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Atlas of American Orthodox Christian Monasteries
Atlas of American Orthodox Christian Monasteries Atlas of Whether used as a scholarly introduction into Eastern Christian monasticism or researcher’s directory or a travel guide, Alexei Krindatch brings together a fascinating collection of articles, facts, and statistics to comprehensively describe Orthodox Christian Monasteries in the United States. The careful examina- Atlas of American Orthodox tion of the key features of Orthodox monasteries provides solid academic frame for this book. With enticing verbal and photographic renderings, twenty-three Orthodox monastic communities scattered throughout the United States are brought to life for the reader. This is an essential book for anyone seeking to sample, explore or just better understand Orthodox Christian monastic life. Christian Monasteries Scott Thumma, Ph.D. Director Hartford Institute for Religion Research A truly delightful insight into Orthodox monasticism in the United States. The chapters on the history and tradition of Orthodox monasticism are carefully written to provide the reader with a solid theological understanding. They are then followed by a very human and personal description of the individual US Orthodox monasteries. A good resource for scholars, but also an excellent ‘tour guide’ for those seeking a more personal and intimate experience of monasticism. Thomas Gaunt, S.J., Ph.D. Executive Director Center for Applied Research in the Apostolate (CARA) This is a fascinating and comprehensive guide to a small but important sector of American religious life. Whether you want to know about the history and theology of Orthodox monasticism or you just want to know what to expect if you visit, the stories, maps, and directories here are invaluable. -
Akathist to Saint Sava First Archbishop of Serbia
Akathist to Saint Sava First Archbishop of Serbia Kontakion 1 Chosen by the King of All Power, Lord Jesus Christ, and called by grace from royal lineage into monasticism and archbishoprics, first saint of the Serbian Church, God bearing Father Savo, allow us to praise you with love, God given shepherd and teacher. And you, who has freedom before the Lord, ceaselessly pray with your Father and Brother according to the flesh, Simeon the Myhrrgusher and Venerable Simon, for the salvation of your descendants, the Serbian Orthodox people, and for us sinners, redeeming us from all evil, troubles and sorrows. We exclaim to you: Rejoice St Savo First Serbian teacher and wonderful miracle worker! Ikos l Falling in love from your youth in angelic purity, blessed Savo, you showed yourself as a great ascetic of piety, thus that all wondered to the honesty and piety of your soul, but you as a lad and prince by birth tamed your flesh with fasting, vigil, and prayers. For this, hear our praising songs: Rejoice you, who is loved by God, son of a pious father and a good‐hearted mother. Rejoice you, who with all your heart fell in love with God. Rejoice you, who with your birth consoled your parents and solved their barrenness. Rejoice you, blessed fruit obtained by many prayers. Rejoice you, offspring of the royal lineage of Nemanja. Rejoice spiritual beauty of Serbian land. Rejoice comfort and joy of your parents in their old age. Rejoice you, whom they loved more than other children. Rejoice you, who rejected pleasures of the flesh even in your youth. -
Type: Charming Village Culture Historic Monuments Scenic Drive
Type: Charming Village Culture Historic Monuments Scenic Drive See the best parts of Montenegro on this mini tour! We take you to visit three places with a great history - three places with a soul. This is tour where you will learn about the old customs in Montenegro, and also those who maintain till today. See the incredible landscapes and old buildings that will not leave you indifferent. Type: Charming Village, Culture, Historic Monuments, Scenic Drive Length: 6 Hours Walking: Medium Mobility: No wheelchairs Guide: Licensed Guide Language: English, Italian, French, German, Russian (other languages upon request) Every