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Girl Power: Feminine Motifs in Japanese Popular Culture David Endresak [email protected]
Eastern Michigan University DigitalCommons@EMU Senior Honors Theses Honors College 2006 Girl Power: Feminine Motifs in Japanese Popular Culture David Endresak [email protected] Follow this and additional works at: http://commons.emich.edu/honors Recommended Citation Endresak, David, "Girl Power: Feminine Motifs in Japanese Popular Culture" (2006). Senior Honors Theses. 322. http://commons.emich.edu/honors/322 This Open Access Senior Honors Thesis is brought to you for free and open access by the Honors College at DigitalCommons@EMU. It has been accepted for inclusion in Senior Honors Theses by an authorized administrator of DigitalCommons@EMU. For more information, please contact lib- [email protected]. Girl Power: Feminine Motifs in Japanese Popular Culture Degree Type Open Access Senior Honors Thesis Department Women's and Gender Studies First Advisor Dr. Gary Evans Second Advisor Dr. Kate Mehuron Third Advisor Dr. Linda Schott This open access senior honors thesis is available at DigitalCommons@EMU: http://commons.emich.edu/honors/322 GIRL POWER: FEMININE MOTIFS IN JAPANESE POPULAR CULTURE By David Endresak A Senior Thesis Submitted to the Eastern Michigan University Honors Program in Partial Fulfillment of the Requirements for Graduation with Honors in Women's and Gender Studies Approved at Ypsilanti, Michigan, on this date _______________________ Dr. Gary Evans___________________________ Supervising Instructor (Print Name and have signed) Dr. Kate Mehuron_________________________ Honors Advisor (Print Name and have signed) Dr. Linda Schott__________________________ Dennis Beagan__________________________ Department Head (Print Name and have signed) Department Head (Print Name and have signed) Dr. Heather L. S. Holmes___________________ Honors Director (Print Name and have signed) 1 Table of Contents Chapter 1: Printed Media.................................................................................................. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. ProQuest Information and Learning 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 800-521-0600 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. THE EARLY FICTION OF MATSUMOTO SEICHO: DETECTIVE FICTION AS SOCIAL CRITIQUE DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of the The Ohio State University By Michael S. Tangeman, M.A. ***** The Ohio State University 2002 Dissertation Committee: Approved by Dr. William J. Tyler, Adviser Dr. Richard Torrance JcMl Dr. Mark Bender / Adviser department of East/Asian Languages and Literatures Reproduced with permission of the copyright owner. -
By: Padraic Costello Thesis Committee: Frederick Lau
OPERA AS JAPANESE CULTURE: CREATIVITY, MODERNITY AND HETEROGENEOUS SOCIAL EXPRESSION IN JAPANESE-COMPOSED OPERA A THESIS SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI‘I AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN ETHNOMUSICOLOGY DECEMBER 2016 By: Padraic Costello Thesis Committee: Frederick Lau, Chairperson Ricardo Trimillos Christine Yano Keywords: Padraic Costello, Japan, Opera, Appropriation, Modernity, Agency, Kata, Domestication, Hybridity, Globalization, Orientalism Table of Contents Abstract iii Acknowledgements v Chapter 1: Introduction 1 Significance 7 Methodology 8 Literature Review 11 Defining Opera – European Origins and Glocal Consumption 22 Chapter 2: Background, Framing, and tHe Historical Legitimation of Japanese Composed Opera 40 History of Pre-War “Japanese Opera” 46 Post-War Historical Legitimation of Opera 74 Chapter 3: Body, Kata, and tHe Domestication of Opera in Japan 83 Konnyakuza Exercise and the Physical Kata of Operatic Gesture 89 Konjikiyasha and Club Macbeth – Physical Gesture and Domestication in Konnyakuza’s Repertoire 104 Gendered Tropes and Post-War Identity in the Pacific War Operas of Saegusa Shigeaki 119 Chapter 4: Language, Sound-Symbolism, and tHe Cultural Diversification of Opera 133 Language Stress, Setting, and Identity 138 Henshin – Language, Diversification, and Decentering “Western” Opera in Hikaru Hayashi’s Works 145 Shiroitori and Joururi - Multi-Language Operas 162 Chapter 5: Musical Juxtaposition, Hybridity, and tHe Heterogeneity -
