1987) Administrative Assistant Melody Mccoy (Cherokee) National Support Committee Debbie Raymond (Navajo) Scott B

Total Page:16

File Type:pdf, Size:1020Kb

1987) Administrative Assistant Melody Mccoy (Cherokee) National Support Committee Debbie Raymond (Navajo) Scott B National Indian Law Library NILL No. 0 \'"??,Dq / 1Cf3'7- The Native American Rights Fund is a non-profit organization specializing in the protection of Indian rights. The priorities of NARF are: (1) the preservation of tribal existence; (2) the protection of tribal natural resources; (3) the promotion of human rights; (4) the accountability of governments to Native Americans; and (5) the development of Indian law. Board of Directors Sy Gomberg National Indian Law Library Norman Ration (Navajo-Laguna) Will H. Hays, Jr. deana harragarra waters Chairman Alvin M. Josephy, Jr. (Kiowa/Otoe-Missouria) Arizona Billy Mills (Oglala Sioux) Law Librarian George Kalama (Nisqually) N. Scott Momaday (Kiowa) Ed Bristow (Cherokee/Choctaw) Vice-Chairman Alfonso Ortiz (Sanjuan Thwa) Legal Research Associate Washington Amado Pena (Yaqui/Chicano) Mary Mousseau (Santee Sioux) A. Kenneth Custalow (Mattaponi) David Risling, Jr. (Hoopa) Librarian Assistant Virginia Pernell Roberts Bonnie Davis Ada Deer (Menominee) Dr. Jonas Salk (Turtle Mountain Chippewa) Wisconsin Leslie Marmon Silko (Laguna Pueblo) Secretary Gene Gentry (Klamath) Connie Stevens Professional Staff Oregon Maria Thllchief (Osage) Mahealani Ing (Native Hawaiian) Studs Terkel Susan Arkeketa (Otoe-Missouria/Creek) Grantwriter /Editor Hawaii Ruth Thompson Rose Brave (Oglala Sioux) Danny Little Axe (Absentee-Shawnee) Tenaya Torres (ChiricahuaApache) Office Manager Oklahoma Thomas N. Tureen Marilyn Pourier (Oglala Sioux) Chris McNeil, Jr. (Tlingit) Dennis Weaver Development Assistant Chairman Corporate Officers Alaska (Thrm expired Fall '87) Support Staff Wayne Newell (Passamaquoddy) John E. Echohawk (Pawnee) Executive Director Mary Bumbera Maine Legal Secretary Rick Dauphinais Leonard Norris, Jr. (Klamath) Mary Chaddlesone (Kiowa) Oregon (Term expired Fall '87) (Turtle Mountain Chippewa) Deputy Director Legal Secretary Harvey Paymella (Hopi-Thwa) Kim Crandall Arizona (Thrm expiredFall '87) Susan Rosseter Hart Secretary/'freasurer Bookkeeper Calvin Peters (Squaxin Island) Tia Hudson Washington Mary L. Hanewall Development Officer Legal Secretary Caleb Pungowiyi (Siberian Yupik) Sheila Mccampbell (Euchee/Creek) Alaska Staff Attorneys Legal Secretary Lois J. Risling (Hoopa) Lare Aschenbrenner Pat Moses (Santo Domingo Pueblo} California (Term ended Spring '87) Robert Anderson (Nett Lake Chippewa) File Clerk Anthony L. Strong (Tlingit) Jerilyn Decoteau Sonya Paul (Navajo) Alaska (Turtle Mountain Chippewa) Administrative Secretary Bill Thorne (Pomo} Utah Walter R. Echo-Hawk (Pawnee) Rita Pitka (Turtle Mountain Chippewa) Wade Teeple (Chippewa) K. Jerome Gottschalk Legal Secretary Michigan (Resigned Fall '87) Yvonne T. Knight (Ponca/Creek) Mary Lu Prosser Verna Williamson (Isleta Pueblo) Arlinda Locklear (Lumbee) (Cheyenne River Sioux) New Mexico (Resigned effective October 1, 1987) Administrative Assistant Melody McCoy (Cherokee) National Support Committee Debbie Raymond (Navajo) Scott B. McElroy Administrative Assistant Owanah Anderson (Choctaw) (Resigned effective November 1, 1987) Patrita Ime Salazar Edward Asner Don B. Miller ('lb.as/Santa Ana Pueblo) Katrina McCormick Barnes Steven C. Moore Receptionist David Brubeck Robert M. Peregoy (Flathead) Patricia Stinnette Rep. Ben Nighthorse Campbell Faith Roessel (Navajo) Bookkeeper (Northern Cheyenne) Henry J. Sockbeson (Penobscot) Marilyn White (Mohawk) Iron Eyes Cody (Cherokee-Cree) Of Counsel Legal Secretary Val Cordova (Taos Pueblo) Krista Wilber Norman Cousins Richard B. Collins Accountant Richard Dysart Charles F. Wilkinson Jackie Vaughn James Garner Direct Mail Coordinator ~atlonal Indian Law library ! 