Roma Intima. Liefde, Lijf En Lust En Lijf Liefde, Intima

Total Page:16

File Type:pdf, Size:1020Kb

Roma Intima. Liefde, Lijf En Lust En Lijf Liefde, Intima 115747Roma IntimaFrontST125597BlackIntimaFrontST125597CyanIntimaFrontST125597MagentaIntimaFrontST125597Yellow 0422903005008 16 115747__Roma Intima__ST125597-Skl.__1 kast opgeborgen (of verborgen!). (of opgeborgen kast Archeologico Nazionale, Napels, in een gesloten gesloten een in Napels, Nazionale, Archeologico ook gekend als Gabinetto Segreto van het Museo Museo het van Segreto Gabinetto als gekend ook (kabinet van obscene objecten) objecten) obscene van (kabinet osceni Oggetti Gabinetto degli degli Gabinetto het in werden stukken Deze in Herculaneum en Pompeii werden opgegraven. opgegraven. werden Pompeii en Herculaneum in in oktober 1819 onder leiding van Michele Arditi Arditi Michele van leiding onder 1819 oktober in De inventaris van de 102 erotische voorwerpen die die voorwerpen erotische 102 de van inventaris De ROMA INTIMA. LIEFDE, LIJF EN LUST EN LIJF LIEFDE, INTIMA. ROMA 11 B C M Y X Z slurZ slurB B C M Y XZ P B 20 B 40 B 80 B C M Y XZ CMY CMY CMY CMY B C M Y XZ C 20 C 40 C 80 B C M Y XZ slurC slurM B C M Y XZ P B C M Y XZ B C M Y XZ CMY M 20 M 40 M 80 B C M Y XZ slurY slurX B C M Y XZ P Y 20 Y 40 Y 80 B C M Y XZ CMY CMY CMY CMY B C M Y XZ CMY X 20 X 40 X 80 B C M Y XZ CM CY MY CMY B C M Y XZ P Z 20 Z 40 Z 80 B C M Y XZ CMY CMY CMY CMY Prinect Micro−6i Format 102/105 Dipco 3.1e (pdf) © 2008 Heidelberger Druckmaschinen AG CM CY MY CMY B C M Y XZ P B 20 B 40 B 80 B C M Y XZ CMY CMY CMY CMY B C M Y XZ CMY C 20 C 40 C 80 B C M Y X Z slurZ slurB B C M Y XZ P B C M Y XZ B C M Y XZ CMY M 20 M 40 M 80 B C M Y XZ slurC slurM B C M Y XZ P Y 20 Y 40 Y 80 B C M Y XZ CMY CMY CMY CMY B C M Y XZ X 20 X 40 X 80 B C M Y XZ slurY slurX B C M Y XZ P Z 20 Z 40 Z 80 B C M Y XZ CMY CMY CMY CMY B C M Y XZ C M C M C M C M C M C M Y Y Y Y Y Y −−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−− B = Black −−−−−−−−−−−− 12 −−−−−−−−−−−− C = Cyan −−−−−−−−−−−− 14 −−−−−−−−−−− M = Magenta −−−−−−−−−−− 16 −−−−−−−−−−−− Y = Yellow −−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−−− 32 115747_Roma Intima - Front - ST125597 - 14.01.2020 09:19:18 - BlackCyanMagentaYellow MASZYNA XL 105 115747Roma IntimaBackST125597BlackIntimaBackST125597CyanIntimaBackST125597MagentaIntimaBackST125597Yellow 0422903005009 B C M Y X Z slurZ slurB B C M Y XZ P B 20 B 40 B 80 B C M Y XZ CMY CMY CMY CMY B C M Y XZ C 20 C 40 C 80 B C M Y XZ slurC slurM B C M Y XZ P B C M Y XZ B C M Y XZ CMY M 20 M 40 M 80 B C M Y XZ slurY slurX B C M Y XZ P Y 20 Y 40 Y 80 B C M Y XZ CMY CMY CMY CMY B C M Y XZ CMY X 20 X 40 X 80 B C M Y XZ CM CY MY CMY B C M Y XZ P Z 20 Z 40 Z 80 B C M Y XZ CMY CMY CMY CMY Prinect Micro−6i Format 102/105 Dipco 3.1e (pdf) © 2008 Heidelberger Druckmaschinen AG CM CY MY CMY B C M Y XZ P