2018Iapms Conference Booklet
- 0 81A1-A82A8 2 898681,A Welcome address by Faculty of Arts, Communication University of China & Global Media and China Dear participants, It is a great pleasure to welcome you to the 6th IAPMS Conference at the Communication University of China. As the Dean of Faculty of Arts, Communication University of China and the managing editor of Journal Global Media and China, I would like to give the most sincere welcome to all participants who have come from all over the world. We are sure this conference will be a memorable and exceptional experience for all of us. The Faculty of Arts of Communication University of China was set up in July, 2013. Our faculty not only holds the principle of "taking inheritance as the base, fusion as the key, innovation as the soul", but also the ideas of "humanities, science and art", "teaching, scientific research, creation", "study, character, horizon". Meanwhile, faculty of Arts encourages methodological innovations and cutting-edge theoretical development to advance the field of popular music studies. Global Media and China is a peer reviewed, open-access, scholarly journal that provides a dedicated, interdisciplinary forum for international research on communication and media with a focus on China. Covering both Chinese communication and media from a global perspective and global communication and media and from a Chinese perspective, it actively encourages both quantitative and qualitative approaches to media and communications, and social studies while seeking to advance the field by publishing innovative and thought-provoking papers, reviews, and discussions that open up new directions or shed new light on significant issues. -
Japanese Futurity in Neuromancer and the Science Fiction of Masaki Goro
Disenchanting Japan: Japanese Futurity in Neuromancer and the Science Fiction of Masaki Goro Item Type text; Electronic Thesis Authors Garza, James Michael Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 27/09/2021 05:16:15 Link to Item http://hdl.handle.net/10150/193331 DISENCHANTING JAPAN: JAPANESE FUTURITY IN NEUROMANCER AND THE SCIENCE FICTION OF MASAKI GORŌ By James Michael Garza _____________________ Copyright © James Michael Garza 2010 A Thesis Submitted to the Faculty of the DEPARTMENT OF EAST ASIAN STUDIES In Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2010 2 STATEMENT BY AUTHOR This thesis has been submitted in partial fulfillment of requirements for an advanced degree at the University of Arizona and is deposited in the University Library to be made available to borrowers under rules of the Library. Brief quotations from this thesis are allowable without special permission, provided that accurate acknowledgment of source is made. Requests for permission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the copyright holder. SIGNED: __James Michael Garza__ APPROVAL BY THESIS DIRECTOR This thesis has been approved on the date shown below: _ 3-30-10 _ Dr. Philip Gabriel Date Professor of East Asian Studies 3 ACKNOWLEDGEMENTS I would like to acknowledge the following people for their encouragement and assistance: Dr. -
Easternnews Thedailyeasternnews.Com “Tell the Truth and Don’T Be Afraid.” Bush: ‘I Will Not Yield’ President Addresses the Nation on U.S.Response to Terrorist Attacks
