The Coopers' Company and Coborn School's Alumni Newsletter—March
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Gb 1456 Thomas
GERALD THOMAS COLLECTION GERALD THOMAS COLLECTION SCOPE AND CONTENT Documents relating to the career of director GERALD THOMAS (Born Hull 10/12/1920, died Beaconsfield 9/11/1993). When Gerald Thomas died, his producer partner of 40 years Peter Rogers said: ‘His epitaph will be that he directed all the Carry On films.’ Indeed, for an intense 20-year period Thomas directed the Carry On gang through their innuendo laden exploits, and became responsible, along with Rogers, for creating one of the most enduring and endearing British film series, earning him his place in British popular culture. Thomas originally studied to become a doctor, before war service with the Royal Sussex Regiment put paid to his medical career. When demobilised in 1946, he took a job as assistant in the cutting rooms of Two Cities Films at Denham Studios, where he took Assistant Editor credits on Laurence Olivier’s Hamlet (1948) and the John Mills thriller The October Man (1947). In 1949, he received his first full credit as editor, on the Margaret Lockwood melodrama Madness of the Heart (1949). During this time Peter Rogers had been working as associate producer with his wife, producer Betty Box, on such films as It’s Not Cricket (1949) and Don’t Ever Leave Me (1949). It was Venetian Bird in 1952 that first brought Thomas and Rogers together; Thomas employed as editor by director brother Ralph, and Rogers part of the producer team with Betty Box. Rogers was keen to form a director/producer pairing (following the successful example of Box and Ralph Thomas), and so gave Gerald his first directing credit on the Circus Friends (1956), a Children’s Film Foundation production. -
Scout and Guide Stamps Club BULLETIN #302
Scout and Guide Stamps Club BULLETIN 52 Volume 53/ No. 6 (Whole No. 302) NOVEMBER/DECEMBER 2008 1 Editorial Well, this is it - I’ve made a year as the Editor - and a very interesting time it has been as well! Mostly it has gone very smoothly and I am very grateful to those of you who have supported me by sending in articles. I can always do with more - especially for the “My Favourite Scout Stamp” pieces. There have been one or two problems - like letters going astray and e-mails not getting through but overall I feel that it has been a success and from the letters and e-mails that I’ve received I think you do too. So now we approach 2009 and Scouting’s 102nd year. I don’t know about you all but here we are slowly getting a series of Scout Groups celebrating their own Centenaries, with many issuing commemorative badges but, so far, no stamps or postmarks. I’ve been asked by several people about the franking mark that we sue on the Bulletin distribution. I hope that you all notice it was different this time - Guiding instead of Scouting. These franks belong to a company which trades as both “One Stop Scouting” and “One Stop Guiding” and sells items to both Movements, such as scarves (neckers), badges, camping equipment, etc. etc. So whilst it is not strictly a Scouting or Guiding meter mark it is at least strongly related. By the time that you are reading this we will be only about 18 months away from EuroScout 2010, which as I seem to be constantly reminding you is being held in Chelmsford in the UK. -
Carry on Cabby, Gender, and the Local Industrial Power Nexus
Carry on Cabby, Gender, and the Local Industrial Power Nexus Kieron O’Hara More than 900 years have passed since the Norman Conquest, and it is sobering to think that so many centuries of English history, that the slow, beneficent growth of a society so traditional and stable, that the legacy of Shakespeare, Jonson, Dryden and the like-should have issued at last with “Carry On Camping,” which opened yesterday at neighborhood theaters.’ For no man Laughs at old jests ....’ 