DOCSLIB.ORG

David Grindley STAGE DIRECTOR Agent

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
David Grindley STAGE DIRECTOR Agent David Grindley STAGE DIRECTOR Agent Nicki Stoddart [email protected] +44 (0) 20 3214 0869 About David directs COPENHAGEN at the Crucible Theatre, Sheffield in spring 2012, as part of their MICHAEL FRAYN SEASON. starring Henry Goodman and Geoffrey Streatfeild. After this. hegoes to Tokyo to direct ENRON. In 2011, he revived JOURNEY'S END which did 2 national tours and returned to the West End. He directed the first major revival of John Guare's SIX DEGREES OF SEPARATION at the Old Vic, starring Lesley Manville and Anthony Head, in 2010. On Broadway, In 2009, he directed THE PHILANTHROPIST by Christopher Hampton starring Matthew Broderick and THE AMERICAN PLAN by Richard Greenberg starring Mercedes Ruehl. That year, he also directed A MIDSUMMER NIGHT'S DREAM at the Stratford Shakespeare Festival in Canada. In the summer of 2011, David returned to the Stratford Shakespeare Festival to direct THE MISANTHROPE. In Development PRODUCTION / DATE COMPANY / NOTES THE THIRD MAN Sonia Friedman Productions Theatre PRODUCTION / DATE COMPANY / NOTES COPENHAGEN Crucible Theatre, Sheffield (2012) Part of the Michael Frayn Season ENRON HoriPro (2012) Galaxy Theatre, Tokyo JEFFREY BERNARD IS UNWELL Theatre Royal Bath Productions (2011) UK tour starring Robert Powell SIX DEGREES OF SEPARATION Old Vic Theatre (2010) JOURNEY'S END Lee Menzies and J Alan Davis for TTF production One Ltd (2011) UK Spring tour THE MISANTHROPE Stratford Shakespeare Festival Canada (2011) A MIDSUMMER NIGHT'S DREAM Stratford Shakespeare Festival Canada (2009) United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] 1 PRODUCTION / DATE COMPANY / NOTES THE PHILANTHROPIST Roundabout Theatre Company New York (2009) THE AMERICAN PLAN Manhattan Theatre Club New York (2009) CROWN MATRIMONIAL ACT Productions, UK National Tour (2008) BLACKBIRD UK Spring Tour, MJE Productions (2008) IN THE CLUB UK Spring Tour, Rho Delta for ACT Productions (2007) PYGMALION Roundabout Theatre Company New York American Airlines Theater (2007) IN THE CLUB Hampstead Theatre, London (2007) JOURNEY'S END Belasco, Broadway NY (2007) 2007 Tony Award for Best Revival HONOUR Wyndhams, West End (2006) THE PHILANTHROPIST Donmar Warehouse (2005) WHAT THE BUTLER SAW Hampstead Theatre, transferred to the Criterion Theatre, West End (2005) SOME GIRL(S) Gielgud Theatre, West End (2005) NATIONAL ANTHEMS Old Vic Theatre, West End (2005) JOURNEY'S END Comedy Theatre, West End Jan 2004 thence to Playhouse, Duke of York's and (2004) the New Ambassadors . Also toured the UK twice. EXCUSES! Actors Touring Theatre, National tour and Soho Theatre, London (2003) ABIGAIL'S PARTY Hampstead Theatre to New Ambassadors, West End Dec 2002, to Whitehall (2002) Theatre, West End 2003, 2 National Tours. SINGLE SPIES National Tour - Theatre Royal Bath Productions (2002) MENTAL Edinburgh Suite Assembly Rooms (2001) HAVING A BALL National Tour (2001) WAIT UNTIL DARK Royal Theatre Northampton (2000) THE ERPINHAM CAMP Liverpool Everyman & Edinburgh Festival 2000 (2000) ALARMS AND EXCURSIONS Argentina (2000) THE THINGS WE DO FOR LOVE Royal Theatre Northampton (2000) RICHARD III Mercury Theatre Colchester (1999) United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] 2 PRODUCTION / DATE COMPANY / NOTES THE REAL INSPECTOR HOUND AND National Tour BLACK (1999) LOOT National Tour (1999) LOOT Vaudeville Theatre, West End (1998) LOOT AND SEXUAL PERVERSITY IN Minerva Studio Co-Ordinator and Staff Director for Chichester Festival Theatre CHICAGO (1998) BLACK COMEDY AND THE REAL Comedy Theatre, West End INSPECTOR HOUND Assistant Director (1998) THE MAGISTRATE Savoy Theatre, West End (1997) CHICHESTER FESTIVAL THEATRE Resident Assistant Director (1997) BEING THERE WITH PETER SELLERS Stoneranger, National Tour (1997) BEING THERE WITH PETER SELLERS The Pleasance, London (1997) CHICHESTER FESTIVAL THEATRE Resident Assistant Director (1996) THE LEAGUE OF GENTLEMAN Canal Cafe Theatre (1996) PRIDE AND PREJUDICE Good Company Theatre (1995) TOWARDS THE MILLENIUM - THE Project PR & Sponsorship Director FORUM FOR EUROPEAN THEATRE DIRECTORS (1995) THE SMALLEST CINEMA IN THE WORLD Edinburgh Festival (1995) CAUGHT IN THE NET Arts Theatre, West End (1995) BABEL Pleasance Theatre, London (1994) OTHELLO Edinburgh Festival. (1993) OUR BOYS Cockpit Theatre (1993) United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] 3.
