COLORADO MUSIC FESTIVAL's 2016 SEASON Program by Program Guide
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Swedish Folk Music
Ronström Owe 1998: Swedish folk music. Unpublished. Swedish folk music Originally written for Encyclopaedia of world music. By Owe Ronström 1. Concepts, terminology. In Sweden, the term " folkmusik " (folk music) usually refers to orally transmitted music of the rural classes in "the old peasant society", as the Swedish expression goes. " Populärmusik " ("popular music") usually refers to "modern" music created foremost for a city audience. As a result of the interchange between these two emerged what may be defined as a "city folklore", which around 1920 was coined "gammeldans " ("old time dance music"). During the last few decades the term " folklig musik " ("folkish music") has become used as an umbrella term for folk music, gammeldans and some other forms of popular music. In the 1990s "ethnic music", and "world music" have been introduced, most often for modernised forms of non-Swedish folk and popular music. 2. Construction of a national Swedish folk music. Swedish folk music is a composite of a large number of heterogeneous styles and genres, accumulated throughout the centuries. In retrospect, however, these diverse traditions, genres, forms and styles, may seem as a more or less homogenous mass, especially in comparison to today's musical diversity. But to a large extent this homogeneity is a result of powerful ideological filtering processes, by which the heterogeneity of the musical traditions of the rural classes has become seriously reduced. The homogenising of Swedish folk music started already in the late 1800th century, with the introduction of national-romantic ideas from German and French intellectuals, such as the notion of a "folk", with a specifically Swedish cultural tradition. -
Russian Pianist Olga Kern Opens $2 Million Public Piano Exhibit in Vancouver with Unveiling of $240,000 Steinway “Arabesque”
RUSSIAN PIANIST OLGA KERN OPENS $2 MILLION PUBLIC PIANO EXHIBIT IN VANCOUVER WITH UNVEILING OF $240,000 STEINWAY “ARABESQUE” VANCOUVER, BC (April 30, 2014) – Award-winning Russian pianist Olga Kern opened a twelve-day public exhibit of custom designed pianos at Tom Lee Music today with the unveiling of Steinway & Sons’ new Limited Edition “Arabesque” piano, a $240,000 grand piano designed by renowned American furniture designer and artist Dakota Jackson to celebrate Steinway’s 160th anniversary. Widely recognized as one of the world’s great pianists, Ms. Kern celebrated the unveiling of the Arabesque by playing the Arabesque by Swiss composer Charles Samuel Bovy-Lysberg (1821-1873). Later this evening, she will perform works by Schumann, Alkan, Chopin and Rachmaninoff at a Vancouver Playhouse Recital presented by The Vancouver Chopin Society. The Arabesque unveiled today, one of only 50 worldwide and the only one in Canada, is the first piano to win the 2014 Red Dot Design Award for product design from the Design Zentrum Nordrhein Westfalen, one of the oldest and most highly reputed design institutions in Europe. A jury of international experts evaluated 4,815 product entries from around the world before awarding the coveted Red Dot designations. Made of polished black ebony, the Arabesque is one of 11 custom designed pianos worth $2 million that will be on display through to Sunday, May 11th. Jackson, a former dancer, designed the piano to reflect the channeled energy, perfect balance, and beauty of the Arabesque ballet pose in which the dancer's limbs are extended and held. He gave the Arabesque the impression of fluidity and movement through pentagonal legs, a gracefully curved prop stick, and a double row of silver bands in the rim. -
Symphonic Dances, Op