522 Broadway Bou:~,~r. CO 80302 Chairman's Letter . 2 Executive Director's Report . 3 The Board of Directors . 4 The National Support Committee . 5 Introduction . • . 6 The Preservation of Tribal Existence . 7 The Protection of Tribal Natural Resources .............. 10 The Promotion of Human Rights . 13 The Accountability of Governments . 15 The Development oflndian Law . 17 Treasurer's Report ................................. 18 A Sacredness Of Their Own by Benjamin Harjo, Jr. (Shawnee-Seminole) Credits Photos: Monty Roessel, John Youngblut, Kim Crandall, Western History Collections, Univer­ sity of Oklahoma Library. Since 1970, the Native American NARF will continue its fight for Rights Fund has successfully repre­ Native American tribes and individ­ sented Native American tribes and uals in asserting their rights. As it has individuals. In the court and in Con­ in the past, NARF intends to play a gress, NARF has provided expert major role in Indian rights protection legal representation on behalf of in the coming years. tribes and individuals to protect their However, in order to continue to inherent rights. provide legal assistance to Native This past year NARF was suc­ Americans throughout the country, it cessful in assisting the Alabama­ is critical that we secure the neces­ Coushatta Tribe and Ysleta del Sur sary financial support. Federal budget Pueblo of Texas restore their status as cuts and the increasing competitive­ federally recognized tribes. NARF's ness for available funds have made past accomplishments include estab­ NARF's job even harder. We thank lishing a homeland for the Traditional everyone who has supported us these Kickapoo in Texas, asserting treaty past years and we hope you will con­ fishing rights of the Bay Mills Com­ tinue to assist us in protecting the munity in Michigan, and settling rights of all American Indians. historic land claims for the Passama­ Norman Ration quoddy and the Penobscot Tribes Chairman of Maine. Despite these victories, there re­ mains much work to be done. Pres­ ently, NARF is involved in many ongoing disputes which would have far-reaching effects on Indians in this country. The issues involve land claims, tribal recognition, water rights claims, taxation and jurisdic­ tion. These rights of Native Ameri­ cans must continue to be protected. Texas tribes attained the same legal NARF was also successful in assist­ and political status and protection as ing the Kootenai Indians of Montana, other Indian tribes. Idaho and British Columbia in stop­ The Ely Colony Shoshone in ping the construction of a hydroelec­ Nevada regained criminal and civil tric dam on the Kootenai River in jurisdiction over its reservation when Montana. The dam would have the Department of the Interior was diverted the River around Kootenai persuaded by NARF to accept the Falls, a sacred religious site for the State of Nevada's offer to retrocede Kootenai religion. The denial of a jurisdiction. Nevada had been given project license by the Federal Energy such jurisdiction by Congress in Regulatory Commission ended a 1955, but a 1968 amendment allows nine-year struggle for the Kootenai. retrocession back to the Tribe if Amicus curiae briefs were also filed accepted by the Interior Department. by NARF on behalf of tribal clients in NARF succeeded in challenging two Indian cases decided favorably the Department of the Interior's by the United States Supreme Court refusal to place certain off-reserva­ in 1987. In California v. Cabazon tion tribally-owned lands in federal Band of Mission Indians, the Court trust status for the St. Croix Chip­ held that California did not have pewa Tribe of Wisconsin. The Tribe jurisdiction to apply its gaming laws In 1987 the Native American Rights claimed that the refusal was unlawful to reservation gaming enterprises