1. Introduction The Curry On films have for a long time held an important place in British popular culture, although a place not acknowledged in the litera- ture on popular culture as often ‘as one might think. A series of comedy films played by a large ensemble of comedy actors, with little or no claim to art, whose humor would fairly be described as basic, the Curry Ons have a felt Englishness3 about them, often described as analogous to fish and chips, or saucy seaside postcards. They have not endeared them- selves to critics or intellectuals: feminists and the right deplore their near-obsession with the breasts and bottoms of a series of buxom actresses (chiefly Barbara Windsor); the left detect reactionary views: particularly of working relationships, perhaps most in evidence in Kenneth Cope’s doctrinaire and obstructive shop steward in Curry On At Your Convenience. Even where the influence of the Curry Ons is acknowledged without prejudice, it is not generally the case that that influence can be seen as a good one. For example, Peter Hutchings rightly notes the importance of the Curry On tradition for Hitchcock’s Fren~y;~however, no-one would claim that Frenzy was the most politi- cally correct of Hitch’s pictures. -
Apex Publishing
Apex Publishing Ltd PO Box 7086, Clacton on Sea, Essex, CO15 5WN, United Kingdom Tel: 01255 428500 E-mail: [email protected] Website: www.apexpublishing.co.uk _______________________________________________________________________________________ BOOK EXTRACT Title: The Official Carry On Facts, Figures & Statistics Author: Kevin Snelgrove Foreword by: Alan Hume and Jack Douglas Publication Date: 21 March 2008 Page Extent: 150 ISBN: 1-906358-09-5 ISBN 13: 978-1-906358-09-9 Book Type: Hardback Classification: Television Price: £9.99 _______________________________________________________________________________________ A–Z Guide A is for Abroad (1972), Again Doctor (1969), At Your Convenience (1971), Again Christmas (1970) and And in My Lady’s Chamber (1975) = 5 B is for Behind (1975) = 1 C is for Cabby (1963), Camping (1968), Cleo (1964), Columbus (1992), Constable (1959), Cowboy (1965), Cruising (1962), Christmas (1969), Christmas (1972), Christmas (1973) and Christmas Classics (1983) = 11 D is for Dick (1974), Doctor (1967) and Don’t Lose Your Head (1966) = 3 E is for Emmannuelle (1978) and England (1976) = 2 F is for Follow that Camel (1967) = 1 G is for Girls (1973) = 1 H is for Henry (1970) = 1 J is for Jack (1963) = 1 L is for Loving (1970), LampPosts of the Empire (1975), London (1973/75) and Laughing with The Slimming Factory (1975) = 4 M is for Matron (1971) = 1 N is for Nurse (1958) and Norbert Smith – A Life (1989) = 2 O is for Orgy and Bess (1975) and One in the Eye for Harold (1975) = 2 R is for Regardless (1960) = -
Issue 64 Email and Web Version.Pdf
DAY 1, TUESDAY, 27TH APRIL, 2021 - 10AM START LOTS 1-609 Lot Description Estimate Postcards, Sussex, a collection of approx. 41 cards of Sussex villages and towns with many street scenes. RP's inc. Fernhurst Village Green, Ashdown Forest Village, Graffham, Bacon Hotel Crowborough, Old Houses Crawley £80-120 1 Green, Barcombe, Church St Old Bexhill, Barnham War Memorial. Also many (plus BP*) good printed street scenes inc. High St Old Bosham, Cowfold, Chailey Church & P.O., Hurst Green, Cocking Village, Ditchling, Falmer, Bramber, Guildford Rd Bucksgreen, P.O. Plaistow, etc (mainly gd) Postcards, Sussex, a collection of approx. 44 cards of Sussex villages, towns & views, with many street scenes. RP's include The Schools Clapham, Barcombe Mill, Bolney Vicarage, Playdon Windmill, The Square Findon, Browning's £100-150 2 Manor Road, Blackboys, Harveys Glynde, Effingham Cross Roads Copthorne. (plus BP*) Also printed cards of Royal Mail Parcel Post Motor Coach Friars Oak, Bramber Floods, Fernhurst Green, Felpham, Plaistow, Bignor, Angmering, Ewhurst, Ditchling, Graffham etc (mainly gd) Postcards, Sussex, a selection of approx. 24 cards of Worthing, with RP's of Burlington Hotel, Marine Parade, County High School, War Memorial (3), £40-60 3 Wrecked Pier (4 different), Town Hall, also pull-out, court size, printed street (plus BP*) scenes and views etc (mixed condition, fair/gd) Postcards, Sussex, a good selection of approx. 44 cards with many street scenes and villages. RP's inc. The Square Findon, Vicarage Lane Felpham, Bramber, Burwash, Hartfield, Buxted Park Avenue, Old Vicarage & War Memorial Alfriston, Monastery Crawley, Vicarage Compton, Vale Wood Road £100-150 4 Barns Green, The Shanty Fairlight (Douglas Miller), Beached German (plus BP*) submarine Hastings etc. -
