Native American Rights Fund 1982 Annual Report
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Integrating Cultural Tactics Into the Management of Bark Beetle and Reforestation Pests1
DA United States US Department of Proceedings --z:;;-;;; Agriculture Forest Service Integrating Cultural Tactics into Northeastern Forest Experiment Station the Management of Bark Beetle General Technical Report NE-236 and Reforestation Pests Edited by: Forest Health Technology Enterprise Team J.C. Gregoire A.M. Liebhold F.M. Stephen K.R. Day S.M.Salom Vallombrosa, Italy September 1-3, 1996 Most of the papers in this publication were submitted electronically and were edited to achieve a uniform format and type face. Each contributor is responsible for the accuracy and content of his or her own paper. Statements of the contributors from outside the U.S. Department of Agriculture may not necessarily reflect the policy of the Department. Some participants did not submit papers so they have not been included. The use of trade, firm, or corporation names in this publication is for the information and convenience of the reader. Such use does not constitute an official endorsement or approval by the U.S. Department of Agriculture or the Forest Service of any product or service to the exclusion of others that may be suitable. Remarks about pesticides appear in some technical papers contained in these proceedings. Publication of these statements does not constitute endorsement or recommendation of them by the conference sponsors, nor does it imply that uses discussed have been registered. Use of most pesticides is regulated by State and Federal Law. Applicable regulations must be obtained from the appropriate regulatory agencies. CAUTION: Pesticides can be injurious to humans, domestic animals, desirable plants, and fish and other wildlife - if they are not handled and applied properly. -
Press Kit (PDF)
Synopsis 1 The ocean is a wilderness reaching 'round the globe, wilder than a Bengal jungle, and fuller of monsters, washing the very wharves of our cities and the gardens of our sea-side residences. - Henry David Thoreau, 1864 For the nineteenth century, the world beneath the sea played much the same role that "outer space" played for the twentieth. The ocean depths were at once the ultimate scientific frontier and what Coleridge called "the reservoir of the soul": the place of the unconscious, of imagination and the fantastic. Proteus uses the undersea world as the locus for a meditation on the troubled intersection of scientific and artistic vision. The one-hour film is based almost entirely on the images of nineteenth century painters, graphic artists, photographers and scientific illustrators, photographed from rare materials in European and American collections and brought to life through innovative animation. The central figure of the film is biologist and artist Ernst Haeckel (1834-1919). As a young man, Haeckel found himself torn between seeming irreconcilables: science and art, materialism and religion, rationality and passion, outer and inner worlds. Through his discoveries beneath the sea, Haeckel would eventually reconcile these dualities, bringing science and art together in a unitary, almost mystical vision. His work would profoundly influence not only biology but also movements, thinkers and authors as disparate as Art Nouveau and Surrealism, Sigmund Freud and D.H. Lawrence, Vladimir Lenin and Thomas Edison. The key to Haeckel's vision was a tiny undersea organism called the radiolarian. Haeckel discovered, described, classified and painted four thousand species of these one-celled creatures. -
LGBTQ Episodic Television Study Guide