Fund continued to provide legal because the Department of the Inte­ governed by federal and tribal law, advice and representation to Indian rior relied on a rule which they recognizing that gaming is a legiti­ tribes, organizations and individuals adopted illegally. A federal court in mate method of raising revenue for on issues of major significance to Washington, D.C., agreed and ordered tribal governments as it is for state Indian people throughout the nation. the Interior Department to review the governments. In Iowa Mutual v. The access. to justice made possible 'fribe' s petition under its previous LaPlante, the Court held that when a by NARF's assistance resulted in policy and without any recourse to citizen of another state brings a suit several important legal victories in fis­ the illegal rule. against a reservation resident, the cal year 1987 for Native Americans. The Muckleshoot Tribe in the State case must first be brought in tribal NARF successfully represented the of Washington will have its salmon court and not federal court, but that a Gay Head Wampanoag Tribe of fishery in the White River restored as federal court may later review the Massachusetts in its petition for the result of an out-of-court settle­ case to determine if tribal jurisdiction federal recognition of its tribal status ment secured by NARF. The power was proper. to the Bureau of Indian Affairs. company whose hydroelectric dam These and other significant devel­ Following federal recognition, Con­ has been diverting most of the White opments in 1987 prove that the gress then passed land claim settle­ River away upstream from the reser­ American system of justice can work ment legislation resolving a land vation since 1910 agreed to a fourfold for Native Americans. In hundreds of claim lawsuit filed by NARF for the increase in the amount of water flow­ cases since 1970, NARF has made Tribe in 1974. Under the terms of the ing through the dam which will allow the legal process work for the benefit settlement legislation, the 'fribe gains restoration of the tribal fishery. The of Indian people.
Recommended publications
  • Screen Actors Guild Celebrate 75Th Anniversary at Philadelphia
    Screen Actors Guild Celebrate 75th Anniversary at Philadelphia Stock Exchange on June 19 National SAG Secretary Treasurer and actress Connie Stevens ring the opening bell PHILADELPHIA- June 19, 2008 –Actress and entrepreneur Connie Stevens, the national secretary-treasurer of the Screen Actor’s Guild (SAG), rang the opening bell at the Philadelphia Stock Exchange (PHLX) today Thursday, June 19 to commemorate the 75th anniversary of SAG, an organization with more than 1,600 members in Philadelphia and 120,000 nationwide. Connie Stevens, who has held this position with SAG since 2005, is well known for her work on stage, screen and television. Among a litany of show business successes, Stevens originated the role of Cricket Blake on the television series Hawaiian Eye. She has a star on the Hollywood Walk of Fame and a star on the Star Walk in Palm Springs. She developed a successful cosmetic skin care product line, Forever Spring, and she has also been recognized for her charitable works. SAG is the nation’s largest labor union representing working actors. Established in 1933, the Guild exists to enhance actors’ working conditions, compensation and benefits and to be a powerful, unified voice on behalf of artists’ rights. SAG represents nearly 120,000 actors who work in motion pictures, television, commercials, industrials, video games, Internet and all new media formats. About Philadelphia Stock Exchange The Philadelphia Stock Exchange was founded in 1790. The PHLX trades more than 7,000 stocks, 2,600 equity options, 17 sectors index options, options on all major currencies, and futures through its subsidiary, The Philadelphia Board of Trade (PBOT).
