DOCSLIB.ORG

Hal Ashby: BEING THERE (1979), 130 Min

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Hal Ashby: BEING THERE (1979), 130 Min November 1, 2016 (XXXIII: 10) Hal Ashby: BEING THERE (1979), 130 min. (The online version of this handout has color images and hot url links.) Academy Awards Best Actor in a Supporting Role Melvyn Douglas National Film Registry Directed by Hal Ashby Written by Jerzy Kosinski (novel & screenplay), Robert C. Jones (uncredited) Produced by Andrew Braunsberg, Charles Mulvehill, Jack Schwartzman, Merv Adelson Music Johnny Mandel Cinematography Caleb Deschanel Film Editing Don Zimmerman Casting Lynn Stalmaster Production Design Michael D. Haller Art Direction James L. Schoppe Cast Peter Sellers…Chance The Russians Are Coming! The Russians Are Coming! (1966), Shirley MacLaine…Eve Rand The Thomas Crown Affair (1968) and even earned himself a Melvyn Douglas…Benjamin Rand Best Editing Oscar for 1967’s In The Heat of The Night. Itching Jack Warden…President 'Bobby' to become a director, Jewison gave him a script he was too busy Richard Dysart…Dr. Robert Allenby to work on called The Landlord (1970) and it became Ashby's Richard Basehart…Vladimir Skrapinov first directorial film. From there he delivered a series of well- Ruth Attaway…Louise acted, intelligent human scaled dramas that included The Last David Clennon…Thomas Franklin Detail (1973), Shampoo (1975), Bound for Glory (1976), Fran Brill…Sally Hayes Coming Home (1978) and Being There (1979). Ashby was Denise DuBarry…Johanna Franklin always a maverick and a contrary person and success proved difficult for Ashby to handle. He became unreliable due to his Hal Ashby (b. September 2, 1929 in Ogden, Utah –d. December dependence on drugs and a reclusive lifestyle. He actually 27, 1988, age 59, in Malibu, California) was the fourth and collapsed while making the Rolling Stone concert film Let's youngest child in a Mormon household. After a rough childhood Spend the Night Together (1982) in Arizona. Although he that included the divorce of his parents, his father's suicide, his recovered, he was never the same after that. He began taking too dropping out of high school, getting married and divorced all much time in post production on his films and actually had a before he was 19, he decided to leave Utah for California. A couple of his later projects taken away from him to be edited by Californian employment office found him a printing press job at others. He tried to straighten himself out, but in the 1980s, he Universal Studios. Within a few years, he was an assistant film was considered by many to be unemployable. Just when he felt editor at various other studios. One of his pals while at MGM he was turning a corner in his life, he developed cancer that was a young messenger named Jack Nicholson. He moved up to spread to his liver and colon. He died on December 27, 1988. being a full-fledged editor on The Loved One (1965) and started Because he did not have a set visual style, many mistake this for editing the films of director Norman Jewison. Ashby edited five no style at all. Laid-back, doobie-inclined, scruffy and shooting of Jewison’s finest films incuding The Cincinnati Kid (1965), from the hip mavericks: while many of his peers went on to Ashby—BEING THERE—2 much greater success in the 1970s — Steven Spielberg, Warren novel with which Americans would be presumably unfamiliar. Beatty, Francis Ford Coppola, Dennis Hopper, George Lucas, The Voice article also alleged that Kosinski relied upon editors etc. — perhaps no one director typfies the groovy, uber-chill to make exhaustive corrections and rewrites without giving Easy Riders and Raging Bulls generation of filmmakers more them credit. Following this scandal, many friends supported than Hal Ashby. He also directed 10 different actors in Oscar- Kosinski, but his reputation was irrevocably damaged. On May nominated performances: Lee Grant, Jack Nicholson, Randy 3, 1991, Kosinski wrote a note that said: "I am going to put Quaid, Jack Warden, Jon Voight, Jane Fonda, Bruce Dern, myself to sleep now for a bit longer than usual. Call the time Penelope Milford, Melvyn Douglas and Peter Sellers. Grant, Eternity." With a fatal dose of barbiturates and his usual rum- Fonda, Voight and Douglas won Oscars for their performances and-Coke, he placed a plastic bag over his head and taped it shut in one of his movies. around his neck, a method of suicide suggested by the Hemlock Society. He was found dead in the bathtub of his New York apartment. Caleb Deschanel (b. September 21, 1944 in Philadelphia, Pennsylvania) is a cinematographer and director, known for The Patriot (2000), National Treasure (2004) and Jack Reacher (2012). To a younger audience, Deschanel might be known as the father