Montenegrin will say: "Who didn't saw Cetinje, haven't been in Montenegro!" So don't miss to visit the most significant city in the history and culture of Montenegro and it's numerous monuments: The Cetinje monastery, from which Montenegrin bishops ruled through the centuries; Palace of King Nikola, Montenegrin king who together with his daughters made connection with 4 European courts; Vladin Dom, art museum with huge collection of art paintings and historical symbols, numerous embassies and museums... After meeting your guide at the pier, you walk to your awaiting vehicle which will take you to Njegusi, a quiet mountain village. Njegusi Njegusi is a village located on the slopes of mount Lovcen. This village is best known as birthplace of Montenegro's royal dynasty of Petrovic, which ruled Montenegro from 1696 to 1918. Njegusi is a birthplace of famous Montenegrin bishop and writer – Petar II Petrovic Njegos. The village is also significant for its well- preserved traditional folk architecture. Cheese and smoked ham (prosciutto) from Njegusi are made solely in area around Njegusi, are genuine contributions to Montenegrin cuisine. -
Xerox University Microfilms
INFORMATION TO USERS This material was produced from a microfilm copy o f the original document. While the most advai peed technological meant to photograph and reproduce this document have been useJ the quality is heavily dependent upon the quality of the original submitted. The followini explanation o f techniques is provided to help you understand markings or pattei“ims which may appear on this reproduction. 1. The sign or “ target" for pages apparently lacking from die document phoiographed is “Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This| may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. Wheji an image on the film is obliterated with a large round black mark, it is ar indication that the photographer suspected that the copy may have mo1vad during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. Wheh a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in 'sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to righj in equal sections with a small overlap. If necessary, sectioning is continued again - beginning below the first row and continuing on until com alete. 4. The majority of users indicate that the textual content is of greatest value, ho we ver, a somewhat higher quality reproduction could be made from "ph btographs" if essential to the understanding of the dissertation. -
Original Scientific Paper SOLSTICE ORIENTATION of THE
Available online at www.gi.sanu.ac.rs J. Geogr. Inst. Cvijic. 62(1) (1-9) Original scientific paper UDC: 910.1:51(497.11) DOI: 10.2298/IJGI1201001T SOLSTICE ORIENTATION OF THE ST NICHOLAS’ CHURCH MONASTERY STUDENICA, SERBIA Мilutin Tadić1*, Sava Anđelić** * University of Belgrade - Faculty of Geography ** GH Army of Serbia, Belgrade Received 16 August 2011; reviewed 16 November 2011; accepted 19 March 2012 Abstract: St Nicholas’ Church of the Serbian monastery Studenica was erected in 13th century, before 1230. This is a modest one-nave building with an entrance on the west and the apse on the east side. In order to explain a large deviation of the longitudinal axis of the church from the south- east direction, the following has been done: 1) deviation of the longitudinal axis of the church from the east direction (24o to the NE) was accurately measured; 2) a corresponding sector of true horizon of the church was constructed in the orthographic transverse map projection; 3) the position of the point where ends the line of observation in the vertical axis of the church and the position of the point of actual Sunrise of Summer Solstice were determined topographically on the true horizon. Since the distance between these points is about 1.5o, it can be said that the proto- master probably founded the Church St Nicholas on the basis of Summer Solstice. A direct check made on 21st of June, 2011 confirmed the accuracy of the applied method. Key words: mathematical geography, archeoastronomy, church orientation, the St Nicholas’ church, the Studenica monastery Introduction In the Serbian monastery Studenica, thirty meters southeast of the Virgin Church (Fig. -
