Geoffrey Streatfeild

Total Page:16

File Type:pdf, Size:1020Kb

Geoffrey Streatfeild GEOFFREY STREATFEILD Film: KURSK George Delancey Thomas Vinterberg Via Est S.A Making Noise Quietly Geoffrey Dominic Dromgoole Open Palm Films The Lady In The Van Alan's Partner Nick Hytner Van Productions Ltd A Royal Night Out Jeffers Julian Jerrold Ecosse Films MI-5 Calum Reed Bharat Nalluri Kudos Films Rush Peter Hunt Ron Howard Rush Films Private Peaceful Captain, the Rev Adams Pat O'Connor Fluidity Films City Slacker Dan James Larkin City Slacker Films Angel Sebastian Francis Ozon Poisson Rouge Pictures Matchpoint Alan Sinclair Woody Allen Jada Productions Kinky Boots Richard Bailey Julian Jarrold Miramax Television: The Miniaturist Frans Guillem Morales BBC Prime Suspect 1973 George Collins David Caffrey ITV The Hollow Crown Edward IV Dominic Cooke Neal Street Productions Ltd New Worlds Henry Creswell Charles Martin Company Productions Endeavour Dr Daniel Cronyn Various Mammoth Screen The Thick Of It Fergus Armando Iannucci BBC Spooks Calum Allrich Riley Kudos Ltd Point of Rescue Jonathan Hay Charles Davis Hat Trick Productions Above Suspicion Jeremy Gillis Mackinnon La Plante Productions Ashes to Ashes New arrival David Drury Kudos Ltd Hunter DS Nick Dyer Colm McCarthy BBC Elizabeth I Anthony Babington Tom Hooper Company Pictures 20,000 Streets Under the Sky Gent Simon Curtis BBC Midsomer Murders Jonathan Makepeace Peter Smith Bentley Productions Timewatch King George III Various BBC The Other Boleyn Girl Francis Weston Philippa Lowthorpe BBC Love in a Cold Climate Tony Kroesig Tom Hooper BBC Sword of Honour Eddie Bill Anderson Talkback Thames Theatre: Cell Mates Blake Edward Hall Hampstead Theatre Wild Honey Platonov Jonathan Kent Hampstead Theatre Platanov, Ivanov, The Seagull Ivanov and Trigorin Jonathan Kent Royal National Theatre The Beaux Stratagem Archer Simon Godwin National Theatre My Night With Reg Daniel Rob Hastie Donmar Warehouse / West End Macbeth Macbeth Daniel Evans Crucible Theatre Copenhagen Heisenberg David Grindley Crucible Theatre Earthquakes in London Steve Rupert Goold National Theatre Eigengrau Mark Polly Findlay Bush Theatre Geoffrey Streatfeild 1 Markham Froggatt & Irwin Limited Registered Office: Millar Court, 43 Station Road, Kenilworth, Warwickshire CV8 1JD Registered in England N0. 7268133 Members of the PMA The Pains of Youth Freder Katie Mitchell National Theatre The Contigency Plan: On the Beach Will Tamara Harvey / M. Longhurst Bush Theatre Henry V Henry V Michael Boyd RSC Henry IV: Part 1 Hal Michael Boyd RSC Henry IV: Part 2 Hal Richard Twyman RSC Henry VI, Parts 1 & 2 Suffolk Michael Boyd RSC Richard III Rivers Michael Boyd RSC The History Boys Irwin Nick Hytner National Theatre Journey's End Stanhope David Grindley Background Productions Bacchai Chorus/ Ensemble Peter Hall National Theatre Mountain Language Officer Katie Mitchell Royal Court Henry VI, Parts 1 & 2 Vernon Michael Boyd RSC Henry VI, Parts 2 & 3 Young Clifford Michael Boyd RSC Richard III Lavel Michael Boyd RSC Training: RADA Manchester University - BA Hons Drama Awards at RADA Winner of the Behrens Bursary, Laurence Olivier Award 1999, given in association with the Society of London Theatre Winner of the Henry Marshall Prize for Best Scene & the Vanbrugh Theatre Club Prize for the Most Entertaining Fight at the RADA prizefights 1998. Geoffrey Streatfeild 2 Markham Froggatt & Irwin Limited Registered Office: Millar Court, 43 Station Road, Kenilworth, Warwickshire CV8 1JD Registered in England N0. 7268133 Members of the PMA.