CONCERT PROGRAM Friday, October 21, 2016, 8:00PM Saturday, October 22, 2016, 8:00PM Sunday, October 23, 2016, 3:00PM Cristian Măcelaru, conductor Orli Shaham, piano BALAKIREV/arr. Lyapunov Islamey (1869) (1837–1910) BEETHOVEN Piano Concerto No. 4 in G major, op. 58 (1806) (1770–1827) Allegro moderato Andante con moto – Rondo: Vivace Orli Shaham, piano INTERMISSION RACHMANINOFF Symphonic Dances, op. 45 (1940) (1873–1943) Non allegro Andante con moto (Tempo di valse) Lento assai; Allegro vivace 23 ACKNOWLEDGMENTS These concerts are part of the Wells Fargo Advisors Orchestral Series. These concerts are presented by The Thomas A. Kooyumjian Family Foundation. Cristian Măcelaru is the Ann and Lee Liberman Guest Artist. Orli Shaham is the Bruce Anderson Memorial Fund Guest Artist. The concert of Friday, October 21, is underwritten in part by a generous gift from Mr. and Mrs. Walter G. Shifrin. The concert of Saturday, October 22, is underwritten in part by a generous gift from Dr. and Mrs. Philip Needleman. The concert of Sunday, October 23, is underwritten in part by a generous gift from Dr.* and Mrs. W. R. Konneker. Pre-Concert Conversations are sponsored by Washington University Physicians. Large print program notes are available through the generosity of Bellefontaine Cemetery and Arboretum and are located at the Customer Service Table in the foyer. 24 CONCERT CALENDAR For tickets call 314-534-1700, visit stlsymphony.org, or use the free STL Symphony mobile app available for iOS and Android. BRAHMS REIMAGINED: Fri, Oct 28, 10:30am | Sat, Oct 29, 8:00pm Jun Märkl, conductor; Jeremy Denk, piano LISZT Prometheus MOZART Piano Concerto No. -
Fmqautumn 2016 3 FMQ :: Autumn 2016
Olavi Louhivuori Physical and Gender equality : : p. 6 cultural in music environments – unfinished of music business? : : p. 12–43 : : p. 44–53 Finnish Music Quarterly FMQAutumn 2016 Contents :: EditorialBY ANU AHOLA Autumn 2016 3 3 Editorial 4 News :: FMQ 6 Beyond genre BY Wif Stenger on Olavi Louhivuori Aural landscapes, sonic mindscapes AUTUMN 12 The voice of freedom BY Andrew Mellor on Outi Tarkiainen 2016 14 Collective resonance BY Merja Hottinen on Nathan Riki Thomson The foundation of every culture consists of the natural environment and the customs and beliefs of the community living in it. These basic elements 18 Spaces and pigeonholes BY Hanna Isolammi shape each other constantly, sometimes in surprising ways. In this issue Jussi Puikkonen on Susanna Mälkki we explore the relationship between music and environment, both natural and cultural. What traces, influences and meanings of the environment do 20 The North in music BY Andrew Mellor the people who create, consume and study music find in it today? 24 Natural born preachers BY Janne Flinkkilä This question prompted further questions: How does a language envi- on Radiopuhelimet ronment manifest itself in music? Why does performing a concert in the natural environment seem to enhance the experience? And what about 26 10 Finnish songs about and inspired by nature BY Matti Nives the evolution of music: is music essential for human beings, biologically speaking? 28 Taking Note: Naturally good music BY Juha Torvinen Although definitive answers cannot be found for all these questions, 30 Nature’s concert halls BY Heidi Horila it is obvious that creating and experiencing music are always affected by on the force of nature in Finnish music events nature, by nurture and by the culture we live in. -
South Bend Youth Symphony Orchestra IV
Music from Lincoln (2012) John Williams South Bend Youth Concert Orchestra I. The People’s House (b. 1932) Emilie Grondin, conductor II. Getting Out The Vote III. Elegy South Bend Youth Symphony Orchestra IV. With Malice Towards None, for strings Robert Boardman, music director/conductor V. With Malice Towards None, for solo trumpet and orchestra 4 pm Sunday, May 3, 2015 Jackson Kubaszyk, trumpet Campus Auditorium Choral Fantasy, Op. 80 Ludwig van Beethoven “Grand March” from Aida Giuseppe Verdi (1770-1827) (1813-1901) Tamra Garrett and Maketo Michel, sopranos arr. by Merle Isaac Amy Davis, alto Aaron Bobson and Andrzej Stec, tenor Symphony No. 88 Franz Joseph Haydn Lawrence Mitchell-Matthews, bass Finale – Abridged (1732-1809) Natasha Stojanovska, piano arr. by Merle Isaac South Bend