Doctor Pessimistic About Wallace Walking
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. -
From Del Ray to Monterey Pop Festival
Office of Historic Alexandria City of Alexandria, Virginia Out of the Attic From Del Ray to Monterey Pop Festival Alexandria Times, February 11, 2016 Image: The Momas and the Popas. Photo, Office of Historic Alexandria. t the center of Alexandria’s connection to rock and folk music fame was John Phillips. Born in South A Carolina, John and his family lived in Del Ray for much of his childhood. He attended George Washington High School, like Cass Elliot and Jim Morrison, graduating in 1953. He met and then married his high school sweetheart, Susie Adams, with whom he had two children, Jeffrey and Mackenzie, who later became famous in her own right. Phillips and Adams lived in the Belle Haven area after high school, but John left his young family at their Fairfax County home to start a folk music group called the Journeymen in New York City. The new group included lifelong friend and collaborator Philip Bondheim, later known as Scott McKenzie, also from Del Ray. The young men had met through their mothers, who were close friends. While in New York, John’s romantic interests turned elsewhere and he told Susie he would not be returning to her. Soon after, he married his second wife, Michelle Gilliam, who was barely out of her teens. They had one daughter, Chynna, who also gained fame as a singer. Gilliam and Phillips joined two former members of a group called the Mugwumps, Denny Doherty and Cass Elliot to form The Mamas and the Papas in 1965. This photo from that time shows Gilliam and Doherty to the left, Phillips and Elliot to the right, and fellow Alexandrian Bondheim at the center. -
April 1986 Newsletter
============================--------------------------------------------------------------------------- VOLUME XI ISSUE NO. 5 APRIL 1986 @1986 by the National Association to Aid Fat Americans, Inc., PO Box 43, Bellerose, NY 11426. Nothing may be reprinted without permission except for noncommercial purposes. Managing Editor: Nancy Summer ======------------------------------------------------------------------------------------------------- NEWS AND COMMENT HOSPITAL REVEALS TRUE PRIORITIES IN MEMO ABOUT WEIGHT LOSS PROGRAM NEW NAAFA MEMBER SUBMITS COPY OF CONFIDENTIAL MARKETING PLAN A midwestern hospital has unknowingly revealed its weight loss marketing plan, a copy of which has been given to this Newsletter for examination. The marketing plan calls for promotion of the hospi tal's various weight-loss programs through a local fitness center, local physicians, clinical dieti tians, word-of-mouth referrals, and local advertising. Their "Weight Management" program utilizes three phases: An ordinary dieting and behavior modifica tion program for those who are from 10% to 100 pounds over "ideal" weight; a balloon insertion proce dure, for those who weigh from 20% to 100% over "ideal" weight; and gastric bypass surgery for those who are more than 100 pounds or 100% over their "ideal" weight. The marketing plan calls for physician referrals to bring in candidates for the gastric bypass sur gery, but advertising is proposed to be the main source of patients for the new balloon procedure. The emphasis in the entire plan is on the balloon--and on the advertising that will be needed ta- generate new patients for the program. Some highlights of the steps to be followed for the balloon procedure are listed as follows: "The balloon will be placed in appropriate individuals who are medically in good health except for obesity, and who are psychologically sound. -
Widescreen Weekend 2008 Brochure (PDF)
A5 Booklet_08:Layout 1 28/1/08 15:56 Page 41 THIS IS CINERAMA Friday 7 March Dirs. Merian C. Cooper, Michael Todd, Fred Rickey USA 1952 120 mins (U) The first 3-strip film made. This is the original Cinerama feature The Widescreen Weekend continues to welcome all which launched the widescreen those fans of large format and widescreen films – era, and is about as fun a piece of CinemaScope, VistaVision, 70mm, Cinerama and IMAX – Americana as you are ever likely and presents an array of past classics from the vaults of to see. More than a technological curio, it's a document of its era. the National Media Museum. A weekend to wallow in the nostalgic best of cinema. HAMLET (70mm) Sunday 9 March Widescreen Passes £70 / £45 Dir. Kenneth Branagh GB/USA 1996 242 mins (PG) Available from the box