Recommended publications
  • Keats' Move to Verse Brought to Life in Theatre
    H&H Series Thursday, September 14, 2017 35 ETCETERA Keats’ move to verse brought to life in theatre The moment Hampstead poet consumption. He nursed her and John Keats’ turned from later his brother Tom. In medicine to verse is dramatised hindsight it looks odd that he in an immersive play in a wanted to be a doctor but he 200-year-old operating theatre. was a caring person who spent a great deal of his life looking Audiences of 45 a time will watch after other people and I think Rebel Angel from the “incredibly would have made a brilliant claustrophobic and atmospheric” doctor.” stands where medical students Graham-Campbell says the would often faint while watching play is relevant to younger operations. audiences in dramatising “the The Old Operating Theatre choice between a traditional Museum is near Guy’s Hospital money-making job and the arts.” where Keats began studying “Keats is a writer whose early medicine in October 1815. death, sense of melancholy, and Angus Graham-Campbell’s charisma have given him rock play follows the year when he star status.” met contemporary Percy Shelley It also reflects the pivotal role in Hampstead and had his first of mentors – Keats was assistant work published. to notorious surgeon Bill “It’s exciting to bring theatre ‘butcher’ Lucas while his into such a vibrant active space,” inspirational teacher Charles says Graham-Campbell, a trustee Cowden Clarke introduced him of the Keats-Shelley House in to progressive ideas and the left Rome where the poet died of wing Hampstead radical Leigh Old operating theatre.
    [Show full text]
  • The Chichester Festival Theatre Productions YOUNG CHEKHOV
    The Chichester Festival Theatre productions YOUNG CHEKHOV Olivier Theatre Previews from 14 July, press day 3 August, booking until 3 September with further performances to be announced. The YOUNG CHEKHOV trilogy opened to overwhelming acclaim at Chichester Festival Theatre last year. The company now come to the National, offering a unique chance to explore the birth of a revolutionary dramatic voice. The production is directed by Jonathan Kent, with set designs by Tom Pye, costumes by Emma Ryott, lighting by Mark Henderson, music by Jonathan Dove, sound by Paul Groothuis and fight direction by Paul Benzing. Performed by one ensemble of actors, each play can be seen as a single performance over different days or as a thrilling all-day theatrical experience. Cast includes Emma Amos, Pip Carter, Anna Chancellor, Jonathan Coy, Mark Donald, Peter Egan, Col Farrell, Beverley Klein, Adrian Lukis, Des McAleer, James McArdle, Mark Penfold, Nina Sosanya, Geoffrey Streatfeild, Sarah Twomey, David Verrey, Olivia Vinall and Jade Williams. David Hare has written over thirty original plays, including The Power of Yes, Gethsemane, Stuff Happens, The Permanent Way (a co-production with Out of Joint), Amy’s View, Skylight, The Secret Rapture, The Absence of War, Murmuring Judges, Racing Demon, Pravda (written with Howard Brenton) and Plenty for the National Theatre. His other work includes South Downs (Chichester Festival Theatre and West End), The Judas Kiss (Hampstead and West End) and The Moderate Soprano (Hampstead). His adaptations include Behind the Beautiful Forevers and The House of Bernarda Alba at the NT, The Blue Room (Donmar and Broadway) and The Master Builder (The Old Vic).
