1960S CLASSIC MOVIES TRIVIA QUIZ II

Total Page:16

File Type:pdf, Size:1020Kb

1960S CLASSIC MOVIES TRIVIA QUIZ II 1960s CLASSIC MOVIES TRIVIA QUIZ II ( www.TriviaChamp.com ) 1> Which Disney animated movie was released in 1961? a. Robin Hood b. 101 Dalmatians c. Cinderella d. The Black Cauldron 2> Which movie, released in 1961, starred Gregory Peck, David Niven, Anthony Quinn and Anthony Quayle? a. The Guns of Navarone b. How the West was Won c. Moby Dick d. On the Beach 3> Whom did Peter Sellers play in the 1963 movie The Pink Panther? a. Sir Charles Lytton b. Aristotle Sarajos c. Insp. Jacques Clouseau d. George Lytton 4> Which movie made in 1969 starred Mary Tyler Moore and Elvis Presley? a. Girl Happy b. Change of Habit c. Viva Las Vegas d. Spinout 5> "Killin' generals could get to be a habit with me." A quote from which classic 1960's war film? a. The Dirty Dozen b. The Big Red One c. Delta Force d. Death Hunt 6> Whom does John Wayne play in the movie The Man Who Shot Liberty Valance? a. Tom Doniphon b. Taw Jackson c. Rooster Cogburn d. Dick Wallace 7> Who plays the role of Susan Slade in the 1960's movie Susan Slade? a. Mary Tyler Moore b. Connie Stevens c. Stella Stevens d. Anne Jackson 8> Whom does Troy Donahue play in the movie Come Spy with Me? a. Harry Hunter b. Pete Barker c. David Sloane d. Eddie Rankin 9> Which 1960's movie used the tagline, It's A Plot!... to make the world die laughing!!? a. The Russians Are Coming! The Russians Are Coming! b. Oh, God c. The 2000 Year Old Man d. Honolulu 10> In 1964, Ingrid Bergman stars in a movie about a car. What kind of car? a. Mercedes Benz b. Cadillac c. Rolls-Royce d. Red Corvette 11> Who played the role of Martha in the 1960's movie Who's Afraid of Virginia Woolf? a. Elizabeth Montgomery b. Elizabeth Taylor c. Connie Francis d. Kathy Bates 12> Who played the role of Adam in the Oscar winning film, The Bible - In the Beginning...? a. Peter O'Toole b. John Wayne c. George C. Scott d. Lee Marvin 13> Which movie released in 1966 starred James Garner? a. Grand Prix b. The Silencers c. The Good the Bad and the Ugly d. The Blue Max 14> Which actor played the part of Cornelius in the epic 1968 movie Planet of the Apes? a. Maurice Evans b. Charlton Heston c. Roddy McDowall d. Robert Gunner 15> Who starred opposite Faye Dunaway in the classic 1960's movie The Thomas Crown Affair? a. Troy Donahue b. Steve McQueen c. John Wayne d. Gregory Peck Answers: 1> 101 Dalmatians - This was Disney's 17th animated classic. 2> The Guns of Navarone - This movie was directed by J. Lee Thompson. 3> Insp. Jacques Clouseau - This movie is all about a series of robberies. 4> Change of Habit - Mary plays a Nun in this film. 5> The Dirty Dozen - The movie was directed by Robert Aldrich. 6> Tom Doniphon - This film won numerous awards including the Oscar for Best costume design. 7> Connie Stevens - This movie also stars Troy Donahue. 8> Pete Barker - Directed by Marshall Stone, this movie was released in 1961. 9> The Russians Are Coming! The Russians Are Coming! - This classic movie starred Carl Reiner and Eva Marie Saint. 10> Rolls-Royce - The Yellow Rolls-Royce also starred Omar Sharif and George C. Scott. 11> Elizabeth Taylor - This classic won five Oscars. 12> Peter O'Toole - The movie was released in 1966. 13> Grand Prix - This award-winning movie also starred Eva Marie Saint, Jessica Walter and Yves Montand. 14> Roddy McDowall - John Chambers won an Honorary Oscar award for his make-up work in this film. 15> Steve McQueen - This film won two Oscars. .