office 0870 70 10 200 Kenneth Branagh, Julie Christie, Derek Jacobi, Kate Winslet, Judi Patrons should note that tickets for 2001: A Space Odyssey are priced Dench, Charlton Heston at £10 or £7.50 concessions Anyone who has seen this Hamlet in 70mm knows there is no better-looking version in colour. The greatest of Kenneth Branagh’s many achievements so 61 far, he boldly presents the full text of Hamlet with an amazing cast of actors. STAR! (70mm) Saturday 8 March Dir. Robert Wise USA 1968 174 mins (U) Julie Andrews, Daniel Massey, Richard Crenna, Jenny Agutter Robert Wise followed his box office hits West Side Story and The Sound of Music with Star! Julie 62 63 Andrews returned to the screen as Gertrude Lawrence and the film charts her rise from the music hall to Broadway stardom. -
Roller Derby: Past, Present, Future RESEARCH PAPER for ASU’S Global Sport Institute
Devoney Looser, Foundation Professor of English Department of English, Arizona State University Tempe, AZ 85287-1401 [email protected] Roller Derby: Past, Present, Future RESEARCH PAPER for ASU’s Global Sport Institute SUMMARY Is roller derby a sport? Okay, sure, but, “Is it a legitimate sport?” No matter how you’re disposed to answer these questions, chances are that you’re asking without a firm grasp of roller derby’s past or present. Knowledge of both is crucial to understanding, or predicting, what derby’s future might look like in Sport 2036. From its official origins in Chicago in 1935, to its rebirth in Austin, TX in 2001, roller derby has been an outlier sport in ways admirable and not. It has long been ahead of the curve on diversity and inclusivity, a little-known fact. Even players and fans who are diehard devotees—who live and breathe by derby—have little knowledge of how the sport began, how it was different, or why knowing all of that might matter. In this paper, which is part of a book-in-progress, I offer a sense of the following: 1) why roller derby’s past and present, especially its unusual origins, its envelope-pushing play and players, and its waxing and waning popularity, matters to its future; 2) how roller derby’s cultural reputation (which grew out of roller skating’s reputation) has had an impact on its status as an American sport; 3) how roller derby’s economic history, from family business to skater-owned-and- operated non-profits, has shaped opportunity and growth; and 4) why the sport’s past, present, and future inclusivity, diversity, and counter-cultural aspects resonate so deeply with those who play and watch. -
At GW High School Some California Dreamin
Office of Historic Alexandria City of Alexandria, Virginia Out of the Attic At GW High School, some California dreamin’ Alexandria Times, January 28, 2016 Image: Ellen Naomi Cohen, known as Mama Cass Elliot. Photo, Office of Historic Alexandria. nother of the legendary musical performers that attended George Washington High School in Alexandria’s Del Ray neighborhood was A Ellen Naomi Cohen, who became known the world over as Mama Cass Elliot. Cohen was born in Baltimore in 1941 to the children of Russian immigrants. The family moved to Alexandria in her childhood and rented an apartment at 1502 Commonwealth Ave. Cohen did her best to fit in at GW, and adopted the nickname “Cass” possibly after the well-known comedian of the time, Peggy Cass. At the school she became interested in the performing arts and during the summer of her senior year she was cast in a production of the comedic farce, “The Boy Friend” at the Owings Mills Playhouse in Maryland. There she played the minor role of a French nurse, but her vocal talents lifted the production immensely with her solo rendition of “It’s nicer, much nicer, in Nice.” Cass left high school before graduation in 1961 and moved to New York where she assumed the stage name Elliot in memory of a recently departed friend. She worked at The Showplace nightclub in Greenwich Village as a singing coat check attendant, and could often be found performing at late-night “open mike” at area bars. In 1962, after losing out to Barbra Streisand for a part in the Broadway production of “I Can Get it for You Wholesale,” she returned to the Washington area to attend American University. -
Buffalo Bill Comes to Life on KNXT Show