to his two famous actress daughters, Zooey and Emily. He got a chance at directing Emily for a 2007 episode of her hit show, Bones. ). He’s been nominated for 5 Oscars for Passion of the Christ (2004), The Patriot (2000), Fly Away Home (1996), The Natural (1984), and The Right Stuff (1983), but never won. He has over 30 cinematographer or DP credits in addition to the above including Unforgettable (2017, post- production), Werk Ohne Autor (2017, post-production), Rules Don't Apply (2016, completed), Winter's Tale (2014), Abraham Lincoln: Vampire Hunter (2012), Dream House (2011), Killer Joe (2011), My Sister's Keeper (2009), Killshot (2008), The Spiderwick Chronicles (2008), Ask the Dust (2006), The Jerzy Kosinski (b. June 14, 1933 in Lódz, Lódzkie, Poland—d. Timeline (2003), The Hunted (2003), Anna and the King (1999), May 3, 1991, age 57, in New York City, New York) was a Message in a Bottle (1999), Hope Floats (1998), Fly Away writer and actor, known for Being There (1979), Lodz Ghetto Home (1996), It Could Happen to You (1994), The Slugger's (1988) and Reds (1981). Born in Poland, Kosinski moved to Wife (1985), Let's Spend the Night Together (1982, New York in 1957, and later become a U.S. citizen. As a Documentary), Being There (1979), The Black Stallion (1979), Guggenheim Fellow, he studied at the Center for Advanced More American Graffiti (1979), Trains (1976, Documentary Studies at Wesleyan University. Later he taught American prose short), The Hello Machine (1974, Short), Lanton Mills (1969, at Princeton and Yale. He served two terms as President of the Short) and Rodeo (1969, Documentary short). American Center of PEN, the international association of writers and editors. A best-selling novelist, he was also a prolific Peter Sellers (b. September 8, 1925 in Southsea, Hampshire, photographer whose work was exhibited in Poland and the England –d. July 24, 1980, age 54, in London, England) Often States. He once conducted an experiment in the difficulties new credited as the greatest comedian of all time, Peter Sellers was writers went through to get published: eight years after it won born to a well-off English acting family in 1925. His mother and the National Book Award, he allowed another writer to change father worked in an acting company run by his grandmother. As the title of his novel "Steps" and market it as his own. It was a child, Sellers was spoiled, as his parents' first child had died at rejected by 13 agents and 14 publishers, including the one that birth. He enlisted in the Royal Air Force and served during had originally bought it. On August 8, 1969, he was scheduled World War II. After getting out of the service, he burst into to fly from Paris to Los Angeles to join some friends for dinner prominence as the voices of numerous favorites on the BBC at the Roman Polanski-Sharon Tate home in Hollywood. radio program "The Goon Show" (1951-1960), and then making Because his luggage had accidentally been sent to New York, his debut in films in Penny Points to Paradise (1951) and Down the delays caused him to miss the party. His dear friend Voytek Among the Z Men (1952), before making it big as one of the Frykowski, Sharon Tate and the rest of the guests were criminals in The Ladykillers (1955). These small but showy slaughtered that evening by the Manson Family. Kosinski later roles continued throughout the 1950s, but he got his first big addressed the twist of fate in the novel entitled "Blind Date". break playing the dogmatic union man, Fred Kite, in I'm All For several decades, Kosinski was famous as a wit, a great Right Jack (1959). The film's success led to starring vehicles raconteur, and a media celebrity. His first three novels were big into the 1960s that showed off his extreme comic ability to its hits. However, in June 22, 1982, "Jerzy Kosinski's Tainted fullest. In 1962, Sellers was cast in the role of Clare Quilty in Words," an article by Geoffrey Stokes and Eliot Fremont-Smith the Stanley Kubrick version of the film Lolita (1962) in which in The Village Voice, accused Jerzy Kosinski of plagiarism and his performance as a mentally unbalanced TV writer with dishonesty. 'Being There', which was adapted as a successful multiple personalities landed him another part in Kubrick's Dr. film, was shown to have been plagiarized from an earlier Polish Strangelove (1964) in which he played three roles which Ashby—BEING THERE—3 showed off his comic talent in play-acting in three different Best Actress Oscar for Terms of Endearment (1983). After a accents; British, American, and German. He earned an Oscar five-year hiatus, she made Madame Sousatzka (1988), a critical nomination for The Pink Panther (1963), in which he played his and financial hit that took top prize at the Venice Film Festival.
