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Russian Pianist Olga Kern Opens $2 Million Public Piano Exhibit in Vancouver with Unveiling of $240,000 Steinway “Arabesque”
RUSSIAN PIANIST OLGA KERN OPENS $2 MILLION PUBLIC PIANO EXHIBIT IN VANCOUVER WITH UNVEILING OF $240,000 STEINWAY “ARABESQUE” VANCOUVER, BC (April 30, 2014) – Award-winning Russian pianist Olga Kern opened a twelve-day public exhibit of custom designed pianos at Tom Lee Music today with the unveiling of Steinway & Sons’ new Limited Edition “Arabesque” piano, a $240,000 grand piano designed by renowned American furniture designer and artist Dakota Jackson to celebrate Steinway’s 160th anniversary. Widely recognized as one of the world’s great pianists, Ms. Kern celebrated the unveiling of the Arabesque by playing the Arabesque by Swiss composer Charles Samuel Bovy-Lysberg (1821-1873). Later this evening, she will perform works by Schumann, Alkan, Chopin and Rachmaninoff at a Vancouver Playhouse Recital presented by The Vancouver Chopin Society. The Arabesque unveiled today, one of only 50 worldwide and the only one in Canada, is the first piano to win the 2014 Red Dot Design Award for product design from the Design Zentrum Nordrhein Westfalen, one of the oldest and most highly reputed design institutions in Europe. A jury of international experts evaluated 4,815 product entries from around the world before awarding the coveted Red Dot designations. Made of polished black ebony, the Arabesque is one of 11 custom designed pianos worth $2 million that will be on display through to Sunday, May 11th. Jackson, a former dancer, designed the piano to reflect the channeled energy, perfect balance, and beauty of the Arabesque ballet pose in which the dancer's limbs are extended and held. He gave the Arabesque the impression of fluidity and movement through pentagonal legs, a gracefully curved prop stick, and a double row of silver bands in the rim. -
Samuel Jones
· '\ ~ GUEST ARTIST CONCERT l featuring music of SAMUEL JONES composer and founding dean of The Shepherd School of Music, celebrating his seventieth birthday this season ; ., . Thursday, February 10, 2005 8:00 p.m. Alice Pratt Brown Hall -... .... RICE UNNERSITY PROGRAM DUNCAN RECITAL HALL Piano Sonata (1961) Samuel Jones I Allegro (b. 1935) II Lento alla siciliano III Molto allegro Robert Roux, piano I ~ / ,. I Four Haiku (1961) I \ I We Are the Mighty Ones II Old Rain, New Graves III Asked of the Moon IV. Migrant Bird Joyce Farwell, mezzo-soprano Charles Tauber, piano Sonata for Cello and Piano (1997) I Adagio; Allegro moderato II Adagio; Andante amabile III Allegro molto The Fischer Duo Norman Fischer, cello Jeanne Kierman, piano INTERMISSION EDYTHE BATES OLD RECITAL HALL A Parliament of Owls (1991) Shepherd School Brass Choir Marie Speziale, conductor Aurum Aurorae (2001) Phillip Kloeckner, organist Shepherd School Brass Choir Samuel Jones, conductor Centennial Hymn (2003) The audience is invited to stand and join in singing as Dr. Jones leads the Shepherd Singers. Phillip Kloeckner, organist COMPOSER'S NOTES Samuel Jones' Piano Sonata, composed in 1961-62, received its world pre miere on October 17, 1963, inAlma,Michigan, in a performance by the composer at Alma College, where he was at that time a member of the music faculty as well as music director of the Saginaw Symphony. Since then the sonata has been per formed by pianists Bela Szilagi, Lois Lines, Henri-Paul Sicsic, and others around the country. The work has especially been championed by the great pianist and pedagogue, John Perry, who has performed it numerous times in this country as well as in Europe, introducing it to a new generation ofpianists. -
Symphonic Dances, Op