Eastern Illinois University The Keep September 2001 9-21-2001 Daily Eastern News: September 21, 2001 Eastern Illinois University Follow this and additional works at: http://thekeep.eiu.edu/den_2001_sep Recommended Citation Eastern Illinois University, "Daily Eastern News: September 21, 2001" (2001). September. 14. http://thekeep.eiu.edu/den_2001_sep/14 This Article is brought to you for free and open access by the 2001 at The Keep. It has been accepted for inclusion in September by an authorized administrator of The Keep. For more information, please contact [email protected]. Friday, September 21, 2001 The Daily Vol. 86 No. 25 EasternNews thedailyeasternnews.com “Tell the truth and don’t be afraid.” Bush: ‘I will not yield’ President addresses the nation on U.S.response to terrorist attacks WASHINGTON (AP) — part, by contributing police forces, President Bush cautioned a shaken intelligence services and banking nation Thursday that there are information. “struggles ahead and dangers to With British Prime Minister face” as America and its allies com- Tony Blair watching from a House bat global terrorism. He announced gallery seat at first lady Laura Bush’s a new Cabinet-level office to fortify right arm, Bush said: homeland defenses. “The civilized world is rallying to Addressing a joint session of America’s side. They understand Congress nine days after suicide that if terror goes unpunished, their hijackers are believed to have killed own cities, their own citizens may be more than 6,000 people at the next.Terror unanswered cannot only Pentagon and World Trade Center, bring down buildings, it can threat- Bush clasped the badge of a slain en the stability of legitimate govern- policeman in his fist. -
Buddhism and Ideology in Japan, 1868-1931
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Buddhism and Ideology in Japan, 1868-1931 Permalink https://escholarship.org/uc/item/9wk4f768 Author Lazopoulos, George Publication Date 2013 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Buddhism and Ideology in Japan, 1868-1931 By George Lazopoulos A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in History in the Graduate Division of the University of California, Berkeley Committee in Charge: Professor Andrew E. Barshay, Chair Professor Mary Elizabeth Berry Professor Alan Tansman Spring 2013 Buddhism and Ideology in Japan, 1868-1931 © 2013 by George Lazopoulos. All rights reserved. ABSTRACT Buddhism and Ideology in Japan, 1868-1931 by George Lazopoulos Doctor of Philosophy in History University of California, Berkeley Professor Andrew E. Barshay, Chair This dissertation is a critical history of Buddhist thought in Japan from 1868 to 1931. During this time, many intellectuals became fascinated with the Buddhism of Japan’s medieval period. Some saw it as a form of religious experience that could overcome the modern problem of alienated existence. Others declared that the cultural history of medieval Japanese Buddhism held the essence of Japanese cultural authenticity. These philosophical and historical interpretations of Buddhism together constituted a modern cultural discourse that I call Japanese Medievalism: a romantic vision of medieval Japan as a world of Buddhist spirituality. This dissertation traces the evolution of Japanese Medievalism, reconstructs its main arguments, and examines its ideological significance as a cultural artifact of modern Japan. Japanese Medievalism had an ambiguous ideological function. -
07-Ghost 100 Byou Cinema: Robo to Shoujo (Kari) 1001 Nights 2001 Ya
07-Ghost Akazukin Chacha 100 Byou Cinema: Robo to Shoujo (Kari) Akazukin Chacha 1001 Nights Akazukin Chacha (1995) 2001 Ya Monogatari Akihabara Dennou-gumi Space Fantasia 2001 Ya Monogatari Alien 9 3x3 Eyes Akihabara Dennou-gumi 3x3 Eyes Seima Densetsu Akihabara Dennou-gumi: 2011 Nen no Natsuyasumi 5-tou ni Naritai. Allison to Lillia Alps no Shoujo Heidi Alps no Shoujo Heidi (1979) A Channel Alps no Shoujo Heidi: Alm no Yama Hen A Channel: The Animation Alps no Shoujo Heidi: Heidi to Clara Hen A Channel +Smile Amaenaide yo!! Aa! Megami-sama! Amaenaide yo!! Aa! Megami-sama! Amaenaide yo!! Katsu!! Aa! Megami-sama! Chicchaitte Koto wa Benri Da ne! Amagami SS Gekijouban Aa! Megami-sama! Amagami SS Aa! Megami-sama! Sorezore no Tsubasa Amagami SS Plus Aa! Megami-sama! Tatakau Tsubasa Amatsuki Aa! Megami-sama! (2011) Andersen Douwa: Ningyo Hime Abenobashi Mahou Shoutengai Android Ana Maico 2010 Accel World OVA Angel Densetsu Acchi Kocchi Angelique Ace o Nerae! Angelique: Shiroi Tsubasa no Memoire Ace o Nerae! Angelique Ace o Nerae! (1979) Koisuru Tenshi