Symphonic Choir Marvin Curtis, director and chorusmaster Pirates of the Caribbean: Klaus Badelt South Bend Youth Symphony Orchestra The Curse of the Black Pearl (b. 1967) arr. by Ted Ricketts * world premiere South Bend Youth Concert Orchestra INTERMISSION The Winter’s Passed Wayne Barlow (1912-1996) Abigail Pitts, oboe Violin Concerto No. 1 in G minor, Op. 26 Max Bruch I. Allegro Moderato (1838-1920) Kathy Zhang, violin Romeo and Juliet Overture Peter Ilyitch Tchaikovsky (1840-1893) South Bend Festival Overture* John William Griffith (b. 1997) John William Griffith, conducting Howler* Thomas Limbert (b. 1974) Commissioned by Robert Boardman and the This activity made possible, in part, with support from the South Bend Youth Symphony Orchestra Community Foundation of St. Joseph County's Arts Everywhere initiative. Program Notes The Winter’s Passed Wayne Barlow The Winter's Passed by American composer Wayne Barlow is a “Grand March” from Aida Giuseppe Verdi short, single-movement work for oboe and string orchestra. -
Dartington International Summer School & Festival
Dartington International Summer School & Festival A Music School by Day, A Concert Hall by Night 29 Jul - 26 Aug Welcome It’s an enormous pleasure to welcome you to Dartington International Summer School & Festival. Dartington is a place of shimmering beauty, and its world-famous Summer School is for everyone: for professional musicians and music students, for people who love to listen, and for people who want to debate ideas. The 2017 programme engages with music reflecting migration and exile, ancient and new, and complexities of identity, nation and revolution. Play in a brass ensemble, and learn about Middle Eastern and Brazilian music. Experience everything from medieval and renaissance music to salsa and jazz. Listen to legendary pianist Alfred Brendel on Schubert; Stories in Transit hosted by Marina Warner; and folk sessions with Martin and Eliza Carthy. There are poetry and multimedia courses, yoga and dance, lectures and films. Dartington hosts over ninety public concerts and events throughout August. Visit the beautiful gardens, relax with a drink or a meal, and immerse yourself in world-class performances, from afternoon to late night; some of the most celebrated musicians, writers and thinkers will be here. On April 28th we present our second Party in the Town, happening all over Totnes, and collaborating with local artists and young people. Take a look on the website for details of this exciting event. Dartington International Summer School has expanded into a fully-fledged, exuberant festival, and gets more action-packed every year. I look forward to welcoming you to a wonderful summer of music, arts and creativity! Joanna MacGregor, Artistic Director Thank you to our current supporters Bursary awards for outstanding students Andor Charitable Trust, Anonymous, John Ashton Thomas, Barbara Whatmore Charitable Many of our current supporters fund bursaries. -
Downbeat.Com July 2015 U.K. £4.00
JULY 2015 2015 JULY U.K. £4.00 DOWNBEAT.COM DOWNBEAT ANTONIO SANCHEZ • KIRK WHALUM • JOHN PATITUCCI • HAROLD MABERN JULY 2015 JULY 2015 VOLUME 82 / NUMBER 7 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Brian Zimmerman Contributing Editor Ed Enright Art Director LoriAnne Nelson Contributing Designer ĺDQHWDÎXQWRY£ Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Bookkeeper Emeritus Margaret Stevens Editorial Assistant Stephen Hall ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, -
W4903 Woordfees Gids.Indb