History of Dermatology and Venereology in Serbia - Part I: Medieval Dermatovenereology
B. Lalević-Vasić and B. Bobić Serbian Journal of Dermatology and Venereology 2009; 1: 38-45 Medieval dermatovenereology in Serbia DOI: 10.2478/v10249-011-0100-2 History of dermatology and venereology in Serbia - part I: Medieval dermatovenereology Bosiljka M. Lalević-VASIĆ1* and Branko BOBIĆ2 1Institute of Dermatology and Venereology, Clinical Center of Serbia, Belgrade, Serbia 2Branko BOBIĆ, Medical Research Institute, Belgrade, Serbia *Correspondence: Bosiljka LALEVIĆ-VASIĆ, E-mail: [email protected] UDC 616.5(497.11)(091) UDC 616.97(497.11)(091) Abstract Medieval medicine in Serbia used to be the scientific medicine of that time. It included dermatology and venereology, which developed into an independent discipline in the second half of the 19th century. The most relevant sources for studying dermatology and venereology are Serbian medieval medical and therapeutic codices. The terms used in the manuscripts report about the diseases people in Serbia suffered from and were treated for in the Middle Ages. The following diseases were reported: scabies, leprosy, fungal scalp infections, as well as psoriasis, crusts (pyococcal ulcers), granulation, baldness, excessive body hair, leg wounds and old wounds, facial spots, unspecified skin diseases, urethritis and syphilis. Special attention was also given to cosmetics. Topical remedies were applied – various herbs, sulphur, mercury, tar, pyrethrum, plasters, ground glass, auripigment – in the form of a powder, liniment, ointment or plaster. he history is one and indivisible, and all events in the late 18th and early 19th century (1). Similar Tin the development of humankind or a nation developments followed in Serbia, although under together create a real totality. -
Russian Christian Orthodox Icons of the Mother of God George Contis M.D
University of Dayton eCommons Marian Library Art Exhibit Guides Spirituality through Art 2015 Russian Christian Orthodox Icons of the Mother of God George Contis M.D. Follow this and additional works at: https://ecommons.udayton.edu/ml_exhibitguides Recommended Citation Contis, George M.D., "Russian Christian Orthodox Icons of the Mother of God" (2015). Marian Library Art Exhibit Guides. 5. https://ecommons.udayton.edu/ml_exhibitguides/5 This Exhibit Guide is brought to you for free and open access by the Spirituality through Art at eCommons. It has been accepted for inclusion in Marian Library Art Exhibit Guides by an authorized administrator of eCommons. For more information, please contact [email protected], [email protected]. Russian Christian Orthodox Icons of the Mother of God by George Contis, M.D., M.P.H . Russian Christian Orthodox Icons of the Mother of God by George Contis, M.D., M.P.H. Booklet created for the exhibit: Icons from the George Contis Collection Revelation Cast in Bronze SEPTEMBER 15 – NOVEMBER 13, 2015 Marian Library Gallery University of Dayton 300 College Park Dayton, Ohio 45469-1390 937-229-4214 All artifacts displayed in this booklet are included in the exhibit. The Nativity of Christ Triptych. 1650 AD. The Mother of God is depicted lying on her side on the middle left of this icon. Behind her is the swaddled Christ infant over whom are the heads of two cows. Above the Mother of God are two angels and a radiant star. The side panels have six pairs of busts of saints and angels. Christianity came to Russia in 988 when the ruler of Kiev, Prince Vladimir, converted. -
Medieval Music for St. John the Baptist from the Royal