Archive Study Guide: LESBIAN, GAY, BISEXUAL AND TRANSGENDER TELEVISION: SITCOMS AND EPISODIC DRAMAS ARCHIVE STUDY GUIDE The representation of Lesbian, Gay, Bisexual and Transgender (LGBT) communities on television is marked by a history of stereotypes and inexplicable invisibility. By the 1970s, gay media-watch groups communicated their concerns to the television industry and a sense of cooperation began to emerge between the LG BT community and broadcasters. During the 1980s, the AIDS crisis and resulting prejudices ushered in a new era of problematic and offensive portrayals. In the late 1990s, Ellen Degeneres' landmark coming out, (both in real- life, and through the character she portrayed in her sitcom), generated much controversy and discussion, ultimately paving the way for well -developed gay characters in prominent primetime TV roles. Despite such advances, stereotypes continue to resurface and perpetuate, and the full diversity of the LGBT community is more often than not underrepresented in the mass media. This is only a partial list – consult the Archive Research and Study Center for additional titles, including relevant materials held in the Outfest Legacy Collection. HEARST NEWSREEL Hearst Newsreel Footage. Movie Stars Join Circus for Charity! Los Angeles, California (1948-09-04). Wrestling telecasts of the late 1940s and early 1950s often featured flamboyant characters with (implied) gay personas. Features Bob Hope acting as manager of outlandish TV wrestler Gorgeous George, who faces actor Burt Lancaster in a match. Study Copy: VA6581 M Hearst Newsreel Footage. Wrestling from Montreal, Quebec, Canada (1948-10-22). Gorgeous George vs. Pete Petersen. Study Copy: VA8312 M TELEVISION (Please note some titles may require additional lead-time to make available for viewing) 1950s Western Main Event Wrestling. -
Emmy Award Winners
CATEGORY 2035 2034 2033 2032 Outstanding Drama Title Title Title Title Lead Actor Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actress—Comedy Name, Title Name, Title Name, Title Name, Title Outstanding Limited Series Title Title Title Title Outstanding TV Movie Name, Title Name, Title Name, Title Name, Title Lead Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Lead Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title CATEGORY 2031 2030 2029 2028 Outstanding Drama Title Title Title Title Lead Actor—Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp. -
The Philosophy of the Western
University of Kentucky UKnowledge American Popular Culture American Studies 5-28-2010 The Philosophy of the Western Jennifer L. McMahon East Central University B. Steve Csaki Centre College Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation McMahon, Jennifer L. and Csaki, B. Steve, "The Philosophy of the Western" (2010). American Popular Culture. 11. https://uknowledge.uky.edu/upk_american_popular_culture/11 (CONTINUED FROM FRONT FLAP) McMAHON PHILOSOPHY/FILM AND CSAKI THE PHILOSOPHY OF THE gender, animal rights, and other topics depicted in western narratives. “The writing is accessible to nonspecialists and should be of interest to general WESTERN Drawing from philosophers as varied as Aristotle, Spinoza, William James, and Jean- readers who enjoy thinking about EDITED BY Paul Sartre, The Philosophy of the Western JENNIFER L. McMAHON AND B. STEVE CSAKI examines themes that are central to the genre: philosophy, film, or westerns.” individual freedom versus community; the —KAREN D. HOFFMAN, encroachment of industry and development on the natural world; and the epistemological Hood College here are few film and television genres and ethical implications of the classic “lone that capture the hearts of audiences rider” of the West. The philosophies of John like the western. While not always T T Locke, Thomas Hobbes, and Jean-Jacques H true to the past, westerns are tied to, and Rousseau figure prominently in discussions E P expressive of, the history of the United States. -
Many Stars Have Graced Our Stage Over the Years!