Load more

Recommended publications
  • World Premiere
    World Premiere FILMOGRAPHY A Message from Oliver Stone has directed: “W.” (‘08), “World Trade Center” (‘06), “Alexander” (‘04), “Any Given Sunday” (‘99), “U–Turn” (‘97), “Nixon” (‘95), “Natural Born Killers” (‘94), Oliver Stone “Heaven and Earth” (‘93), “JFK” (‘91), “The Doors” (‘91), “Born On The Fourth Of July” (‘89), I’ve been fortunate to be able “Talk Radio” (‘88), “Wall Street” (‘87), “Platoon” (‘86), “Salvador” (‘86), “The Hand” (‘81) to make several films about North and “Seizure” (‘73). He’s written or co–written all of the above, with the exception of America’s neglected “backyard” “U–Turn”, “World Trade Center” and “W.”. –– Central and South America. He’s also written or co–written: “Midnight Express” (‘78), “Scarface” (‘83), The low budget, independently “Conan The Barbarian” (‘82), “Year Of The Dragon” (‘85), “Evita” (‘96), and shot SALVADOR, about the U.S. “8 Million Ways To Die” (’86). involvement with the death squads of El Salvador, and starring James He’s directed 3 documentaries –– “Looking for Fidel” (‘04), “Comandante” (‘03), Woods in an Oscar–nominated “Persona Non Grata” (‘03). performance, was released in 1986; this was followed by COMANDANTE He’s produced or co–produced: “The People vs. Larry Flynt” (‘96), in 2003, and LOOKING FOR FIDEL in “The Joy Luck Club” (‘93), “Reversal of Fortune” (‘90), “Savior” (‘98), 2004, both of these documentaries “Freeway” (‘96),“South Central” (‘98), “Zebrahead” (‘92), “Blue Steel” (‘90), exploring Fidel Castro in one–on–one and the ABC mini–series “Wild Palms” (‘93). An Emmy was given to him and his interviews. Each of these films has struggled to be distributed in North America.
    [Show full text]
  • GAILY, GAILY the NIGHT THEY RAIDED MINSKY's “In 1925, There
    The one area where it succeeded perfectly was So, Rosenblum began refashioning the film, in its score by Henry Mancini. By this time, using a clever device of stock footage that Mancini was already a legend. After toiling in the would lead into the production footage, rear - GAILY, GAILY music department at Universal (the highlight of ranging and restructuring scenes, and spend - his tenure there would be Orson Welles’ Touch ing a year doing so – the result was stylish and Of Evil) , he hit it big, first with his TV score to visually interesting and it transformed the film THE NIGHT Peter Gunn – which not only provided that from disaster into a hit. THEY RAIDED MINSKY’S Blake Edwards series with its signature sound, but which also produced a best-selling album The score for Minsky’s was written by Charles on RCA – and then in a series of films for which Strouse, who’d already written several Broad - “In 1925, he provided amazing scores, one right after an - way shows, as well as the score for the film other – Breakfast At Tiffany’s, Charade, Hatari, Bonnie and Clyde . The lyrics were by Lee there was this real The Pink Panther, Days Of Wine and Roses , Adams, with whom Strouse had written the religious girl” and many others. Many of those films also pro - Broadway shows Bye Bye Birdie, All-American, duced best-selling albums. Mancini not only Golden Boy, It’s A Bird, It’s A Plane, It’s Super - knew how to score a film perfectly, but he was man and others.