Medieval Music for St. John the Baptist from the Royal Convents of Sigena (Hospitallers) and Las Huelgas (Cistercians) CANTRIX —— Medieval Music for —— Mittelalterliche Musik für —— Musique médiévale pour St. John the Baptist from Johannes den Täufer aus den St-Jean-Baptiste dans the Royal Convents of königlichen Frauen klöstern von les couvents royaux de Sigena Sigena (Hospitallers) and Sigena (Hospitaliterinnen) und (Hospitalières) et Las Huelgas Las Huelgas (Cistercians) Las Huelgas (Zisterzienserinnen) (Cisterciennes) Agnieszka Budzińska-Bennett (AB) — voice, harp, direction / Gesang, Harfe, Leitung / voix, harpe, direction Kelly Landerkin (KL) — voice / Gesang / voix Lorenza Donadini (LD) — voice / Gesang / voix Hanna Järveläinen (HJ) — voice / Gesang / voix Eve Kopli (EK) — voice / Gesang / voix Agnieszka M. Tutton (AT) — voice / Gesang / voix Baptiste Romain (BR) — vielle, bells / Vielle, Glocken / vielle, cloches Mathias Spoerry (MS) — voice / Gesang / voix Instrumente / Instruments Vielle (13th c.) — Roland Suits, Tartu (EE), 2006 Vielle (14th c.) — Judith Kra , Paris (F), 2007 Romanesque harp — Claus Henry Hüttel, Düren (D), 2001 Medieval bells — Michael Metzler, Berlin (D), 2012 Medieval Music for St. John the Baptist from the Royal Convents CANTRIX of Sigena (Hospitallers) and Las Huelgas (Cistercians) 1. Mulierium hodie/INTER NATOS 9. Benedicamus/Hic est enim precursor motet, Germany, 14th c. Benedicamus trope, Huelgas, 13th–14th c. AT, LD, EK (motetus), AB, HJ, KL (tenor), AB & HJ (trope), LD, EK, AT 01:44 BR (bells) 02:00 10. Peire Vidal – S’ieu fos en cort 2. Inter natos V. Hic venit/Preparator veritatis troubadour song, Aquitaine, 12th c. responsorium with prosula, Sigena, 14th–15th c. MS, BR (vielle) 07:04 HJ (verse), AB & LD (prosula), KL, EK, AT 04:04 11. -
Hotel Prohor Pcinjski, Spa Bujanovac Media Center Bujanovac SPA Phone: +38164 5558581; +38161 6154768; [email protected]
Telenet Hotels Network | Serbia Hotel Prohor Pcinjski, Spa Bujanovac Media Center Bujanovac SPA Phone: +38164 5558581; +38161 6154768; www.booking-hotels.biz [email protected] Hotel Prohor Pcinjski, Spa Bujanovac Hotel has 100 beds, 40 rooms in 2 single rooms, 22 double rooms, 5 rooms with three beds, and 11 apartments. Hotel has restaurant, aperitif bar, and parking. Restaurant has 160 seats. All rooms have telephone, TV, and SATV. Bujanovac SPA Serbia Bujanovacka spa is located at the southernmost part of Serbia, 2,5 km away from Bijanovac and 360 km away from Belgrade, at 400 m above sea level. Natural curative factors are thermal mineral waters, curative mud [peloid] and carbon dioxide. Medical page 1 / 9 Indications: rheumatic diseases, recuperation states after injuries and surgery, some cardiovascular diseases, peripheral blood vessel diseases. Medical treatment is provided in the Institute for specialized rehabilitation "Vrelo" in Bujanovacka Spa. The "Vrelo" institute has a diagnostic-therapeutic ward and a hospital ward within its premises. The diagnostic-therapeutic ward is equipped with the most modern means for diagnostics and treatment. Exceptional treatment results are achieved by combining the most modern medical methods with the curative effect of the natural factors - thermal mineral waters, curative mud and natural gas. In the vicinity of Bujanovacka Spa there is Prohorovo, an area with exceptional natural characteristics. In its centre there is the St. Prohor Pcinjski monastery, dating from the 11th century, with a housing complex that was restored for the purpose of tourist accommodation. The Prohorovo area encompasses the valley of the river Pcinja and Mounts Kozjak and Rujan, and is an area exceptionally pleasant for excursions and hunting. -
Course Outline
Course Outline VTBS002 Exploring the New Testament Course Administrator: Mel Perkins Lay Leadership Development Coordinator eLM – Equipping Leadership for Mission Jesus Christ Pantocrator By Dianelos Georgoudis - Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=33098123 Online Format Exploring the New Testament 2 Uniting Church in Australia, Synod of Victoria and Tasmania Greetings, and thank you for registering to be part of the Exploring the New Testament Course. In this Course Outline you will find details about the course, the outcomes and course content, a suggested 15 week study program, the assessment and other helpful information. This course has been developed to be a time of discipleship-forming and faith-expanding learning. This course is an indispensable resource for individuals and church study groups who want to learn more about their faith within a Uniting Church context. The course