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A Strategy for Westminster City Council's Markets 2019-2022
A strategy for Westminster City Council’s markets 2019-2022 Subject to review and approval by the Licensing Committee on 20 March 2019 2 A STRATEGY FOR WESTMINSTER CITY COUNCIL’S MARKETS Contents 3 Executive summary 1. Introduction 5 2. About the City of Westminster 6 3. The vision for our markets 8 4. Consultation overview 9 5. The strategy 10 6. Progress to date 18 7. Evaluation 19 Appendices 22 Appendix 1: Consultation Response Appendix 2: Local plans by market 4 Executive summary In 2018 Westminster City Council ran a public consultation on our markets over 12 weeks (6 August to 29 October). 838 responses were received from residents, traders, workers and business owners. Wider views were provided by 60 people who attended drop-in sessions. The results showed strong support for: the markets becoming more sustainable via reduced plastic use and increased recycling; greater community involvement; more seating; attracting young people, local residents and start-ups to trade at our markets; information and promotion online for all markets and a wider range of products being available. Market traders (73 responded) were also consulted separately on changes to fees and charges. The proposals were approved by Westminster City Council’s Licensing Committee on 28 November 2018 and the papers can be downloaded from the council’s website here. A STRATEGY FOR WESTMINSTER CITY COUNCIL’S MARKETS For this reason, the strategy does not discuss the agreed changes to fees and charges. Broadly, traders shared the same views as non- traders in terms of the areas we need to support for the future. -
University of California, Los Angeles. Department of Dance Master's Theses UARC.0666
http://oac.cdlib.org/findaid/ark:/13030/c8833tht No online items Finding Aid for the University of California, Los Angeles. Department of Dance Master's theses UARC.0666 Finding aid prepared by University Archives staff, 1998 June; revised by Katharine A. Lawrie; 2013 October. UCLA Library Special Collections Online finding aid last updated 2021 August 11. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections UARC.0666 1 Contributing Institution: UCLA Library Special Collections Title: University of California, Los Angeles. Department of Dance Master's theses Creator: University of California, Los Angeles. Department of Dance Identifier/Call Number: UARC.0666 Physical Description: 30 Linear Feet(30 cartons) Date (inclusive): 1958-1994 Abstract: Record Series 666 contains Master's theses generated within the UCLA Dance Department between 1958 and 1988. Language of Material: Materials are in English. Conditions Governing Access Open for research. All requests to access special collections materials must be made in advance using the request button located on this page. Conditions Governing Reproduction and Use Copyright of portions of this collection has been assigned to The Regents of the University of California. The UCLA University Archives can grant permission to publish for materials to which it holds the copyright. All requests for permission to publish or quote must be submitted in writing to the UCLA University Archivist. Preferred Citation [Identification of item], University of California, Los Angeles. Department of Dance Master's theses (University Archives Record Series 666). UCLA Library Special Collections, University Archives, University of California, Los Angeles. -
Redalyc.Mambo on 2: the Birth of a New Form of Dance in New York City
Centro Journal ISSN: 1538-6279 [email protected] The City University of New York Estados Unidos Hutchinson, Sydney Mambo On 2: The Birth of a New Form of Dance in New York City Centro Journal, vol. XVI, núm. 2, fall, 2004, pp. 108-137 The City University of New York New York, Estados Unidos Available in: http://www.redalyc.org/articulo.oa?id=37716209 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative Hutchinson(v10).qxd 3/1/05 7:27 AM Page 108 CENTRO Journal Volume7 xv1 Number 2 fall 2004 Mambo On 2: The Birth of a New Form of Dance in New York City SYDNEY HUTCHINSON ABSTRACT As Nuyorican musicians were laboring to develop the