KLASSIEKE MUSIEK DAGPROGRAM VRYDAG 2 Maart 20:30 Die feëkoningin | The Fairy Queen Spier Amfiteater SATERDAG 3 Maart 10:15 Familiedag: Pieter en die wolf | Coetzenburg Peter and the Wolf 14:30 Chiaroscuro kykNET Fismer 15:00 Suid Afrikaanse soprane: Heldinne kykNET Endler 20:00 US Camerata eer Bennie van Eeden kykNET Endler 20:30 Die feëkoningin | The Fairy Queen Spier Amfiteater SONDAG 4 Maart 11:00 Die soldaat se storie kykNET Fismer 15:00 Signum Quartet kykNET Endler 17:30 Vivaldi’s Four Seasons – Revisited kykNET Fismer 20:00 Universiteit van Stellenbosch Simfonieorkes kykNET Endler 20:30 Die feëkoningin | The Fairy Queen Spier Amfiteater MAANDAG 5 Maart 07:00 Khoi’npsalms Rynse Kerk VGK 13:15 Orrelweek: Winand Grundling Moederkerk 20:00 Signum Quartet kykNET Endler 20:30 Die feëkoningin | The Fairy Queen Spier Amfiteater 20:30 Die soldaat se storie kykNET Fismer DINSDAG 6 Maart 07:00 Khoi’npsalms VGK Cloetesville 13:15 Orrelweek: Mario Nell Moederkerk 14:00 Amici String Quartet and Morgan Szymanski kykNET Fismer 20:00 Tim Kliphuis Trio kykNET Endler WOENSDAG 7 Maart 07:00 Khoi’npsalms St. Mark’s Katolieke Kerk 12:30 Die Winterreise deur Franz Schubert kykNET Fismer 13:15 Orrelweek: Eon Malan en Christopher Petri Moederkerk 18:00 Cello meets Dance kykNET Endler 18:00 Two Guitars kykNET Fismer Liesl Stoltz 20:00 Ben Capps & Bryan Wallick kykNET Endler 162 163 KLASSIEKE MUSIEK DONDERDAG 8 MAART AFRICAN EXPLORATIONS 07:00 Khoi’npsalms Moederkerk Stoltz Produksies Met: Liesl Stoltz (fluit), Peter Martens (tjello) en José Dias (klavier) 13:15 Orrelweek: Grant Bräsler Moederkerk 13:15 Stellenbosch Universiteitskoor kykNET Endler In 2011 het Liesl Stoltz begin met ’n post-doktorale projek om Suid-Afrikaanse kunsmusiek- komponiste en veral hul fl uitkomposisies te bevorder. -
2015 Winter/Spring Season APR 2015
2015 Winter/Spring Season APR 2015 Larry Poons, Untitled, 2009, acrylic on canvas, 68”x85” Published by: Season Sponsor: BAM 2015 Winter/Spring Season #MMDG Brooklyn Academy of Music Alan H. Fishman, Chairman of the Board William I. Campbell, Vice Chairman of the Board Adam E. Max, Vice Chairman of the Board Karen Brooks Hopkins, President Joseph V. Melillo, Executive Producer Mark Morris Dance Group BAM Howard Gilman Opera House Apr 22—25 at 7:30pm; Apr 26 at 3pm Running time: two hours including intermission With the MMDG Music Ensemble Special appearance by The Bad Plus Choreography by Mark Morris Program A (Apr 22 & 24) Pacific—MMDG NY Premiere Words Whelm—World Premiere Season Sponsor: Grand Duo Program B (Apr 23, 25 & 26) Crosswalk Support for the Signature Artists Series provided by Jenn and Spencer the Howard Gilman Foundation Spring, Spring, Spring—NY Premiere Major support provided by Robert L. Turner Leadership support for dance at BAM provided by The Harkness Foundation for Dance Major support for dance at BAM provided by The SHS Foundation Mark Morris Dance Group MARK MORRIS DANCE GROUP CHELSEA ACREE SAM BLACK RITA DONAHUE DOMINGO ESTRADA, JR. LESLEY GARRISON LAUREN GRANT BRIAN LAWSON AARON LOUX LAUREL LYNCH STACY MARTORANA DALLAS McMURRAY MAILE OKAMURA BRANDON RANDOLPH NICOLE SABELLA* BILLY SMITH NOAH VINSON JENN WEDDEL MICHELLE YARD *apprentice MMDG MUSIC ENSEMBLE COLIN FOWLER WOLFRAM KOESSEL TODD PALMER GEORGY VALTCHEV With Special Guests THE BAD PLUS REID ANDERSON ETHAN IVERSON DAVID KING Artistic Director MARK MORRIS Executive Director NANCY UMANOFF Major support for the Mark Morris Dance Group is provided by American Express, Suzy Kellems Dominik, Doris Duke Charitable Foundation, Judith R. -
OLGA KERN Pianist
OLGA KERN Pianist Now recognized as one of her generation’s great pianists, Olga Kern’s career began with her historic gold‐medal winning performance at the Eleventh Van Cliburn International Piano Competition. Olga Kern was born into a family of musicians with direct links to Tchaikovsky and Rachmaninoff and began studying piano at the age of five. Ms. Kern is a laureate of many international competitions including her first place win at the first Rachmaninoff International Piano Competition at the age of seventeen and has toured throughout her native Russia, Europe, and the United States, as well as in Japan, South Africa, and South Korea. With her vivid stage presence, passionately confident musicianship and extraordinary technique, the striking young Russian pianist continues to captivate fans and critics alike. Ms. Kern’s performance career has brought her to many of the world’s most important venues, including the Great Hall of the Moscow