Recommended publications
  • NON NOBIS, SED OMNIBUS Est Polit Ical Opposition
    Page Two THE SCOP Published Monthly by Students of Notre Dama CollCQe of Staten Island Dentist - 1' m EDITORIAL STAFF afraid I'll have to IDITOll- lH-CHIIF drill. RUTH RUSHMORE ''I I The oratorical fires of the most bit­ he happens to be either a Democrat or Assistant Editors . Anna Mao Hubsc:h '11, Holen Hennessey '11 Patient-What's ter presidential campaign In recent Anoclete Editor..... - •. --··········-··--···-------·---·--· Muriel Rotunno '12 a Republican. It bases its line of polit­ the matter? Can't years have fl ickered down to glowing ical activity on a platform of slogans you fix my teeth COLUMNISTS I renc O'Leary '11 Rosemary Lcikert '12 Rosemary Altieri '12 embers and ashes. The talents of our and hysteria. The other carefully without rehearsal? Margaret Lyons ' 41 Jayne KIiroy '12 politically minded throughout the na­ weighs the issues at hand and, finding AMARILLO ll1P01lTl1lS tion have been turned into the chan­ cause for disagreement with some GLOMBUS Mary Boyle '11 Carol De Rose '12 Catherine O'Dea '13 nels of conciliation. Radio addresses, faction, states its case and offers sug­ Just Advice: W1n,fred Lennon ''41 Mary Hickey '12 Chorlotle Stout '43 Mary O'Connell '11 Virginia Shea ''42 Patricia Kenny '43 editorials, stump speeches; all bear gestions. If it seeks to destroy some­ A good line is the shortest distance Ruth Anne Schaffer '41 Helen Uieski ' 42 Johanna Shortell '43 the stamp of the dove of peace. The thing it offers a sensible alternative in between dates. Betty Decker ' '42 Marie Nevins ''43 Anne Damrau '13 necessity of unity between the par­ its place.
    [Show full text]
  • Movie Actresses 10 Mar 2017
    Movie Actresses 10 Mar 2017 251-2017-07 This article is about my favorite movie actresses of all time. Movie critics and most people will not agree with my picks. However, my criteria is quite simple - the actress must have made at least three movies I have seen and liked and would watch again if they happened to come on the TV movie channel when I’m in the mood to see a good show. I’m going to pick my Top 20 Actresses. I could not decide on a header so you can pick the one you like best. Faye Dunaway Sharon Stone Liz Taylor #1 Faye Dunaway Born: Dorothy Faye Dunaway on January 14, 1941 (age 76) in Bascom, Florida Alma mater: Boston University Years active: 1962–present (Appeared in 81 movies) Spouse(s): Peter Wolf (m. 1974–79) Terry O'Neill (m. 1983–87) Children: Liam O'Neill (b. 1980) Facts: The daughter of Grace April, and John MacDowell Dunaway, a career officer in the United States Army. She is of Scots-Irish, English, and German descent. She spent her childhood traveling throughout the United States and Europe. Bonnie and Clyde (1967) with Warren Beatty. In the middle of the Great Depression, Clyde Barrow (Warren Beatty) and Bonnie Parker (Faye Dunaway) meet when Clyde tries to steal Bonnie's mother's car. Bonnie, who is bored by her job as a waitress, is intrigued by Clyde, and decides to take up with him and become his partner in crime. Three Days of the Condor (1975) with Robert Redford.