unique sounds of New York mambo and salsa, Nuyorican dancers were working just as hard to create a new form of dance. This dance, now known as “on 2” mambo, or salsa, for its relationship to the clave, is the first uniquely North American form of vernacular Latino dance on the East Coast. This paper traces the New York mambo’s develop- ment from its beginnings at the Palladium Ballroom through the salsa and hustle years and up to the present time. The current period is characterized by increasing growth, commercialization, codification, and a blending with other modern, urban dance genres such as hip-hop. [Key words: salsa, mambo, hustle, New York, Palladium, music, dance] [ 109 ] Hutchinson(v10).qxd 3/1/05 7:27 AM Page 110 While stepping on count one, two, or three may seem at first glance to be an unimportant detail, to New York dancers it makes a world of difference. -
Rare Long-Let Freehold Investment Opportunity INVESTMENT SUMMARY
26 DEAN STREET LONDON W1 Rare Long-Let Freehold Investment Opportunity INVESTMENT SUMMARY • Freehold. • Prominently positioned restaurant and ancillary building fronting Dean Street, one of Soho’s premier addresses. • Soho is renowned for being London’s most vibrant and dynamic sub-market in the West End due to its unrivalled amenity provisions and evolutionary nature. • Restaurant and ancillary accommodation totalling 2,325 sq ft (216.1 sq m) arranged over basement, ground and three uppers floors. • Single let to Leoni’s Quo Vadis Limited until 25 December 2034 (14.1 years to expiry). • Home to Quo Vadis, a historic Soho private members club and restaurant, founded almost a 100 years ago. • Restaurant t/a Barrafina’s flagship London restaurant, which has retained its Michelin star since awarded in 2013. • Total passing rent £77,100 per annum, which reflects an average rent of £33.16 per sq ft. • Next open market rent review December 2020. • No VAT applicable. Offers are invited in excess of £2,325,000 (Two Million Three Hundred and Twenty-Five Thousand Pounds), subject to contract. Pricing at this level reflects a net initial yield of 3.12% (after allowing for purchaser’s costs of 6.35%) and a capital value of £1,000 per sq ft. Canary Wharf The Shard The City London Eye South Bank Covent Garden Charing Cross Holborn Trafalgar Square Leicester Square Tottenham Court Road 26 DEAN Leicester Square STREET Soho Square Gardens Tottenham Court Road Western Ticket Hall Oxford Street London West End LOCATION & SITUATION Soho has long cemented its reputation as the excellent. -
The Miseducation of Hip-Hop Dance: Authenticity, and the Commodification of Cultural Identities
The Miseducation of Hip-Hop dance: Authenticity, and the commodification of cultural identities. E. Moncell Durden., Assistant Professor of Practice University of Southern California Glorya Kaufman School of Dance Introduction Hip-hop dance has become one of the most popular forms of dance expression in the world. The explosion of hip-hop movement and culture in the 1980s provided unprecedented opportunities to inner-city youth to gain a different access to the “American” dream; some companies saw the value in using this new art form to market their products for commercial and consumer growth. This explosion also aided in an early downfall of hip-hop’s first dance form, breaking. The form would rise again a decade later with a vengeance, bringing older breakers out of retirement and pushing new generations to develop the technical acuity to extraordinary levels of artistic corporeal genius. We will begin with hip-hop’s arduous beginnings. Born and raised on the sidewalks and playgrounds of New York’s asphalt jungle, this youthful energy that became known as hip-hop emerged from aspects of cultural expressions that survived political abandonment, economic struggles, environmental turmoil and gang activity. These living conditions can be attributed to high unemployment, exceptionally organized drug distribution, corrupt police departments, a failed fire department response system, and Robert Moses’ building of the Cross-Bronx Expressway, which caused middle and upper-class residents to migrate North. The South Bronx lost 600,000 jobs and displaced more than 5,000 families. Between 1973 and 1977, and more than 30,000 fires were set in the South Bronx, which gave rise to the phrase “The Bronx is Burning.” This marginalized the black and Latino communities and left the youth feeling unrepresented, and hip-hop gave restless inner-city kids a voice. -
