Fasti (Intro and Notes: Thomas Keightley) [Latin, with Accents] 1 Fasti (Intro and Notes: Thomas Keightley) [Latin, with Accents]
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The Greatness and Decline of Rome
THE GREATNESS AND DECLINE OF ROME VOL. V. THE REPUBLIC OF AUGUSTUS BY GUGLIELMO FERRERO TRANSLATED BY REV. H. J. CHAYTOR, M.A. HEADMASTER OF PLYMOUTH COLLEGE LONDON WILLIAM HEINEMANN 1909 O 1 All rights reserved P 4 I V.5' ,/ CONTENTS CHAP. PAGB I. The East i " " II. Armenia Capta, SiGNis Receptis . , 28 III. The Great Social Laws of the Year 18 b.c. 45 IV. The " LuDi S^culares " 76 V. The Egypt of the West ...... 104 VI. The Great Crisis in the European Provinces . 121 VII. The Conquest of Germania .... 142 VIII. " H^c EST Italia Diis Sacra" 166 IX. The Altar of Augustus and of Rome .... 185 X. Julia and Tiberius 213 XI. The Exile of Julia 243 XII. The Old Age of Augustus 269 XIII. The Last " Decennium " 291 XIV. Augustus and the Great Empire .... 325 Index 355 — CHAPTER I THE EAST Greece before the Roman conquest—Greece and the Romaa conquest—Greece in the second century of the repubUc—The inability of Rome to remedy the sufferings of Greece—Policy of Augustus in Greece—The theatrical crisis at Rome—The Syrian pantomimes—Pylades of Cilicia—The temple of Rome and Augustus at Pergamum—Asia Minor—The manufac- turing towns in the Greek republics of the coast—The agricultural monarchies of the highlands—The cults of Mithras and Cybele—The unity of Asia Minor—Asiatic Hellenism and Asiatic religions—The Greek republics in the Asiatic monarchy—Asia Minor after a century of Roman rule Weakness, crisis and universal disorder—The critical position of Hellenism and the Jews—Jewish expansion in the east The worship of Rome and Augustus in Asia Minor—The Greek renaissance. -
Downloaded from Brill.Com09/27/2021 12:23:27PM Via Free Access 12 Chapter One
CHAPTER ONE CONSTITUENT CONCEPTS 1. Space Since they were conceptualized as human beings, Roman gods had a place in this world, in which they moved freely. This conclusion is unavoidable, if we consider that all Roman gods could be invoked, and that invocation implied spatial proximity to the invocator.1 Apart from this, at least the major gods were conceptualized as connected to speci c locations, normally marked as such by an altar, a temple, or in some other way. These locations I will call ‘spatial foci’. They are mostly represented by archaeological remains. However, by relying on archaeology, we unduly overemphasize the spatiality of major of cial divine concepts, which were more likely than private cults to be per- manently conceptualized by speci cally marked space. The sacred landscape of Rome was complex, time-bound and noto- riously anachronistic. It was complex because its parameters were not absolute and necessarily recognizable as such. Rather, it was intrinsi- cally relative and existent only within the full semiotic system of the topography of the city. Furthermore, it was time-bound, because the city itself developed rapidly, especially during the peak of urbanization from ca. 200 B.C.–200 A.D. It was notoriously anachronistic because the semiotic system underlying it was highly conservative and did not keep pace with the actual urban development (for instance, the pomerium was still remembered, when it had long become obsolete in the imperial period in terms of urban development; and the festival of the Septimontium was still celebrated separately by the communities that had long since merged into the city of Rome). -
Segnalazioni Bibliografiche (Ultimo Aggiornamento : 18 Ottobre 2013)