Load more

Recommended publications
  • Tales from the Colony Room: Art and Bohemia
    Tales from the Colony Room: Art and Bohemia Exhibition dates: 22 April – 6 June 2020 Private view: 22 April, 6 pm – 9 pm Amelia Troubridge, Michael Wojas hoovering at The Colony Rooms, 2008, Giclée digital archival print, 16 x 12 in. © Amelia Troubridge. Courtesy of Dellasposa Galley In April, Dellasposa gallery will present Tales from the Colony Room: Art and Bohemia, a group ex- hibition of artists associated with The Colony Room Club. For more than fifty years this notorious Soho drinking den attracted some of the most important names in British art, from Francis Bacon and Lucian Freud to Damien Hirst and Tracey Emin. The exhibition will feature works by Bacon, Freud, Hirst and Emin, along with pieces by Sir Eduardo Paolozzi, Sir Peter Blake, Patrick Caulfield, Frank Auerbach, Keith Coventry and Langlands and Bell, and many other key modern and contemporary British artists. Dellasposa I 2A Bathurst Street I London I W2 2SD I t: +44 (0) 20 32 86 10 17 I www.dellasposa.com Curated by the artist and author Darren Coffield, the exhibition will feature works by artists dating from 1948 up to when it closed in 2008, and coincides with the book launch of a new biography of the club by Darren Coffield entitled Tales from the Colony Room: Soho’s Lost Bohemia. For press information, please contact Albany Arts Communications: Mark Inglefield Carla von der Becke [email protected] [email protected] t: +44 (0) 20 78 79 88 95; m: +44 (0) 75 84 19 95 00 t: +44 (0) 20 78 79 88 95; m: +44 (0) 79 74 25 29 94 Notes to Editors: The Colony Room Club The Colony Room, formerly located at 41 Dean Street, Soho, was founded in 1948 by Muriel Belcher.
    [Show full text]
  • Francis Bacon and the Colony Room
    Francis Bacon and The Colony Room Richard Calvocoressi On September 1, 1983, the American pho- his copy, the magazine would print a brief euphe- tographer Neal Slavin photographed the habit- mistic apology: “Jeffrey Bernard is unwell.” This in conversation with ués of the Colony Room in their cramped was later used by Keith Waterhouse for the title Neal Slavin watering hole as part of his project to docu- of his play, which opened in London in 1989 with ment groups of various kinds, which was pub- Peter O’Toole as Bernard. (O’Toole, another lished in his large-format book Britons (1986). notorious drinker, was also a member of the The Colony Room was a private drinking club on In addition to Bacon, Board, Wojas, and a Colony.) Bruce Bernard, though often melan- Dean Street in London’s Soho, founded in 1948 framed photograph of Muriel Belcher keeping choly through drink, led a more structured life by Muriel Belcher. Feared and revered in equal a watchful eye, the company immortalized that as a picture editor, writer, and photographer. measure by her clientele, the lesbian Belcher’s day consisted of the actor Tom Baker, of Doctor While in New York last November for the foulmouthed, camp wit was legendary. The Who fame; the interior decorator and fashion installation of the Francis Bacon: Late Paintings club’s earliest and most celebrated member was designer Thea Porter; John McEwen, art critic exhibition, I discussed the shoot with Neal Slavin Francis Bacon, but other regulars included the of The Spectator magazine; Michael Clark, a over lunch.