    [Show full text]
  • The Inventory of the Richard Roud Collection #1117
    The Inventory of the Richard Roud Collection #1117 Howard Gotlieb Archival Research Center ROOD, RICHARD #1117 September 1989 - June 1997 Biography: Richard Roud ( 1929-1989), as director of both the New York and London Film Festivals, was responsible for both discovering and introducing to a wider audience many of the important directors of the latter half th of the 20 - century (many of whom he knew personally) including Bernardo Bertolucci, Robert Bresson, Luis Buiiuel, R.W. Fassbinder, Jean-Luc Godard, Werner Herzog, Terry Malick, Ermanno Ohni, Jacques Rivette and Martin Scorsese. He was an author of books on Jean-Marie Straub, Jean-Luc Godard, Max Ophuls, and Henri Langlois, as well as the editor of CINEMA: A CRITICAL DICTIONARY. In addition, Mr. Roud wrote extensive criticism on film, the theater and other visual arts for The Manchester Guardian and Sight and Sound and was an occasional contributor to many other publications. At his death he was working on an authorized biography of Fran9ois Truffaut and a book on New Wave film. Richard Roud was a Fulbright recipient and a Chevalier in the Legion of Honor. Scope and contents: The Roud Collection (9 Paige boxes, 2 Manuscript boxes and 3 Packages) consists primarily of book research, articles by RR and printed matter related to the New York Film Festival and prominent directors. Material on Jean-Luc Godard, Francois Truffaut and Henri Langlois is particularly extensive. Though considerably smaller, the Correspondence file contains personal letters from many important directors (see List ofNotable Correspondents). The Photographs file contains an eclectic group of movie stills.
    [Show full text]
  • Table of Contents
    Table of Contents PART I. Introduction 5 A. Overview 5 B. Historical Background 6 PART II. The Study 16 A. Background 16 B. Independence 18 C. The Scope of the Monitoring 19 D. Methodology 23 1. Rationale and Definitions of Violence 23 2. The Monitoring Process 25 3. The Weekly Meetings 26 4. Criteria 27 E. Operating Premises and Stipulations 32 PART III. Findings in Broadcast Network Television 39 A. Prime Time Series 40 1. Programs with Frequent Issues 41 2. Programs with Occasional Issues 49 3. Interesting Violence Issues in Prime Time Series 54 4. Programs that Deal with Violence Well 58 B. Made for Television Movies and Mini-Series 61 1. Leading Examples of MOWs and Mini-Series that Raised Concerns 62 2. Other Titles Raising Concerns about Violence 67 3. Issues Raised by Made-for-Television Movies and Mini-Series 68 C. Theatrical Motion Pictures on Broadcast Network Television 71 1. Theatrical Films that Raise Concerns 74 2. Additional Theatrical Films that Raise Concerns 80 3. Issues Arising out of Theatrical Films on Television 81 D. On-Air Promotions, Previews, Recaps, Teasers and Advertisements 84 E. Children’s Television on the Broadcast Networks 94 PART IV. Findings in Other Television Media 102 A. Local Independent Television Programming and Syndication 104 B. Public Television 111 C. Cable Television 114 1. Home Box Office (HBO) 116 2. Showtime 119 3. The Disney Channel 123 4. Nickelodeon 124 5. Music Television (MTV) 125 6. TBS (The Atlanta Superstation) 126 7. The USA Network 129 8. Turner Network Television (TNT) 130 D.
    [Show full text]
  • The Statement
    THE STATEMENT A Robert Lantos Production A Norman Jewison Film Written by Ronald Harwood Starring Michael Caine Tilda Swinton Jeremy Northam Based on the Novel by Brian Moore A Sony Pictures Classics Release 120 minutes EAST COAST: WEST COAST: EXHIBITOR CONTACTS: FALCO INK BLOCK-KORENBROT SONY PICTURES CLASSICS SHANNON TREUSCH MELODY KORENBROT CARMELO PIRRONE ERIN BRUCE ZIGGY KOZLOWSKI ANGELA GRESHAM 850 SEVENTH AVENUE, 8271 MELROSE AVENUE, 550 MADISON AVENUE, SUITE 1005 SUITE 200 8TH FLOOR NEW YORK, NY 10024 LOS ANGELES, CA 90046 NEW YORK, NY 10022 PHONE: (212) 445-7100 PHONE: (323) 