DANCE 124 Rev Aug 2020
COURSE OUTLINE : DANCE 124 D Credit – Degree Applicable COURSE ID 001133 AUGUST 2020 COURSE DISCIPLINE : DANCE COURSE NUMBER : 124 COURSE TITLE (FULL) : Hip-Hop I COURSE TITLE (SHORT) : Hip-Hop I CATALOG DESCRIPTION DANCE 124 provides students with practical experience in current hip-hop techniques, such as popping, locking, and ticking. Through exercise and discussion the course emphasizes the development of coordination, strength, cardiovascular fitness, and rhythm necessary to meet the demands of high intensity performance skills in the popular street dancing trends. The students are also encouraged to develop individual interpretation and personal style indigenous to this dance form. Total Lecture Units: 1.00 Total Laboratory Units: 0.50 Total Course Units: 1.50 Total Lecture Hours: 18.00 Total Laboratory Hours: 27.00 Total Laboratory Hours To Be Arranged: 0.00 Total Contact Hours: 45.00 Total Out-of-Class Hours: 36.00 Prerequisite: None. GLENDALE COMMUNITY COLLEGE --FOR COMPLETE OUTLINE OF RECORD SEE GCC WEBCMS DATABASE-- Page 1 of 4 COURSE OUTLINE : DANCE 124 D Credit – Degree Applicable COURSE ID 001133 AUGUST 2020 ENTRY STANDARDS Subject Number Title Description Include 1 Read, write, and converse in English; Yes 2 add, subtract, divide, and multiply. Yes EXIT STANDARDS 1 Reproduce a basic hip-hop warm-up; 2 interpret a basic hip-hop combination; 3 examine the application of hip-hop terminology as utilized in live, video and in class performance; 4 compare the development of hip-hop technique from Breakdancing to Funk styles. STUDENT LEARNING OUTCOMES 1 analyze and define basic hip-hop dance terminology and center work; 2 practice correct hip-hop dance placement and dynamic alignment. -
Fiscal Year 2017 Appropriations Request
National Endowment for the Arts Appropriations Request For Fiscal Year 2017 Submitted to the Congress February 2016 National Endowment for the Arts Appropriations Request for Fiscal Year 2017 Submitted to the Congress February 2016 TABLE OF CONTENTS I. Overview ......................................................................... 1 II. Creation of Art .............................................................. 21 III. Engaging the Public with Art ........................................ 33 IV. Promoting Public Knowledge and Understanding ........ 83 V. Program Support ......................................................... 107 VI. Salaries and Expenses ................................................. 115 www.arts.gov BLANK PAGE National Endowment for the Arts – Appropriations Request for FY 2017 OVERVIEW The National Endowment for the Arts (NEA) is America’s chief funder and supporter of the arts. As an independent Federal agency, the NEA celebrates the arts as a national priority, critical to America’s future. More than anything, the arts provide a space for us to create and express. Through grants given to thousands of non-profits each year, the NEA helps people in communities across America experience the arts and exercise their creativity. From visual arts to digital arts, opera to jazz, film to literature, theater to dance, to folk and traditional arts, healing arts to arts education, the NEA supports a broad range of America’s artistic expression. Throughout the last 50 years, the NEA has made a significant contribution to art and culture in America. The NEA has made over 147,000 grants totaling more than $5 billion dollars, leveraging up to ten times that amount through private philanthropies and local municipalities. The NEA further extends its work through partnerships with state arts agencies, regional arts organizations, local leaders, and other Federal agencies, reaching rural, suburban, and metropolitan areas in all 50 states, the District of Columbia, special jurisdictions, and military installations. -
Secret Side of London Scavenger Hunt