CONCERT PROGRAM Friday, October 21, 2016, 8:00PM Saturday, October 22, 2016, 8:00PM Sunday, October 23, 2016, 3:00PM Cristian Măcelaru, conductor Orli Shaham, piano BALAKIREV/arr. Lyapunov Islamey (1869) (1837–1910) BEETHOVEN Piano Concerto No. 4 in G major, op. 58 (1806) (1770–1827) Allegro moderato Andante con moto – Rondo: Vivace Orli Shaham, piano INTERMISSION RACHMANINOFF Symphonic Dances, op. 45 (1940) (1873–1943) Non allegro Andante con moto (Tempo di valse) Lento assai; Allegro vivace 23 ACKNOWLEDGMENTS These concerts are part of the Wells Fargo Advisors Orchestral Series. These concerts are presented by The Thomas A. Kooyumjian Family Foundation. Cristian Măcelaru is the Ann and Lee Liberman Guest Artist. Orli Shaham is the Bruce Anderson Memorial Fund Guest Artist. The concert of Friday, October 21, is underwritten in part by a generous gift from Mr. and Mrs. Walter G. Shifrin. The concert of Saturday, October 22, is underwritten in part by a generous gift from Dr. and Mrs. Philip Needleman. The concert of Sunday, October 23, is underwritten in part by a generous gift from Dr.* and Mrs. W. R. Konneker. Pre-Concert Conversations are sponsored by Washington University Physicians. Large print program notes are available through the generosity of Bellefontaine Cemetery and Arboretum and are located at the Customer Service Table in the foyer. 24 CONCERT CALENDAR For tickets call 314-534-1700, visit stlsymphony.org, or use the free STL Symphony mobile app available for iOS and Android. BRAHMS REIMAGINED: Fri, Oct 28, 10:30am | Sat, Oct 29, 8:00pm Jun Märkl, conductor; Jeremy Denk, piano LISZT Prometheus MOZART Piano Concerto No. -
The Victor Black Label Discography
The Victor Black Label Discography Victor 25000, 26000, 27000 Series John R. Bolig ISBN 978-1-7351787-3-8 ii The Victor Black Label Discography Victor 25000, 26000, 27000 Series John R. Bolig American Discography Project UC Santa Barbara Library © 2017 John R. Bolig. All rights reserved. ii The Victor Discography Series By John R. Bolig The advent of this online discography is a continuation of record descriptions that were compiled by me and published in book form by Allan Sutton, the publisher and owner of Mainspring Press. When undertaking our work, Allan and I were aware of the work started by Ted Fa- gan and Bill Moran, in which they intended to account for every recording made by the Victor Talking Machine Company. We decided to take on what we believed was a more practical approach, one that best met the needs of record collectors. Simply stat- ed, Fagan and Moran were describing recordings that were not necessarily published; I believed record collectors were interested in records that were actually available. We decided to account for records found in Victor catalogs, ones that were purchased and found in homes after 1901 as 78rpm discs, many of which have become highly sought- after collector’s items. The following Victor discographies by John R. Bolig have been published by Main- spring Press: Caruso Records ‐ A History and Discography GEMS – The Victor Light Opera Company Discography The Victor Black Label Discography – 16000 and 17000 Series The Victor Black Label Discography – 18000 and 19000 Series The Victor Black -
South Bend Youth Symphony Orchestra IV
Music from Lincoln (2012) John Williams South Bend Youth Concert Orchestra I. The People’s House (b. 1932) Emilie Grondin, conductor II. Getting Out The Vote III. Elegy South Bend Youth Symphony Orchestra IV. With Malice Towards None, for strings Robert Boardman, music director/conductor V. With Malice Towards None, for solo trumpet and orchestra 4 pm Sunday, May 3, 2015 Jackson Kubaszyk, trumpet Campus Auditorium Choral Fantasy, Op. 80 Ludwig van Beethoven “Grand March” from Aida Giuseppe Verdi (1770-1827) (1813-1901) Tamra Garrett and Maketo Michel, sopranos arr. by Merle Isaac Amy Davis, alto Aaron Bobson and Andrzej Stec, tenor Symphony No. 88 Franz Joseph Haydn Lawrence Mitchell-Matthews, bass Finale – Abridged (1732-1809) Natasha Stojanovska, piano arr. by Merle Isaac South Bend Symphonic Choir Marvin Curtis, director and chorusmaster Pirates of the Caribbean: Klaus Badelt South Bend Youth Symphony Orchestra The Curse of the Black Pearl (b. 1967) arr. by Ted Ricketts * world premiere South Bend Youth Concert Orchestra INTERMISSION The Winter’s Passed Wayne Barlow (1912-1996) Abigail Pitts, oboe Violin Concerto No. 1 in G minor, Op. 26 Max Bruch I. Allegro Moderato (1838-1920) Kathy Zhang, violin Romeo and Juliet Overture Peter Ilyitch Tchaikovsky (1840-1893) South Bend Festival Overture* John William Griffith (b. 1997) John William Griffith, conducting Howler* Thomas Limbert (b. 1974) Commissioned by Robert Boardman and the This activity made possible, in part, with support from the South Bend Youth Symphony Orchestra Community Foundation of St. Joseph County's Arts Everywhere initiative. Program Notes The Winter’s Passed Wayne Barlow The Winter's Passed by American composer Wayne Barlow is a “Grand March” from Aida Giuseppe Verdi short, single-movement work for oboe and string orchestra. -