B 20 B 40 B 80 B C M Y XZ CMY CMY CMY CMY B C M Y XZ CMY C 20 C 40 C 80 B C M Y X Z slurZ slurB B C M Y XZ P B C M Y XZ B C M Y XZ CMY M 20 M 40 M 80 B C M Y XZ slurC slurM B C M Y XZ P Y 20 Y 40 Y 80 B C M Y XZ CMY CMY CMY CMY B C M Y XZ X 20 X 40 X 80 B C M Y XZ slurY slurX B C M Y XZ P Z 20 Z 40 Z 80 B C M Y XZ CMY CMY CMY CMY B C M Y XZ C M C M C M C M C M C M Y Y Y Y Y Y −−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−− B = Black −−−−−−−−−−−− 12 −−−−−−−−−−−− C = Cyan −−−−−−−−−−−− 14 −−−−−−−−−−− M = Magenta −−−−−−−−−−− 16 −−−−−−−−−−−− Y = Yellow −−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−−− 32 ‘YOU’VE GOT IT ALL WRONG’ DROWNERS, ‘YOU’VE GOT IT ALL WRONG’ (DROWNERS, 2014). ––––––––––––––––––– INLEIDING ET OUDE ROME: PERVERTS’ PARADISE? en vloeide onder hun bewind geen bloed (en andere Op zaterdag 22 maart 2014 organiseerde lichaamssappen) bij liters van de paleistrappen? H Classici Lovanienses, de vereniging voor Het oude Rome, dat was toch niets anders dan seks, afgestudeerden klassieke talen en oude geschiede- drugs en rock-’n-roll? nis van de KU Leuven, een Romeinse avond in het ‘Sex sells!’ zegt men dan. En nog steeds is la vie Gallo-Romeins museum in Tongeren. In een mum sexuelle van die rare jongens, blutgeil und ganz toll. van tijd waren de 150 plaatsen uitverkocht, en het Misschien was dit ook de reden waarom u dit boek duurde niet lang tot ook de pers lucht kreeg van deze ter hand nam, leende uit de bibliotheek of misschien cena Romana (Romeins avondmaal). Net als tiental- zelfs stiekem gestolen of – God weet waar – gedown- len deelnemers aan de maaltijd stelden journalisten load hebt. Maar neen, u bent op zoek naar meerwaarde keer op keer de vraag of het er ‘decadent’ aan toe en u wilt meer dan alleen de vele vieze plaatjes bekij- zou gaan. In feite was dat codetaal waarmee men de ken die dit boek rijk is. U wilt weten hoe het werkelijk vraag verhulde of er iets pikants zou gebeuren die gesteld was met het intieme leven van de Romeinen. avond, en daarbij doelde men niet op de smaak van Welnu, voor u is dit boek bestemd, waarde lezer. de Romeinse gerechten. Zouden er slaven aanwezig zijn? En zouden Romadie uit de kleren gaan? En zou er – DOEL, OPZET EN INHOUD VAN DIT BOEK zo durfden sommigen te vragen – ook een ‘onoffici- In dit boek staat dus het intieme leven van de Romei- eel’ gedeelte zijn in een donkere kamer? Veel van die nen centraal, waarbij we ons geconcentreerd hebben vragen waren zonder twijfel geïnspireerd door boe- op de periode tussen de eerste eeuw v.Chr. en de ken, strips, tv-series en films waarin het Romeinse tweede eeuw n.Chr., grofweg drie eeuwen geschie- rijk in al zijn glorie – of decadentie – wordt voorge- denis. We kozen doelbewust voor deze eeuwen, niet steld. Was dat rijk geen paradijs voor perverse pedo-, alleen omdat ons voor die periode heel wat bronnen