    [Show full text]
  • Integrating Cultural Tactics Into the Management of Bark Beetle and Reforestation Pests1
    DA United States US Department of Proceedings --z:;;-;;; Agriculture Forest Service Integrating Cultural Tactics into Northeastern Forest Experiment Station the Management of Bark Beetle General Technical Report NE-236 and Reforestation Pests Edited by: Forest Health Technology Enterprise Team J.C. Gregoire A.M. Liebhold F.M. Stephen K.R. Day S.M.Salom Vallombrosa, Italy September 1-3, 1996 Most of the papers in this publication were submitted electronically and were edited to achieve a uniform format and type face. Each contributor is responsible for the accuracy and content of his or her own paper. Statements of the contributors from outside the U.S. Department of Agriculture may not necessarily reflect the policy of the Department. Some participants did not submit papers so they have not been included. The use of trade, firm, or corporation names in this publication is for the information and convenience of the reader. Such use does not constitute an official endorsement or approval by the U.S. Department of Agriculture or the Forest Service of any product or service to the exclusion of others that may be suitable. Remarks about pesticides appear in some technical papers contained in these proceedings. Publication of these statements does not constitute endorsement or recommendation of them by the conference sponsors, nor does it imply that uses discussed have been registered. Use of most pesticides is regulated by State and Federal Law. Applicable regulations must be obtained from the appropriate regulatory agencies. CAUTION: Pesticides can be injurious to humans, domestic animals, desirable plants, and fish and other wildlife - if they are not handled and applied properly.
    [Show full text]
  • Press Kit (PDF)
    Synopsis 1 The ocean is a wilderness reaching 'round the globe, wilder than a Bengal jungle, and fuller of monsters, washing the very wharves of our cities and the gardens of our sea-side residences. - Henry David Thoreau, 1864 For the nineteenth century, the world beneath the sea played much the same role that "outer space" played for the twentieth. The ocean depths were at once the ultimate scientific frontier and what Coleridge called "the reservoir of the soul": the place of the unconscious, of imagination and the fantastic. Proteus uses the undersea world as the locus for a meditation on the troubled intersection of scientific and artistic vision. The one-hour film is based almost entirely on the images of nineteenth century painters, graphic artists, photographers and scientific illustrators, photographed from rare materials in European and American collections and brought to life through innovative animation. The central figure of the film is biologist and artist Ernst Haeckel (1834-1919). As a young man, Haeckel found himself torn between seeming irreconcilables: science and art, materialism and religion, rationality and passion, outer and inner worlds. Through his discoveries beneath the sea, Haeckel would eventually reconcile these dualities, bringing science and art together in a unitary, almost mystical vision. His work would profoundly influence not only biology but also movements, thinkers and authors as disparate as Art Nouveau and Surrealism, Sigmund Freud and D.H. Lawrence, Vladimir Lenin and Thomas Edison. The key to Haeckel's vision was a tiny undersea organism called the radiolarian. Haeckel discovered, described, classified and painted four thousand species of these one-celled creatures.
