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Swedish Folk Music
Ronström Owe 1998: Swedish folk music. Unpublished. Swedish folk music Originally written for Encyclopaedia of world music. By Owe Ronström 1. Concepts, terminology. In Sweden, the term " folkmusik " (folk music) usually refers to orally transmitted music of the rural classes in "the old peasant society", as the Swedish expression goes. " Populärmusik " ("popular music") usually refers to "modern" music created foremost for a city audience. As a result of the interchange between these two emerged what may be defined as a "city folklore", which around 1920 was coined "gammeldans " ("old time dance music"). During the last few decades the term " folklig musik " ("folkish music") has become used as an umbrella term for folk music, gammeldans and some other forms of popular music. In the 1990s "ethnic music", and "world music" have been introduced, most often for modernised forms of non-Swedish folk and popular music. 2. Construction of a national Swedish folk music. Swedish folk music is a composite of a large number of heterogeneous styles and genres, accumulated throughout the centuries. In retrospect, however, these diverse traditions, genres, forms and styles, may seem as a more or less homogenous mass, especially in comparison to today's musical diversity. But to a large extent this homogeneity is a result of powerful ideological filtering processes, by which the heterogeneity of the musical traditions of the rural classes has become seriously reduced. The homogenising of Swedish folk music started already in the late 1800th century, with the introduction of national-romantic ideas from German and French intellectuals, such as the notion of a "folk", with a specifically Swedish cultural tradition. -
Radio 3 Listings for 10 – 16 April 2010 Page 1 of 11 SATURDAY 10 APRIL 2010 Ballade for Piano and Orchestra - Concertante No.2 Famously Banned
Radio 3 Listings for 10 – 16 April 2010 Page 1 of 11 SATURDAY 10 APRIL 2010 Ballade for Piano and Orchestra - Concertante No.2 famously banned. In the 1970s he moved away from what he Mario Angelov (piano), Bulgarian National Radio Symphony called his 'saucy' songs and became a Rastafarian, writing songs SAT 01:00 Through the Night (b00rs742) Orchestra, Milen Nachev (conductor) such as 'War in-a Babylon'. Carlinhos Brown's music has its Susan Sharpe presents rarities, archive and concert recordings roots in religious music of the African Yoruba deities, but his from Europe's leading broadcasters 06:40AM style ranges far and wide. He is seen as hugely influential in Rózycki, Ludomir (1884-1953) Brazil, not only because of his music, but also because of his 01:01AM Stanczyk - Symphoni Scherzo (Op.1) (1904) work in the favelas of northern Brazil, where he runs a music Ravel, Maurice (1875-1937) National Polish Radio Symphony Orchestra, Janusz Przbylski school. L'Heure espagnole (The Spanish Hour) (conductor) Philippe Do (tenor - Torquemada, a clockmaker), Marie-Ange WORLD ROUTES Todorovitch (mezzo-soprano - Concepción, Torquemada's 06:49AM wife), Nicolas Rivenq (baritone - Ramiro, a muleteer), Alain Chopin, Frédéric (1810-1849) Presented by Lucy Duran Vernhes (bass - Don Iñigo Gomez, a banker), Yves Saelens Scherzo no.1 in B minor (Op.20) Produced by Roger Short (tenor - Gonzalve, a student poet), Orchestre National de Lille Valerie Tryon (piano). (Lille National Orchestra), Jean-Claude Casadesus (conductor) Tel. 020 7765 4661 Fax. 020 7765 5052 01:50AM SAT 07:00 Breakfast (b00rwnsy) e-mail [email protected] Poulenc, Francis (Jean Marcel) (1899-1963) Saturday - Suzy Klein Sonata for Two Pianos (1953) Saturday 10th April, 3:00pm Roland Pöntinen & Love Derwinger (pianos) Suzy Klein presents Breakfast. -
Keeping the Tradition Y B 2 7- in MEMO4 BILL19 Cooper-Moore • Orrin Evans • Edition Records • Event Calendar