homo-, necro- en andere fielen? Zwaaiden daar geen ter beschikking staan, maar ook omdat het Romein- dolgedraaide keizers zoals Nero en Caligula de plak, se rijk toen op zijn hoogtepunt was. In deze tijd schreven de grootste en belangrijkste auteurs uit de Romeinse geschiedenis, zoals de redenaar Cicero, de intima Cupido en Psyche, olieverfschilderij, 1798. Door Gérard François. Musée du Louvre, Parijs. encyclopedist Plinius de Oudere, de historiografen Tacitus en Suetonius, de romanschrijvers Apuleius 115747__Roma Intima__ST125597-Skl.__1 15 115747_Roma Intima - Back - ST125597 - 14.01.2020 09:19:19 - BlackCyanMagentaYellow MASZYNA XL 105 115747Roma IntimaBackST125597BlackIntimaBackST125597CyanIntimaBackST125597MagentaIntimaBackST125597Yellow 0422903005009 B C M Y X Z slurZ slurB B C M Y XZ P B 20 B 40 B 80 B C M Y XZ CMY CMY CMY CMY B C M Y XZ C 20 C 40 C 80 B C M Y XZ slurC slurM B C M Y XZ P B C M Y XZ B C M Y XZ CMY M 20 M 40 M 80 B C M Y XZ slurY slurX B C M Y XZ P Y 20 Y 40 Y 80 B C M Y XZ CMY CMY CMY CMY B C M Y XZ CMY X 20 X 40 X 80 B C M Y XZ CM CY MY CMY B C M Y XZ P Z 20 Z 40 Z 80 B C M Y XZ CMY CMY CMY CMY Prinect Micro−6i Format 102/105 Dipco 3.1e (pdf) © 2008 Heidelberger Druckmaschinen AG CM CY MY CMY B C M Y XZ P B 20 B 40 B 80 B C M Y XZ CMY CMY CMY CMY B C M Y XZ CMY C 20 C 40 C 80 B C M Y X Z slurZ slurB B C M Y XZ P B C M Y XZ B C M Y XZ CMY M 20 M 40 M 80 B C M Y XZ slurC slurM B C M Y XZ P Y 20 Y 40 Y 80 B C M Y XZ CMY CMY CMY CMY B C M Y XZ X 20 X 40 X 80 B C M Y XZ slurY slurX B C M Y XZ P Z 20 Z 40 Z 80 B C M Y XZ CMY CMY CMY CMY B C M Y XZ C M C M C M C M C M C M Y Y Y Y Y Y −−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−− B = Black −−−−−−−−−−−− 12 −−−−−−−−−−−− C = Cyan −−−−−−−−−−−− 14 −−−−−−−−−−− M = Magenta −−−−−−−−−−− 16 −−−−−−−−−−−− Y = Yellow −−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−−− 32 bert gevaert & johan mattelaer RomaLIEFDE, LIJF EN LUST intimaSterck & De Vreese 115747__Roma Intima__ST125597-Skl.__1 115747_Roma Intima - Back - ST125597 - 14.01.2020 09:19:19 - BlackCyanMagentaYellow MASZYNA XL 105 115747Roma IntimaFrontST125597BlackIntimaFrontST125597CyanIntimaFrontST125597MagentaIntimaFrontST125597Yellow 0422903005008 13 115747__Roma Intima__ST125597-Skl.__1 Rheinisches Landesmuseum, Trier Landesmuseum, Rheinisches Zühmer Thomas Zühmer Archeologisch Museum, Oudenburg Museum, Archeologisch waarnemend cultuurfunctionaris, Romeins Romeins cultuurfunctionaris, waarnemend Wouter D’Haeze Wouter Collezione, Archeologisch Museum, Napels Museum, Archeologisch Collezione, responsabile e conservatore Capo delle delle Capo conservatore e responsabile Valeria Sampaolo Valeria uroloog, Naples uroloog, Renato Jungano Renato uroloog, Antwerpen uroloog, Philip Van Kerrebroeck Van Philip nefroloog, Brugge nefroloog, Boelaert Johan uroloog, New York New uroloog, Jennifer R.