    [Show full text]
  • Michael Zinberg Is a Director, Writer and Producer of Prime-Time Television Dramas, Comedies and Movies
    MICHAEL ALLAN ZINBERG SUMMER 2014 Michael Zinberg is a Director, Writer and Producer of prime-time television dramas, comedies and movies. Moving to Los Angeles in the summer of 1968, he began his award-winning career as an usher at CBS-Television City, and as a writer and production assistant. He soon became Associate Producer of NICHOLS, starring James Garner. He then joined the Mary Tyler Moore (MTM) Company (72), where he wrote, produced and directed The Bob Newhart Show (Six Seasons) and worked on MTM’s other series, including the Mary Tyler Moore Show. From MTM he took his first turn at NBC as VP Program Development (79-81), bringing Hill Street Blues, and Cheers to air. Later, as President NBC-P (93-95), he supervised Homicide, JAG and all NBC Late Night programming. His time at the Network gave him unique insight as a Writer and Creator-Producer, but he always saw himself primarily a Director. His Directing career includes shows in every format, many of which he wrote and produced. Among them, Newhart, WKRP in Cincinnati, Family Ties, Taxi, The Yellow Rose, Til I Kissed Ya (MOW), Cold Steel & Neon, The Practice, Everybody Loves Raymond, Midnight Caller, Gilmore Girls, NCIS, LOST, Rizzoli & Isles, Private Practice, The Unit, Lie To Me, NCIS New Orleans, The Michael Fox Show, The Blacklist and The Good Wife. He received the Directors Guild of America Award for Outstanding Directing in Television Drama for the Viet Nam Trilogy of QUANTUM LEAP, a series he also Executive Produced. A four time Emmy nominee, he received The Lifetime Achievement Award from The Caucus of Writers, Producers and Directors.
    [Show full text]
  • The Musical Number and the Sitcom
    ECHO: a music-centered journal www.echo.ucla.edu Volume 5 Issue 1 (Spring 2003) It May Look Like a Living Room…: The Musical Number and the Sitcom By Robin Stilwell Georgetown University 1. They are images firmly established in the common television consciousness of most Americans: Lucy and Ethel stuffing chocolates in their mouths and clothing as they fall hopelessly behind at a confectionary conveyor belt, a sunburned Lucy trying to model a tweed suit, Lucy getting soused on Vitameatavegemin on live television—classic slapstick moments. But what was I Love Lucy about? It was about Lucy trying to “get in the show,” meaning her husband’s nightclub act in the first instance, and, in a pinch, anything else even remotely resembling show business. In The Dick Van Dyke Show, Rob Petrie is also in show business, and though his wife, Laura, shows no real desire to “get in the show,” Mary Tyler Moore is given ample opportunity to display her not-insignificant talent for singing and dancing—as are the other cast members—usually in the Petries’ living room. The idealized family home is transformed into, or rather revealed to be, a space of display and performance. 2. These shows, two of the most enduring situation comedies (“sitcoms”) in American television history, feature musical numbers in many episodes. The musical number in television situation comedy is a perhaps surprisingly prevalent phenomenon. In her introduction to genre studies, Jane Feuer uses the example of Indians in Westerns as the sort of surface element that might belong to a genre, even though not every example of the genre might exhibit that element: not every Western has Indians, but Indians are still paradigmatic of the genre (Feuer, “Genre Study” 139).