    [Show full text]
  • Shakespeare on Film, Video & Stage
    William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994.
    [Show full text]
  • Sir Hugh Casson Interviewed by Cathy Courtney: Full Transcript of the Interview
    IN PARTNERSHIP WITH NATIONAL LIFE STORIES LEADERS OF NATIONAL LIFE Sir Hugh Casson Interviewed by Cathy Courtney C408/16 This transcript is copyright of the British Library Board. Please refer to the Oral History curators at the British Library prior to any publication or broadcast from this document. Oral History The British Library 96 Euston Road NW1 2DB 020 7412 7404 [email protected] IMPORTANT Every effort is made to ensure the accuracy of this transcript, however no transcript is an exact translation of the spoken word, and this document is intended to be a guide to the original recording, not replace it. Should you find any errors please inform the Oral History curators ([email protected]) British Library Sound Archive National Life Stories Interview Summary Sheet Title Page Ref no: C408/16/01-24 Playback no: F1084 – F1093; F1156 – F1161; F1878 – F1881; F2837 – F2838; F6797 Collection title: Leaders of National Life Interviewee’s surname: Casson Title: Mr Interviewee’s forename: Hugh Sex: Male Occupation: Architect Date and place of birth: 1910 - 1999 Mother’s occupation: Father’s occupation: Dates of recording: 1990.02.13, 1990.02.16, 1990.02.19, 1990.03.13, 1990.04.19, 1990.05.11, 1990.05.22, 1990.08.28, 1990.07.31, 1990.08.07, 1991.05.22, 1991.06.03, 1991.06.18, 1991.07.13 Location of interview: Interviewer's home, National Sound Archive and Interviewee's home Name of interviewer: Cathy Courtney Type of recorder: Marantz CP430 Type of tape: TDK 60 Mono or stereo: Stereo Speed: N/A Noise reduction: Dolby B Original or copy: Original Additional material: Copyright/Clearance: Interviewer’s comments: Sir Hugh Casson C408/016/F1084-A Page 1 F1084 Side A First interview with Hugh Casson - February 13th, 1990.
    [Show full text]
  • Freud Sells for £7.86 Million ($15.6 Million / €11.6 Million) at Christie's £74 Million Record Sale of Post-War and Contem
    For Immediate Release 20 June 2007 Contact: Rhiannon Broomfield 020 7389 2664 [email protected] FREUD SELLS FOR £7.86 MILLION ($15.6 MILLION / €11.6 MILLION) AT CHRISTIE’S £74 MILLION RECORD SALE OF POST-WAR AND CONTEMPORARY ART • Christie’s auction realises £74.1 million ($147.3 million / € 109.6million), the highest ever total for the category in Europe • Lucian Freud’s portrait of Bruce Bernard realises £7.86 million ($15.6 million / €11.6 million) - the world record price for any work by a living European artist at auction • 15 artist records smashed, including those for Lucian Freud, Piero Manzoni, Michael Andrews and Antoni Tàpies, among others • 17 works sell for over £1 million / 42 for over $1 million London – Christie’s record-breaking auction of Post-War and Contemporary Art on 20 June 2007 realised £74,072,800 / $147,256,726 / €109,553,671, a record total for any auction in this category in Europe. The top lot of the sale was a portrait of Bruce Bernard by Lucian Freud (b.1922) which sold for £7,860,000 ($15,625,680/ €11,624,940), a world record price at auction for any work by a living European artist and a world record price for the artist at auction. The fast-paced sale saw auction records broken, including those for Lucian Freud, Piero Manzoni, Michael Andrews and Antoni Tàpies among others, as international clients competed for the works on offer. Buyer activity at the auction was 25% United Kingdom, 37% rest of Europe, 27% Americas, 10% Asia and 1% Middle East (by lot).
