(Sid James) Answer: Carry on Don't Lose Your Head
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The Nation's Matron: Hattie Jacques and British Post-War Popular Culture
The Nation’s Matron: Hattie Jacques and British post-war popular culture Estella Tincknell Abstract: Hattie Jacques was a key figure in British post-war popular cinema and culture, condensing a range of contradictions around power, desire, femininity and class through her performances as a comedienne, primarily in the Carry On series of films between 1958 and 1973. Her recurrent casting as ‘Matron’ in five of the hospital-set films in the series has fixed Jacques within the British popular imagination as an archetypal figure. The contested discourses around nursing and the centrality of the NHS to British post-war politics, culture and identity, are explored here in relation to Jacques’s complex star meanings as a ‘fat woman’, ‘spinster’ and authority figure within British popular comedy broadly and the Carry On films specifically. The article argues that Jacques’s star meanings have contributed to nostalgia for a supposedly more equitable society symbolised by socialised medicine and the feminine authority of the matron. Keywords: Hattie Jacques; Matron; Carry On films; ITMA; Hancock’s Half Hour; Sykes; star persona; post-war British cinema; British popular culture; transgression; carnivalesque; comedy; femininity; nursing; class; spinster. 1 Hattie Jacques (1922 – 1980) was a gifted comedienne and actor who is now largely remembered for her roles as an overweight, strict and often lovelorn ‘battle-axe’ in the British Carry On series of low- budget comedy films between 1958 and 1973. A key figure in British post-war popular cinema and culture, Hattie Jacques’s star meanings are condensed around the contradictions she articulated between power, desire, femininity and class. -
Loo* Ocr for Voyr Pockets.The Approaching Anniversaries
' ggs=. -JJ'J The t'ttlvrnnl I »nkc«' Nation. Mu-rlnl, Sailed from BtUtol May J, North Indian Ocean. Auction baic»* NEW Solid a 11 k America, (ttf- WK WERE WRONG IN MAYING THE On ei N S! i i J i I i> 0 S T S C R I P T7 INORAHAM, written Wedueoday cuing. ith nu(., by the llev. Henry l»l< te for the ITrifie. Romance by PIIOKEHSOR W. Fellows, Mr. Grose» il. Km.liiii of ti Arrived at Kail River TV THOMAH HEM MBM». " wouUl this » i*i, but it h Philadelphia. Mav ?, Lionida*, Atlantic 0« o>» For our umi U Soulhem Cart et/uttu/eaor, for the Nation," oppcur Miss IUhkii.t lints, of Stone, of tlii> bbla i|H m. [Stores Not. 21 Jim and 116 Fulton strett.) !>H LAHONK.t'S LECTURES. i£i- daughter " c\pressly A'aph - this morning's Mail, tee fourth o cotnu out in tlic next number. City. A uli-1..U' jv» >i»d up Narin-; I Till nsf)At' \ NINO. MAI :tb? pope. _ l<i/ keemug however, containing no B.yM.yJ, _ FTUDAY? fil l I. The present one i* in go**! On Itli the liev. Ileitis lie.t.d Coin, <lat«prnbr.ldy in FiK./eieu Coffin, Nam. Ai o'clock. in ili»? ties room, an of the sheets. The Wednesday afternoon, inst., by 300 bbt#. Ill's THR r.AKTil. the richest mutter of y large (. ha*e, I'lUiLi 1 !>. Tili.' r, of this to Miss I'Mtm. Piano ForUa, Organ-. -
HANCOCK's HALF HOUR COLLECTIBLES Notes To
HANCOCK’S HALF HOUR COLLECTIBLES Notes to Accompany Volume 3 All photographs copyright (C) BBC (unless otherwise stated) The Tony Hancock Appreciation Society is delighted to have given its support to the production of this new and unique series concerning the lost works of Tony Hancock. Tony Hancock: BBC Publicity Shot for Hancock’s Half Hour, November 1956 The Tony Hancock Appreciation Society (THAS) Since its creation in 1976, the THAS has dedicated itself to preserving and promoting the works of Tony Hancock and, more crucially, to finding his broadcasts that were missing from the archives. Over the decades, these efforts have yielded a wealth of material, most notably lost episodes of his most beloved work on Hancock’s Half Hour for both television and radio. Many of these have now been located and returned to the BBC; some feature in this special series of Collectibles, now into 1 its third volume. However, many still remain lost at this time. In addition, our efforts have found other material – shows recorded before Hancock became a household name – from series such as Calling All Forces, Variety Bandbox and Star Bill. Again, examples of these can be found in this series. In the previous volumes, there was an extensive analysis of missing recordings from Hancock’s radio career, and, as ever, we remain hopeful that some of these recordings will emerge from private collections or, perhaps, the archives of the BBC or other institutions. In these notes, we will focus on a number of missing recordings and shows outside the ‘core’ work Hancock did on his eponymous series and those that preceded it. -
Gb 1456 Thomas