655-0593 PHONE: (212) 833-8833 FAX: (212) 445-0623 FAX: (323) 655-7302 FAX: (212) 833-8844 Visit the Sony Pictures Classics Internet site at: http:/www.sonyclassics.com THE STATEMENT A ROBERT LANTOS PRODUCTION A NORMAN JEWISON FILM Directed by NORMAN JEWISON Produced by ROBERT LANTOS NORMAN JEWISON Screenplay by RONALD HARWOOD Based on the novel by BRIAN MOORE Director of Photography KEVIN JEWISON Production Designer JEAN RABASSE Edited by STEPHEN RIVKIN, A.C.E. ANDREW S. EISEN Music by NORMAND CORBEIL Costume Designer CARINE SARFATI Casting by NINA GOLD Co-Producers SANDRA CUNNINGHAM YANNICK BERNARD ROBYN SLOVO Executive Producers DAVID M. THOMPSON MARK MUSSELMAN JASON PIETTE MICHAEL COWAN Associate Producer JULIA ROSENBERG a SERENDIPITY POINT FILMS ODESSA FILMS COMPANY PICTURES co-production in association with ASTRAL MEDIA in association with TELEFILM CANADA in association with CORUS ENTERTAINMENT in association with MOVISION in association with SONY PICTURES
    [Show full text]
  • Nixon Reacts to UN Vote It
    Whoops, there goes. Some base residents who failed to take action last week may find that late might as well be never. As part of the base-wide Shape Up, Gitmo! campaign now under way, many of the base's derelict cars were tagged last week with noti- ces that they would towed to the dump if owners did not remove them prior to Oct. 25. Citing SOPA Instruction 5400.2, Chapter 2, the notice said it contrary to regulations to repair vehicles outside of the Hobby Owners should remember that improperly parked vehicles may be confused Shop Garage on Marti Rd. with abandoned ones, as could be the case above. M& NAVAL CUATAM4AgSr. Y, CUBA Bias it Canadians Protest Atomic Test WASHINGTON (AP) -- The Nixon administration announced yesterday plans t o proceed with a huge underground a- tomic blast in th e Aleutian Islands, drawing expres- sions of dismay from the Canadian ambassador here. Although Sen. .1 ike Gravel, D-Alaska, told newsmen the blast, testing a 5-megaton anti-missile warhead, is THURSDAY. OCTOBER 28, 1971 scheduled for Nov . 4, James R. Schlesinger, chariman of the Atomic Energy Commission, told newsmen a test date has not been established. Schlesinger said, however, that preparations would be completed within a week. Meanwhile, seven environmental Nixon Reacts to U.N. Vote groups, headed by the Committe for WASHINGTON (AP)--President Nixon, giving a delayed reaction to Monday Nuclear Responsibility, are seeking night's events that saw the United Nations admit mainland China and expel to halt the test through court ac- Taiwan, suggested yesterday the result could be lessened U.S.
    [Show full text]
  • NEO-NOIR / RETRO-NOIR FILMS (1966 Thru 2010) Page 1 of 7
    NEO-NOIR / RETRO-NOIR FILMS (1966 thru 2010) Page 1 of 7 H Absolute Power (1997) H Blondes Have More Guns (1995) H Across 110th Street (1972) H Blood and Wine (1996) H Addiction, The (1995) FS H Blood Simple (1985) h Adulthood (2008) H Blood Work (2002) H Affliction (1997) H Blow Out (1981) FS H After Dark, My Sweet (1990) h Blow-up (1967).Blowup H After Hours (1985) f H Blue Desert (1992) F H Against All Odds (1984) f H Blue Steel (1990) f H Alligator Eyes (1990) SCH Blue Velvet (1986) H All the President’s Men (1976) H Bodily Harm (1995) H Along Come a Spider (2001) H Body and Soul (1981) H Ambushed (1998) f H Body Chemistry (1990) H American Gangster (2007) H Body Double (1984) H American Gigolo (1980) f H Bodyguard, The (1992) H Anderson Tapes, The (1971) FSCH Body Heat (1981) S H Angel Heart (1987) H Body of Evidence (1992) f H Another 48 Hrs. (1990) H Body Snatchers (1993) F H At Close Range (1986) H Bone Collector, The (1999) f H Atlantic City (1980) H Bonnie & Clyde (1967) f H Bad Boys (1983) F H Border, The (1982) F H Bad Influence (1990) F H Bound (1996) F H Badlands (1973) H Bourne Identity, The (2002) F H Bad Lieutenant (1992) H Bourne Supremacy, The (2004) h Bank Job, The (2008) H Bourne Ultimatum, The (2007) F H Basic Instinct (1992) H Boyz n the Hood (1991) H Basic Instinct 2 (2006) H Break (2009) H Batman Begins (2005) H Breakdown (1997) F H Bedroom Window, The (1987) F H Breathless (1983) H Before the Devil Knows You’re Dead (2007) H Bright Angel (1991) H Best Laid Plans (1999) H Bringing Out the Dead (1999) F H Best