Segnalazioni bibliografiche (ultimo aggiornamento : 18 ottobre 2013) Guy ACHARD: La communication à Rome p. 300 (22 x 14 / c. bross.) - Paris, Les Belles Lettres («Realia»), 20063 (© 1991) - ISBN 2-251-33821-7 Avant-propos ― AU COMMENCEMENT : PAROLE DIVINE, PAROLE HUMAINE: Lettre après lettre - La force du verbe - Les propos de tous les jours ― LA PAROLE AU POUVOIR: Les progrès de l’écriture - Des conditions nouvelles - Une conquête difficile - L’invincible technique - La communication orale à l’apogée de la République: les discours et les trois formes de la conversation - La communication é- crite: l’information, l’authentification, la diffusion - La communication écrite: la correspondance - La communication indirecte - Romains et étrangers - La conservation de la parole ― UNE COMMU- NICATION À L’ÉCHELLE DU MONDE: Les perfectionnements techniques - Le despotisme de l’écrit - La bataille de l’écrit - Les métamorphoses de la parole - Conversations et rumeurs - Autres modes de communication - La mémoire collective - Rome et le monde ― CONCLUSION ― Notes - Repères chronologiques - Orientation bibliographique - Index Sophia ADAM-MAGNISSALI: Dispensing Justice in Ancient Athens (5th and 4th century BC) [In Greek with English Summary ] p. XX, 274 (24 x 17 / c. bross.) - Athens, Nomiki Bibliothiki Group, 2008 - ISBN 978-960-272-552-8 INTRODUCTION: The notion of the unity of Greek law - The significance of the terms nomos (law) and thesmos (institution) - The historical evolution of justice ― JUDICIAL ORGANS: The Role of the Magistrates in the -
Virgil and the Tempest
VIRGIL AND THE TEMPEST The Politics of Imitation Donna B. Hamilton Virgil and The Tempest offers a new assess ment of the art and politics of Shakespeare's comic masterpiece by examining its relation ship to both the contemporary political con text and to Virgil's Aeneid. Challenging the view that The Tempest supports the absolutist theories and policies of King James I, Donna Hamilton instead shows how the play pre sents an argument for a limited monarchy. Virgil and James I each represent a set of symbols and idioms that Shakespeare appro priates for his own use in The Tempest. In the process, he pays homage to their respective eminence and brings them into dialogic rela tion with each other, changing the language to suit his purposes. This means rewriting the Aeneid to suit a new time and situation, and it means subtly altering the king's language to present a strong argument for constitu tionalism. Scholars who have emphasized the "trans cendent" Shakespeare have sometimes failed to recognize the playwright's passion for resistance, a passion nowhere more cunningly present than in The Tempest. Sixteenth- and seventeenth-century plays were character ized by an indirection that only a practiced rhetorical skill could produce, a skill that pur chased not only safety, but respect, author ity, and power. This skill was equally useful to writers engaged in oppositional politics and to apologists for the established authority. Shakespeare's work, therefore, cannot be fully appreciated by today's readers without being sufficiently historicized. Virgil and The Tempest Virgil and The Tempest THE POLITICS OF IMITATION Donna B. -
Nostalgia and the Irish Fairy Landscape
The land of heart’s desire: Nostalgia and the Irish fairy landscape Hannah Claire Irwin BA (Media and Cultural Studies), B. Media (Hons 1) Macquarie University This thesis is presented for the degree of Doctor of Philosophy in Media and Cultural Studies. Faculty of Arts, Department of Media, Music, Communication and Cultural Studies, Macquarie University, Sydney August 2017 2 Table of Contents Figures Index 6 Abstract 7 Author Declaration 8 Acknowledgments 9 Introduction: Out of this dull world 1.1 Introduction 11 1.2 The research problem and current research 12 1.3 The current field 13 1.4 Objective and methodology 14 1.5 Defining major terms 15 1.6 Structure of research 17 Chapter One - Literature Review: Hungry thirsty roots 2.1 Introduction 20 2.2 Early collections (pre-1880) 21 2.3 The Irish Literary Revival (1880-1920) 24 2.4 Movement from ethnography to analysis (1920-1990) 31 2.5 The ‘new fairylore’ (post-1990) 33 2.6 Conclusion 37 Chapter Two - Theory: In a place apart 3.1 Introduction 38 3.2 Nostalgia 39 3.3 The Irish fairy landscape 43 3 3.4 Space and place 49 3.5 Power 54 3.6 Conclusion 58 Chapter Three - Nationalism: Green jacket, red cap 4.1 Introduction 59 4.2 Nationalism and the power of place 60 4.3 The wearing of the green: Evoking nostalgia for Éire 63 4.4 The National Leprechaun Museum 67 4.5 The Last Leprechauns of Ireland 74 4.6 Critique 81 4.7 Conclusion 89 Chapter Four - Heritage: Up the airy mountain 5.1 Introduction 93 5.2 Heritage and the conservation of place 94 5.3 Discovering Ireland the ‘timeless’: Heritage -