    [Show full text]
  • Native American Rights Fund 1982 Annual Report
    ....-------------- National Indian Law Library NILL No. 0 \~~oC) J \0,5"2 NATIVE AMERICAN RIGHTS FUND 1982 ANNUAL REPORT The Native American Rights Fund is a non-profit protection of tribal natural resources; (3) the organization specializing in the protection of promotion of human rights; (4) the accounta­ Indian rights. The priorities of NARF are: (1) the bility of governments to Native Americans; and preservation of tribal existence; (2) the (5) the development of Indian law. Steering Committee Corporate Officers Other Professional Staff Roger Jim (Yakima), Chairman Johri E. Echohawk (Pawnee) Gloria Cuny (Oglala Sioux) Washington Executive Director Administrative Assistant Chris McNeil, Jr. (Tlingit), Vice-Chairman Jeanne S. Whiteing (Blackfeet-Cahuilla) Susan Freedman Alaska Deputy Director Legislative Assistant* Curtis Custalow, Sr. (Mattaponi) Mary L. Hanewall, Development Officer Marian Heymsfield Virginia Susan Rosseter Hart, Treasurer Head Bookkeeper:j: Kenneth Custalow (Mattaponi) Oran G. LaPointe (Rosebud Sioux) Rebecca Martinez Virginia Secretary Office Manager Bernard Kayate (Laguna Pueblo) Marilyn Pourier (Oglala Sioux) New Mexico Staff Attorneys Planned Giving Coordinator Patrick Lefthand (Kootenai) Montana Lawrence A. Aschenbrenner Support Staff Wayne Newell (Passamaquoddy) Kurt V. Blue Dog (Sisseton-Wahpeton Sioux) Maine Richard B. Collins* Herbert Blacker, Printer Leonard Norris, Jr. (Klamath) Richard J. Dauphinais (Turtle Mountain Chippewa) Rose Brave (Oglala Sioux) Oregon Walter R. Echo-Hawk (Pawnee) Legal Secretary Harvey Paymella (Hopi-Tewa) Douglas Endreson (Navajo) Rosetta Brewer (Cheyenne River Sioux) Arizona Kim Jerome Gottschalk Receptionist Christopher Peters (Yurok) Yvonne T. Knight (Ponca-Creek) Mary Sumbera, Legal Secretary California Arlinda F. Locklear (Lumbee) Linda Caso, Legal Secretary Lois J. Aisling (Hoopa) Scott B. MCEiroy Debra Echo-Hawk (Pawnee) California Library Clerk :j: Don B.
    [Show full text]
  • LGBTQ Episodic Television Study Guide
    Archive Study Guide: LESBIAN, GAY, BISEXUAL AND TRANSGENDER TELEVISION: SITCOMS AND EPISODIC DRAMAS ARCHIVE STUDY GUIDE The representation of Lesbian, Gay, Bisexual and Transgender (LGBT) communities on television is marked by a history of stereotypes and inexplicable invisibility. By the 1970s, gay media-watch groups communicated their concerns to the television industry and a sense of cooperation began to emerge between the LG BT community and broadcasters. During the 1980s, the AIDS crisis and resulting prejudices ushered in a new era of problematic and offensive portrayals. In the late 1990s, Ellen Degeneres' landmark coming out, (both in real- life, and through the character she portrayed in her sitcom), generated much controversy and discussion, ultimately paving the way for well -developed gay characters in prominent primetime TV roles. Despite such advances, stereotypes continue to resurface and perpetuate, and the full diversity of the LGBT community is more often than not underrepresented in the mass media. This is only a partial list – consult the Archive Research and Study Center for additional titles, including relevant materials held in the Outfest Legacy Collection. HEARST NEWSREEL Hearst Newsreel Footage. Movie Stars Join Circus for Charity! Los Angeles, California (1948-09-04). Wrestling telecasts of the late 1940s and early 1950s often featured flamboyant characters with (implied) gay personas. Features Bob Hope acting as manager of outlandish TV wrestler Gorgeous George, who faces actor Burt Lancaster in a match. Study Copy: VA6581 M Hearst Newsreel Footage. Wrestling from Montreal, Quebec, Canada (1948-10-22). Gorgeous George vs. Pete Petersen. Study Copy: VA8312 M TELEVISION (Please note some titles may require additional lead-time to make available for viewing) 1950s Western Main Event Wrestling.