MANY STARS HAVE GRACED OUR STAGE OVER THE YEARS! Joseph Abaldo Maureen Brennan Boyd Crawford Felicia Finley Cedric Hardwicke Maude Adams Eileen Brennan Hume Cronyn Pat Finley Dean Harens Edie Adams Lisa Brescia Zamah Cunningham Fannie Flagg Valerie Harper Clay Aiken Lloyd Bridges John Dall Bramwell Fletcher Helen Harrelson Katherine Alexander Florence Britton Doris Dalton Mary Fogarty Noel Harrison Jennifer Allen Barbara Britton James Daly Jennifer Fogarty Jack Hartley Steve Allen Millicent Brower Alexandria Danilova Joan Fontaine Lillian Harvey Sara Allgood Joe E. Brown Helmut Dantine Paul Ford Lilian Harvey Donald Ameche Susan Browning Lili Darvas Robert Forster Signe Hasso Rosemary Ames Carol Bruce Claude Dauphin John Forsythe Hurd Hatfield Maureen Anderman Dorathe Burgess Ann B. Davis Lillian Foster Jeffrey Hayden Glenn Anders Billie Burke Bette Davis Hunter Foster Helen Hayes Nancy Anderson Mike Burstyn Mark Dawson Kay Francis George Hearn Dana Andrews Robert Burton June Dayton Arlene Francis Eileen Heckart Christine Andrews Charles Busch Rachel de Benedet Frederic Franklin David Hedison Margaret Anglin Spring Byington Sandra Deel Bonnie Franklin Tom Helmore Raul Aranas Gaylea Byrne Dolores Del Rio Pauline Frederick Violet Heming Eve Arden Carter Calvert Gabriel Dell Augusta French A.J. Herbert Else Argal Elaine Cancilla Jeffry Denman Betty Furness Eileen Herlie Richard Arlen Alexandra Carlisle Sandy Dennis Helen Gallagher Jerry Herman Matthew Ashford Kitty Carlisle Bob Denver Rita Gam Irene Hervey Elizabeth Ashley Tullio Carminati Colleen Dewhurst James Ganon Michael Higgins John Astin Art Carney Mia Dillon Reginald Gardiner Chelsie Hightower Mary Astor Leslie Caron Anton Dolin Peggy Ann Garner John Hillner Daisy Atherton Carleton Carpenter Donal Donnelly Kathy Garver Judd Hirsch William Atherton David Carroll Tim Donoghue Larry Gates Christian Hoff Conrad Bain Leo G. -
2004 Annual Report
Native American Rights Fund 2004 annual report “The Earth is the source of life. She gives birth. Her children continue the life of the Earth. The People must be responsible to her. This is the way that all life continues.” — (Excerpt from “The People Shall Continue” by Simon Ortiz, Acoma Pueblo) contents Introduction ........................................................ 3 Main Office Washington, D.C. Office Native American Rights Fund Native American Rights Fund Chairman’s Message ............................................ 5 1506 Broadway 1712 N Street, NW Boulder, CO 80302 Washington, D.C. 20036 303-447-8760 202-785-4166 Executive Director’s Report .................................. 7 http://www.narf.org The Board of Directors ........................................ 9 Alaska Office Native American Rights Fund The National Support Committee ........................ 9 420 L Street, Suite 505 Anchorage, Alaska 99501 907-276-0680 The Preservation of Tribal Existence .................. 10 The Protection of Tribal Natural Resources ...... 16 Tax Status: The Native American Rights Fund (NARF) is a nonprofit, charitable organization incorporated in 1971 under the laws of the The Promotion of Human Rights ...................... 26 District of Columbia. NARF is exempt from federal income tax under the provisions of Section 501(c)(3) of the Internal Revenue code. Contributions to NARF are tax deductible. The Internal Revenue Service The Accountability of Governments .................... 33 has ruled that NARF is not a "private foundation" as defined in Section 509(a) of the Internal Revenue Code. NARF was founded in 1970 and The Development of Indian Law ........................ 37 incorporated in 1971 in Washington, D.C. Treasurer’s Report ............................................ 39 This issue is dedicated to the children, our most precious resource. Contributors ..................................................... -
Bad Lawyers in the Movies