is also foundational for Lay Preachers, Worship Leaders, Mission Workers, and people engaged in other forms of Christian Leadership. The course integrates the study of theology with the study of scripture. We encourage you to approach your studies with a positive attitude and a willingness to be open to learning. Remember don’t be daunted by what lies ahead, as there will be help along the way. Thanks again for committing this time to your journey of understanding. We pray it will be a time of learning, with some challenge, and a time of deepening faith in God. MODES OF LEARNING Your Presbytery may offer different modes of learning: • Individual • Face-to-face groups • Online groups • A mixture of all or some of the above Talk with the person who looks after education in your Presbytery and find out how what learning modes are available. -
The Art of the Icon: a Theology of Beauty, Illustrated
THE ART OF THE ICON A Theology of Beauty by Paul Evdokimov translated by Fr. Steven Bigham Oakwood Publications Pasadena, California Table of Contents SECTION I: BEAUTY I. The Biblical Vision of Beauty II. The Theology of Beauty in the Fathers III. From Æsthetic to Religious Experience IV. The Word and the Image V. The Ambiguity of Beauty VI. Culture, Art, and Their Charisms VII. Modern Art in the Light of the Icon SECTION II: THE SACRED I. The Biblical and Patristic Cosmology II. The Sacred III. Sacred Time IV. Sacred Space V. The Church Building SECTION III: THE THEOLOGY OF THE ICON I. Historical Preliminaries II. The Passage from Signs to Symbols III. The Icon and the Liturgy IV. The Theology of Presence V. The Theology of the Glory-Light VI. The Biblical Foundation of the Icon VII. Iconoclasm VIII. The Dogmatic Foundation of the Icon IX. The Canons and Creative Liberty X. The Divine Art XI. Apophaticism SECTION IV: A THEOLOGY OF VISION I. Andrei Rublev’s Icon of the Holy Trinity II. The Icon of Our Lady of Vladimir III. The Icon of the Nativity of Christ IV. The Icon of the Lord’s Baptism V. The Icon of the Lord’s Transfiguration VI. The Crucifixion Icon VII. The Icons of Christ’s Resurrection VIII. The Ascension Icon IX. The Pentecost Icon X. The Icon of Divine Wisdom Section I Beauty CHAPTER ONE The Biblical Vision of Beauty “Beauty is the splendor of truth.” So said Plato in an affirmation that the genius of the Greek language completed by coining a single term, kalokagathia. -
Smilja Marjanović-Dušanić, L'écriture Et La Sainteté Dans La Serbie
Cahiers de civilisation médiévale Xe-XIIe siècle 240 bis | 2017 Hors-série 2 Smilja MARJANOVIĆ-DUŠANIĆ, L’écriture et la sainteté dans la Serbie médiévale : étude d’hagiographie Marie-Céline Isaïa Édition électronique URL : http://journals.openedition.org/ccm/5533 DOI : 10.4000/ccm.5533 ISSN : 2119-1026 Éditeur Centre d'études supérieures de civilisation médiévale Édition imprimée Date de publication : 1 décembre 2017 Pagination : 509-511 ISBN : 978-2-490783-02-1 ISSN : 0007-9731 Référence électronique Marie-Céline Isaïa, « Smilja MARJANOVIĆ-DUŠANIĆ, L’écriture et la sainteté dans la Serbie médiévale : étude d’hagiographie », Cahiers de civilisation médiévale [En ligne], 240 bis | 2017, mis en ligne le 01 décembre 2019, consulté le 19 février 2021. URL : http://journals.openedition.org/ccm/5533 ; DOI : https:// doi.org/10.4000/ccm.5533 La revue Cahiers de civilisation médiévale est mise à disposition selon les termes de la Licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. 741190090_INT_CCM 240 bis.pdf - Novembre 27, 2019 - 16:27:55 - 63 sur 112 - 210 x 270 mm - BAT DILA ALFONSO MARINI (éd.) 509 Smilja Marjanović-Dušanić, L’écriture et la sainteté sa mort ; son≈fils saint Sava doit à l’excellence de dans la Serbie médiévale : étude d’hagiographie, ses relations avec Constantinople le privilège de Turnhout, Brepols (Bibliothèque de l’École des relever le monastère de Chilandar sur l’Athos selon hautes études. Sciences religieuses, 179), 2017. ses deux Vies ; de l’autre côté du spectre chrono- logique, Constantin le Philosophe ou de Kostenec, Smilja Marjanović-Dušanić a donné avec Свети formé dans le monastère bulgare de Bačkovo, donne Краљ.