Contributions to a Study of the Printed Dictionary in France Before 1539
CONTRIBUTIONS TO A STUDY OF THE PRINTED DICTIONARY IN FRANCE BEFORE 1539 Jean Fiorence Shaw A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Graduate Department of French University of Toronto O Copyright by Jean floience Shaw 1997 National Library Bibliothèque nationale l*l of Canada du Canada Acquisitions and Acquisitions et Bibliographie Sewices services bibliographiques 395 Wellington Street 395, rue Wellington OttawaON K1A ON4 OttawaON K1AON4 Canada Canada The author has granted a non- L'auteur a accordé une licence non exclusive licence allowing the exclusive permettant à la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or sell reproduire, prêter, distribuer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfichelfilm, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fkom it Ni Ia thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. Contributions to a Study of the Printed Dictionary in France before 1539 Doctor of Philosophy, 1997 Jean Florence Shaw Graduate Department of French, University of Toronto ABSTRACT A Carthusian monk at a priory near Abbeville, France, laid down his pen on April 30, 1440, ending twenty years* work writing a Latin-French dictionary which is remarkable for its size, organization and cornprehensiveness. -
Newsletter Nov 2011
imperi nuntivs The newsletter of Legion Ireland --- The Roman Military Society of Ireland In This Issue • New Group Logo • Festival of Saturnalia • Roman Festivals • The Emperors - AD69 - AD138 • Beautifying Your Hamata • Group Events and Projects • Roman Coins AD69 - AD81 • Roundup of 2011 Events November 2011 IMPERI NUNTIUS The newsletter of Legion Ireland - The Roman Military Society of Ireland November 2011 From the editor... Another month another newsletter! This month’s newsletter kind grew out of control so please bring a pillow as you’ll probably fall asleep while reading. Anyway I hope you enjoy this months eclectic mix of articles and info. Change Of Logo... We have changed our logo! Our previous logo was based on an eagle from the back of an Italian Mus- solini era coin. The new logo is based on the leaping boar image depicted on the antefix found at Chester. Two versions exist. The first is for a white back- ground and the second for black or a dark back- ground. For our logo we have framed the boar in a victory wreath with a purple ribbon. We tried various colour ribbons but purple worked out best - red made it look like a Christmas wreath! I have sent these logo’s to a garment manufacturer in the UK and should have prices back shortly for group jackets, sweat shirts and polo shirts. Roof antefix with leaping boar The newsletter of Legion Ireland - The Roman Military Society of Ireland. Page 2 Imperi Nuntius - Winter 2011 The newsletter of Legion Ireland - The Roman Military Society of Ireland. -
Plautus, with an English Translation by Paul Nixon