Secret Side of London Scavenger Hunt What better way to celebrate The Senior Section Spectacular than by exploring one of the greatest cities in the world! London is full of interesting places, monuments and fascinating museums, many of which are undiscovered by visitors to our capital city. This scavenger hunt is all about exploring a side to London you might never have seen before… (all these places are free to visit!) There are 100 Quests - how many can you complete and how many points can you earn? You will need to plan your own route – it will not be possible to complete all the challenges set in one day, but the idea is to choose parts of London you want to explore and complete as many quests as possible. Read through the whole resource before starting out, as there are many quests to choose from and bonus points to earn… Have a great day! The Secret Side of London Scavenger Hunt resource was put together by a team of Senior Section leaders in Hampshire North to celebrate The Senior Section Spectacular in 2016. As a county, we used this resource as part of a centenary event with teams of Senior Section from across the county all taking part on the same day. We hope this resource might inspire other similar events or maybe just as a way to explore London on a unit day trip…its up to you! If you would like a badge to mark taking part in this challenge, you can order a Hampshire North County badge designed by members of The Senior Section to celebrate the centenary (see photo below). -
A History of the French in London Liberty, Equality, Opportunity
A history of the French in London liberty, equality, opportunity Edited by Debra Kelly and Martyn Cornick A history of the French in London liberty, equality, opportunity A history of the French in London liberty, equality, opportunity Edited by Debra Kelly and Martyn Cornick LONDON INSTITUTE OF HISTORICAL RESEARCH Published by UNIVERSITY OF LONDON SCHOOL OF ADVANCED STUDY INSTITUTE OF HISTORICAL RESEARCH Senate House, Malet Street, London WC1E 7HU First published in print in 2013. This book is published under a Creative Commons Attribution- NonCommercial-NoDerivatives 4.0 International (CC BY- NCND 4.0) license. More information regarding CC licenses is available at https://creativecommons.org/licenses/ Available to download free at http://www.humanities-digital-library.org ISBN 978 1 909646 48 3 (PDF edition) ISBN 978 1 905165 86 5 (hardback edition) Contents List of contributors vii List of figures xv List of tables xxi List of maps xxiii Acknowledgements xxv Introduction The French in London: a study in time and space 1 Martyn Cornick 1. A special case? London’s French Protestants 13 Elizabeth Randall 2. Montagu House, Bloomsbury: a French household in London, 1673–1733 43 Paul Boucher and Tessa Murdoch 3. The novelty of the French émigrés in London in the 1790s 69 Kirsty Carpenter Note on French Catholics in London after 1789 91 4. Courts in exile: Bourbons, Bonapartes and Orléans in London, from George III to Edward VII 99 Philip Mansel 5. The French in London during the 1830s: multidimensional occupancy 129 Máire Cross 6. Introductory exposition: French republicans and communists in exile to 1848 155 Fabrice Bensimon 7. -
Savills.Co.Uk/Retail Shaping Retail
Central London Retail savills.co.uk/retail Shaping Retail. Contents The Team 3 The Savills Approach 4 London 6 Crossrail 7 Track Record: Oxford Street 8 Track Record: Bond Street 10 Track Record: Old Spitalfields Market 12 Case Study: Nike Women’s Store 13 Track Record: APM Monaco 14 Case Study: Itsu 15 Bond Street 17 Dover Street and Albemarle Street 19 Mount Street and South Audley Street 21 South Molton Street 23 Conduit Street and Bruton Street 25 Regent Street 27 Oxford Street East 29 Oxford Street West 31 Marylebone High Street 33 Covent Garden: Neal Street 35 Covent Garden: Long Acre 37 Covent Garden: Seven Dials 39 Soho 41 King’s Road 43 Kensington High Street 45 Knightsbridge 47 Sloane Street and Sloane Square 49 South Kensington 51 Westbourne Grove 53 Spitalfields 55 Westfield Stratford 57 Westfield London 59 One Stop Shop 60 The Team Agency Lease Consultancy Anthony Selwyn Laura Salisbury-Jones Alan Spencer [email protected] [email protected] [email protected] +44 (0) 20 7758 3880 +44 (0) 20 7409 8830 +44 (0) 20 7758 3876 Peter Thomas Tiffany Luckett Paul Endicott [email protected] [email protected] [email protected] +44 (0) 20 7734 3443 +44 (0) 20 7758 3878 +44 (0) 20 7758 3879 Sam Foyle Benjamin Ashe Kristian Kendall [email protected] [email protected] [email protected] +44 (0) 20 7409 8171 +44 (0) 20 7758 3889 +44 (0) 20 7758 3881 Sarah Goldman James Fairley Daniel Aboud [email protected] [email protected] [email protected] +44 (0) 20 7758 3875 +44 (0) 20 7758 3877 +44 (0) 20 7758 3895 Oliver Green Claire Lakie [email protected] [email protected] +44 (0) 20 7758 3899 +44 (0) 20 7758 3896 Lance Marton Research [email protected] +44 (0) 20 7758 3884 Marie Hickey [email protected] +44 (0) 20 3320 8288 For general enquiries: [email protected] 3 The Savills Approach Savills Central London Retail team is recognised as a market leader within the sector and we have extensive experience in Central London, leasing and asset management and Landlord & Tenant matters. -
Gb 1456 Thomas
GERALD THOMAS COLLECTION GERALD THOMAS COLLECTION SCOPE AND CONTENT Documents relating to the career of director GERALD THOMAS (Born Hull 10/12/1920, died Beaconsfield 9/11/1993). When Gerald Thomas died, his producer partner of 40 years Peter Rogers said: ‘His epitaph will be that he directed all the Carry On films.’ Indeed, for an intense 20-year period Thomas directed the Carry On gang through their innuendo laden exploits, and became responsible, along with Rogers, for creating one of the most enduring and endearing British film series, earning him his place in British popular culture. Thomas originally studied to become a doctor, before war service with the Royal Sussex Regiment put paid to his medical career. When demobilised in 1946, he took a job as assistant in the cutting rooms of Two Cities Films at Denham Studios, where he took Assistant Editor credits on Laurence Olivier’s Hamlet (1948) and the John Mills thriller The October Man (1947). In 1949, he received his first full credit as editor, on the Margaret Lockwood melodrama Madness of the Heart (1949). During this time Peter Rogers had been working as associate producer with his wife, producer Betty Box, on such films as It’s Not Cricket (1949) and Don’t Ever Leave Me (1949). It was Venetian Bird in 1952 that first brought Thomas and Rogers together; Thomas employed as editor by director brother Ralph, and Rogers part of the producer team with Betty Box. Rogers was keen to form a director/producer pairing (following the successful example of Box and Ralph Thomas), and so gave Gerald his first directing credit on the Circus Friends (1956), a Children’s Film Foundation production. -
Scout and Guide Stamps Club BULLETIN #302
Scout and Guide Stamps Club BULLETIN 52 Volume 53/ No. 6 (Whole No. 302) NOVEMBER/DECEMBER 2008 1 Editorial Well, this is it - I’ve made a year as the Editor - and a very interesting time it has been as well! Mostly it has gone very smoothly and I am very grateful to those of you who have supported me by sending in articles. I can always do with more - especially for the “My Favourite Scout Stamp” pieces. There have been one or two problems - like letters going astray and e-mails not getting through but overall I feel that it has been a success and from the letters and e-mails that I’ve received I think you do too. So now we approach 2009 and Scouting’s 102nd year. I don’t know about you all but here we are slowly getting a series of Scout Groups celebrating their own Centenaries, with many issuing commemorative badges but, so far, no stamps or postmarks. I’ve been asked by several people about the franking mark that we sue on the Bulletin distribution. I hope that you all notice it was different this time - Guiding instead of Scouting. These franks belong to a company which trades as both “One Stop Scouting” and “One Stop Guiding” and sells items to both Movements, such as scarves (neckers), badges, camping equipment, etc. etc. So whilst it is not strictly a Scouting or Guiding meter mark it is at least strongly related. By the time that you are reading this we will be only about 18 months away from EuroScout 2010, which as I seem to be constantly reminding you is being held in Chelmsford in the UK.