Angelique: Kokoro no Mezameru Toki Agatha Christie no Meitantei Poirot to Marple Koisuru Tenshi Angelique: Kagayaki no Ashita Ai Monogatari: 9 Love Stories Neo Angelique Abyss Ai no Kusabi (2012) Neo Angelique Abyss: Second Age Ai Shoujo Pollyanna Story Animation Seisaku Shinkou Kuromi-chan Ai Tenshi Densetsu Wedding Peach Animation Seisaku Shinkou Kuromi-chan Ai Tenshi Densetsu Wedding Peach Animation Seisaku Shinkou Kuromi-chan 2 Ai Tenshi Densetsu Wedding Peach DX Anime Classic Collection Ai yori Aoshi Anime Sanjuushi - Aramis no Bouken Ai yori Aoshi Anime Tenchou Ai yori Aoshi: Enishi Anju to Zushiou Maru Air Anne Frank Monogatari Gekijouban Air Anne no Nikki Air Gear: Kuro no Hane to Nemuri no Mori - Break on the Ano Hi Mita Hana no Namae o Bokutachi wa Mada Sky Shiranai. -
Literary Writing, Print Media, and Urban Space in Modern Japan, 1895-1933
Literary Writing, Print Media, and Urban Space in Modern Japan, 1895-1933 Nathan Shockey Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts of Sciences COLUMBIA UNIVERSITY 2012 © 2012 Nathan Shockey All rights reserved ABSTRACT Literary Writing, Print Media, and Urban Space in Modern Japan, 1895-1933 Nathan Shockey The first decades of the 20th century saw the radical transformation of the ways in which literary media was produced and consumed in Japan. A new mass readership and a widening market for all manner of typographic print formed a rapidly changing ground upon which writers and critics reassessed how, why, and for whom they created works of literature and social thought. This dissertation examines a selection of fictional and critical texts from the turn of the century through the 1930s to demonstrate how mass- produced typographic media both served to produce mass consumer society in this period and functioned as sites for its critique, extending the aesthetic, linguistic, and political horizons of modern Japanese social life. I contend that an engagement with the commodity character of printed text enabled authors to develop experimental practices of writing that problematized the nexus of mutual interactions between printed text, visual media, urban space, and the human body. Chapter 1 traces the rise of magazines and affordable books through the late 1920s to show how new forms of print media served as forums for the dissemination and discussion of alternative models of literary practice and social organization. In Chapter 2, I examine the journal Bungei Jidai (Literary Age, 1924-1927) to explore how a generation of authors born into the age of mass-market print established literary networks, evaluated existing paradigms of reading, and experimented with new forms of writing. -
El Anime Como Dispositivo Pensante: Cuerpo, Tecnología E Identidad
ADVERTIMENT. Lʼaccés als continguts dʼaquesta tesi queda condicionat a lʼacceptació de les condicions dʼús establertes per la següent llicència Creative Commons: http://cat.creativecommons.org/?page_id=184 ADVERTENCIA. El acceso a los contenidos de esta tesis queda condicionado a la aceptación de las condiciones de uso establecidas por la siguiente licencia Creative Commons: http://es.creativecommons.org/blog/licencias/ WARNING. The access to the contents of this doctoral thesis it is limited to the acceptance of the use conditions set by the following Creative Commons license: https://creativecommons.org/licenses/?lang=en EL ANIME COMO DISPOSITIVO PENSANTE: CUERPO, TECNOLOGÍA E IDENTIDAD Tesis doctoral presentada por Alba G. Torrents bajo la dirección de Begonya Sáez Tajafuerce Vanina A. Papalini Universitat Autònoma de Barcelona – Universidad Nacional de Córdoba 2017 Agradecimientos La realización de esta tesis no ha sido fruto del trabajo de un individuo solo, si es que existe tal cosa, sino que puede considerarse expresión de una verdadera individuación colectiva. En ella han participado, indirecta o directamente, multitud de personas que me han animado, han compartido inquietudes, han opinado y me han acompañado en momentos tanto de crisis como de felicidad. De una forma u otra, debo dar las gracias a todas estas personas e instituciones que han hecho posible que pudiera dar a luz a esta tesis, en este largo proceso de gestación que ha durado seis años. En primer lugar, debo agradecer todo el apoyo que me han dado mis directoras, Begonya y Vanina; les doy las gracias por guiarme en el proceso, estar atentas a todas mis dudas y ofrecer todo su saber en la dirección de esta tesis. -