Nova Law Review Volume 24, Issue 2 2000 Article 3 Bad Lawyers in the Movies Michael Asimow∗ ∗ Copyright c 2000 by the authors. Nova Law Review is produced by The Berkeley Electronic Press (bepress). https://nsuworks.nova.edu/nlr Asimow: Bad Lawyers in the Movies Bad Lawyers In The Movies Michael Asimow* TABLE OF CONTENTS I. INTRODUCTION .............................................................................. 533 I. THE POPULAR PERCEPTION OF LAWYERS ..................................... 536 El. DOES POPULAR LEGAL CULTURE FOLLOW OR LEAD PUBLIC OPINION ABOUT LAWYERS? ......................................................... 549 A. PopularCulture as a Followerof Public Opinion ................ 549 B. PopularCulture as a Leader of Public Opinion-The Relevant Interpretive Community .......................................... 550 C. The CultivationEffect ............................................................ 553 D. Lawyer Portrayalson Television as Compared to Movies ....556 IV. PORTRAYALS OF LAWYERS IN THE MOVIES .................................. 561 A. Methodological Issues ........................................................... 562 B. Movie lawyers: 1929-1969................................................... 569 C. Movie lawyers: the 1970s ..................................................... 576 D. Movie lawyers: 1980s and 1990s.......................................... 576 1. Lawyers as Bad People ..................................................... 578 2. Lawyers as Bad Professionals .......................................... -
SF42 Festival Program
SOMERVILLE THEATRE SF42 February 2017 Dear Film Lover, Thank you for coming to the 42nd installment of our long love affair with film and science fiction. For 42 years we have gathered in darkened theatres and journeyed into space, through time and into worlds only our imaginations could conjure. Some folks would look at this and say we are avoiding reality. I would counter, just the opposite. The stories we tell in science fiction film are the stories of right now. They reflect our concerns, our fears, and our hopes. The films we show at BostonSciFi will later be seen in theatres, on Netflix and other places. We are on the cutting edge of reality. You will see all of that in this year’s Festival. Filmmakers from around the world have shared their stories. By doing so, we find ourselves more similar than different, closer than we think, and much closer than the political environment would lead us to believe. So please, sit back and enjoy the 2017 version of the Boston Science Fiction Film Festival. We’re pleased you could make it, and we hope we have presented a unique, entertaining Festival. Thank you. Garen Daly Festival Director Boston Science Fiction Film Festival Table of Contents Special Events 2 Monster Movies 2 Schedule subject to change. Festival Films 3 For up-to-the-minute information SF 42 Schedule 6 please visit us online at Short Film Programs 10 www.bostonscfi.com. 24-Hour Sci-fi Marathon 11 Acknowledgments Inside Back Cover BOSTON SCIENCE FICTION FILM FESTIVAL SF42 SF42 February 10-20 See pages 6-7 for complete schedule. -
Bad Lawyers in the Movies
Nova Law Review Volume 24, Issue 2 2000 Article 3 Bad Lawyers in the Movies Michael Asimow∗ ∗ Copyright c 2000 by the authors. Nova Law Review is produced by The Berkeley Electronic Press (bepress). http://nsuworks.nova.edu/nlr Asimow: Bad Lawyers in the Movies Bad Lawyers In The Movies Michael Asimow* TABLE OF CONTENTS I. INTRODUCTION .............................................................................. 533 I. THE POPULAR PERCEPTION OF LAWYERS ..................................... 536 El. DOES POPULAR LEGAL CULTURE FOLLOW OR LEAD PUBLIC OPINION ABOUT LAWYERS? ......................................................... 549 A. PopularCulture as a Followerof Public Opinion ................ 549 B. PopularCulture as a Leader of Public Opinion-The Relevant Interpretive Community .......................................... 550 C. The CultivationEffect ............................................................ 553 D. Lawyer Portrayalson Television as Compared to Movies ....556 IV. PORTRAYALS OF LAWYERS IN THE MOVIES .................................. 561 A. Methodological Issues ........................................................... 562 B. Movie lawyers: 1929-1969................................................... 569 C. Movie lawyers: the 1970s ..................................................... 576 D. Movie lawyers: 1980s and 1990s.......................................... 576 1. Lawyers as Bad People ..................................................... 578 2. Lawyers as Bad Professionals .......................................... -