    [Show full text]
  • The Hollow Crown: the Wars of the Roses
    STRICTLY EMBARGOED UNTIL 3 MAY 2016 The Hollow Crown: The Wars of the Roses Henry VI Part I, Henry VI Part II and Richard III Following 2012's critically acclaimed BAFTA winning first series, The Hollow Crown: The Wars of the Roses is the concluding part of an ambitious and thrilling cycle of Shakespeare's Histories filmed for BBC Two, comprising Henry VI Part I & II, and Richard III, and featuring the very best of British on-screen talent. A Neal Street Co-Production with Carnival / NBC Universal and Thirteen for BBC STRICTLY EMBARGOED UNTIL 3 MAY 2016 Synopses Henry VI Part I Henry V is dead, and against the backdrop of Wars in France the English nobles are beginning to quarrel. News of defeat at Orleans reaches the Duke of Gloucester, the Lord Protector, and other nobles in England. Henry VI, still an infant, is proclaimed King. Seventeen years later the rivalries at Court have intensified; Gloucester and the Bishop of Winchester argue openly in front of the King. Rouen falls to the French but Plantagenet, recently restored as the Duke of York, Exeter and Talbot pledge to recapture the city from the Dauphin. Battle commences and the French, led by Joan of Arc, defeat the English. Valiant Talbot and his son John are killed. Warwick and Somerset arrive after the battle to join forces with the survivors and retake Rouen. Somerset woos Margaret of Anjou as a potential bride for Henry VI. Plantagenet takes Joan of Arc prisoner and she is burnt at the stake. Gloucester protests but still Margaret is introduced as Henry's queen.
    [Show full text]
  • Early Modern Society Bulletin Volume 7
    BULLETIN Issue 7 Summer 2008 1 CONTENTS Section Page Message from the President 3 The Bulletin: Editor’s Welcome 4 Recent Events 5 Visits 17 Arts Report 23 Theatre 23 Opera 31 Art Exhibitions 33 Film/DVD 41 Music 42 Forthcoming Society Events 44 Forthcoming Events (non-society) 46 Book Review 49 Non-fiction books 49 Fiction books 53 Ask Agonistes: Birkbeck Early Modern Society’s Agony Aunt. 54 Summer Quiz 55 Answers to Summer Quiz 56 Society personnel and contacts 57 2 MESSAGE FROM THE PRESIDENT Dear Early Modernists, Welcome to the seventh edition of our bulletin. I am delighted to say that our events programme for 2008-09 is shaping up very well, with confirmed speakers including Heather Forsyth from the Museum of London, who will talk about the treasure found in Stuart London that is known as the ‘Cheapside Hoard’, and Peter Burke, who will discuss the rhetoric of autobiography in seventeenth-century Europe. We will finish this year’s programme of academic events with our second student conference, ‘Journeys and Encounters’, on Saturday 12 July. The range of papers is very exciting and reflects the society’s multi-disciplinary ethos: people will be speaking about topics that include the New World, plant finding journeys of English herbalists in the 1640s, pamphlet wars, and Sir Kenelm Digby’s privateering career. I would like to thank everyone who submitted a synopsis – all of them demonstrated a high level of interest in the period and theme. On the day we will be able to provide lunch for all delegates and speakers, thanks to the generosity of Julian Swann and the School of History, Classics and Archaeology, which is much appreciated.