Recommended publications
  • [PODCAST THEME PLAYS] [Soundbyte from Ross Gay]
    [PODCAST THEME PLAYS] [Soundbyte from Ross Gay] “Soon it will be over, which is precisely what the child in my dream said, holding my hand, pointing at the roiling sea and the sky hurtling our way like so many buffalo, who said it’s much worse than we think, and sooner; to whom I said no duh child in my dreams, what do you think this singing and shuddering is, what this screaming and reaching and dancing and crying is, other than loving what every second goes away?” Alison Stagner, Host In a time like this, where do you look to for joy? In a recent episode of Krista Tippett’s podcast, On Being, poet Ross Gay recently said, “It is joy by which the labor that will make the life that I want, possible. It is not at all puzzling to me that joy is possible in the midst of difficulty.” I’m Alison Stagner, your guest host for today, and the Communications Manager at Seattle Arts & Lectures. Because Seattle is under shelter-in-place, I’m recording this from my living room— so please excuse the audio quality. But we weren’t going to let the coronavirus stop us from bringing you SAL/on air, our collection of engaging talks from the world’s best writers from over 30 years of Seattle Arts & Lectures. Besides being a disciple of joy, Ross Gay is a gardener, a painter, a professor, a basketball player, and a founding member of the Bloomington Community Orchard, a free-fruit-for-all non-profit focused on food, justice, and joy.
    [Show full text]
  • 2020-05-25 Prohibited Words List
    Clouthub Prohibited Word List Our prohibited words include derogatory racial terms and graphic sexual terms. Rev. 05/25/2020 Words Code 2g1c 1 4r5e 1 1 Not Allowed a2m 1 a54 1 a55 1 acrotomophilia 1 anal 1 analprobe 1 anilingus 1 ass-fucker 1 ass-hat 1 ass-jabber 1 ass-pirate 1 assbag 1 assbandit 1 assbang 1 assbanged 1 assbanger 1 assbangs 1 assbite 1 asscock 1 asscracker 1 assface 1 assfaces 1 assfuck 1 assfucker 1 assfukka 1 assgoblin 1 asshat 1 asshead 1 asshopper 1 assjacker 1 asslick 1 asslicker 1 assmaster 1 assmonkey 1 assmucus 1 assmunch 1 assmuncher 1 assnigger 1 asspirate 1 assshit 1 asssucker 1 asswad 1 asswipe 1 asswipes 1 autoerotic 1 axwound 1 b17ch 1 b1tch 1 babeland 1 1 Clouthub Prohibited Word List Our prohibited words include derogatory racial terms and graphic sexual terms. Rev. 05/25/2020 ballbag 1 ballsack 1 bampot 1 bangbros 1 bawdy 1 bbw 1 bdsm 1 beaner 1 beaners 1 beardedclam 1 bellend 1 beotch 1 bescumber 1 birdlock 1 blowjob 1 blowjobs 1 blumpkin 1 boiolas 1 bollock 1 bollocks 1 bollok 1 bollox 1 boner 1 boners 1 boong 1 booobs 1 boooobs 1 booooobs 1 booooooobs 1 brotherfucker 1 buceta 1 bugger 1 bukkake 1 bulldyke 1 bumblefuck 1 buncombe 1 butt-pirate 1 buttfuck 1 buttfucka 1 buttfucker 1 butthole 1 buttmuch 1 buttmunch 1 buttplug 1 c-0-c-k 1 c-o-c-k 1 c-u-n-t 1 c.0.c.k 1 c.o.c.k.