Mary Jones: Last First Lady of the Republic of Texas
MARY JONES: LAST FIRST LADY OF THE REPUBLIC OF TEXAS Birney Mark Fish, B.A., M.Div. Dissertation Prepared for the Degree of DOCTOR OF PHILOSOPHY UNIVERSITY OF NORTH TEXAS December 2011 APPROVED: Elizabeth Hayes Turner, Major Professor Richard B. McCaslin, Committee Member and Chair of the Department of History D. Harland Hagler, Committee Member Denis Paz, Committee Member Sandra L. Spencer, Committee Member and Director of the Women’s Studies Program James D. Meernik, Acting Dean of the Toulouse Graduate School Fish, Birney Mark. Mary Jones: Last First Lady of the Republic of Texas. Doctor of Philosophy (History), December 2011, 275 pp., 3 tables, 2 illustrations, bibliography, 327 titles. This dissertation uses archival and interpretive methods to examine the life and contributions of Mary Smith McCrory Jones in Texas. Specifically, this project investigates the ways in which Mary Jones emerged into the public sphere, utilized myth and memory, and managed her life as a widow. Each of these larger areas is examined in relation to historiographicaly accepted patterns and in the larger context of women in Texas, the South, and the nation during this period. Mary Jones, 1819-1907, experienced many of the key early periods in Anglo Texas history. The research traces her family’s immigration to Austin’s Colony and their early years under Mexican sovereignty. The Texas Revolution resulted in her move to Houston and her first brief marriage. Following the death of her husband she met and married Anson Jones, a physician who served in public posts throughout the period of the Texas Republic. Over time Anson was politically and personally rejected to the point that he committed suicide. -
The Greening of Shoreland Hills by Barbara Stodola
THE TM 911 Franklin Street Weekly Newspaper Michigan City, IN 46360 Volume 25, Number 35 Thursday, September 10, 2009 The Greening of Shoreland Hills by Barbara Stodola Blending with the tall trees of Shoreland Hills, the house built by Larry Wood chips blanket the steep dune; the stairway consists of chunks of Zimmer and Ted Perzanowski was designed to harmonize with nature. street pavement salvaged from a vacant lot in Michigan City. On a tree-shaded dune in Shoreland Hills, Larry “It’s been a passion of mine during my thirty-year Zimmer and Ted Perzanowski have built an eco- career, to make a home as environmentally friendly friendly house that defers to the natural beauty of as possible,” says Zimmer. “We used local products, its site. local craftsmen, and recycled materials whenever About forty oaks remain on the property, and a possible. We sent the trees to a sawyer from Har- fi ve-inch mulch of wood chips blankets the ground bert, and a company from Stevensville (Lakeshore – mulch created from the fi fteen trees removed to Stair) did the interior stair treads and fl oor boards.” make way for the house. Chunks of asphalt street On the fi rst fl oor are offi ces for Zimmer, an inte- pavement, hauled away from a vacant lot in Michi- rior designer, and Perzanowski, whose counseling gan City, now form a rustic stairway, climbing up practice is subtitled “Talk To Ted.” the dune – just one of the clever recycling tech- niques used in construction of the house. Greening Continued on Page 2 THE Page 2 September 10, 2009 THE 911 Franklin Street • Michigan City, IN 46360 219/879-0088 • FAX 219/879-8070 In Case Of Emergency, Dial e-mail: News/Articles - [email protected] email: Classifieds - [email protected] http://www.thebeacher.com/ PRINTED WITH Published and Printed by TM Trademark of American Soybean Association THE BEACHER BUSINESS PRINTERS Delivered weekly, free of charge to Birch Tree Farms, Duneland Beach, Grand Beach, Hidden 911 Shores, Long Beach, Michiana Shores, Michiana MI and Shoreland Hills. -
Crowning the Queen of the Sonoran Desert: Tucson and Saguaro National Park