    [Show full text]
  • John Deakin and the Lure of Soho 11 April - 13 July 2014
    UNDER THE INFLUENCE: JOHN DEAKIN AND THE LURE OF SOHO 11 APRIL - 13 JULY 2014 12 December 2013 The Photographers’ Gallery presents Under the Influence: John Deakin and the Lure of Soho , an exhibition exploring the hidden corners and colourful characters of 1950s and early 60s London Soho, as seen through the eyes of John Deakin (1912 - 1972). Considered to be one of the greatest of postwar British photographers, Deakin was renowned for his penetrating portraits, haunting street scenes and striking fashion work. Though he flourished briefly at Vogue , it was the lure of nearby Soho with its pubs, clubs and subterranean watering holes that captured his interest most. Loved and loathed in equal measure by friends and drinking companions, Deakin was a legendary member of the quarter’s maverick crowd of artists, writers, poets and assorted characters and misfits. As its most famous chronicler with a camera, he is inextricably linked to Soho’s bohemian heyday in the two decades following the War. The exhibition will feature approximately seventy framed photographs and paintings, including rarely seen and un-shown works, arranged into four thematic groups. The first section will depict images of Soho landscapes – West End lights, street signs, urban nightscapes and graffiti –and portraits of artisans, tradesmen and outsiders. The second section will comprise portraits of Deakin’s circle of artists and friends. These include, among many others, the painters Lucian Freud, Frank Auerbach and Francis Bacon; for whom he famously took portraits on commission to be used as source material for paintings. It also includes the writers Dylan Thomas, Daniel Farson and Jeffrey Bernard, the celebrated beauty and artist’s model Henrietta Moraes and Muriel Belcher, proprietor of the fabled drinking den The Colony Room.
    [Show full text]
  • Press Release Monday 12 June 2017 Royal Court Theatre
    PRESS RELEASE MONDAY 12 JUNE 2017 ROYAL COURT THEATRE ANNOUNCES CAST FOR ROAD, WRITTEN BY JIM CARTWRIGHT, DIRECTED BY JOHN TIFFANY. Cast in alpahabetical order Michelle Fairley, Mark Hadfield, Faye Marsay, Mike Noble, Dan Parr, Lemn Sissay, June Watson, Liz White and Shane Zaza have been cast in Jim Cartwright’s game-changing play Road which opened at the Royal Court in 1986. It is directed in a new production by Royal Court Associate Director John Tiffany. Road runs in the Royal Court Jerwood Theatre Downstairs 21 July 2017 – 9 September 2017 with press night on Friday 28 July at 7pm. With design by Chloe Lamford, lighting by Lee Curran, sound by Gareth Fry and movement by Jonathan Watkins. “I feel like England’s forcing the brain out me head.” A Road, a wild night, a drunken tour guide, a journey to the gutter and the stars and back. “Why’s the world so tough? It’s like walking through meat in high heels.” Jim Cartwright’s seminal play gives expression to the inhabitants of an unnamed northern road in Eighties Britain. “Road is coming round us.” Full listings and biography information below. Ends:- For more information or images please contact Anoushka Warden on 0207 565 5063 / [email protected] Notes to Editors: Press night Road Jerwood Theatre Downstairs 7pm, Friday 28 July 2017 Biographies: Jim Cartwright (Writer) For the Royal Court: Hard Fruit, I Licked A Slag’s Deodorant (& West End), Road (& UK tour). Other theatre includes: Raz (West End/UK Tour/Edinburgh Festival Fringe); Two (Young Vic); Eight Miles High (& Theatre Royal, Bristol), The Ancient Secret of Youth, The Five Tibetans, Two 2 (Bolton Octagon); Mobile Phone Show, Bed (National); A Christmas Fair (Milton Rooms); Prize Night (Royal Exchange, Manchester); The Rise & Fall of Little Voice (National/West End/Broadway).