    [Show full text]
  • Mckinney Macartney Management Ltd
    McKinney Macartney Management Ltd AMY ROBERTS - Costume Designer THE CROWN 3 Director: Ben Caron Producers: Michael Casey, Andrew Eaton, Martin Harrison Starring: Olivia Colman, Tobias Menzies and Helena Bonham Carter Left Bank Pictures / Netflix CLEAN BREAK Director: Lewis Arnold. Producer: Karen Lewis. Starring: Adam Fergus and Kelly Thornton. Sister Pictures. BABS Director: Dominic Leclerc. Producer: Jules Hussey. Starring: Jaime Winstone and Samantha Spiro. Red Planet Pictures / BBC. TENNISON Director: David Caffrey. Producer: Ronda Smith. Starring: Stefanie Martini, Sam Reid and Blake Harrison. Noho Film and Television / La Plante Global. SWALLOWS & AMAZONS Director: Philippa Lowthorpe. Producer: Nick Barton. Starring: Rafe Spall, Kelly Macdonald, Harry Enfield, Jessica Hynes and Andrew Scott. BBC Films. AN INSPECTOR CALLS Director: Aisling Walsh. Producer: Howard Ella. Starring: David Thewlis, Miranda Richardson and Sophie Rundle. BBC / Drama Republic. PARTNERS IN CRIME Director: Ed Hall. Producer: Georgina Lowe. Starring: Jessica Raine, David Walliams, Matthew Steer and Paul Brennen. Endor Productions / Acorn Productions. Gable House, 18 –24 Turnham Green Terrace, London W4 1QP Tel: 020 8995 4747 E-mail: [email protected] www.mckinneymacartney.com VAT Reg. No: 685 1851 06 AMY ROBERTS Contd … 2 CILLA Director: Paul Whittington. Producer: Kwadjo Dajan. Starring: Sheridan Smith, Aneurin Barnard, Ed Stoppard and Melanie Hill. ITV. RTS CRAFT & DESIGN AWARD 2015 – BEST COSTUME DESIGN BAFTA Nomination 2015 – Best Costume Design JAMAICA INN Director: Philippa Lowthorpe Producer: David M. Thompson and Dan Winch. Starring: Jessica Brown Findlay, Shirley Henderson and Matthew McNulty. Origin Pictures. THE TUNNEL Director: Dominik Moll. Producer: Ruth Kenley-Letts. Starring: Stephen Dillane and Clemence Poesy. Kudos. CALL THE MIDWIFE (Series 2) Director: Philippa Lowthorpe.
    [Show full text]
  • From Real Time to Reel Time: the Films of John Schlesinger
    From Real Time to Reel Time: The Films of John Schlesinger A study of the change from objective realism to subjective reality in British cinema in the 1960s By Desmond Michael Fleming Submitted in total fulfilment of the requirements of the degree of Doctor of Philosophy November 2011 School of Culture and Communication Faculty of Arts The University of Melbourne Produced on Archival Quality Paper Declaration This is to certify that: (i) the thesis comprises only my original work towards the PhD, (ii) due acknowledgement has been made in the text to all other material used, (iii) the thesis is fewer than 100,000 words in length, exclusive of tables, maps, bibliographies and appendices. Abstract The 1960s was a period of change for the British cinema, as it was for so much else. The six feature films directed by John Schlesinger in that decade stand as an exemplar of what those changes were. They also demonstrate a fundamental change in the narrative form used by mainstream cinema. Through a close analysis of these films, A Kind of Loving, Billy Liar, Darling, Far From the Madding Crowd, Midnight Cowboy and Sunday Bloody Sunday, this thesis examines the changes as they took hold in mainstream cinema. In effect, the thesis establishes that the principal mode of narrative moved from one based on objective realism in the tradition of the documentary movement to one which took a subjective mode of narrative wherein the image on the screen, and the sounds attached, were not necessarily a record of the external world. The world of memory, the subjective world of the mind, became an integral part of the narrative.