    [Show full text]
  • 31 Days of Oscar® 2010 Schedule
    31 DAYS OF OSCAR® 2010 SCHEDULE Monday, February 1 6:00 AM Only When I Laugh (’81) (Kevin Bacon, James Coco) 8:15 AM Man of La Mancha (’72) (James Coco, Harry Andrews) 10:30 AM 55 Days at Peking (’63) (Harry Andrews, Flora Robson) 1:30 PM Saratoga Trunk (’45) (Flora Robson, Jerry Austin) 4:00 PM The Adventures of Don Juan (’48) (Jerry Austin, Viveca Lindfors) 6:00 PM The Way We Were (’73) (Viveca Lindfors, Barbra Streisand) 8:00 PM Funny Girl (’68) (Barbra Streisand, Omar Sharif) 11:00 PM Lawrence of Arabia (’62) (Omar Sharif, Peter O’Toole) 3:00 AM Becket (’64) (Peter O’Toole, Martita Hunt) 5:30 AM Great Expectations (’46) (Martita Hunt, John Mills) Tuesday, February 2 7:30 AM Tunes of Glory (’60) (John Mills, John Fraser) 9:30 AM The Dam Busters (’55) (John Fraser, Laurence Naismith) 11:30 AM Mogambo (’53) (Laurence Naismith, Clark Gable) 1:30 PM Test Pilot (’38) (Clark Gable, Mary Howard) 3:30 PM Billy the Kid (’41) (Mary Howard, Henry O’Neill) 5:15 PM Mr. Dodd Takes the Air (’37) (Henry O’Neill, Frank McHugh) 6:45 PM One Way Passage (’32) (Frank McHugh, William Powell) 8:00 PM The Thin Man (’34) (William Powell, Myrna Loy) 10:00 PM The Best Years of Our Lives (’46) (Myrna Loy, Fredric March) 1:00 AM Inherit the Wind (’60) (Fredric March, Noah Beery, Jr.) 3:15 AM Sergeant York (’41) (Noah Beery, Jr., Walter Brennan) 5:30 AM These Three (’36) (Walter Brennan, Marcia Mae Jones) Wednesday, February 3 7:15 AM The Champ (’31) (Marcia Mae Jones, Walter Beery) 8:45 AM Viva Villa! (’34) (Walter Beery, Donald Cook) 10:45 AM The Pubic Enemy
    [Show full text]
  • Fact Or Fiction: Hollywood Looks at the News
    FACT OR FICTION: HOLLYWOOD LOOKS AT THE NEWS Loren Ghiglione Dean, Medill School of Journalism, Northwestern University Joe Saltzman Director of the IJPC, associate dean, and professor of journalism USC Annenberg School for Communication Curators “Hollywood Looks at the News: the Image of the Journalist in Film and Television” exhibit Newseum, Washington D.C. 2005 “Listen to me. Print that story, you’re a dead man.” “It’s not just me anymore. You’d have to stop every newspaper in the country now and you’re not big enough for that job. People like you have tried it before with bullets, prison, censorship. As long as even one newspaper will print the truth, you’re finished.” “Hey, Hutcheson, that noise, what’s that racket?” “That’s the press, baby. The press. And there’s nothing you can do about it. Nothing.” Mobster threatening Hutcheson, managing editor of the Day and the editor’s response in Deadline U.S.A. (1952) “You left the camera and you went to help him…why didn’t you take the camera if you were going to be so humane?” “…because I can’t hold a camera and help somebody at the same time. “Yes, and by not having your camera, you lost footage that nobody else would have had. You see, you have to make a decision whether you are going to be part of the story or whether you’re going to be there to record the story.” Max Brackett, veteran television reporter, to neophyte producer-technician Laurie in Mad City (1997) An editor risks his life to expose crime and print the truth.
    [Show full text]
  • Summer Classic Film Series, Now in Its 43Rd Year
    Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre.
    [Show full text]
  • Screen Actors Guild Celebrate 75Th Anniversary at Philadelphia
    Screen Actors Guild Celebrate 75th Anniversary at Philadelphia Stock Exchange on June 19 National SAG Secretary Treasurer and actress Connie Stevens ring the opening bell PHILADELPHIA- June 19, 2008 –Actress and entrepreneur Connie Stevens, the national secretary-treasurer of the Screen Actor’s Guild (SAG), rang the opening bell at the Philadelphia Stock Exchange (PHLX) today Thursday, June 19 to commemorate the 75th anniversary of SAG, an organization with more than 1,600 members in Philadelphia and 120,000 nationwide. Connie Stevens, who has held this position with SAG since 2005, is well known for her work on stage, screen and television. Among a litany of show business successes, Stevens originated the role of Cricket Blake on the television series Hawaiian Eye. She has a star on the Hollywood Walk of Fame and a star on the Star Walk in Palm Springs. She developed a successful cosmetic skin care product line, Forever Spring, and she has also been recognized for her charitable works. SAG is the nation’s largest labor union representing working actors. Established in 1933, the Guild exists to enhance actors’ working conditions, compensation and benefits and to be a powerful, unified voice on behalf of artists’ rights. SAG represents nearly 120,000 actors who work in motion pictures, television, commercials, industrials, video games, Internet and all new media formats. About Philadelphia Stock Exchange The Philadelphia Stock Exchange was founded in 1790. The PHLX trades more than 7,000 stocks, 2,600 equity options, 17 sectors index options, options on all major currencies, and futures through its subsidiary, The Philadelphia Board of Trade (PBOT).