    [Show full text]
  • Swearing a Cross-Cultural Study in Asian and European Languages
    Swearing A cross-cultural study in Asian and European Languages Thesis Submitted to Radboud University Nijmegen For the degree of Master of Arts (M.A) Name: Syahrul Rahman / s4703944 Email: [email protected] Supervisor 1: Dr. Ad Foolen Supervisor 2: Professor Helen de Hoop Master Linguistics Radboud University Nijmegen 2016/2017 0 Acknowledgment In the name of Allah, the beneficent and merciful. All praises be to Allah for His mercy and blessing. He has given me health and strength to complete this master thesis as particular instance of this research. Then, may His peace and blessing be upon to His final prophet and messenger, Muhammad SAW, His family and His best friends. In writing and finishing this thesis, there are many people who have provided their suggestion, motivation, advice and remark that all have helped me to finish this paper. Therefore, I would like to express my big appreciation to all of them. For the first, the greatest thanks to my beloved parents Abd. Rahman and Nuriati and my family who have patiently given their love, moral values, motivation, and even pray for me, in every single prayer just to wish me to be happy, safe and successful, I cannot thank you enough for that. Secondly, I would like to dedicate my special gratitude to my supervisor, Dr. Ad Foolen, thanking him for his guidance, assistance, support, friendly talks, and brilliant ideas that all aided in finishing my master thesis. I also wish to dedicate my big thanks to Helen de Hoop, for her kind willingness to be the second reviewer of my thesis.
    [Show full text]
  • An Assessment of Emotional-Force and Cultural Sensitivity the Usage of English Swearwords by L1 German Speakers
    Graduate Theses, Dissertations, and Problem Reports 2019 An Assessment of Emotional-Force and Cultural Sensitivity The Usage of English Swearwords by L1 German Speakers Sarah Dawn Cooper West Virginia University, [email protected] Follow this and additional works at: https://researchrepository.wvu.edu/etd Part of the German Linguistics Commons Recommended Citation Cooper, Sarah Dawn, "An Assessment of Emotional-Force and Cultural Sensitivity The Usage of English Swearwords by L1 German Speakers" (2019). Graduate Theses, Dissertations, and Problem Reports. 3848. https://researchrepository.wvu.edu/etd/3848 This Thesis is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. An Assessment of Emotional-Force and Cultural Sensitivity The Usage of English Swearwords by L1 German Speakers Sarah Dawn Cooper Thesis submitted to the Eberly College of Arts and Sciences at West Virginia University in partial fulfillment of the requirements for the degree of Master of Arts in World Languages, Literatures, and Linguistics Cynthia Chalupa, Ph.D., Chair Jonah Katz, Ph.D.
    [Show full text]
  • Badass, Motherfucker, and Meat-Eater: Kit Yan’S Trans of Color Slammin’ Critique and the Archives of Possibilities Bo Luengsuraswat
    23 Badass, Motherfucker, and Meat-Eater: Kit Yan’s Trans of Color Slammin’ Critique and the Archives of Possibilities Bo Luengsuraswat Abstract: This article examines Badass, a spoken word performance by Chinese American female-to-male transgender slam poet Kit Yan. Performed live on stage across the country and disseminated online via YouTube, Yan’s intense, fast-paced articulation of contradictory masculinities in Badass provides a powerful insight into the construction of gender, identity, and community through a trans of color perspec- tive. …yo, i may not be a badass in this life but last night, i fucking fucked the shit out of your mother – Kit Yan, Badass The clear understanding, then, that Asian American male subjectivity is the hybrid result of internalized ideals and lived material contradictions that were once external allows us a compelling qualification to historical debates about authenticity—realness and fakeness—in Asian American studies. – David Eng, Racial Castration: Managing Masculinity in Asian America1 24 nineteen sixty nine 1:1 2012 Badass t the height of the heat wave in early August 2009, I met Kit Yan and the Good Asian Drivers crew at the Café Club Fais Do Do in Los Angeles (Figure 1). As featured Aperformers of the night, spoken word artist Yan, songwriter Melissa Li, and musician Ashley Bayer transformed the cozy space of the Café into a lively activist scene through their thought-provoking, radical queer-feminist lyrics and songs. Both Yan and Li, together in this performance group they co-founded in 2007, performed solo and collaborative pieces with the topics ranging from their cross-country road trip, to the politics of inclusion in the queer community, to a transfeminist take on women’s issues.