Crowning the Queen of the Sonoran Desert: Tucson and Saguaro National Park An Administrative History Marcus Burtner University of Arizona 2011 Figure 1. Copper Pamphlet produced by Tucson Chamber of Commerce, SAGU257, Box 1, Folder 11, WACC. “In a canon near the deserted mission of Cocospera, Cereus giganteus was first met with. The first specimen brought the whole party to a halt. Standing alone upon a rocky projection, it rose in a single unbranched column to the height of some thirty feet, and formed a sight which seemed almost worth the journey to behold. Advancing into the canon, specimens became more numerous, until at length the whole vegetation was, in places, made up of this and other Cacaceae. Description can convey no adequate idea of this singular vegetation, at once so grand and dreary. The Opuntia arborescens and Cereus Thurberi, which had before been regarded with wonder, now seemed insignificant in comparison with the giant Cactus which towered far above.” George Thurber, 1855, Boundary Commission Report.1 Table of Contents 1 Asa Gray, ―Plantae Novae Thurberianae: The Characters of Some New Genera and Species of Plants in a Collection Made by George Thurber, Esq., of the Late Mexican Boundary ii List of Illustrations v List of Maps ix Introduction Crowning the Queen of the Desert 1 The Question of Social Value and Intrinsically Valuable Landscapes Two Districts with a Shared History Chapter 1 Uncertain Pathways to a Saguaro National Monument, 1912-1933 9 Saguaros and the Sonoran Desert A Forest of Saguaros Discovering -
Super ACRONYM - Round 3
Super ACRONYM - Round 3 1. A joke centered around this name is the punchline to a brief scene that begins with a "mop and bucket man" being called to "The Nauseator." A man in a fishing hat with this name asks "are you talking to me?," and another character with this name is told to "come along" in a scene that also introduces the retired characters Disgruntled (*) Goat and Ku Klux Klam. That confusion surrounding two people with this four-letter name follows a child's pleas to buy a souvenir license plate from the gift shop at Itchy & Scratchy Land. For 10 points, give this name that is comically distinct from the name of Marge and Homer Simpson's son. ANSWER: Bort (do not accept or prompt on "Bart") <Nelson> 2. The Chicago American Gears are likely best known for being the first pro basketball team of this man. This man's five NBA championships all occurred alongside coach John Kundla. An iconic multi-colored basketball was the idea of this co-founder of the (*) ABA. A practice drill involving making layups on alternating sides of the basket is named for this player. The width of the free throw lane and rules regarding goaltending were both changed because of this player's dominance at both DePaul and an NBA team that later moved to the west coast. A number 99 jersey was worn by, for 10 points, what bespectacled center for the Minneapolis Lakers? ANSWER: George (Lawrence) Mikan [MIKE-in] <Nelson> 3. Frank Skinner currently hosts a BBC interview show named for a location in this book. -
Boston Symphony Orchestra Concert Programs, Season 124, 2004-2005
m 2004-2005 SEASON afPF* BOSTON \\ SYM PHONY ORCHESTRA LEVI E JAMES N sin • * * \H iV 4" JAMES LEVINE MUSIC DIRECTOR BERNARD HAITINK CONDUCTOR EMERITUS SEIJI OZAWA MUSIC DIRECTOR LAUREATE Invite the entire string section for cocktails. With floor plans from 2,300 to over Phase One of this 5,000 square feet, you can entertain magnificent property is in grand style at Longyear. 100% sold and occupied. Enjoy 24-hour concierge service, Phase Two is now under con- single-floor condominium living struction and being offered by at its absolute finest, all Sotheby's International Realty & harmoniously located on Hammond Residential Real Estate an extraordinary eight- GMAC. Priced from $1,725,000. acre gated community atop prestigious Call Hammond at (617) 731-4644, Fisher Hill ext. 410. LONGYEAR. fin< ! REASON #11 open heart surgery that's a lot less open There are lots of reasons to consider Beth Israel Deaconess Medical Center for your major medical care. Like minimally invasive heart surgery that minimizes pain, reduces cosmetic trauma and speeds recovery time. From cardiac services and gastroenterology to organ transplantation and cancer care, you'll find some of the most cutting-edge medical advances available anywhere. To find out more, visit www.bidmc.harvard.edu or call 800-667-5356. Beth Israel Deaconess A teaching hospital of Harvard Medical School Medical Center Affiliated with Joslin Clinic | A Research Partner of the Dana-Farber/Harvard Cancer Center | Official Hospital of the Boston Red Sox James Levine, Music Director Bernard Haitink, Conductor Emeritus Seiji Ozawa, Music Director Laureate 124th Season, 2004-2005 Trustees of the Boston Symphony Orchestra, Inc. -