JOHN SCHLESINGER [Extent 140 Archive Boxes]
JOHN SCHLESINGER [Extent 140 Archive Boxes] INTRODUCTION JOHN RICHARD SCHLESINGER Born: London, 16 February 1926. Died: Palm Springs, California, 25 July 2003 Education: Uppingham School; Balliol College, Oxford Early Career: As an actor playing small parts in films including SINGLE- HANDED (GB,1953), The DIVIDED HEART (GB,1954), OH... ROSALINDA! (GB,1955), BATTLE OF THE RIVER PLATE (GB,1956), BROTHERS IN LAW! (GB,1956) and in television The ADVENTURES OF ROBIN HOOD (tx 1956-1957), WOMAN OF PROPERTY (tx 2/5/1957). As Director: Schlesinger's career behind the camera began with a short film BLACK LEGEND (GB,1948) and work for BBC Television writing and directing documentaries for the TONIGHT and MONITOR Series 1956-1961. A British Transport Film TERMINUS (GB,1961) written and directed by Schlesinger, launched his film career proper. Schlesinger’s feature films: A KIND OF LOVING (GB,1962), BILLY LIAR (GB,1963), DARLING (GB,1965), FAR FROM THE MADDING CROWD (GB,1967), MIDNIGHT COWBOY (US,1969), SUNDAY BLOODY SUNDAY (GB,1971), DAY OF THE LOCUST (US,1974), MARATHON MAN (US,1976), YANKS (GB,1979), HONKY TONK FREEWAY (US,1981), FALCON AND THE SNOWMAN (US,1985), BELIEVERS (US,1987), MADAME SOUSATZKA (GB,1988), PACIFIC HEIGHTS (US,1990), INNOCENT (GB,1993), EYE FOR AN EYE (US,1995), The NEXT BEST THING (US,2000). Schlesinger's television credits include: SEPARATE TABLES (tx 1983) AN ENGLISHMAN ABROAD (tx 29/11/1983), A QUESTION OF ATTRIBUTION (tx 20/10/1991) and COLD COMFORT FARM (tx 1/1/1995). Schlesinger also directed the following: OPERA LES -
1987) Administrative Assistant Melody Mccoy (Cherokee) National Support Committee Debbie Raymond (Navajo) Scott B
National Indian Law Library NILL No. 0 \'"??,Dq / 1Cf3'7- The Native American Rights Fund is a non-profit organization specializing in the protection of Indian rights. The priorities of NARF are: (1) the preservation of tribal existence; (2) the protection of tribal natural resources; (3) the promotion of human rights; (4) the accountability of governments to Native Americans; and (5) the development of Indian law. Board of Directors Sy Gomberg National Indian Law Library Norman Ration (Navajo-Laguna) Will H. Hays, Jr. deana harragarra waters Chairman Alvin M. Josephy, Jr. (Kiowa/Otoe-Missouria) Arizona Billy Mills (Oglala Sioux) Law Librarian George Kalama (Nisqually) N. Scott Momaday (Kiowa) Ed Bristow (Cherokee/Choctaw) Vice-Chairman Alfonso Ortiz (Sanjuan Thwa) Legal Research Associate Washington Amado Pena (Yaqui/Chicano) Mary Mousseau (Santee Sioux) A. Kenneth Custalow (Mattaponi) David Risling, Jr. (Hoopa) Librarian Assistant Virginia Pernell Roberts Bonnie Davis Ada Deer (Menominee) Dr. Jonas Salk (Turtle Mountain Chippewa) Wisconsin Leslie Marmon Silko (Laguna Pueblo) Secretary Gene Gentry (Klamath) Connie Stevens Professional Staff Oregon Maria Thllchief (Osage) Mahealani Ing (Native Hawaiian) Studs Terkel Susan Arkeketa (Otoe-Missouria/Creek) Grantwriter /Editor Hawaii Ruth Thompson Rose Brave (Oglala Sioux) Danny Little Axe (Absentee-Shawnee) Tenaya Torres (ChiricahuaApache) Office Manager Oklahoma Thomas N. Tureen Marilyn Pourier (Oglala Sioux) Chris McNeil, Jr. (Tlingit) Dennis Weaver Development Assistant Chairman Corporate Officers Alaska (Thrm expired Fall '87) Support Staff Wayne Newell (Passamaquoddy) John E. Echohawk (Pawnee) Executive Director Mary Bumbera Maine Legal Secretary Rick Dauphinais Leonard Norris, Jr. (Klamath) Mary Chaddlesone (Kiowa) Oregon (Term expired Fall '87) (Turtle Mountain Chippewa) Deputy Director Legal Secretary Harvey Paymella (Hopi-Thwa) Kim Crandall Arizona (Thrm expiredFall '87) Susan Rosseter Hart Secretary/'freasurer Bookkeeper Calvin Peters (Squaxin Island) Tia Hudson Washington Mary L.