    [Show full text]
  • Annual Report 2010–2011 Annual Report 2010–2011 ‘…The National Theatre Must… Bulk Large in the Social  and Intellectual Life of London
    National Theatre Theatre National Annual Report 2010–2011 Report Annual Annual Report 2010–2011 ‘…theNationalTheatremust…bulklargeinthesocial andintellectuallifeofLondon...Itmustnotevenhave theairofappealingtoaspeciallyliteraryandculturedclass. Itmustbevisiblyandunmistakablyapopularinstitution, makingalargeappealtothewholecommunity. ItwillbeseenthattheTheatreweproposewouldbe aNationalTheatreinthissense,thatitwouldbefrom thefirstconditionally–and,intheeventofsuccess, wouldbecomeabsolutely–thepropertyofthenation.’ Preface(1904)to A National Theatre: Scheme and Estimates byWilliamArcherandHarleyGranvilleBarker,London1907 ‘It’sagreattimetobeanationaltheatre,andtorisetothe challengeoflivinguptoourname.Wewanttotellthestories thatchartthewaythenationischanging.Wewanttobring front-linereportsfromnewcommunitiesandgenerations, andwewanttoseethepresentredefinedinthecontext ofthepast.’ NicholasHytner,DirectoroftheNationalTheatre,2010 Annual Report For the 52 weeks ended 27 March 2011 03 Board and Advisers 05 Purpose, Vision and Objectives 06 John Makinson, Chairman 09 Nicholas Hytner, Director 10 Introduction 12 National Theatre Future 16 Artistic Review 19 National Theatre Productions 2010–11 23 Awards 24 NT Studio 26 Audiences 29 National Theatre Live 30 Public Engagement 34 NT Learning 38 Digital Innovation 41 Leadership 42 Sustainability 44 Development and Fundraising 46 Supporters 2010-11 56 Performers 2010-11 59 NT Associates and Committee Membership 60 NT Heads of Department; photograph captions In this document, The Royal National Theatre
    [Show full text]
  • Convert Finding Aid To
    Peter O'Toole: An Inventory of His Papers at the Harry Ransom Center Descriptive Summary Creator: O'Toole, Peter, 1932-2013 Title: Peter O'Toole Papers Dates: circa 1792-2015 (bulk 1953-2015) Extent: 72 document boxes, 26 oversize boxes (osb) (30.24 linear feet), 25 oversize folders (osf) Abstract: The Peter O'Toole Papers consist of scripts, production materials, manuscript drafts, correspondence, photographs, and other professional and personal papers belonging to actor Peter O'Toole. The collection documents the span of O'Toole's nearly sixty-year career on stage and screen as well as the research and writing process for his two-volume autobiographical work Loitering with Intent. Call Number: Performing Arts Collection PA-00405 Language: English, French, German, and Japanese Access: Open for research. A few documents in the collection contain private information about living persons, including Social Security numbers, bank account numbers, and personal phone numbers. These documents are restricted during the lifetime of the individuals mentioned. Redacted photocopies of these materials are provided in place of the original documents. Researchers must create an online Research Account and agree to the Materials Use Policy before using archival materials. Use Policies: Ransom Center collections may contain material with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certain information pertaining to identifiable living individuals represented in the collections without the consent of those individuals may have legal ramifications (e.g., a cause of action under common law for invasion of privacy may arise if facts concerning an individual's private life are published that would be deemed highly offensive to a reasonable person) for which the Ransom Center and The University of Texas at Austin assume no responsibility.
    [Show full text]
  • 7.5 X 11 Long Title.P65
    Cambridge University Press 978-0-521-11103-4 - Shakespeare Survey: Close Encounters with Shakespeare’s Text Edited by Peter Holland Frontmatter More information SHAKESPEARE SURVEY © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-11103-4 - Shakespeare Survey: Close Encounters with Shakespeare’s Text Edited by Peter Holland Frontmatter More information ADVISORY BOARD Jonathan Bate Akiko Kusunoki Margreta de Grazia Kathleen E. McLuskie Janette Dillon Lena Cowen Orlin Michael Dobson Simon Palfrey Andrew Gurr Richard Proudfoot Ton H oe n se la ar s Emma Smith Andreas Hofele¨ Ann Thompson Russell Jackson Stanley Wells John Jowett Assistant to the Editor Emily Burden (1) Shakespeare and his Stage (34) Characterization in Shakespeare (2) Shakespearian Production (35) Shakespeare in the Nineteenth Century (3) The Man and the Writer (36) Shakespeare in the Twentieth Century (4) Interpretation (37) Shakespeare’s Earlier Comedies (5) Textual Criticism (38) Shakespeare and History (6) The Histories (39) Shakespeare on Film and Television (7) Style and Language (40) Current Approaches to Shakespeare through (8) The Comedies Language, Text and Theatre (9) Hamlet (41) Shakespearian Stages and Staging (with an index (10) The Roman Plays to Surveys 31–40) (11) The Last Plays (with an index to Surveys 1–10) (42) Shakespeare and the Elizabethans (12) The Elizabethan Theatre (43) The Tempest and After (13) King Lear (44) Shakespeare and Politics (14) Shakespeare and his Contemporaries (45) Hamlet and its
    [Show full text]