THE TELEVISION ANNUAL for 196O the Most Eminent Actors and Actresseson the British Stage Nowadays Appear in Television
THE TELEVISION ANNUAL FOR 196o The most eminent actors and actresseson the British stage nowadays appear in television. Vivien Leigh chose the unusual playThe Skin of Our Teeth,when she appeared for Granada. According to the "audience ratings", however,the play was not popular with viewers. THE TV REVOLUTION KENNETH BAILYSurveys the Non -Stop Development of British Television THE expansion of television, in numbers of viewers and in organization behind the programmes, has made a rapid spurt. In size and complexity, what is involved in television today was undreamed of only five years ago. Gone for ever are the days when every viewer knew where each programme was coming from, and knew that the BBC was responsible for all that he saw. Today many a viewer finds himself lost in a tangle of symbols like ATV, AR, ABC, TTT, TWW, and more; understanding of what goes on is fogged by varied "channel" numbers; by such slogans as "Granada from the North" when the programme comes from Chelsea; and by a mixture of ITV "boss" names always popping up in the press, like Parnell, Bernstein, Grade, Brownrigg and Adorian. Those old familiar names, Alexandra Palace and Lime Grove, which once meant the absolute source of all British television, are now lost among the mostly unnamed and little publicised studios of ITV in London and the provinces. And much that is seen comes out of film cans from Hollywood, New York, Elstree and Teddington, produced out of a vortex of film -cum -TV financiers, producers, distributors and others. The maze of operations which is television today contrasts sharply with the tiny beginning, and the slow start. -
Carry on Teacher
Carry On Teacher UK : 1959 : dir. Gerald Thomas : Anglo Amalgamated / Beaconsfield : 86 min prod: Peter Rogers & Gerald Thomas : scr: Norman Hudis : dir.ph.: Richard O’Sullivan ………….…………………..……………………………………………………… Ted Ray; Leslie Phillips; Kenneth Williams; Kenneth Connor; Hattie Jacques; Joan Sims; Charles Hawtrey; Rosalind Knight; Cyril Chamberlain; George Howell; Diana Beevers; Jacqueline Lewis; Roy Hines; Carol White; Jane White; Paul Cole; Larry Dann Ref: Pages Sources Stills Words Ω 8 M Copy on VHS Last Viewed 2258a 3 8 0 1,687 Yes Sept 1997 Halliwell’s Film Guide general note following a The British Film Catalogue 1895-1985 listing: review of “CARRY ON SERGEANT”: “Comedy. Pupils play tricks on inspectors so “...From this unlikely beginning sprang that their headmaster’s transfer will be almost twenty years of CARRY ONs, their rejected.” plots gradually disappearing under an accumulation of old jokes which grew steadily bluer. Colour did little to disguise Movies on TV and Videocassette 1988-89 their makeshift construction, and they review: never raised their sights as high as satire, but they became a British institution like “Dean of a private school1 wants a better fish and chips, and many of the regulars position, but his students and classmates wish became stars. Apart from Williams, him to stay2, so they sabotage a scheduled Hawtrey and Connor, those most regularly inspection to make him look bad. **1/2 ” featured in the sequels were Sid James, Bernard Bresslaw, Jim Dale, Joan Sims, Hattie Jacques, Peter Butterworth, and The Sunday Times Guide to Movies on Jack Douglas, with occasional guests such Television review: as Harry H Corbett, Juliet Mills and even Phil Silvers. -
Theatres Capability Rapid Improvement Event