    [Show full text]
  • Integrating Cultural Tactics Into the Management of Bark Beetle and Reforestation Pests1
    DA United States US Department of Proceedings --z:;;-;;; Agriculture Forest Service Integrating Cultural Tactics into Northeastern Forest Experiment Station the Management of Bark Beetle General Technical Report NE-236 and Reforestation Pests Edited by: Forest Health Technology Enterprise Team J.C. Gregoire A.M. Liebhold F.M. Stephen K.R. Day S.M.Salom Vallombrosa, Italy September 1-3, 1996 Most of the papers in this publication were submitted electronically and were edited to achieve a uniform format and type face. Each contributor is responsible for the accuracy and content of his or her own paper. Statements of the contributors from outside the U.S. Department of Agriculture may not necessarily reflect the policy of the Department. Some participants did not submit papers so they have not been included. The use of trade, firm, or corporation names in this publication is for the information and convenience of the reader. Such use does not constitute an official endorsement or approval by the U.S. Department of Agriculture or the Forest Service of any product or service to the exclusion of others that may be suitable. Remarks about pesticides appear in some technical papers contained in these proceedings. Publication of these statements does not constitute endorsement or recommendation of them by the conference sponsors, nor does it imply that uses discussed have been registered. Use of most pesticides is regulated by State and Federal Law. Applicable regulations must be obtained from the appropriate regulatory agencies. CAUTION: Pesticides can be injurious to humans, domestic animals, desirable plants, and fish and other wildlife - if they are not handled and applied properly.
    [Show full text]
  • Kuwaitis Top COVID-19 Surge...No Curfew
    skiing soccer Page 14 Page 16 THE FIRST ENGLISH LANGUAGE DAILY IN FREE KUWAIT Established in 1977 / www.arabtimesonline.com MONDAY, FEBRUARY 15, 2021 / RAJAB 4, 1442 AH emergency number 112 NO. 17614 16 PAGES 150 FILS SMART, ACCURATE ON 300 km ... IRAN LAUNCHES MISSILE TEHRAN, Feb 14, (KUNA): Iran has tested fired a 300-km-long range missile with high precision capacity, according to the official news agency, IRNA. SIX CASES ... ‘PAM IN COVID PANIC’ The missile is distinguished with high capacities with precision and intelligence, IRNA quoted the commander of the Ira- nian Army’s Ground Forces Brigadier General Kioumars Heydari as saying on Sunday. He has affirmed that Iran is seeking to Kuwaitis top COVID-19 develop its arsenal of arms to be “smart and accurate.” Newswatch This Feb 10, 2021 image taken by the United Arab surge...no curfew yet Emirates’ ‘Amal’ or ‘Hope’ probe and released Feb 14, 2021, shows Mars. The Hope space probe KUWAIT CITY: With the continu- now circles the Red Planet. The picture, taken ous rise in the COVID-19 cases on Wednesday, shows sunlight just coming across MP session to deliberate on virus a daily basis, the Ministry of Health the surface of Mars. It shows Mars’ north pole, as has decided to suspend non-urgent well as Mars’ largest volcano, Olympus Mons.The and unimpeded surgeries in public probe swung into orbit around Mars on Tuesday in By Saeed Mahmoud Saleh The source affirmed that the Cabinet will not impose curfew in hospitals. a triumph for the Arab world’s first interplanetary Arab Times Staff and Agencies some areas now; indicating the highest percentage of corona-re- Director of Adan Hospital Dr.
    [Show full text]
  • Press Kit (PDF)
    Synopsis 1 The ocean is a wilderness reaching 'round the globe, wilder than a Bengal jungle, and fuller of monsters, washing the very wharves of our cities and the gardens of our sea-side residences. - Henry David Thoreau, 1864 For the nineteenth century, the world beneath the sea played much the same role that "outer space" played for the twentieth. The ocean depths were at once the ultimate scientific frontier and what Coleridge called "the reservoir of the soul": the place of the unconscious, of imagination and the fantastic. Proteus uses the undersea world as the locus for a meditation on the troubled intersection of scientific and artistic vision. The one-hour film is based almost entirely on the images of nineteenth century painters, graphic artists, photographers and scientific illustrators, photographed from rare materials in European and American collections and brought to life through innovative animation. The central figure of the film is biologist and artist Ernst Haeckel (1834-1919). As a young man, Haeckel found himself torn between seeming irreconcilables: science and art, materialism and religion, rationality and passion, outer and inner worlds. Through his discoveries beneath the sea, Haeckel would eventually reconcile these dualities, bringing science and art together in a unitary, almost mystical vision. His work would profoundly influence not only biology but also movements, thinkers and authors as disparate as Art Nouveau and Surrealism, Sigmund Freud and D.H. Lawrence, Vladimir Lenin and Thomas Edison. The key to Haeckel's vision was a tiny undersea organism called the radiolarian. Haeckel discovered, described, classified and painted four thousand species of these one-celled creatures.
    [Show full text]