    [Show full text]
  • On Using Movies to Inform Conscious Aging Courses
    On Using Movies to inform Conscious Aging Courses Over the past 4 years I have taught nine, eight-week Conscious Aging courses at Sydney University’s Centre for Continuing Education in Australia. In 2010, I attended the first International Sage-ing Conference in Denver, CO, where Judy Steiert (CSL) gave an inspiring presentation on using movies to inform the Sage-ing materials. I was hooked. Having taught a number of 8-week courses (2 hours/week) without the use of movies, I came home to Australia and designed a course around 8 movies. I extended each class to 3 hours, to allow the time to watch a movie each week and leave some time for discussion. Using movies is a powerful tool for illustrating Sage-ing themes and allows students to really ‘get’, with an emotional catharsis, the importance of the various processes described as necessary in the sage-ing journey. Students find it much easier to discuss and relate to the topics, when they’re portrayed in the lives of characters in a film, than having to find examples in their own experience. It gives them extra time and space to locate the emotions and events and do the required harvesting and healing work in their own lives. Fiction, speaks to deep truths in ourselves. By addressing universal themes, it also allows us to see that we are not alone; it points to the communion of all people and by holding up a mirror to our shared humanity, allows us to see ourselves more clearly. I have found using movies to illustrate and guide the discussion and exploration of the Sage-ing process extremely rewarding and wanted to share some information about the movies I have used with Sage- ing International members.
    [Show full text]
  • Trans-Sylvania
    Trans-sylvania Across 51 Les ___ of Broadway 21 Place for future Lts. 1 Whack, off, or delight 55 See 19-Across 24 ___ music (do Britten’s job) 5 Bit of salt, for Stephen Pyles 58 Some eagle feathers 25 Satisfied fully 9 Rubber-stamp 61 Composer Thomas 26 Words said from one’s knees, perhaps 13 “Hi” to Lorca 62 Cub slugger 28 Just says no 14 Man, as a cruising goal 63 Scat queen Fitzgerald 29 Ornament in Cleopatra , perhaps 15 Six Feet Under box material 64 Pal from Down Under 31 Where to see Tom, Dick, or Harry 16 Gomer’s “anti” 65 Genie portrayer Barbara 32 Brief moment 17 Coldcock 66 Bedfellow 33 When to have sex 18 Barry Humphries’ Dame 67 Creature in a Star Wars sequel 35 Alice’s insect tour guide in Wonderland 19 With 55-Across, upcoming TV movie with 68 Comes out with 36 “All ___” (1984 Tomlin film) Laverne Cox 39 Be able to say, “I’m not myself”? 22 “___ little silhouetto of a man ...” Down 40 The way we word 23 Large phallus painter 1 She had her hand up Lamb Chop 45 “___ was saying ...” 27 Isle of exile in Brando’s Desiree 2 HRC’s equal sign, and others 47 Lip service? 30 Quite a bargain 3 Gertrude’s partner 49 Start of Caesar’s boast 31 Lance in a robe 4 Doodle in a musical 50 The Scarecrow’s “viscera” 34 “Don’t Cry for Me, Argentina,” e.g. 5 Gossip 52 Mary’s The Mary Tyler Moore Show girlfriend 37 Guy into bottoms? 6 Memo start 53 Film director Joseph 38 Character played by Laverne Cox 7 Sucking sound 54 Lake ballet dancers 41 Bro of Jacko 8 Painter Matisse 56 Gay Talese’s ___ the Sons 42 Pillow covers 9 Lily Tomlin’s Ernestine, for one 57 Have on too much perfume, e.g.