GERALD THOMAS COLLECTION GERALD THOMAS COLLECTION SCOPE AND CONTENT Documents relating to the career of director GERALD THOMAS (Born Hull 10/12/1920, died Beaconsfield 9/11/1993). When Gerald Thomas died, his producer partner of 40 years Peter Rogers said: ‘His epitaph will be that he directed all the Carry On films.’ Indeed, for an intense 20-year period Thomas directed the Carry On gang through their innuendo laden exploits, and became responsible, along with Rogers, for creating one of the most enduring and endearing British film series, earning him his place in British popular culture. Thomas originally studied to become a doctor, before war service with the Royal Sussex Regiment put paid to his medical career. When demobilised in 1946, he took a job as assistant in the cutting rooms of Two Cities Films at Denham Studios, where he took Assistant Editor credits on Laurence Olivier’s Hamlet (1948) and the John Mills thriller The October Man (1947). In 1949, he received his first full credit as editor, on the Margaret Lockwood melodrama Madness of the Heart (1949). During this time Peter Rogers had been working as associate producer with his wife, producer Betty Box, on such films as It’s Not Cricket (1949) and Don’t Ever Leave Me (1949). It was Venetian Bird in 1952 that first brought Thomas and Rogers together; Thomas employed as editor by director brother Ralph, and Rogers part of the producer team with Betty Box. Rogers was keen to form a director/producer pairing (following the successful example of Box and Ralph Thomas), and so gave Gerald his first directing credit on the Circus Friends (1956), a Children’s Film Foundation production. -
October 2019
Up the Wreake! October 2019 The Upper Wreake Community Magazine 2 MAIN STREET FRISBY ON THE WREAKE The Bell Inn MELTON MOWBRAY Fine Ales and Good Food LE14 2NJ FOOD SERVED Tuesday night for Homemade Pies 5.30 – 8.30pm Wednesday to Saturday (Wednesday Sausage and Mash Night) 12.00 – 2.30pm 5.30 – 8.30pm Bookings Traditional Sunday Lunch advised 12.00 – 4.00pm please Quiz Night on the last Tuesday of every month DoTel: you 01664 434736have Email: a [email protected] to Sell orwww.thebellinnfrisby.co.uk Let? Selling or letting your property in the Offer! fees Strawberry earn Wreake area? from selling or –letting 20% of all in the Wreake area will go towards the We offer a FREE no obligation valuation Rotherby Church Fund We provide professional photos We always provide a floor plan for sales and lettings We have over 30 years’ experience within the property industry We have excellent local knowledge and provide realistic valuations One of the last remaining independents, offering a personal, high quality service. www.strawberrylettingsandsales.co.uk Tel: 01509 414787 1 Solar panel repairs and servicing Come to the experts in renewables and energy efficiency We specialize in • Energy efficient gas, oil and biomass boilers 20 year old boiler 60% efficient, new boiler 93% • Solar photovoltaic and solar hot water systems • Servicing and repair of all types of renewables • Energy performance certificates • Energy efficient electrical and plumbing services • OLEV approved vehicle charging installer • Home battery systems from Tesla/Powervolt/Enphase Degree qualified engineers will consult, specify and install your project Visit our website to view our completed projects and customer testimonials CubeRoot Energy Ltd 0116 2603545 www.cuberoot-energy.co.uk 82 Broad Street, Syston, Leicestershire, LE7 1GH Up the Wreake! The magazine provides an open forum for contributions on all aspects of life in the Upper Wreake villages and beyond. -
The Carry on Films
palgrave.com Cultural and Media Studies : British Cinema and TV Gerrard, Steven The Carry On Films Features in-depth discussion of the Carry On films Explores the films’ characters as representations of traditional and contextual masculinity and female sexuality Situates the films in both tradition and contextual worlds Features in-depth analysis of Carry On Sergeant, Carry On Cabby, Carry On At Your Convenience, Carry On Spying, Carry On Screaming!, Carry On Cowboy, and Carry On Up The Khyber Saucy, rude and vulgar—the 31 Carry On films remain an important part of the history of British cinematic and low brow comedy. In this book, Gerrard discusses the Carry On roots in the music halls of the Victorians and the saucy seaside postcards of Donald McGill. Made in post-war Britain, these films reflect a remarkable period of social change as the British Empire Palgrave Macmillan faded and a nation learned to laugh at itself. Nothing was sacred to the Carry On team. James 1st ed. 2016, XI, 252 p. Bond and Cleopatra were mercilessly lampooned, Miss World competitions and toilet factories 1st came in for a cinematic pasting, while Sid James’ laugh, Barbara Windsor’s wiggle, Kenneth edition Williams’ flared nostrils and Charles Hawtrey’s “Oh, hello!” became synonymous with laughter, merriment and fun. Gerrard’s work examines the Carry On films as part of a wider canvas linking both their heritage and tradition to the contextual world they mirrored. The Carry On Printed book Films is an essential read for Carry On fans the country through.< Ding dong! Carry On! Hardcover Printed book Order online at springer.com/booksellers Springer Nature Customer Service Center LLC Hardcover 233 Spring Street ISBN 978-1-137-52004-3 New York, NY 10013 $ 119,99 USA Available T: +1-800-SPRINGER NATURE Discount group (777-4643) or 212-460-1500 Palgrave Standard US (P5) [email protected] Product category Monograph Other renditions Softcover ISBN 978-1-349-70495-8 Prices and other details are subject to change without notice. -