^-< THE LOEB CLASSICAL LIBRARY I FOUKDED BY JAMES IXtEB, liL.D. EDITED BY G. P. GOOLD, PH.D. FORMEB EDITOBS t T. E. PAGE, C.H., LiTT.D. t E. CAPPS, ph.d., ii.D. t W. H. D. ROUSE, LITT.D. t L. A. POST, l.h.d. E. H. WARMINGTON, m.a., f.b.hist.soc. PLAUTUS IV 260 P L A U T U S WITH AN ENGLISH TRANSLATION BY PAUL NIXON DKAK OF BOWDODf COLUDOB, MAin IN FIVE VOLUMES IV THE LITTLE CARTHAGINIAN PSEUDOLUS THE ROPE T^r CAMBRIDOE, MASSACHUSETTS HARVARD UNIVERSITY PRESS LONDON WILLIAM HEINEMANN LTD MCMLXXX American ISBN 0-674-99286-5 British ISBN 434 99260 7 First printed 1932 Reprinted 1951, 1959, 1965, 1980 v'Xn^ V Wbb Printed in Great Britain by Fletcher d- Son Ltd, Norwich CONTENTS I. Poenulus, or The Little Carthaginian page 1 II. Pseudolus 144 III. Rudens, or The Rope 287 Index 437 THE GREEK ORIGINALS AND DATES OF THE PLAYS IN THE FOURTH VOLUME In the Prologue^ of the Poenulus we are told that the Greek name of the comedy was Kapx^Sdvios, but who its author was—perhaps Menander—or who the author of the play which was combined with the Kap;^8ovios to make the Poenulus is quite uncertain. The time of the presentation of the Poenulus at ^ Rome is also imcertain : Hueffner believes that the capture of Sparta ' was a purely Plautine reference to the war with Nabis in 195 b.c. and that the Poenulus appeared in 194 or 193 b.c. The date, however, of the Roman presentation of the Pseudolus is definitely established by the didascalia as 191 b.c. -
Aristocratic Identities in the Roman Senate from the Social War to the Flavian Dynasty
Aristocratic Identities in the Roman Senate From the Social War to the Flavian Dynasty By Jessica J. Stephens A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Greek and Roman History) in the University of Michigan 2016 Doctoral Committee: Professor David Potter, chair Professor Bruce W. Frier Professor Richard Janko Professor Nicola Terrenato [Type text] [Type text] © Jessica J. Stephens 2016 Dedication To those of us who do not hesitate to take the long and winding road, who are stars in someone else’s sky, and who walk the hillside in the sweet summer sun. ii [Type text] [Type text] Acknowledgements I owe my deep gratitude to many people whose intellectual, emotional, and financial support made my journey possible. Without Dr. T., Eric, Jay, and Maryanne, my academic career would have never begun and I will forever be grateful for the opportunities they gave me. At Michigan, guidance in negotiating the administrative side of the PhD given by Kathleen and Michelle has been invaluable, and I have treasured the conversations I have had with them and Terre, Diana, and Molly about gardening and travelling. The network of gardeners at Project Grow has provided me with hundreds of hours of joy and a respite from the stress of the academy. I owe many thanks to my fellow graduate students, not only for attending the brown bags and Three Field Talks I gave that helped shape this project, but also for their astute feedback, wonderful camaraderie, and constant support over our many years together. Due particular recognition for reading chapters, lengthy discussions, office friendships, and hours of good company are the following: Michael McOsker, Karen Acton, Beth Platte, Trevor Kilgore, Patrick Parker, Anna Whittington, Gene Cassedy, Ryan Hughes, Ananda Burra, Tim Hart, Matt Naglak, Garrett Ryan, and Ellen Cole Lee. -
Monuments and Memory: the Aedes Castoris in the Formation of Augustan Ideology
Classical Quarterly 59.1 167–186 (2009) Printed in Great Britain 167 doi:10.1017/S00098388090000135 MONUMENTSGEOFFREY AND MEMORY S. SUMI MONUMENTS AND MEMORY: THE AEDES CASTORIS IN THE FORMATION OF AUGUSTAN IDEOLOGY I. INTRODUCTION When Augustus came to power he made every effort to demonstrate his new regime’s continuity with the past, even claiming to have handed power in 28 and 27 B.C. back to the Senate and people of Rome (Mon. Anc. 34.1). He could not escape the reality, however, that his new monarchical form of government was incompatible with the political ideals of the Republic. At the same time, Augustus was attempting to reunite a society that in the recent past had been riven by civil conflict. It should be no surprise, then, that the new ideology that evolved around the figure of the princeps attempted to retain the memory of the old Republic while at the same time promoting and securing the power of a single authority through which Rome could flourish.1 The new regime’s relationship to the recent