    [Show full text]
  • Block the Words
    BLOCK the WORDS No to Online Torture, Trolls, and Sociopaths: Moderation of Online Social Platforms The Power of Social Media Platforms in Your Hands That They Do Not Want You to Discover By Hazlo Emma Block the Words No to Online Torture, Trolls, and Sociopaths: Moderation of Online Social Platforms (The Power of Social Media Platforms in Your Hands That They Do Not Want You to Discover) Author: Hazlo Emma Editing: Albert Bright Cover Design: Favour Chapman First Edition, 2019. Hazlo Emma (ThExtraordinariOnly) Book 1 in the Digital Swag Series ISBN xxx Kindle Version: ASIN: xxx Text Copyright © 2019 Hazlo Emma 2019 The events in this book are as portrayed, perceived, and experienced by Hazlo Emma. The moral rights of the author has been asserted. All rights reserved. No portion or part of this book may be reproduced, distributed or transmitted in any form or any means, including photocopying, scanning, recording or other electronic or mechanical methods without prior written permission of the publisher, except in the case of brief quotations embodied in critical reviews or articles and certain other non-commercial uses permitted by copyright law. This book is published as Book 1 of the Digital Swag Series. Printed and Bound in the United States of America First Printing March 2019 Connect on Instagram (at) Hazloe3 ThExtraordinariOnly www.thextraordinarionly.com For a FREE newsletter for updates and to know what is trending in the startup and small business world, just sign up with your name and email address here www.eepurl.com/dAK905 NOW. Disclaimer The advice and strategies found within may not be suitable for every situation.
    [Show full text]
  • Jelt : Journal of English Language Teaching, Vol.1 No.1 Tahun 2017
    Jelt : Journal of English Language Teaching, Vol.1 No.1 Tahun 2017 Swearing Words in “Celebrity Read Mean Tweets” in Jimmy Kimmel Late Night Show : A Sociolinguistic Study Rezky Surya Darma; Wennyta; Nurul Fitri English Education Study Program, Faculty of Teachers Training and Education, Batanghari University Abstract Historically, swearing is assumed as a form of the curse but since the sexual revolution happens in 1960, swearing not only used as a form of cursing, it can be used as a form of insult, emphasis, or even strengthen the bond between friends and co-worker. A Sociolinguistic analysis of swearing words in Celebrity read mean tweets purposes is to find out types and functions of swearing based on the meaning of the word. The data is gotten from the tweets in celebrity read mean tweets. The design of this research is qualitative research. For collecting the data, the researcher retypes all the swear words found in the celebrity read mean tweets with left the tweet without swear words, change the data from video into the word file. Then, the technique for analyzing the data was by pointing out the swear words and describing its meaning with the dictionary. The researcher has also categorized the type and function from the highest to the lowest. In the end, the result was found is sex swear words are the most frequent type of swearing and abusive swearing is the most frequent function of swearing. The conclusion is many of the cursing in religious terminology is changed with sex, and people cursing with sex swear words.