Conservatory, Symphony Hall in Osaka, Salzburger Festspielhaus, La Scala in Milan, Tonhalle in Zurich, Avery Fisher Hall and Carnegie Hall in New York, and the Châtelet in Paris. She has appeared as a soloist with the Mariinsky Theatre Orchestra, the Bolshoi Theater, the Moscow Philharmonic, London Symphony, St. Petersburg Academic Symphony, Russian National, China National Symphony, Stuttgart State Orchestra, La Scala Philharmonic, Royal Scottish National Orchestra, Torino Symphony, and Cape Town Symphony Orchestras. Ms. Kern has also collaborated with the most prominent conductors in the world today, including Valery Gergiev, Leonard Slatkin, Manfred Honeck, Christoph Eschenbach, Yuri Termirkanov, Antoni Wit, Pinchas Zukerman, Marin Alsop, Gian‐Carlo Guerrero and James Conlon. -
The Bad Plus Joshua Redman Currículum I Discografia
THE BAD PLUS JOSHUA REDMAN CURRÍCULUM I DISCOGRAFIA www.joshuaredman.com www.thebadplus.com JOSHUA REDMAN Joshua Redman és un dels artistes de jazz més aclamats i carismàtics que han sorgit a la dècada dels 90. Nascut a Berkeley, Califòrnia, és el fill del llegendari saxofonista Dewey Redman i de la ballarina Renee Shedroff. Des de ben petit va ser exposat a una gran varietat de músiques (jazz, clàssic, rock, soul, músiques de l’Índia, d’Indonèsia, de l’Orient Mitjà, de l’Àfrica) i a l’ús d’instruments diferents (piano, guitarra, gathan, gamelan). Va començar a tocar el clarinet amb nou anys abans de passar-se al que seria el seu instrument principal anys més tard, el saxo tenor. Les seves primeres influències van ser dels artistes John Coltrane, Ornette Coleman, Cannonball Adderley i per suposat del seu pare Dewey Redman. Però també The Beatles, Aretha Franklin, The Temptations, Earth, Wind and Fire, Prince, The Police i Led Zeppelin. Tot i que a en Joshua li encantava tocar el saxofon i era membre guardonat de la Berkeley High School Jazz Ensemble i Combo 1983-86, mai va considerar seriosament convertir-se en un músic professional i va prioritzar els seus estudis acadèmics. L’any 1991 va graduar-se a Harvard College amb Summa Cum Laude i a Phi Beta Kappa amb B.A. en una llicenciatura d’Estudis Socials, i va ser acceptat a la Facultat de Dret de Yale. Alguns dels seus amics, ex alumnes de la Berklee College of Music que Joshua havia conegut quan estudiava a Boston, van traslladar-se a Brooklyn i van oferir-li compartir pis. -
World-Renowned Jury Announced for Virtu(Al)Oso Piano Competition Applications Open Until June 15, 2020
Contact: Nicole Mieske Knab FOR IMMEDIATE RELEASE Piano Cleveland 216-707-5397 [email protected] World-Renowned Jury Announced for Virtu(al)oso Piano Competition Applications Open until June 15, 2020 CLEVELAND, OH – June 1, 2020 Piano Cleveland announces jurors and prize packages for Virtu(al)oso, the highly anticipated virtual competition set to broadcast worldwide July 30 – August 9, 2020. The six distinguished jurors bring their diverse backgrounds as Steinway artists, Grammy-nominated pianists, artistic directors, conductors, and artist managers to the competition space. The competition jurors are tasked with selecting the top rising artists from 30 musicians who will compete for over $36,000 in prizes and artist consulting services. These jurors bring a wealth of knowledge and exceptional artistry to Virtu(al)oso and hold integral positions that shape the landscape of classical music. The jury members are: Libby Abrahams (United Kingdom), Darrell Ang (Singapore), Adam Gatehouse (United Kingdom), Olga Kern (Russia/United States), Gabriela Montero (Venezuela), and Pierre van der Westhuizen (South Africa/United States). The assembled jury represents diverse and well-respected voices in the music world, many of whom are elated to be part of this innovative piano competition that responds to the current needs of developing artists. “It is crucial to help guide and encourage young talented pianists during these uncertain times,” said Olga Kern, Steinway artist and Virtu(al)oso Jury Member. “Virtu(al)oso and the contestants