past was complicated, too, inasmuch as Augustus’ power was forged in the cauldron of the late Republic, and he was the ultimate beneficiary of the political upheaval of his youth. Augustus’ new ideology had to recall the Republic without lingering over its tumultuous last generation; it had to restore and renew.2 Augustus’ boast that he found Rome a city of brick and left it a city of marble as well as the long list in the Res Gestae (Mon. Anc. 19–21.2) of monuments that he either built or restored declare that the new topography of the city was an important component of this new ideology. -
A Dictionary of Mythology —
Ex-libris Ernest Rudge 22500629148 CASSELL’S POCKET REFERENCE LIBRARY A Dictionary of Mythology — Cassell’s Pocket Reference Library The first Six Volumes are : English Dictionary Poetical Quotations Proverbs and Maxims Dictionary of Mythology Gazetteer of the British Isles The Pocket Doctor Others are in active preparation In two Bindings—Cloth and Leather A DICTIONARY MYTHOLOGYOF BEING A CONCISE GUIDE TO THE MYTHS OF GREECE AND ROME, BABYLONIA, EGYPT, AMERICA, SCANDINAVIA, & GREAT BRITAIN BY LEWIS SPENCE, M.A. Author of “ The Mythologies of Ancient Mexico and Peru,” etc. i CASSELL AND COMPANY, LTD. London, New York, Toronto and Melbourne 1910 ca') zz-^y . a k. WELLCOME INS77Tint \ LIBRARY Coll. W^iMOmeo Coll. No. _Zv_^ _ii ALL RIGHTS RESERVED INTRODUCTION Our grandfathers regarded the study of mythology as a necessary adjunct to a polite education, without a knowledge of which neither the classical nor the more modem poets could be read with understanding. But it is now recognised that upon mythology and folklore rests the basis of the new science of Comparative Religion. The evolution of religion from mythology has now been made plain. It is a law of evolution that, though the parent types which precede certain forms are doomed to perish, they yet bequeath to their descendants certain of their characteristics ; and although mythology has perished (in the civilised world, at least), it has left an indelible stamp not only upon modem religions, but also upon local and national custom. The work of Fruger, Lang, Immerwahr, and others has revolutionised mythology, and has evolved from the unexplained mass of tales of forty years ago a definite and systematic science. -
The Italian Verse of Milton May 2018
University of Nevada, Reno The Italian Verse of Milton A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English by Francisco Nahoe Dr James Mardock/Dissertation Advisor May 2018 © 2018 Order of Friars Minor Conventual Saint Joseph of Cupertino Province All Rights Reserved UNIVERSITY OF NEVADA, RENO THE GRADUATE SCHOOL We recommend that the dissertation prepared under our supervision by Francisco Nahoe entitled The Italian Verse of Milton be accepted in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY James Mardock PhD, Adviser Eric Rasmussen PhD, Committee Member Lynda Walsh PhD, Committee Member Donald Hardy PhD (emeritus), Committee Member Francesco Manca PhD (emeritus), Committee Member Jaime Leaños PhD, Graduate School Representative David Zeh PhD, Dean, Graduate School May 2018 i Abstract The Italian verse of Milton consists of but six poems: five sonnets and the single stanza of a canzone. Though later in life the poet will celebrate conjugal love in Book IV of Paradise Lost (1667) and in Sonnet XXIII Methought I saw my late espousèd saint (1673), in 1645 Milton proffers his lyric of erotic desire in the Italian language alone. His choice is both unusual and entirely fitting. How did Milton, born in Cheapside, acquire Italian at such an elevated level of proficiency? When did he write these poems and where? Is the woman about whom he speaks an historical person or is she merely the poetic trope demanded by the genre? Though relatively few critics have addressed the style of Milton’s Italian verse, an astonishing range of views has nonetheless emerged from their assessments.