombre est en soi l’illustration de l’échec du service public à formaliser des interstices où pourraient s’épanouir débat et/ou questionnements sur des œuvres présentes ou passées. Si possible quelque chose de plus consistant que la navrante émission « Le Cercle » présentée par Beigbeider où Philippe Rouyer a bien du mal à élever le niveau à lui tout seul.. -
Catalogo-Festivaldorio-2015.Pdf
Sumário TABLE OF CONTENTS 012 APRESENTAÇÃO PRESENTATION 023 GALA DE ABERTURA OPENNING NIGHT GALA 025 GALA DE ENCERRAMENTO CLOSING NIGHT GALA 033 PREMIERE BRASIL PREMIERE BRASIL 079 PANORAMA GRANDES MESTRES PANORAMA: MASTERS 099 PANORAMA DO CINEMA MUNDIAL WORLD PANORAMA 2015 141 EXPECTATIVA 2015 EXPECTATIONS 2015 193 PREMIERE LATINA LATIN PREMIERE 213 MIDNIGHT MOVIES MIDNIGHT MOVIES 229 MIDNIGHT DOCS MIDNIGHT DOCS 245 FILME DOC FILM DOC 251 ITINERÁRIOS ÚNICOS UNIQUE ITINERARIES 267 FRONTEIRAS FRONTIERS 283 MEIO AMBIENTE THREATENED ENVIRONMENT 293 MOSTRA GERAÇÃO GENERATION 303 ORSON WELLS IN RIO ORSON WELLS IN RIO 317 STUDIO GHIBLI - A LOUCURA E OS SONHOS STUDIO GHIBLI - THE MADNESS AND THE DREAMS 329 LIÇÃO DE CINEMA COM HAL HARTLEY CINEMA LESSON WITH HAL HARTLEY 333 NOIR MEXICANO MEXICAN FILM NOIR 343 PERSONALIDADE FIPRESCI LATINO-AMERICANA DO ANO FIPRESCI’S LATIN AMERICAN PERSONALITY OF THE YEAR 349 PRÊMIO FELIX FELIX AWARD 357 HOMENAGEM A JYTTE JENSEN A TRIBUTE TO JYTTE JENSEN 361 FOX SEARCHLIGHT 20 ANOS FOX SEARCHLIGHT 20 YEARS 365 JÚRIS JURIES 369 CINE ENCONTRO CINE CHAT 373 RIOMARKET RIOMARKET 377 A ETERNA MAGIA DO CINEMA THE ETERNAL MAGIC OF CINEMA 383 PARCEIROS PARTNERS AND SUPPLIES 399 CRÉDITOS E AGRADECIMENTOS CREDITS AND AKNOWLEDGEMENTS 415 ÍNDICES INDEX CARIOCA DE CORPO E ALMA CARIOCA BODY AND SOUL Cidade que provoca encantamento ao olhar, o Rio Enchanting to look at, Rio de Janeiro will once de Janeiro estará mais uma vez no primeiro plano again take centre stage in world cinema do cinema mundial entre os dias 1º e 14 de ou- between the 1st and 14th of October. -
Depaul Animation Zine #1
Conditioner // Shane Beam D i e F l u c h t / / C a r t e r B o y c e 2 0 1 6 S t u d e n t A c a d e m y A w a r d B r o n z e M e d a l 243 South Wabash Avenue Chicago, IL 60604 #1 zine a z i n e e x p l o r i n g t h e A n i m a t i o n C u l t u r e a t D e P a u l U n i v e r s i t y in Chicago R a n k e d t h e # 1 0 A n i m a t i o n M F A P r o g r a m a n d # 1 4 A n i m a t i o n P r o g r a m i n t h e U . S . b y A n i m a t i o n C a r e e r R e v i e w i n 2 0 1 8 D e P a u l h a s 1 3 f u l l - t i m e A n i m a t i o n p r o f e s s o r s , o n e o f t h e l a r g e s t f u l l - t i m e A n i m a t i o n f a c u l t i e s i n t h e U S , w i t h e x p e r t i s e i n t r a d i t i o n a l c h a r a c t e r a n i m a t i o n , 3 D , s t o r y b o a r d i n g , g a m e a r t , s t o p m o t i o n , c h r a c t e r d e s i g n , e x p e r i m e n t a l , a n d m o t i o n g r a p h i c s . -
USA // 90 Min // 2.39:1 // 5.1 Dolby ** TELLURIDE FILM FESTIVAL ** ** VENICE FILM FESTIVAL – in COMPETITION ** **TORONTO INTER
USA // 90 min // 2.39:1 // 5.1 Dolby ** TELLURIDE FILM FESTIVAL ** ** VENICE FILM FESTIVAL – IN COMPETITION ** **TORONTO INTERNATIONAL FILM FESTIVAL ** **SAN SEBASTIAN FILM FESTIVAL** Venice Film Festival - international press contacts Premier Annabel Hutton / [email protected] +44 7710 199 324 Aneeka Verma / [email protected] +44 7974 086 665 SYNOPSIS Michael Stone (David Thewlis), husband, father and respected author of How May I Help You Help Them? is a man crippled by the mundanity of his life. On a business trip to Cincinnati, where he's scheduled to speak at a convention of customer service professionals, Michael checks into the Fregoli Hotel and meets Lisa Hesselman (Jennifer Jason Leigh), a socially awkward sales rep from Akron who may or may not be the love of his life. From Charlie Kaufman (writer, BEING JOHN MALKOVICH, ADAPTATION, ETERNAL SUNSHINE OF THE SPOTLESS MIND, director, SYNECDOCHE, NEW YORK), and Duke Johnson comes a darkly comedic and surreal stop-motion journey into the mind of a man whose dark night of the soul becomes a Kafkaesque — make that Kaufmanesque — nightmare. ABOUT THE PRODUCTION The first animated film directed by Charlie Kaufman and Duke Johnson began its life as a play in 2005, as part of composer Carter Burwell's adventurous Theater of a New