June 2011 | No. 110 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Dee Dee Bridgewater RIAM ANG1 01 Keeping The Tradition Y B 2 7- IN MEMO4 BILL19 Cooper-Moore • Orrin Evans • Edition Records • Event Calendar It’s always a fascinating process choosing coverage each month. We’d like to think that in a highly partisan modern world, we actually live up to the credo: “We New York@Night Report, You Decide”. No segment of jazz or improvised music or avant garde or 4 whatever you call it is overlooked, since only as a full quilt can we keep out the cold of commercialism. Interview: Cooper-Moore Sometimes it is more difficult, especially during the bleak winter months, to 6 by Kurt Gottschalk put together a good mixture of feature subjects but we quickly forget about that when June rolls around. It’s an embarrassment of riches, really, this first month of Artist Feature: Orrin Evans summer. Just like everyone pulls out shorts and skirts and sandals and flipflops, 7 by Terrell Holmes the city unleashes concert after concert, festival after festival. This month we have the Vision Fest; a mini-iteration of the Festival of New Trumpet Music (FONT); the On The Cover: Dee Dee Bridgewater inaugural Blue Note Jazz Festival taking place at the titular club as well as other 9 by Marcia Hillman city venues; the always-overwhelming Undead Jazz Festival, this year expanded to four days, two boroughs and ten venues and the 4th annual Red Hook Jazz Encore: Lest We Forget: Festival in sight of the Statue of Liberty. -
Complete Beethoven Sonatas
4 | MUSIC Joanna MacGregor plays Beethoven’s 32 Sonatas Thursday 22 October - Sunday 25 October Shirley Hall, King's School Tickets £20 per concert Any 3 concerts £50 Complete series £120 Introductory Talk £10 Joanna MacGregor CBE is one of the world's most innovative musicians. As a solo pianist she has appeared with the world's leading orchestras, performing in over eighty countries, with eminent conductors Pierre Boulez, Colin Davis, Valery Gergiev, Simon Rattle and Michael Tilson Thomas. Joanna has premiered many landmark works - from Harrison Birtwistle to John Adams and James MacMillan – and is a regular broadcaster, making numerous appearances at the BBC Proms. Joanna is Head of Piano at the Royal Academy of Music and runs two annual piano festivals for young musicians. She has been the Artistic Director of Dartington Summer School, of Bath International Festival, and Deloitte Ignite at the Royal Opera House. Her many recordings, on her own record label SoundCircus, range from Chopin and Piazzolla to Bach and John Cage. She chairs the Paul Hamlyn Composers Awards and was a 2019 Booker Prize Judge. Joanna has just been appointed Principal Conductor and Music Director of Brighton Philharmonic, as it approaches its centenary. Sponsored by Box Office: 01227 457568 | canterburyfestival.co.uk MUSIC | 5 ‘What better companion than Beethoven's Sonatas: Beethoven? For his 250th an Introductory Talk by birthday I’ll play his thirty-two Joanna MacGregor Thursday 22 October, 7.30pm Shirley Hall, King's School Concerts Friday 23 October - Sunday 25 October Friday 23 October, 4pm Saturday 24 October, 7pm Op 2 no 1 F minor Op 31 no 2 D minor The Tempest Op 2 no 2 A major Op 31 no 3 E flat major The Hunt Op 2 no 3 C major (interval) Op 7 E flat major Grand Sonata Op 106 B flat major Hammerklavier 107 mins (incl. -
Fmqautumn 2016 3 FMQ :: Autumn 2016
Olavi Louhivuori Physical and Gender equality : : p. 6 cultural in music environments – unfinished of music business? : : p. 12–43 : : p. 44–53 Finnish Music Quarterly FMQAutumn 2016 Contents :: EditorialBY ANU AHOLA Autumn 2016 3 3 Editorial 4 News :: FMQ 6 Beyond genre BY Wif Stenger on Olavi Louhivuori Aural landscapes, sonic mindscapes AUTUMN 12 The voice of freedom BY Andrew Mellor on Outi Tarkiainen 2016 14 Collective resonance BY Merja Hottinen on Nathan Riki Thomson The foundation of every culture consists of the natural environment and the customs and beliefs of the community living in it. These basic elements 18 Spaces and pigeonholes BY Hanna Isolammi shape each other constantly, sometimes in surprising ways. In this issue Jussi Puikkonen on Susanna Mälkki we explore the relationship between music and environment, both natural and cultural. What traces, influences and meanings of the environment do 20 The North in music BY Andrew Mellor the people who create, consume and study music find in it today? 