    [Show full text]
  • Hollywood Walk of Fame Master Plan Community Meeting Presentation
    Hollywood Walk of Fame Master Plan Community Meeting Presentation November 19, 2020 *50% SCHEMATIC DESIGN DRAFT - SUBJECT TO CHANGE HOLLYWOOD WALK OF FAME MASTER PLAN Welcome & Introductions Community Presentation Page 2 of 59 November 19, 2020 *50% SCHEMATIC DESIGN DRAFT - SUBJECT TO CHANGE The Master Plan is being developed with consensus, guidance and advocacy from many parties Client Team Design Team Community & City Partners Neighborhood Councils Community Organizations City Deparments Central Hollywood Neighborhood Council Hollywood Partnership Los Angeles Bureau of Street Lighting Hollywood Hills West Neighborhood Council Hollywood Chamber of Commerce Los Angeles Bureau of Street Services Hollywood Studio District Neighborhood Council Hollywood Heritage Los Angeles Department of Transportation Hollywood United Neighborhood Council Hollywood Historic Trust Los Angeles County Metro Los Angeles Office of Historic Resources Los Angeles Police Department (LAPD) Los Angeles Fire Department (LAFD) Page 3 of 59 HOLLYWOOD AGENDA WALK OF FAME MASTER PLAN 1. Project Update 2. Vision 3. Traffic & Mobility 4. Street Design 5. Street Trees 6. Street Amenities Community Presentation Page 4 of 59 November 19, 2020 *50% SCHEMATIC DESIGN DRAFT - SUBJECT TO CHANGE HOLLYWOOD WALK OF FAME MASTER PLAN 1. Project Status Update Community Presentation Page 5 of 59 November 19, 2020 *50% SCHEMATIC DESIGN DRAFT - SUBJECT TO CHANGE HOLLYWOOD PROJECT PURPOSE WALK OF FAME MASTER PLAN To improve the Walk of Fame experience for those who live in, work in and visit the area. THE STREET IS FOR EVERYONE! Community Presentation Page 6 of 59 November 19, 2020 *50% SCHEMATIC DESIGN DRAFT - SUBJECT TO CHANGE HOLLYWOOD COMMUNITY OUTREACH OVERVIEW WALK OF FAME MASTER PLAN Community Presentation Page 7 of 59 November 19, 2020 *50% SCHEMATIC DESIGN DRAFT - SUBJECT TO CHANGE HOLLYWOOD PROJECT SCHEDULE WALK OF FAME MASTER PLAN WHERE WE ARE TODAY ARE WE WHERE DEC.
    [Show full text]
  • Emmy Award Winners
    CATEGORY 2035 2034 2033 2032 Outstanding Drama Title Title Title Title Lead Actor Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actress—Comedy Name, Title Name, Title Name, Title Name, Title Outstanding Limited Series Title Title Title Title Outstanding TV Movie Name, Title Name, Title Name, Title Name, Title Lead Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Lead Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title CATEGORY 2031 2030 2029 2028 Outstanding Drama Title Title Title Title Lead Actor—Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp.
    [Show full text]
  • The Philosophy of the Western
    University of Kentucky UKnowledge American Popular Culture American Studies 5-28-2010 The Philosophy of the Western Jennifer L. McMahon East Central University B. Steve Csaki Centre College Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation McMahon, Jennifer L. and Csaki, B. Steve, "The Philosophy of the Western" (2010). American Popular Culture. 11. https://uknowledge.uky.edu/upk_american_popular_culture/11 (CONTINUED FROM FRONT FLAP) McMAHON PHILOSOPHY/FILM AND CSAKI THE PHILOSOPHY OF THE gender, animal rights, and other topics depicted in western narratives. “The writing is accessible to nonspecialists and should be of interest to general WESTERN Drawing from philosophers as varied as Aristotle, Spinoza, William James, and Jean- readers who enjoy thinking about EDITED BY Paul Sartre, The Philosophy of the Western JENNIFER L. McMAHON AND B. STEVE CSAKI examines themes that are central to the genre: philosophy, film, or westerns.” individual freedom versus community; the —KAREN D. HOFFMAN, encroachment of industry and development on the natural world; and the epistemological Hood College here are few film and television genres and ethical implications of the classic “lone that capture the hearts of audiences rider” of the West. The philosophies of John like the western. While not always T T Locke, Thomas Hobbes, and Jean-Jacques H true to the past, westerns are tied to, and Rousseau figure prominently in discussions E P expressive of, the history of the United States.