Ear project, bringing together Academy Award®-winning writer- directors Charlie Kaufman and Joel & Ethan Coen for a double-bill "sound play," performed in New York, London and Los Angeles. For these performances, Burwell — who wrote the score for Kaufman penned screenplays’ BEING JOHN MALKOVICH and ADAPTATION and many of the Coen Brothers' films — assembled a chamber ensemble, performing live accompaniment alongside Foley artist Marko Costanzo's sound effects, as Kaufman's "Hope Leaves the Theater," starring Hope Davis, Peter Dinklage and Meryl Streep, and the Coens' "Sawbones" unfurled on a barren stage with actors reading their lines from stools in the style of old-time radio plays. -
Issue 24 Spring / Summer 2016
ISSUE 24 SPRING / SUMMER 2016 DEMOThe Alumni Magazine of Columbia College Chicago YEARS OF COLUMBIA Albert “Bill” Williams (BA ’73) has made a planned gift to Columbia through his estate. Have you considered including Columbia College Chicago in your estate plans? Provide for future generations. For more information, Make a bequest to Columbia contact Development and Alumni and support tomorrow’s creative Relations at [email protected] industry leaders. or 312-369-7287. colum.edu/plannedgiving ISSUE 24 The Alumni Magazine of DEMO SPRING / SUMMER 2016 Columbia College Chicago INTRO 1890–2015: CELEBRATING 125 YEARS 7 DEPARTMENTS VISION 5 Questions for President Kwang- Wu Kim ALUMNI NEWS & NOTES 53 Featuring class news, notes and networking When the Columbia School of Oratory opened in 1890, the founders couldn’t have imagined the school’s evolution from scrappy elocution college into a powerhouse arts and media institution. FEATURES 1890–1927: 1961–1992: FOUNDING AND BEGINNINGS 8 RENEWAL AND EXPANSION 26 As Chicago prepared for the World’s With flailing enrollment and few resources, Columbian Exposition of 1893, two orators Columbia could have folded. Instead, and educators chose the Windy City as the President Mike Alexandroff decided to break home of a new public speaking college. the mold of what an arts education could be. 1927–1944: 1992–2015: 16 COLUMBIA IN TRANSITION 16 CONTINUED GROWTH 37 Columbia went through a period of great An ever-increasing focus on the student change following the deaths of its founders. experience and a permanent home in The birth of radio created a completely new the South Loop continued to transform way to communicate, and Columbia had Columbia. -
It Reveals Who I Really Am”: New Metaphors, Symbols, and Motifs in Representations of Autism Spectrum Disorders in Popular Culture
“IT REVEALS WHO I REALLY AM”: NEW METAPHORS, SYMBOLS, AND MOTIFS IN REPRESENTATIONS OF AUTISM SPECTRUM DISORDERS IN POPULAR CULTURE By Summer Joy O’Neal A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in English Middle Tennessee State University 2013 Dissertation Committee: Dr. Angela Hague, Chair Dr. David Lavery Dr. Robert Petersen Copyright © 2013 Summer Joy O’Neal ii ACKNOWLEDGEMENTS There simply is not enough thanks to thank my family, my faithful parents, T. Brian and Pamela O’Neal, and my understanding sisters, Auburn and Taffeta, for their lifelong support; without their love, belief in my strengths, patience with my struggles, and encouragement, I would not be in this position today. I am forever grateful to my wonderful director, Dr. Angela Hague, whose commitment to this project went above and beyond what I deserved to expect. To the rest of my committee, Dr. David Lavery and Dr. Robert Petersen, for their seasoned advice and willingness to participate, I am also indebted. Beyond these, I would like to recognize some “unofficial” members of my committee, including Dr. Elyce Helford, Dr. Alicia Broderick, Ari Ne’eman, Chris Foss, and Melanie Yergau, who graciously offered me necessary guidance and insightful advice for this project, particularly in the field of Disability Studies. Yet most of all, Ephesians 3.20-21. iii ABSTRACT Autism has been sensationalized by the media because of the disorder’s purported prevalence: Diagnoses of this condition that was traditionally considered to be quite rare have radically increased in recent years, and an analogous fascination with autism has emerged in the field of popular culture. -
DEMO 11 Columbia College Chicago