Scout and Guide Stamps Club BULLETIN #302
Scout and Guide Stamps Club BULLETIN 52 Volume 53/ No. 6 (Whole No. 302) NOVEMBER/DECEMBER 2008 1 Editorial Well, this is it - I’ve made a year as the Editor - and a very interesting time it has been as well! Mostly it has gone very smoothly and I am very grateful to those of you who have supported me by sending in articles. I can always do with more - especially for the “My Favourite Scout Stamp” pieces. There have been one or two problems - like letters going astray and e-mails not getting through but overall I feel that it has been a success and from the letters and e-mails that I’ve received I think you do too. So now we approach 2009 and Scouting’s 102nd year. I don’t know about you all but here we are slowly getting a series of Scout Groups celebrating their own Centenaries, with many issuing commemorative badges but, so far, no stamps or postmarks. I’ve been asked by several people about the franking mark that we sue on the Bulletin distribution. I hope that you all notice it was different this time - Guiding instead of Scouting. These franks belong to a company which trades as both “One Stop Scouting” and “One Stop Guiding” and sells items to both Movements, such as scarves (neckers), badges, camping equipment, etc. etc. So whilst it is not strictly a Scouting or Guiding meter mark it is at least strongly related. By the time that you are reading this we will be only about 18 months away from EuroScout 2010, which as I seem to be constantly reminding you is being held in Chelmsford in the UK. -
Shail, Robert, British Film Directors
BRITISH FILM DIRECTORS INTERNATIONAL FILM DIRECTOrs Series Editor: Robert Shail This series of reference guides covers the key film directors of a particular nation or continent. Each volume introduces the work of 100 contemporary and historically important figures, with entries arranged in alphabetical order as an A–Z. The Introduction to each volume sets out the existing context in relation to the study of the national cinema in question, and the place of the film director within the given production/cultural context. Each entry includes both a select bibliography and a complete filmography, and an index of film titles is provided for easy cross-referencing. BRITISH FILM DIRECTORS A CRITI Robert Shail British national cinema has produced an exceptional track record of innovative, ca creative and internationally recognised filmmakers, amongst them Alfred Hitchcock, Michael Powell and David Lean. This tradition continues today with L GUIDE the work of directors as diverse as Neil Jordan, Stephen Frears, Mike Leigh and Ken Loach. This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs. An introduction places the individual entries in context and examines the role and status of the director within British film production. Balancing academic rigour ROBE with accessibility, British Film Directors provides an indispensable reference source for film students at all levels, as well as for the general cinema enthusiast. R Key Features T SHAIL • A complete list of each director’s British feature films • Suggested further reading on each filmmaker • A comprehensive career overview, including biographical information and an assessment of the director’s current critical standing Robert Shail is a Lecturer in Film Studies at the University of Wales Lampeter. -
Historical Inquiry in an Informal Fan Community: Online Source Usage and the TV Show the Tudors
Journal of the Learning Sciences ISSN: 1050-8406 (Print) 1532-7809 (Online) Journal homepage: http://www.tandfonline.com/loi/hlns20 Historical Inquiry in an Informal Fan Community: Online Source Usage and the TV Show The Tudors Jolie Christine Matthews To cite this article: Jolie Christine Matthews (2016) Historical Inquiry in an Informal Fan Community: Online Source Usage and the TV Show The Tudors, Journal of the Learning Sciences, 25:1, 4-50, DOI: 10.1080/10508406.2015.1112285 To link to this article: http://dx.doi.org/10.1080/10508406.2015.1112285 Accepted author version posted online: 29 Oct 2015. Published online: 29 Oct 2015. Submit your article to this journal Article views: 420 View related articles View Crossmark data Citing articles: 4 View citing articles Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=hlns20 Download by: [Northwestern University] Date: 02 March 2017, At: 05:25 THE JOURNAL OF THE LEARNING SCIENCES, 25: 4–50, 2016 Copyright © Taylor & Francis Group, LLC ISSN: 1050-8406 print / 1532-7809 online DOI: 10.1080/10508406.2015.1112285 LEARNING OUTSIDE OF SCHOOL STRAND Historical Inquiry in an Informal Fan Community: Online Source Usage and the TV Show The Tudors Jolie Christine Matthews Department of Learning Sciences Northwestern University This article examines an informal online community dedicated to The Tudors, a his- torical television show, and the ways in which its members engaged with a variety of sources in their discussions of the drama’s real-life past. Data were collected over a 5-month period. -