24 Natural born preachers BY Janne Flinkkilä This question prompted further questions: How does a language envi- on Radiopuhelimet ronment manifest itself in music? Why does performing a concert in the natural environment seem to enhance the experience? And what about 26 10 Finnish songs about and inspired by nature BY Matti Nives the evolution of music: is music essential for human beings, biologically speaking? 28 Taking Note: Naturally good music BY Juha Torvinen Although definitive answers cannot be found for all these questions, 30 Nature’s concert halls BY Heidi Horila it is obvious that creating and experiencing music are always affected by on the force of nature in Finnish music events nature, by nurture and by the culture we live in. -
23 November 2018 Page 1 of 11 SATURDAY 17 NOVEMBER 2018 5:24 Am Bit of Heart, That’S All
Radio 3 Listings for 17 – 23 November 2018 Page 1 of 11 SATURDAY 17 NOVEMBER 2018 5:24 am bit of heart, that’s all. Blessings to you and grant me Paradise." David Horne (b.1970) SAT 01:00 Through the Night (m000159k) Daedalus in flight for orchestra 10.20am New Releases Banalités BBC Philharmonic, Juanjo Mena (Conductor) A recital of songs by Poulenc, Britten and Bolcom. Catriona Lutoslawski: Symphonies 1 & 4, Jeux Vénitiens Young presents. 5:35 am Finnish Radio Symphony Orchestra Marjan Mozetich (b.1948) Hannu Lintu (conductor) 1:01 am "Postcards from the Sky" for string orchestra (1997) Ondine ODE 1320-5 (Hybrid SACD) Francis Poulenc (1899-1963) CBC Vancouver Orchestra, Mario Bernardi (Conductor) https://www.ondine.net/?lid=en&cid=2.2&oid=6143 Banalités Katarina Jovanović (Soprano), Dejan Sinadinović (Piano) 5:49 am ‘Spirito’ – Arias and scenes by Bellini, Donizetti & Spontini Johann Sebastian Bach Marina Rebeka (soprano) 1:12 am Cantata No 134 BWV.134: 'Wir danken und preisen' (duet) Orchestra e Coro del Teatro Massimo di Palermo Benjamin Britten (1913-1976) Maria Sanner (Contralto), Anders J. Dahlin (Tenor), Les Jader Bignamini (conductor) Cabaret Songs Ambassadeurs, Alexis Kossenko (Director) Prima Classic PRIMA001 Katarina Jovanović (Soprano), Dejan Sinadinović (Piano) http://www.primaclassic.com/discography/spirito/ 5:55 am 1:27 am Lars-Erik Larsson (1908-1986), Sigfrid Siwertz (Lyricist) ‘The Heavens and the Heart’ – Choral and orchestral music by William Bolcom (b.1938) De nakna tradens sanger (Songs of the Naked Trees) Op 7 -
Bio Information: JOEL HARRISON, LORENZO FELICIATI, CUONG VU, ROY POWELL, DAN WEISS Title: HOLY ABYSS (Cuneiform Rune 334)
Bio information: JOEL HARRISON, LORENZO FELICIATI, CUONG VU, ROY POWELL, DAN WEISS Title: HOLY ABYSS (Cuneiform Rune 334) Cuneiform publicity/promotion dept.: 301-589-8894 / fax 301-589-1819 email: joyce [-at-] cuneiformrecords.com (Press & world radio); radio [-at-] cuneiformrecords.com (North American radio) www.cuneiformrecords.com FILE UNDER: JAZZ “When you stare into the abyss the abyss stares back at you.” – Friedrich Nietzsche Full of foreboding and existential terror, the abyss resides in the darkest corners of the human imagination. Holy Abyss, a collaborative project between New York guitarist Joel Harrison and Italian bassist Lorenzo Feliciati, is an antidote to angst. Flowing from a deep communion between the artists, the album turns dread on its head, offering a series of expansive soundscapes full of lustrous harmonies, searching melodies and knowing interplay. Featuring trumpeter Cuong Vu, drummer Dan Weiss and Roy Powell on piano and Hammond B3 organ, the quintet reflects jazz’s increasingly