Theatres Capability Rapid Improvement Event Sponsor: Director of Change Sensei: A Leader 1 2 3 4 5 6 7 8 9 Team Members: Hattie Jacques, Sid James, Charles Hawtrey, Bernard Bresslaw, Kenneth Connor, Date Initiated: 25th Sept ‘09 Kenneth Williams, Joan Sims, Barbara Windsor, Jim Dale Event Date: 12 to 16 Oct ‘09 Facilitator: A Helper Process Owner: Dr A Medic End Date: Mar 09 Urgery Go No Go 7. Completion/Implementation Plan Go No Go 1. Reason for Action Go No Go 4. Gap Analysis The Cause of the Problems creating gaps between initial & target state in themes A, B, C & D PATHWAY THEME Types of What Who Start Date Completion Date RAG There is a need to find the capacity in the Day Surgery Change Units to accommodate patients who are being allocated Theatres Capability should consider the following: A. Late Starts/Early Finishes B. Equipment failures Projects Investigate the possibility of new operating trolleys – arrange Sid James 15 Oct ’09 Loan trolleys to be in Done ‘in patient’ beds at St Eleswhere’s who should be day for loan trolleys to evaluate. use by end Oct ’09 A Delivery 8. Personal preference leads to many types of case. Sessions often do not start on time and sometimes finish early 1. Personal disorganisation/attitude Evaluate the trial of operating trolleys and make a case Sid James and Hattie Jaques 13 Nov ’09 7 Dec ‘09 2. Inappropriate timetable equipment for a variety of reasons. Cancelled operating sessions are not Investigate whether staff banding is appropriate Charles Hawtrey 19 Oct ’09 20 Nov ’09 There is the potential to increase utilisation of Day often picked up by other surgeons or specialties 3. -
Nme-1959-03-13-S-Ocr
Nero Musical Frrnrems-March13, 1959. IN THIS ISSUE: LONNIE JOHNNIE EXTRA 4 -PAGE SUPPLEMENT ON DONEGAN RAY No.635 EVERY FRIDAY1.1:1('E6d. March13,1959 Registered at the G.R.0 as a Newspaper JANE MORGAN'S IFI COULD LIVE MY MAX LIFE AGAIN BYGRAVES BILLY FURY'S THE MUSICAL BARRY SISTERS Napoli Napoli MAYBE LITTLE TOMORROW BOY BLUE EXPRESS F 11119 15,78 THE PETER. MAURICE MUSIC CO. LTD. 21 Denmark Street, London, W.C.2 TEM 3856 WORLD'S LARGEST SALE-ABC certified figures TOP' RANK TOP RANK is the label to watch ! TOP RANK presents thetops in pops from the big namesand the new names. This week two exciting newcomers bring you two great couplings. America'sSHEILA BUXTON queen of the big THIS WEEK'S beat, Dotty Fred- New erick, with some swinging rock... Releases And Tony Hatch playing some really DOTTY FREDERICK stylish piano with RICKY coupled with JUST WAIT JAR 106 (45 & 78) smooth instrumental backingand first rate arrangements. A n d LOOK OUTforthe first issues by TOP RANK'S outstanding contract stars -SHEI LA BUXTON, JOHNNY DANKWORTH, DICKIE HENDERSON, and many more-in yourshopJOHNNYDANKWORTH soon. There'll be singles aplenty and a terrific pro- grammeofgreatEPsand LPs from British and American artistesinallcategories. Yes-TOP RANK is the label to watch! TONY HATCH CHICK coupled with SIDE SADDLE JAR 107 (45 & 78) HARRY SIMEONE'SCHORALE THE KNIGHTSBRIDGE BRASS The Little Drummer Boy lo Sono 11 Vento (For you my lover) BALLAD Die Lorelei JAR101 (45 & 78) Italian Blu JAR 104 (45 & 78) THE BELL NOTES AN OUTSTANDING PROGRAMME OF I've Had it BRITISH AND AMERICAN E.P. -
Trevor Shakes Special Edition
The Quintessential info provider for the Soul Survivor 1ST FEB 2021 - 31ST MAR 2021 Issue 90 - The Music Aquarium Issue Trevor Shakes Special Edition TREVORTREVORTREVORTREVORTREVORTREVOR SHAKESSHAKESSHAKESSHAKESSHAKESSHAKES TREVORTREVORTREVORTREVORTREVORTREVOR SHAKESSHAKESSHAKESSHAKESSHAKESSHAKES Trevor Shakes is a name that was often mentioned as I was cutting my teeth on the club scene from my mid to late teenage years. His dancing deejay and modelling career set a precedent for future generations to pursue a career in the entertainment world, especially if you were from the aspiring African Diaspora. Coming from the first Windrush generation born in the late 1950s his legacy has been spoken about like it is folk law and his media elusiveness has added to the myth of his history, until now. Trevor has been approached by many to tell his story and declined. However we have had a close friendship since 1994 and after twelve years of trying to document him he agreed to give us an exclusive and tell us his story. It is a bitter sweet but incredible rag to riches journey much of which he achieved at such a young age. It’s a long but very worthwhile read. Enjoy. Fitzroy. Tell us about growing up in Canning Town? unfolded when I got caught. I was actually born in Stepney, East London and So when did you move to Silvertown? lived my early years in Mile End, 78 Eric Street to be exact. We lived next door to Bernard Bresslaw’s Mum. We first moved when I was six years old to 47 Bernard was a prominent actor in the Carry On films. -
