Jimmy Mcgriff the Worm / Keep Loose Mp3, Flac, Wma

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Jimmy McGriff The Worm / Keep Loose mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Funk / Soul Album: The Worm / Keep Loose Country: US Released: 1968 Style: Jazz-Funk, Funk MP3 version RAR size: 1348 mb FLAC version RAR size: 1794 mb WMA version RAR size: 1708 mb Rating: 4.5 Votes: 885 Other Formats: WMA MOD MP2 WAV XM DTS ASF Tracklist Hide Credits The Worm A 3:20 Written-By – Fat's Theus* Keep Loose B 3:00 Written-By – J. McGriff* Credits Producer – Sonny Lester Notes From the Solid State LP SS-18045 Jimmy McGriff Organ & Blues Band Plays "The Worm" A-side: UA 122669 B-side: UA 122670 Other versions Category Artist Title (Format) Label Category Country Year The Jimmy The Worm / Keep United Artists UA 25.929 McGriff Organ UA 25.929 Netherlands 1969 Loose (7", Single) Records & Blues Band* The Worm (7", Solid State SD 2524 Jimmy McGriff SD 2524 US 1968 Single) Records The Worm / Keep Solid State SD 2524 Jimmy McGriff Loose (7", Single, SD 2524 US 1968 Records Promo) The Worm (7", Solid State SD 2524 Jimmy McGriff SD 2524 US 1968 Single) Records The Worm / Keep Solid State HIT - 1633 S Jimmy McGriff HIT - 1633 S Japan 1968 Loose (7") Records Related Music albums to The Worm / Keep Loose by Jimmy McGriff Jimmy McGriff - McGriff Avenue Jimmy McGriff - A Bag Full Of Blues Junior Parker, Groove Holmes, Jimmy McGriff, Dakota Stanton - Blues In The Night Jimmy McGriff - Step One / South Wes Jimmy McGriff - I've Got A New Woman Jimmy McGriff Organ And Blues Band - Step 1 Jimmy McGriff - Chris Cross / Back On The Track Jimmy McGriff - Georgia On My Mind Jimmy McGriff - New Wave Blues Jimmy McGriff - The Swingin' Shepherd Blues.

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60 / Running Head
60 / running head RahsaRahsaaRahsaan Roland Kirk Photo by Michael Wilderman monstrosioso 1965: The Creeper The fussy encyclopedic gravity of the Hammond B-3 overcome and the electric organ lofted to hard-bop orbit, still trailing diapasons of his mother’s church music and the boogie-woogie tap-dance routines of his father’s band—The Incredible Jimmy Smith proclaimed the block letters on a score of albums since the 1956 breakout recordings on Blue Note, those words celebrating a nearly miraculous mating of technology and soul. The thing had ﬁrst stirred to life at a club in Atlantic City where he heard Wild Bill Davis make the Hammond roar like a big wave. It was a monster, upsurged through chocked, choppy chords and backwashed through rilling legatos, wattage enough there to power the entire Basie band. Davis was gruff, brash, gloriously loud, a bumptious lumbering at- tack, great swoops down on the keys and shameless ripsaw goosings of reverb and tremolo, the organ not so much singing as signaling, the music stripped to pure swelling impulse. For a piano player schooled in the over- brimming muscular lines of Art Tatum and the stabbing, nervous prances of Bud Powell, it was almost risible, the goddamned wired-up thing rock- ing on stage like a gurgling showboat. Fats Waller on “Jitterbug Waltz” coaxed over the organ with a percolating ﬁnesse as if running a trapeze artist up a swaying wire, but Davis almost seemed clumsy by design, as if in awe of the organ’s powers yet unable to forego provoking them.
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