Carry on Cabby, Gender, and the Local Industrial Power Nexus
Carry on Cabby, Gender, and the Local Industrial Power Nexus Kieron O’Hara More than 900 years have passed since the Norman Conquest, and it is sobering to think that so many centuries of English history, that the slow, beneficent growth of a society so traditional and stable, that the legacy of Shakespeare, Jonson, Dryden and the like-should have issued at last with “Carry On Camping,” which opened yesterday at neighborhood theaters.’ For no man Laughs at old jests ....’ 1. Introduction The Curry On films have for a long time held an important place in British popular culture, although a place not acknowledged in the litera- ture on popular culture as often ‘as one might think. A series of comedy films played by a large ensemble of comedy actors, with little or no claim to art, whose humor would fairly be described as basic, the Curry Ons have a felt Englishness3 about them, often described as analogous to fish and chips, or saucy seaside postcards. They have not endeared them- selves to critics or intellectuals: feminists and the right deplore their near-obsession with the breasts and bottoms of a series of buxom actresses (chiefly Barbara Windsor); the left detect reactionary views: particularly of working relationships, perhaps most in evidence in Kenneth Cope’s doctrinaire and obstructive shop steward in Curry On At Your Convenience. Even where the influence of the Curry Ons is acknowledged without prejudice, it is not generally the case that that influence can be seen as a good one. For example, Peter Hutchings rightly notes the importance of the Curry On tradition for Hitchcock’s Fren~y;~however, no-one would claim that Frenzy was the most politi- cally correct of Hitch’s pictures. -
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Feature CARRY ON SCREENING Bond seduced his beauties here, Barbara Windsor lost her bikini – and Keira Knightley got drenched. David James Smith roams the backlots of Pinewood Studios WATER BABY: Keira Knightley gets immersed in her work xx during the fi lming of Atonement 27 stm29026.indd26 2-3 The Sunday Times Magazine June 29, 2008 June 29, 2008 The Sunday Times Magazine 2719/6/08 17:28:01 Investigation Wanted posters Neighbours were asked if they had seen a foreign show both male and woman; they hadn’t. The police went through the female Ichihashis neighbouring apartment onto the balcony over- looking Ichihashi’s home. It was dark, but they were right next to Ichihashi’s balcony. He had ere nothing is ever quite her, don’t speak to them. This is my community, dragged his bath out onto it and Lindsay was what it seems to be. It should come as no surprise she said, they all know I’m the English teacher, I dead inside it with her hand sticking out, but Hthat the hand-carved solid oak entrance to the have to speak to them. When you’re on the train, the police did not see her. The police could see main building of Pinewood fi lm studios is just read a book, Bill told her. Don’t freak, Dad, there was somebody inside the apartment but, actually an extravagantly grand Elizabethan she said, it’s just crazy Japan. She was always say- their notes said, they could not go in because they fi replace, imported seven decades ago from a ing that. -
The Culture of Queers
THE CULTURE OF QUEERS For around a hundred years up to the Stonewall riots, the word for gay men was ‘queers’. From screaming queens to sensitive vampires and sad young men, and from pulp novels and pornography to the films of Fassbinder, The Culture of Queers explores the history of queer arts and media. Richard Dyer traces the contours of queer culture, examining the differ- ences and continuities with the gay culture which succeeded it. Opening with a discussion of the very concept of ‘queers’, he asks what it means to speak of a sexual grouping having a culture and addresses issues such as gay attitudes to women and the notion of camp. Dyer explores a range of queer culture, from key topics such as fashion and vampires to genres like film noir and the heritage film, and stars such as Charles Hawtrey (outrageous star of the Carry On films) and Rock Hudson. Offering a grounded historical approach to the cultural implications of queerness, The Culture of Queers both insists on the negative cultural con- sequences of the oppression of homosexual men and offers a celebration of queer resistance. Richard Dyer is Professor of Film Studies at The University of Warwick. He is the author of Stars (1979), Now You See It: Studies in Lesbian and Gay Film (Routledge 1990), The Matter of Images (Routledge 1993) and White (Routledge 1997). THE CULTURE OF QUEERS Richard Dyer London and New York First published 2002 by Routledge 11 New Fetter Lane, London EC4P 4EE Simultaneously published in the USA and Canada by Routledge 29 West 35th Street, New York, NY 10001 Routledge is an imprint of the Taylor & Francis Group This edition published in the Taylor and Francis e-Library, 2005.