    [Show full text]
  • Fucks, Shits, and Twunts: a Sociolinguistic Study of the Use of and Attitudes Towards Swear Words in York
    Fucks, shits, and twunts: A Sociolinguistic Study of the Use of and Attitudes towards Swear Words in York By Tonje Hoff Gjesdal Master’s Thesis in English Linguistics Department of Foreign Languages University of Bergen May 2019 i Abstract in Norwegian Den følgende masteroppgaven er en sosiolingvistisk undersøke av hvilket forhold innbyggerne i byen York i England har til banneord. Dette innebærer både holdninger til og bruken av banneord. Oppgaven undersøker flere forskjellige hypoteser som omhandler forholdet til banneord basert på alder og kjønn, i tillegg til hvordan man oppfatter personer som bruker banneord, hvilke(t) banneord som er mest utbredt og om man endrer språket sitt basert på konteksten man er i. Forskningsdataen ble samlet inn gjennom en online spørreundersøkelse. Denne ble sendt ut til forskjellige grupper og organisasjoner i York, for eksempel idrettslag og studentorganisasjoner, og svarene som kom inn ble videre gruppert og analysert. Fokuset i oppgaven lå på tre forskjellige aldersgrupper, 18–28, 35–50 og 60+, og dataen er basert på svarene fra totalt 38 respondenter fra alle tre aldersgrupper og begge kjønn. De innsamlede dataene viser at de fleste respondentene daglig bruker banneord. Dette gjelder både for kvinner og menn, og for alle tre aldersgrupper, selv om den yngste aldersgruppen har en noe høyere frekvens enn de andre to. I tillegg kan man se at utdanningsnivå ikke har en innvirkning på bruken av banneord. Videre viser dataene at cunt, motherfucker og fuck blir regnet som de tre mest alvorlige banneordene, men at fuck og varianter av dette likevel er de vanligste banneordene for respondentene.
    [Show full text]
  • Download This Report
    Senegal HUMAN Fear for Life RIGHTS Violence against Gay Men and Men Perceived as Gay in Senegal WATCH Fear for Life Violence against Gay Men and Men Perceived as Gay in Senegal Copyright © 2010 Human Rights Watch All rights reserved. Printed in the United States of America ISBN: 1-56432-719-1 Cover design by Rafael Jimenez Human Rights Watch 350 Fifth Avenue, 34th floor New York, NY 10118-3299 USA Tel: +1 212 290 4700, Fax: +1 212 736 1300 [email protected] Poststraße 4-5 10178 Berlin, Germany Tel: +49 30 2593 06-10, Fax: +49 30 2593 0629 [email protected] Avenue des Gaulois, 7 1040 Brussels, Belgium Tel: + 32 (2) 732 2009, Fax: + 32 (2) 732 0471 [email protected] 64-66 Rue de Lausanne 1202 Geneva, Switzerland Tel: +41 22 738 0481, Fax: +41 22 738 1791 [email protected] 2-12 Pentonville Road, 2nd Floor London N1 9HF, UK Tel: +44 20 7713 1995, Fax: +44 20 7713 1800 [email protected] 27 Rue de Lisbonne 75008 Paris, France Tel: +33 (1)43 59 55 35, Fax: +33 (1) 43 59 55 22 [email protected] 1630 Connecticut Avenue, N.W., Suite 500 Washington, DC 20009 USA Tel: +1 202 612 4321, Fax: +1 202 612 4333 [email protected] Web Site Address: http://www.hrw.org November 2010 ISBN: 1-56432-719-1 Fear for Life Violence against Gay Men and Men Perceived as Gay in Senegal Summary .................................................................................................................................... 1 Key Recommendations ...............................................................................................................11 A Note on Methodology and Terminology .................................................................................. 12 Two Stories: Police Power, Public Panic, and Ruined Lives .......................................................