Paga A-S THE PRESS Sunday, July 30, 1961 Minow On space<^ TLo Mr. Newton Minow, FCC Chairman, makes a special appearance, via tape interview, to discuss Communications Satellites on the "Space Log" color series, Friday night, August 4th, 7:00-7:30 p.m. over KRCA (Channel 4). NBC News Correspondent Ray Sherer met with Mr. Minow in Washington to tape lites, regular series host, Roy the special segment in which Neal, interviews space scien Mr. Minow discusses building tist Dr. of satellite's for both Govern George Mueller, oi ment and private industry. Space Technology I^a bora tor To wrap up the story of ies, Inc., in Los Angeles; and Co m m u n i c a t i o n s Satel- a special recorded segment with a noted representative of the American Telephone and Telegraph Company will be featured. KJICA Director, Don Davies flew to New York over the past weekend to se cure the added interview. The result, will be an ex tremely comprehensive cov BRITISH, BRITISHER, BRITISHEST—Enc Sevareid, CBS News family of Sheffield, England, on CBS Reports: "Britain—Blood, erage of the problems of com London correspondent (left), discusses the growing power of Sweat and Tears Plus 20 Years," to be rebroadcast Thursday, municating by satellite. The th« British middle class in England with the William Hart Aug. 3, on the CBS Television Network. mechanics of the systems, the benefits to the users, and the regulatory problems in Motion Pictures ARE YOU If you are a recent high school grad volved will all be treated dur uate, or are dissatisfied with your pres ing the half-hour colorcast. -
NO WAY, VERONICA Ou Nos Gars Ont La Pêche
NO WAY, VERONICA ou Nos gars ont la pêche REVUE DE PRESSE Articles parus lors de la création et de la première exploitation entre 2008 et 2010 NO WAY, VERONICA ou Nos gars ont la pêche Une comédie d’Armando Llamas. Mise en scène Jean Boillot, Musique David Jisse, Lumière :Ivan Mathis ; Son Christophe Hauser Avec Isabelle Ronayette (Stanley Baker, Richard Crenna, Peter Falk, William Holden, Bob Hoskins, Jock Mahoney, James Mason, Craig T. Nelson, Daniel J. Travanti et Gina Lollobrigida), Jean-Christophe Quenon (la voix off hollywoodienne (grave), synthétiseurs, Philippe Lardaud (effets spéciaux, bruitages), Hervé Rigaud (musique) Production : Théâtre à spirale, compagnie conventionnée par le Ministère de la Culture. Coproduction La Muse en Circuit, Centre National de Création Musicale, et le NEST, Centre Dramatique National transfrontalier de Thionville Grand Est. Avec le soutien de la Région Grand Est. Reprise et recréation musicale au Théâtre 11 Gilgamesh/ Avignon juillet 2020. La Spirale, compagnie conventionnée par le Ministère de la Culture. Siège social : 55 La place de Chambre, 57000 Metz. TTT FOU ! Ils parlent pingouin ! Trois voix pour en jouer huit, sans compter les pingouins et l’hélico/ Comment Jean Boillot a-t-il réussi ce tour de force sonique ? Stanley Baker, Richard Crenna, Peter Falk, William Holden, Bob Hoskins, Jack Mahoney et James Mason sont dans une base météorologique subantarctique. Valeureux « éléphants » du cinéma hollywoodien, ils jouent les scientifiques aux prises avec la vie des manchots, quand Gina Lollobrigida (dans le rôle de l’universitaire nymphomane Veronica Evans) tombe du ciel. Qu’adviendra-t-il de la fine équipe ? Tel est le pitch de No Way Veronica ou nos gars ont la pêche. -
Film Soleil 28/9/05 3:35 Pm Page 2 Film Soleil 28/9/05 3:35 Pm Page 3
Film Soleil 28/9/05 3:35 pm Page 2 Film Soleil 28/9/05 3:35 pm Page 3 Film Soleil D.K. Holm www.pocketessentials.com This edition published in Great Britain 2005 by Pocket Essentials P.O.Box 394, Harpenden, Herts, AL5 1XJ, UK Distributed in the USA by Trafalgar Square Publishing P.O.Box 257, Howe Hill Road, North Pomfret, Vermont 05053 © D.K.Holm 2005 The right of D.K.Holm to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of the publisher. Any person who does any unauthorised act in relation to this publication may beliable to criminal prosecution and civil claims for damages. The book is sold subject tothe condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated, without the publisher’s prior consent, in anyform, binding or cover other than in which it is published, and without similar condi-tions, including this condition being imposed on the subsequent publication. A CIP catalogue record for this book is available from the British Library. ISBN 1–904048–50–1 2 4 6 8 10 9 7 5 3 1 Book typeset by Avocet Typeset, Chilton, Aylesbury, Bucks Printed and bound by Cox & Wyman, Reading, Berkshire Film Soleil 28/9/05 3:35 pm Page 5 Acknowledgements There is nothing -
Angus Mackay Diaries Volume IX (1989 - 1990)