    [Show full text]
  • 1990 Shell Fair Called
    INDEX What's Going On Around The Islands Page 8C Sft Mailbox art Play baU! Few islanders Ladies' softball $$•'.- •• '•.'',•,'''.-.'.;:£*• •'•.y::-i^.VJS&'Vfi?:^?!; utilize ordinary season begins •bill with tourney 9B 1961-1990 Still first on Sanibel and Captiva VOL. 29, NO. 10 TUESDAY, MARCH 6, 1990 .THREE SECTIONS, 56 PAGES 50 CENTS 1990 Shell Fair called 'best ever* Thousands attend annual island event Ann Travelstead Islander staff writer Blessed by beautiful weather, aided by hard-working volunteers and with displays of thousands of shells in 88 categories, the 53rd annual Sanibel Shell Fair drew thousands of visitors, March 1 through 4. In addition to competitive categories, the Live Shell Tank, manned by 5th grade students from Sanibel Elementary School, and the Driftwood Shop, featuring hand-crafted shell items, helped swell shettfair income. , A^gyuat,.raffle a»4 ^busy ^refxeshojeat < $taad.A also,, contributed to profits, according to Margaret Thorsen. According to Thorsen, who served with Mili Backus, Dorothy Putnam and Jean Hallstead as the four directors of the 1990 Shell Fair, this year's event was the "best ever." Co-sponsors of the annual event were the Sanibel Community Association, with Doris Platt, president, and the Sanibel-Captiva Shell Club with Anne Joffe, president. Trophy and award winners learned of their success at a preview Wednesday evening, prior to the opening of the fair at 9 a.m., Thursday, March 1. (Island award winners are listed in bold face type.) Shell Fair goers check out the displays inside the Sanibel Community Association. Special Judges Awards went to Lucille Green, of Houston in Class 16, and Jean Highsmith in Class Strus.
    [Show full text]
  • The Spectral Voice and 9/11
    SILENCIO: THE SPECTRAL VOICE AND 9/11 Lloyd Isaac Vayo A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2010 Committee: Ellen Berry, Advisor Eileen C. Cherry Chandler Graduate Faculty Representative Cynthia Baron Don McQuarie © 2010 Lloyd Isaac Vayo All Rights Reserved iii ABSTRACT Ellen Berry, Advisor “Silencio: The Spectral Voice and 9/11” intervenes in predominantly visual discourses of 9/11 to assert the essential nature of sound, particularly the recorded voices of the hijackers, to narratives of the event. The dissertation traces a personal journey through a selection of objects in an effort to seek a truth of the event. This truth challenges accepted narrativity, in which the U.S. is an innocent victim and the hijackers are pure evil, with extra-accepted narrativity, where the additional import of the hijacker’s voices expand and complicate existing accounts. In the first section, a trajectory is drawn from the visual to the aural, from the whole to the fragmentary, and from the professional to the amateur. The section starts with films focused on United Airlines Flight 93, The Flight That Fought Back, Flight 93, and United 93, continuing to a broader documentary about 9/11 and its context, National Geographic: Inside 9/11, and concluding with a look at two YouTube shorts portraying carjackings, “The Long Afternoon” and “Demon Ride.” Though the films and the documentary attempt to reattach the acousmatic hijacker voice to a visual referent as a means of stabilizing its meaning, that voice is not so easily fixed, and instead gains force with each iteration, exceeding the event and coming from the past to inhabit everyday scenarios like the carjackings.
    [Show full text]
  • Many Stars Have Graced Our Stage Over the Years!