    [Show full text]
  • The Representation, Interpretation and Staging of Magic in Renaissance Plays from the Sixteenth Century Onwards
    Ghent University Faculty of Arts and Philosophy The representation, interpretation and staging of magic in Renaissance plays from the sixteenth century onwards. A case study of William Shakespeare’s The Tempest, Macbeth and Cristopher Marlowe’s Doctor Faustus. Supervisor: Paper submitted in partial Professor Doctor fulfilment of the requirements for Sandro Jung the degree of “Master in de Taal- en Letterkunde: English-Spanish” by Tine Dekeyser August 2014 Word count: 27334 Dekeyser i Acknowledgments First of all, I would like to thank my supervisor, Professor Doctor Sandro Jung, for granting me the opportunity to continue working on the same topic of my BA-dissertation and for guiding me towards a more profound investigation of magic and the Renaissance society. Also, I want to thank Professor Jung for reading the many versions of this dissertation and for providing a lot of helpful suggestions throughout the year. Secondly, I would like to thank The British Museum for giving me permission to use their highly detailed engravings, without which this dissertation would not exist. Thirdly, I would like to thank my boyfriend and my mother for supporting me, listening to my dilemmas and calming me down when stress got the better of me. Also, I want to thank my boyfriend for helping me track down the movies I needed for my analyses. Dekeyser ii Table of Contents Acknowledgments ....................................................................................................................... i List of Illustrations ...................................................................................................................
    [Show full text]
  • Dominic Cooke Director
    Dominic Cooke Director Film 2021 THE COURIER Feature film starring Benedict Cumberbatch 42/SunnyMarch World Premiere – Sundance Film Festival 2020 2017 ON CHESIL BEACH Feature film based on the novel by Ian McEwan BBC Films & Number 9 Films North American Premiere – Toronto International Film Festival 2017 Television 2016 THE HOLLOW CROWN 3 Episodes: Henry VI Part I, Henry VI Part II, Richard III BBC/ NBC Universal Television / Neal Street Productions / WNET Thirteen Theatre 2017 FOLLIES Written by Stephen Sondheim Royal National Theatre 10 Olivier Nominations including Best Director 2016 PIGS AND DOGS Written by Caryl Churchill Royal Court Theatre 2016 MA RAINEY’S BLACK BOTTOM Written by August Wilson Royal National Theatre 1 Olivier Win 2015 HERE WE GO Written by Caryl Churchill Royal National Theatre 2015 TEDDY FERRERA Written by Christopher Shinn Donmar Warehouse 2013 THE LOW ROAD Written by Bruce Norris Royal Court Theatre 2013 IN THE REPUBLIC OF HAPPINESS Written by Martin Crimp Royal Court Theatre 2012 DING DONG THE WICKED Written by Caryl Churchill Royal Court Theatre 2012 CHOIR BOY Written by Tarell Alvin McCraney Royal Court Theatre 2012 IN BASILDON Written by David Eldridge Royal Court Theatre 2011 CHICKEN SOUP WITH BARLEY Written by Arnold Wesker Royal Court Theatre 2011 THE COMEDY OF ERRORS Written by William Shakespeare Royal National Theatre 2010 CLYBOURNE PARK Written by Bruce Norris Royal Court Theatre 1 Olivier Win 2009 AUNT DAN AND LEMON Written by Wallace Shawn Royal Court Theatre 2009 THE FEVER Written by Wallace Shawn Royal Court Theatre 2009 SEVEN JEWISH CHILDREN Written by Caryl Churchill Royal Court Theatre 2008 WIG OUT! Written by Tarell Alvin McCraney Royal Court Theatre 2008 NOUGHTS AND CROSSES Director & Writer.