(Sid James) Answer: Carry on Don't Lose Your Head
Lancaster Citv Ouiz Leasue. Cup Quarter Finals. Questions for Monday 24th Apil2017. Questions set by the Halton Social Club. Note: Rounds 9 and l0 provided in the event of scores being level at the end of round 8. Only the answers highlighted in bold type are required. Round 1: Stop Messing About Given the character names and the actor who played them, name the Carry On Films 1A Citizen Camerrbert (Kenneth Williams) and Sir Rodney Ffing aka The Black Fingernail (Sid James) answer: carry on Don't Lose your Head 18 Calpurnia (Joan Sims) and Senna Pod, wife of Hengis Pod (Sheila Hancock) Answer: Carry On Cleo 2A Doctor watt (Kenneth williams) and lnspector Bung (Harry H corbett) Answer: Carry On Screaming 2B Sir Sidney RuffDiamond (Sid James) and Bungdit Din (Bernard Bresslaw) Answer: Carry On Up The Kyber 34 Sir Roger de Lodgerley (Charles Hawtrey) and Cardinal Wolsey (Terry Scott) Answer: Carry On Henry 38 Sid Boggle (Sid James) and Babs (Barbara Windsor) Answer: Carry On Camping 4A Sergeant Knocker (Phil Silvers) and captain Le pice (charles Hawtrey) Answer: Carry On FoIIow That Camel 4B Sid Plummer (Sid James) and WC Bogg (Kenneth Williams) Answer: Carry On At Your Convenience spare: Gladstone Screwer (Sid James) and DoctorNookie (Jim Dale) Answer: Carry On Again Doctor Round 2: 17th and 18th Century Classics Given the book or play title, name the author 1A Tale of a Tub Answer: Johnathon Swift lB Joumal of the Plague Year Answer: Daniel Defoe 2A Duchess of Malfi Answer: John Webster 2B The Castle of Otranto Answer: Horace Walpole 3A -
Traditional Cockney and Popular London Speech
Dialectologia 9 (2012), 69-94. ISSN: 2013-2247 Received 7 September 2011. Accepted 17 October 2011. TRADITIONAL COCKNEY AND POPULAR LONDON SPEECH Brian MOTT Universitat de Barcelona [email protected] Abstract This paper gives a full description of the phonetics and phonology of Traditional Cockney and Popular London speech, treating these varieties as constituting a continuum rather than two separate dialects. Exemplification of the vowels, diphthongs and consonants is provided, both in isolate words and in connected speech, along with their range of variation. The frequencies of the vowels have been charted on the basis of the pronunciation of three elderly male speakers. Regarding the consonants, there are detailed observations on the features typically associated with the linguistic varieties examined: strong aspiration of unvoiced plosives, glottalization, H-dropping, L-vocalization and TH-fronting. A section on prosody provides coverage of lexical stress, rhythm and intonation. The paper takes into account up-to- date research on these phenomena, but does not deal with the most recent vowel shifts, some of which form part of Multi-cultural London English. Keywords English dialectology, English sociolinguistics, Cockney, Popular London speech EL “COCKNEY” TRADICIONAL Y EL HABLA POPULAR LONDINENSE Resumen El presente artículo proporciona una descripción detallada del “Cockney” tradicional (TC) y del habla popular londinense (PLS), que, para nuestro propósito, se consideran constituyentes de un continuo lingüístico, diferenciado al máximo de la así llamada “Received Pronunciation” (RP), antes que dos 69 ©Universitat de Barcelona Brian Mott variedades distintas. Se ofrece abundante ejemplificación de la articulación de las vocales, los diptongos y las consonantes, tanto en palabras aisladas como en la cadena hablada, junto con explicaciones sobre la gama de variación que estos segmentos presentan.