    MANY STARS HAVE GRACED OUR STAGE OVER THE YEARS! Joseph Abaldo Maureen Brennan Boyd Crawford Felicia Finley Cedric Hardwicke Maude Adams Eileen Brennan Hume Cronyn Pat Finley Dean Harens Edie Adams Lisa Brescia Zamah Cunningham Fannie Flagg Valerie Harper Clay Aiken Lloyd Bridges John Dall Bramwell Fletcher Helen Harrelson Katherine Alexander Florence Britton Doris Dalton Mary Fogarty Noel Harrison Jennifer Allen Barbara Britton James Daly Jennifer Fogarty Jack Hartley Steve Allen Millicent Brower Alexandria Danilova Joan Fontaine Lillian Harvey Sara Allgood Joe E. Brown Helmut Dantine Paul Ford Lilian Harvey Donald Ameche Susan Browning Lili Darvas Robert Forster Signe Hasso Rosemary Ames Carol Bruce Claude Dauphin John Forsythe Hurd Hatfield Maureen Anderman Dorathe Burgess Ann B. Davis Lillian Foster Jeffrey Hayden Glenn Anders Billie Burke Bette Davis Hunter Foster Helen Hayes Nancy Anderson Mike Burstyn Mark Dawson Kay Francis George Hearn Dana Andrews Robert Burton June Dayton Arlene Francis Eileen Heckart Christine Andrews Charles Busch Rachel de Benedet Frederic Franklin David Hedison Margaret Anglin Spring Byington Sandra Deel Bonnie Franklin Tom Helmore Raul Aranas Gaylea Byrne Dolores Del Rio Pauline Frederick Violet Heming Eve Arden Carter Calvert Gabriel Dell Augusta French A.J. Herbert Else Argal Elaine Cancilla Jeffry Denman Betty Furness Eileen Herlie Richard Arlen Alexandra Carlisle Sandy Dennis Helen Gallagher Jerry Herman Matthew Ashford Kitty Carlisle Bob Denver Rita Gam Irene Hervey Elizabeth Ashley Tullio Carminati Colleen Dewhurst James Ganon Michael Higgins John Astin Art Carney Mia Dillon Reginald Gardiner Chelsie Hightower Mary Astor Leslie Caron Anton Dolin Peggy Ann Garner John Hillner Daisy Atherton Carleton Carpenter Donal Donnelly Kathy Garver Judd Hirsch William Atherton David Carroll Tim Donoghue Larry Gates Christian Hoff Conrad Bain Leo G.
    [Show full text]
  • 2004 Annual Report
    Native American Rights Fund 2004 annual report “The Earth is the source of life. She gives birth. Her children continue the life of the Earth. The People must be responsible to her. This is the way that all life continues.” — (Excerpt from “The People Shall Continue” by Simon Ortiz, Acoma Pueblo) contents Introduction ........................................................ 3 Main Office Washington, D.C. Office Native American Rights Fund Native American Rights Fund Chairman’s Message ............................................ 5 1506 Broadway 1712 N Street, NW Boulder, CO 80302 Washington, D.C. 20036 303-447-8760 202-785-4166 Executive Director’s Report .................................. 7 http://www.narf.org The Board of Directors ........................................ 9 Alaska Office Native American Rights Fund The National Support Committee ........................ 9 420 L Street, Suite 505 Anchorage, Alaska 99501 907-276-0680 The Preservation of Tribal Existence .................. 10 The Protection of Tribal Natural Resources ...... 16 Tax Status: The Native American Rights Fund (NARF) is a nonprofit, charitable organization incorporated in 1971 under the laws of the The Promotion of Human Rights ...................... 26 District of Columbia. NARF is exempt from federal income tax under the provisions of Section 501(c)(3) of the Internal Revenue code. Contributions to NARF are tax deductible. The Internal Revenue Service The Accountability of Governments .................... 33 has ruled that NARF is not a "private foundation" as defined in Section 509(a) of the Internal Revenue Code. NARF was founded in 1970 and The Development of Indian Law ........................ 37 incorporated in 1971 in Washington, D.C. Treasurer’s Report ............................................ 39 This issue is dedicated to the children, our most precious resource. Contributors .....................................................
    [Show full text]