Angus Mackay Diaries Volume IX (1989 - 1990) ANGUS MACKAY DIARY NO. 90 April 17 1989 - June 18 1989. Monday April 1989 Oh dear, the sentimentality and muddle-headedness over the football disaster! Because it is sacred football. How grateful I am that I know nothing and care less about it, any more than motoring! I shall wait, I expect patiently, for both activities to fall apart from the inside, and perhaps, become rational. But oh, how I bleed for those poor dead young people. Tuesday April 18 1989 Now Liverpool Council are offering complete financial support for all the families of the dead, funeral expenses, everything. I wonder if the same would have been if ninety-five people had been suffocated on the stairs after a semi-gala at Liverpool Playhouse. Odd peoples’ love of crowds. I think I must have as little of the herd instinct as anyone. Last night I thought I might go to see A. Hopkins in M. Buller fly which is previewing. When I got there, the foyer was so full at 7.30 for 8.0, that I didn’t even enquire whether there was a ticket, - I turned away and came back home. Another aspect of the whole thing, is the lower middle class male being very very reluctantly dragged into reality. I hope he’s not too upset about it to work. Later. It seemed like next day! Out at 2.15 to buy some summer pyjamas, 3 prs. £41 M and S, Oxford St. Then to buy coffee beans, Gourmet Noir. -
Top 100 Hits of 1968 Baby the Rain Must Fall— Glen Yarbrough 1
Deveraux — Music 67 to 70 1965 Top 100 Hits of 1968 Baby the Rain Must Fall— Glen Yarbrough 1. Hey Jude, The Beatles Top 100 Hits of 1967 3. Honey, Bobby Goldsboro 1. To Sir With Love, Lulu 4. (Sittin' On) The Dock of the Bay, Otis Redding 2. The Letter, The Box Tops 6. Sunshine of Your Love, Cream 3. Ode to Billie Joe, Bobby Gentry 7. This Guy's In Love With You, Herb Alpert & The Tijuana Brass 5. I'm a Believer, The Monkees 8. The Good, The Bad and the Ugly, Hugo Montenegro 6. Light My Fire, The Doors 9. Mrs. Robinson, Simon and Garfunkel 9. Groovin', The Young Rascals 11. Harper Valley P.T.A., Jeannie C. Riley 10. Can't Take My Eyes Off You, Frankie Valli 12. Little Green Apples, O.C. Smith 13. Respect, Aretha Franklin 13. Mony Mony, Tommy James and The Shondells 24. Ruby Tuesday, The Rolling Stones 14. Hello, I Love You, The Doors 25. It Must Be Him, Vicki Carr 20. Dance to the Music, Sly and The Family Stone 30. All You Need Is Love, The Beatles 25. Judy In Disguise (With Glasses), John Fred & His 31. Release Me (And Let Me Love Again), Engelbert Humperdinck Playboy Band 33. Somebody to Love, Jefferson Airplane 27. Love Child, Diana Ross and The Supremes 35. Brown Eyed Girl , Van Morrison 28. Angel of the Morning, Merrilee Rush 36. Jimmy Mack, Martha and The Vandellas 29. The Ballad of Bonnie & Clyde, Georgie Fame 37. I Got Rhythm, The Happenings 30. -
Gb 1456 Thomas
GERALD THOMAS COLLECTION GERALD THOMAS COLLECTION SCOPE AND CONTENT Documents relating to the career of director GERALD THOMAS (Born Hull 10/12/1920, died Beaconsfield 9/11/1993). When Gerald Thomas died, his producer partner of 40 years Peter Rogers said: ‘His epitaph will be that he directed all the Carry On films.’ Indeed, for an intense 20-year period Thomas directed the Carry On gang through their innuendo laden exploits, and became responsible, along with Rogers, for creating one of the most enduring and endearing British film series, earning him his place in British popular culture. Thomas originally studied to become a doctor, before war service with the Royal Sussex Regiment put paid to his medical career. When demobilised in 1946, he took a job as assistant in the cutting rooms of Two Cities Films at Denham Studios, where he took Assistant Editor credits on Laurence Olivier’s Hamlet (1948) and the John Mills thriller The October Man (1947). In 1949, he received his first full credit as editor, on the Margaret Lockwood melodrama Madness of the Heart (1949). During this time Peter Rogers had been working as associate producer with his wife, producer Betty Box, on such films as It’s Not Cricket (1949) and Don’t Ever Leave Me (1949). It was Venetian Bird in 1952 that first brought Thomas and Rogers together; Thomas employed as editor by director brother Ralph, and Rogers part of the producer team with Betty Box. Rogers was keen to form a director/producer pairing (following the successful example of Box and Ralph Thomas), and so gave Gerald his first directing credit on the Circus Friends (1956), a Children’s Film Foundation production.