    [Show full text]
  • A Biopolitical and Rhetorical Mosaic of HIV Stigma in a Time of Prep-Aration
    University of Denver Digital Commons @ DU Electronic Theses and Dissertations Graduate Studies 1-1-2017 Governmentality/Animacy/Mythology: A Biopolitical and Rhetorical Mosaic of HIV Stigma in a Time of PrEP-aration Brendan Geoffrey Aaron Hughes University of Denver Follow this and additional works at: https://digitalcommons.du.edu/etd Part of the Communication Commons, and the Lesbian, Gay, Bisexual, and Transgender Studies Commons Recommended Citation Hughes, Brendan Geoffrey Aaron, "Governmentality/Animacy/Mythology: A Biopolitical and Rhetorical Mosaic of HIV Stigma in a Time of PrEP-aration" (2017). Electronic Theses and Dissertations. 1352. https://digitalcommons.du.edu/etd/1352 This Dissertation is brought to you for free and open access by the Graduate Studies at Digital Commons @ DU. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ DU. For more information, please contact [email protected],[email protected]. Governmentality/Animacy/Mythology: A Biopolitical and Rhetorical Mosaic of HIV Stigma in a Time of PrEP-aration __________ A Dissertation Presented to the Faculty of Social Sciences University of Denver __________ In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy __________ by Brendan G.A. Hughes August 2017 Advisor: Dr. Christina R. Foust, PhD ©Copyright by Brendan G.A. Hughes 2017 All Rights Reserved Author: Brendan G.A. Hughes Title: Governmentality/Animacy/Mythology: A Biopolitical and Rhetorical Mosaic of HIV Stigma in a Time of PrEP-aration Advisor: Dr. Christina R. Foust, PhD Degree Date: August 2017 Abstract Since 1981, roughly 35 million people have died from the Acquired Immune Deficiency Syndrome (AIDS), the end stages of the Human Immunodeficiency Virus (HIV), and an estimated 39 million are living with HIV today.
    [Show full text]
  • Multiple Causality of Differences in Taboo Translation of Blockbuster Films by Chinese Fansubbers and Professionals
    Multiple Causality of Differences in Taboo Translation of Blockbuster Films by Chinese Fansubbers and Professionals Zhengguo He Thesis submitted in fulfilment of the regulations for the degree of Doctor of Philosophy Newcastle University School of Modern Languages June 2018 Acknowledgement This thesis owes its existence to the expert supervision and encouragement of my first supervisor, Dr Ya-yun Chen, who always inspired me with her insightful feedback, and my second supervisor, Dr Valerie Pellatt, whose rigorous and holistic academic thinking had a profound influence on the structure of my thesis. It has been both a privilege and a pleasure to have the opportunity to be supervised by two supportive and inspiring scholars. I am also indebted to my Annual Panel Reviewers Professor Qian Jun, Dr Michael Jin, and Dr Francis Jones for their insightful review and advice. I would also like to express my deep gratitude to my viva examiners Drs Yvonne Lee and Pauline Henry-Tierney, for their very detailed and valuable critique. My sincere thanks must go to my family and friends during my PhD studies. Special thanks should be given to my family, especially my father, Qingxiang He, for his unfailing support throughout my years in the UK and Dr Mark James for his moral support and encouragement. I would also like to extend my sincere gratitude to Dr Joseph Banks and Karen Blacker, who offered me advice regarding my English composition; and Drs Peter Avery and Damien Hall for their valuable comments on my statistical analysis. i Note on Translation and Transliteration All translations from Chinese in this thesis are mine, unless otherwise noted.
    [Show full text]
  • Signalandnoise
    Signal and Noise Can technology provide a window into the new world of digital politics in the UK? Alex Krasodomski-Jones Open Access. Some rights reserved. As the publisher of this work, Demos wants to encourage the circulation of our work as widely as possible while retaining the copyright. We therefore have an open access policy which enables anyone to access our content online without charge. Anyone can download, save, perform or distribute this work in any format, including translation, without written permission. This is subject to the terms of the Demos licence found at the back of this publication. Its main conditions are: · Demos and the author(s) are credited · This summary and the address www.demos.co.uk are displayed · The text is not altered and is used in full · The work is not resold · A copy of the work or link to its use online is sent to Demos. You are welcome to ask for permission to use this work for purposes other than those covered by the licence. Demos gratefully acknowledges the work of Creative Commons in inspiring our approach to copyright. To find out more go to www.creativecommons.org PARTNERS CREDITS This paper was written by the Centre for the Analysis of Social Media (CASM) at Demos in partnership with BCS, The Chartered Institute for IT. BCS, The Chartered Institute for IT, is committed to making IT good for society. We use the power of our network to bring about positive, tangible change. We champion the global IT profession and the interests of individuals, engaged in that profession, for the benefit of all.
    [Show full text]