Columbia College Chicago Digital Commons @ Columbia College Chicago Alumni Newsletters Alumni Winter 1-2010 DEMO 11 Columbia College Chicago Follow this and additional works at: http://digitalcommons.colum.edu/alumnae_news This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation DEMO 11 (Winter-Spring 2010), Alumni Magazine, College Archives & Special Collections, Columbia College Chicago. http://digitalcommons.colum.edu/alumnae_news/78 This Article is brought to you for free and open access by the Alumni at Digital Commons @ Columbia College Chicago. It has been accepted for inclusion in Alumni Newsletters by an authorized administrator of Digital Commons @ Columbia College Chicago. A r t s + M e d i A = c u l t u r e A rt s + M E d ia = c u l T u re W I N T E R / s p rin g 2 0 1 0 F O R A l u MNI & FRIEN d s O F 11 c O l u M B I A c O l l E g E c HI c A g O Video games and behavioral science converge to “get stuff done.” W i n t e r / s p r i n G 2 0 1 0 columbia college chicago presents 11 conversations fe A t u r e s in the arts Game On A year-long exploration of trends and issues in disciplines taught Columbia’s Interactive Arts and Media Department is creating innovative games “to get stuff done.” By paul M. davis. by Columbia’s School of Media Arts, focusing on social media, 14 Photography by drew Reynolds (B.A. -
Starburns Industries Press Aims to Release B-Squad This Summer
Starburns Industries Press Aims to Release B-Squad this Summer As it heads into its sophomore year of publishing, Starburns Industries Press sets it’s eyes on remastering an independent series, B-Squad, from indie darling author Eben Burgoon and a rotating roster illustrators and artists that change issue to issue. B-Squad shares the ridiculous and dangerous missions of an expendable team of misfit mercenaries ranging from pop-culture riffs to cut from whole cloth oddballs. The bargain-bin commandos tackle leftover assignments of other more respected mercenary groups. SBI Press’ run begins with a remaster of the series debut “Conspiracy in Cambodia”, originally independently published in 2013. Written by Burgoon and illustrated by Lauren Monardo, B-Squad is tasked with protecting a free-range cadre of “mugwai” from a group of radicalized hipsters who poach the furry critters for unknown gain. Series creator, Eben Burgoon, comments “I seriously can’t think of a better home for B-Squad than SBI Press. Bringing this passion project of mine to a creative-focused publisher that has a track record for making undeniably extraordinary work in so many mediums is a pinch-me caliber dream.” Illustrator Michael Calero returns to B-Squad to take over as the series’ Artistic Lead for Starburns Industries Press’ run. Calero previously contributed to B-Squad’s sixth book in 2015 and returns to create all-new covers and contribute to an all-new second mission. Additionally, he’ll also be debuting his own creator-owned comic, Monster Safari, as a back-up story to B-Squad beginning with Mission One. -
Scott Adsit: …Careful
Scott Adsit: …careful. And fun. But there’s nothing like performance going on anywhere. My parents didn’t listen to music. They didn’t obsess on anything apart from work and their kids, pretty much. Andrew Clark: You went to Columbia College in Chicago for Film, initially. Was the goal to be a filmmaker at first? SA: Yeah. I went to my dad’s college in Green Castle, Indiana for a semester and realized that I didn’t want to be my dad. Then I went to Columbia, which is like a great art school in downtown Chicago. It wasn’t a great school when I went there. It’s become a great school. It’s become a great, wide school, but the theater department there was always great, and run by really talented people. A great thing there was, you could not be a teacher if you were not already working in the field you’re teaching in. You had to have a job to have that job, which is cool, but also kind of cruel, I think, because it’s a cruel business, and if you lose one job, it’s like, “Oh, you’re done.” AC: Really? Wow. You had some pretty great instructors, but when did you kind of get the comedy bug? How did you sort of fall into that? SA: In junior high. There was an acting class that taught through improv, somehow. There was a teacher who was named Karin Little, who was a beautiful redhead who had been a Playmate. She was a centerfold in Playboy, and she had found herself teaching drama in a junior high.