    [Show full text]
  • The Relevance of Tennessee Williams for the 21St- Century Actress
    Ouachita Baptist University Scholarly Commons @ Ouachita Honors Theses Carl Goodson Honors Program 2009 Then & Now: The Relevance of Tennessee Williams for the 21st- Century Actress Marcie Danae Bealer Ouachita Baptist University Follow this and additional works at: https://scholarlycommons.obu.edu/honors_theses Part of the American Film Studies Commons, and the Theatre and Performance Studies Commons Recommended Citation Bealer, Marcie Danae, "Then & Now: The Relevance of Tennessee Williams for the 21st- Century Actress" (2009). Honors Theses. 24. https://scholarlycommons.obu.edu/honors_theses/24 This Thesis is brought to you for free and open access by the Carl Goodson Honors Program at Scholarly Commons @ Ouachita. It has been accepted for inclusion in Honors Theses by an authorized administrator of Scholarly Commons @ Ouachita. For more information, please contact [email protected]. Then & Now: The Relevance of Tennessee Williams for the 21st- Century Actress Marcie Danae Bealer Honors Thesis Ouachita Baptist University Spring 2009 Bealer 2 Finding a place to begin, discussing the role Tennessee Williams has played in the American Theatre is a daunting task. As a playwright Williams has "sustained dramatic power," which allow him to continue to be a large part of American Theatre, from small theatre groups to actor's workshops across the country. Williams holds a central location in the history of American Theatre (Roudane 1). Williams's impact is evidenced in that "there is no actress on earth who will not testify that Williams created the best women characters in the modem theatre" (Benedict, par 1). According to Gore Vidal, "it is widely believed that since Tennessee Williams liked to have sex with men (true), he hated women (untrue); as a result his women characters are thought to be malicious creatures, designed to subvert and destroy godly straightness" (Benedict, par.
    [Show full text]
  • Download Checklist
    Yasumasa Morimura November 23, 1996 - January 4, 1997 First gallery, starting from left: Self-Portrait (Actress) / After Vivien Leigh 1, 1996 llfochrome / Acrylic sheet Edition #4/10 47.25 x 37.40 inches C6890 Self-Portrait (Actress) / After Vivien Leigh 3, 1996 llfochrome / Acrylic sheet Edition #2/10 47.25 x 37.40 inches C6955 Self-Portrait (A'Ctress) / After Catherine Deneuve 1, 1996 llfochrome Acrylic sheet Edition #3/1 0 47.25 x 37.40 inches C6865 Self-Portrait (Actress) / After Catherine Deneuve 4, 1996 llfochrome / Acrylic sheet Edition #2/10 47.25 x 37.40 inches C6956 Self-Portrait (Actress) / After Red Marilyn, 1996 llfochrome / Acrylic sheet Edition #7/10 47.25 x 37.40 inches P6753 Self-Portrait (Actress) / After Brigitte Bardot 2, 1996 llfochrome / Acrylic sheet Edition #4/10 47.25 x 37.40 inches C6864 Self-Portrait (Actress) / After Marlene Dietrich 1, 1996 llfochrome / Acrylic sheet Edition #3/10 47.25 x 37.40 inches C6962 Self-Portrait (Actress) / After Marlene Dietrich 2, 1996 llfochrome / Acrylic sheet Edition #2/10 47.25 x 37.40 inches C6963 Self-Portrait (Actress) / After Liza Minelli 1, 1996 llfochrome / Acrylic sheet Edition #2/1 0 47.25 x 37.40 inches C6964 Self-Portrait (Actress) / After Elizabeth Taylor 1, 1996 llfochrome / Acrylic sheet Edition #2/10 47.25 x 37.40 inches C6885 Self-Portrait (Actress) / After Elizabeth Taylor 4, 1996 llfochrome / Acrylic sheet Edition #2/10 47.25 x 37.40 inches C6965 Self-Portrait (Actress) / After Jodie Foster 1, 1996 llfochrome / Acrylic sheet Edition #2/10 47.25 x 37.40 inches
    [Show full text]