Eastman Notes July 2006
“Serving a Great and Noble Art” Eastman Historian Vincent Lenti surveys the Howard Hanson years E-Musicians Unite! Entrepreneurship, ESM style Tony Arnold Hitting high notes in new music Summer 2009 FOr ALUMNI, PARENTS, AND FrIeNDS OF THe eASTmAN SCHOOL OF MUSIC FROM THE DEAN The Teaching Artist I suppose that in the broadest sense, art may be one of our greatest teachers. Be it a Bach Goldberg Variation, the brilliant economy of Britten’s or- chestration in Turn of the Screw, the music in the mad ruminations of King Lear, or the visual music of Miro, it is the stirring nature of such intense, insightful observation that moves us. Interestingly, these artistic epiphanies bear a remarkable resemblance to what happens during great teaching. And I believe that some of the many achieve- ments of Eastman alumni, faculty and students can be traced to great Eastman “teaching moments.” Like great art, great teaching is not merely the efficient transmission of knowl- NOTES edge or information, but rather a process by which music Volume 27, Number 2 or information gets illuminated by an especially insight- Summer 2009 ful light, thus firing our curiosity and imagination. Great teachers, like great artists, possess that “special light.” Editor It’s hard to define what constitutes good teaching. In David Raymond the academic world, we try to quantify it, for purposes Contributing writers of measurement, so we design teaching evaluations that Lisa Jennings Douglas Lowry hopefully measure the quality of the experience. Yet Helene Snihur when each of us is asked to describe our great teachers, Contributing photographers we end up being confounded, indeed fascinated, by the Richard Baker dominant intangibles; like music or other art, the price- Steve Boerner less stirring aspects we just can’t “explain.” Kurt Brownell Great music inspires us differently, depending on tem- Gary Geer Douglas Lowry Gelfand-Piper Photography perament, musical and intellectual inclinations, moods, Kate Melton backgrounds, circumstances and upbringings. -
OLGA KERN Pianist
OLGA KERN Pianist Now recognized as one of her generation’s great pianists, Olga Kern’s career began with her historic gold‐medal winning performance at the Eleventh Van Cliburn International Piano Competition. Olga Kern was born into a family of musicians with direct links to Tchaikovsky and Rachmaninoff and began studying piano at the age of five. Ms. Kern is a laureate of many international competitions including her first place win at the first Rachmaninoff International Piano Competition at the age of seventeen and has toured throughout her native Russia, Europe, and the United States, as well as in Japan, South Africa, and South Korea. With her vivid stage presence, passionately confident musicianship and extraordinary technique, the striking young Russian pianist continues to captivate fans and critics alike. Ms. Kern’s performance career has brought her to many of the world’s most important venues, including the Great Hall of the Moscow Conservatory, Symphony Hall in Osaka, Salzburger Festspielhaus, La Scala in Milan, Tonhalle in Zurich, Avery Fisher Hall and Carnegie Hall in New York, and the Châtelet in Paris. She has appeared as a soloist with the Mariinsky Theatre Orchestra, the Bolshoi Theater, the Moscow Philharmonic, London Symphony, St. Petersburg Academic Symphony, Russian National, China National Symphony, Stuttgart State Orchestra, La Scala Philharmonic, Royal Scottish National Orchestra, Torino Symphony, and Cape Town Symphony Orchestras. Ms. Kern has also collaborated with the most prominent conductors in the world today, including Valery Gergiev, Leonard Slatkin, Manfred Honeck, Christoph Eschenbach, Yuri Termirkanov, Antoni Wit, Pinchas Zukerman, Marin Alsop, Gian‐Carlo Guerrero and James Conlon.