international reach. Harrison and Weiss, musical comrades for many years, are New Yorkers, while longtime collaborators Feliciati and Powell hail from Rome and Oslo via the UK, respectively. Vu, who has toured and recorded with Feliciati and Powell, was born in Vietnam and is now based in Seattle, near where he grew up. The musicians are united by a passion for modern jazz unbounded by stylistic conventions. Open to sounds from around the world, they have all created music infused with electronics, odd meters, and uncommon timbres and tonal palettes. Holy Abyss opens with Harrison’s anguished ballad “Requiem for an Unknown Soldier,” which establishes the album’s elemental sensibility with its ethereal trumpet fanfare and slow burning guitar solo. -
Concert Program
CONCERT PROGRAM PRESENTED BY 1 – 12 aPRIL 2014 | MELBOURNe rECITAl cENTRE MSO PARTNERS PRINCIPAL PARTNER GOVERNMENT partners MAESTRO PARTNER ASSOCIATE PARTNERS SUPPORTING PARTNERS 2 CONTENTS CONCERT GUIDES PROGRAM Joanna MacGregor - Musical Toys (1 April) 5 INFORMATION Plexus - Pantheon (2 April) 12 Forest Collective - The Garden of Ice (4 April) 13 MSO Programs can be read online or downloaded up to a Six Degrees Ensemble - Garden of Earthly Desire (5 April) 14 week before each concert, from mso.com.au Stefan Cassomenos and Judith Dodsworth - Sappho's Butterflies (9 April) 15 If you do not need this printed program after the concert, (5 April) 16 The MSO and Olli Mustonen - Tapiola we encourage you to return it to The MSO and Olli Mustonen - Frescoes of Dionysius (9 April) 28 a member of staff. Please share one program between two people ( ) Syzygy - Logic 10 April 33 where possible. The MSO and Olli Mustonen - Concert Champêtre (12 April) 34 This program has been printed Aura Go - Dichotomie (12 April) 39 on FSC accredited paper. For news and updates on the Melbourne Symphony Orchestra MSO Partners 2 (MSO) follow us on Facebook MSO Supporters 25 or Twitter. Commissioning the Future 27 Sign up for MSO's monthly e-news, at mso.com.au, to receive Meet Your Musician 40 special offers from the MSO and partner organisations. The Orchestra 41 Sign up for Melbourne Recital Melbourne Recital Centre Supporters 42 Centre's eNews for special offers, priority booking and giveaways at melbournerecital.com.au COVER image: Soundscape: Sibelius Tapiola Find your work-life groove From laid back to more upbeat, you’ll find a range of inspirations in our Business Class. -
Roxanna Panufnik
ROXANNA PANUFNIK COLLA VOCE SINGERS • LONDON MOZART PLAYERS • LEE WARD 1 03388 JC 28pp Roxanna Panufnik – Love Abide SIGCD564 v4.indd 1 30/11/2018 17:01 DEDICATIONS SCHOLA MISSA DE ANGELIS 7 Kyrie ...........................................................................................................................................(2.36) This CD was made with support from 14 principal sponsors who, in return, were able to dedicate For James, Ludovico and Niccolò Canonaco, with all my love, Mamma their track to someone they love – their dedications were read out to the musicians at the start 8 Gloria ........................................................................................................................................(4.23) of each session, so that the sponsors’ individual tracks were performed with their loved ones very To Karen, Nicola, Susan, Anne & Stephen with love from Pa/Tony & Mummy/Joan much in mind. 9 Sanctus & Benedictus .............................................................................................................(4.20) To Nathalie with love from Simon 1 Love Endureth...........................................................................................................................(4.21) 10 Agnus Dei ..................................................................................................................................(5.24) In memoriam Commander R F Jessel DSO OBE DSC Royal Navy & Mrs Winnie Jessel With sincere gratitude for six wonderful years with the Schola, 2006–2012. -