Gesamtliste Aller Namen
Pfadinamen-Verzeichnis - Gesamtliste aller Namen Pfadinamen-Verzeichnis 02.10.2021 A Aabieton Comig-Figur im Heftchen Kinton: Kleiner Zwerg vom Drachen Nimmunete. Er hat immer einen Schlüssel dabei. geeignet für: kleine Pfadis die manchmal einen Schlüssel dabei haben Aajun Eine Stadt in der West-Sahara Aal Fisch geeignet für: grosse und energiegeladene Pfadis Aang Protagonist in "die Legende von Aang". Er ist ein Luftbändiger. geeignet für: sehr verspielte Pfadis, die gerne herumtoben Aayla abgeleitet von Aayla Secura Jedi-Meisterin aus Star Wars. geeignet für: willenseigene und führungsstarke Pfadis. (evtl. Vorliebe für Blau) Abadea Aufgehende Sonne geeignet für: ruhige, strahlende, stets freundliche Pfadis Abahachi Filmfigur; Bruder von Winnetouch und Blutsbruder von Ranger im Film "Der Schuh des Manitu" Abaitscha abgeleitet von Schreibvariante von Abeja Abakus Japanischer Zählramen, entspricht unserem Taschenrechner geeignet für: Pfadis die lieber am PC etwas programmieren und forschen als draussen im Wald spielen Abambo afrikan. Bruder Abanto span. schreckhaft, ungeschickt geeignet für: schreckhafte, tollpatschige Pfadis Abbyan [sprich: Abbian] Afrikanische Stadt Abchandinou schwed. Einhorn geeignet für: mutige, stolze und zufriedene Pfadis Abeille franz. Biene geeignet für: kleine und fleissige Pfadis Abeja span. Biene geeignet für: kleine und fleissige Pfadis Abeya span. Biene abgeleitet von Abeja geeignet für: süsse und fleissige Pfadis Abi-Ro abgeleitet von ''(a)biro nell' orrecchio e Beliebte Foltermethode des Namensträgers. In einer altägyptisch angehauchten Lebensphase tirare sù.'' änderte der Namensträger den Namen selbständig in die definitive Version ab. Abisu ind. Dämon aus dem Horrorilm Possession. (bedeutet "Der, der die Kinder holt") Indischer Nachname geeignet für: Pfadis, die andere Menschen gerne im Griff haben. Ablada Mundart abladen geeignet für: Pfadis die immer alles was sie machen sollten auf andere abschieben Aboki nigerian. -
Master Document Template
Copyright by Kara Lenore Williams 2006 The Dissertation Committee for Kara Lenore Williams Certifies that this is the approved version of the following dissertation: The Impact of Popular Culture Fandom on Perceptions of Japanese Language and Culture Learning: The Case of Student Anime Fans Committee: Zena Moore, Supervisor Yukie Aida Thomas J. Garza Elaine Horwitz Susan J. Napier The Impact of Popular Culture Fandom on Perceptions of Japanese Language and Culture Learning: The Case of Student Anime Fans by Kara Lenore Williams, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2006 Dedication For my family and friends, particularly my fiancé, Michael Stockinger, whose patience, love and support have made this degree possible. For my mentor, Dr. Zena Moore, who generously gave of her wisdom and time to help guide this research. For group of ten special women and men who gave their time, thoughts and ideas to participate in this study. Acknowledgements I am deeply grateful to my supervisor, Dr. Zena Moore, and to Dr. Yukie Aida, Dr. Thomas Garza, Dr. Elaine Horwitz, and Dr. Susan Napier, the members of my committee, for the guidance and inspiration they have provided me in writing my dissertation. v The Impact of Popular Culture Fandom on Perceptions of Japanese Language and Culture Learning: The Case of Student Anime Fans Publication No._____________ Kara Lenore Williams, Ph.D. The University of Texas at Austin, 2006 Supervisor: Zena Moore This research examines the impact of popular culture fandom on perceptions of foreign language and culture learning within a Japanese studies context, using the example of student ‘anime’ (Japanese animation) fans.