W4903 Woordfees Gids.Indb
KLASSIEKE MUSIEK DAGPROGRAM VRYDAG 2 Maart 20:30 Die feëkoningin | The Fairy Queen Spier Amfiteater SATERDAG 3 Maart 10:15 Familiedag: Pieter en die wolf | Coetzenburg Peter and the Wolf 14:30 Chiaroscuro kykNET Fismer 15:00 Suid Afrikaanse soprane: Heldinne kykNET Endler 20:00 US Camerata eer Bennie van Eeden kykNET Endler 20:30 Die feëkoningin | The Fairy Queen Spier Amfiteater SONDAG 4 Maart 11:00 Die soldaat se storie kykNET Fismer 15:00 Signum Quartet kykNET Endler 17:30 Vivaldi’s Four Seasons – Revisited kykNET Fismer 20:00 Universiteit van Stellenbosch Simfonieorkes kykNET Endler 20:30 Die feëkoningin | The Fairy Queen Spier Amfiteater MAANDAG 5 Maart 07:00 Khoi’npsalms Rynse Kerk VGK 13:15 Orrelweek: Winand Grundling Moederkerk 20:00 Signum Quartet kykNET Endler 20:30 Die feëkoningin | The Fairy Queen Spier Amfiteater 20:30 Die soldaat se storie kykNET Fismer DINSDAG 6 Maart 07:00 Khoi’npsalms VGK Cloetesville 13:15 Orrelweek: Mario Nell Moederkerk 14:00 Amici String Quartet and Morgan Szymanski kykNET Fismer 20:00 Tim Kliphuis Trio kykNET Endler WOENSDAG 7 Maart 07:00 Khoi’npsalms St. Mark’s Katolieke Kerk 12:30 Die Winterreise deur Franz Schubert kykNET Fismer 13:15 Orrelweek: Eon Malan en Christopher Petri Moederkerk 18:00 Cello meets Dance kykNET Endler 18:00 Two Guitars kykNET Fismer Liesl Stoltz 20:00 Ben Capps & Bryan Wallick kykNET Endler 162 163 KLASSIEKE MUSIEK DONDERDAG 8 MAART AFRICAN EXPLORATIONS 07:00 Khoi’npsalms Moederkerk Stoltz Produksies Met: Liesl Stoltz (fluit), Peter Martens (tjello) en José Dias (klavier) 13:15 Orrelweek: Grant Bräsler Moederkerk 13:15 Stellenbosch Universiteitskoor kykNET Endler In 2011 het Liesl Stoltz begin met ’n post-doktorale projek om Suid-Afrikaanse kunsmusiek- komponiste en veral hul fl uitkomposisies te bevorder. -
Music Guide 13 the Beat 180 Master Class by ELDAR DJANGIROV 194 Blindfold Test Where to Study Jazz 2017 24 Players 182 Pro Session Dr
October 2016 VOLUME 83 / NUMBER 10 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Editorial Intern Izzy Yellen ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob; North Carolina: Robin -
Mcewen Memorial Concert of Scottish Chamber Music
Programme cover designed by Katy Cooper McEwen Memorial Concert of Scottish Chamber Music Thursday 12 November 2015 1.10pm University Concert Hall Edinburgh Quartet Tristan Gurney, Violin Gordon Bragg, Violin Fiona Winning, Viola Mark Bailey, Cello String Quartet No. 3 (Slanting Rain)* (15’) Alasdair Nicolson Quartet in D minor Op 56 ‘Voces Intimae’ (32’) Jean Sibelius *Commissioned by the Court of the University of Glasgow under the terms of the McEwen Bequest. Additional funding towards today’s performance has been provided by the Ferguson Bequest. Today’s concert is being recorded. Please remember to switch off all mobile phones. Alasdair Nicolson (b. 1961) String Quartet No. 3 (Slanting Rain) 1. a false moon shines 2. the shadow ends without having been 3. waving trees, rising sea, eerie stillness 4. impossibly distant tree-lined paths 5. I come to the window to see who’s singing 6. into an abyss made of time Like my previous quartet, some of the inspiration for this work came from a favourite writer’s poetry, namely the Portuguese author Ferdinand Pessoa; the title of the quartet is also the title of a collection of Pessoa’s poetry. The epigrammatic titles that appear for each short movement are lines from within this writer’s poetry and, though not intended to be programmatic, are evocations of mood and hints of atmospheres without a particular narrative thread. In constructing this quartet I was drawn to another source common to my music, that of the Gaelic song tradition and in particular here the old song O, ‘s tu, ‘s gura ut h’air m’aire (Oh, it’s you who are on my mind) – a song of loss whose sentiments are close to those of the Pessoa.