    [Show full text]
  • Rory Kinnear
    RORY KINNEAR Film: Peterloo Henry Hunt Mike Leigh Peterloo Ltd Watership Down Cowslip Noam Murro 42 iBoy Ellman Adam Randall Wigwam Films Spectre Bill Tanner Sam Mendes EON Productions Trespass Against Us Loveage Adam Smith Potboiler Productions Man Up Sean Ben Palmer Big Talk Productions The Imitation Game Det Robert Nock Morten Tydlem Black Bear Pictures Cuban Fury Gary James Griffiths Big Talk Productions Limited Skyfall Bill Tanner Sam Mendes Eon Productions Broken* Bob Oswald Rufus Norris Cuba Pictures Wild Target Gerry Jonathan Lynne Magic Light Quantum Of Solace Bill Tanner Marc Forster Eon Productions Television: Guerrilla Ch Insp Nic Pence John Ridley & Sam Miller Showtime Quacks Robert Andy De Emmony Lucky Giant The Casual Vacancy Barry Fairbrother Jonny Campbell B B C Penny Dreadful (Three Series) Frankenstein's Creature Juan Antonio Bayona Neal Street Productions Lucan Lord Lucan Adrian Shergold I T V Studios Ltd Count Arthur Strong 1 + 2 Mike Graham Linehan Retort Southcliffe David Sean Durkin Southcliffe Ltd The Hollow Crown Richard Ii Various Neal Street Productions Loving Miss Hatto Young Barrington Coupe Aisling Walsh L M H Film Production Ltd Richard Ii Bolingbroke Rupert Goold Neal Street Productions Black Mirror; National Anthem Michael Callow Otto Bathurst Zeppotron Edwin Drood Reverend Crisparkle Diarmuid Lawrence B B C T V Drama Lennon Naked Brian Epstein Ed Coulthard Blast Films First Men Bedford Damon Thomas Can Do Productions Vexed Dan Matt Lipsey Touchpaper T V Cranford (two Series) Septimus Hanbury Simon Curtis B B C Beautiful People Ross David Kerr B B C The Thick Of It Ed Armando Iannucci B B C Waking The Dead James Fisher Dan Reed B B C Ashes To Ashes Jeremy Hulse Ben Bolt Kudos For The Bbc Minder Willoughby Carl Nielson Freemantle Steptoe & Sons Alan Simpson Michael Samuels B B C Plus One (pilot) Rob Black Simon Delaney Kudos Messiah V Stewart Dean Harry Bradbeer Great Meadow Rory Kinnear 1 Markham Froggatt & Irwin Limited Registered Office: Millar Court, 43 Station Road, Kenilworth, Warwickshire CV8 1JD Registered in England N0.
    [Show full text]
  • FOLLIES Book by James Goldman. Music and Lyrics by Stephen Sondheim
    FOLLIES Book by James Goldman. Music and lyrics by Stephen Sondheim. Directed by Dominic Cooke Olivier Theatre Previews from 22 August, Press Night 6 September, booking until 4 November 1971, New York. There’s a party on the stage of the Weismann Theatre. Tomorrow the iconic building will be demolished. Thirty years after their final performance, the Follies girls gather to have a few drinks, sing a few songs and lie about themselves. Including such classic songs as Broadway Baby, I’m Still Here and Losing My Mind, Stephen Sondheim’s legendary musical is staged for the first time at the NT. Tracie Bennett, Janie Dee and Imelda Staunton play the magnificent Follies in this dazzling new production. Featuring a cast of 37 and an orchestra of 21, Follies is directed by Dominic Cooke (Ma Rainey’s Black Bottom). Winner of Academy, Tony, Grammy and Olivier awards, Sondheim’s previous work at the NT includes A Little Night Music, Sweeney Todd and Sunday in the Park with George. Follies is designed by Vicki Mortimer, with choreography by Bill Deamer, musical supervision by Nicholas Skilbeck, orchestrations by Jonathan Tunick, musical director Nigel Lilley, lighting design by Paule Constable and sound design by Paul Groothuis. The cast includes Josephine Barstow, Tracie Bennett, Di Botcher, Billy Boyle, Janie Dee, Geraldine Fitzgerald, Peter Forbes, Emily Goodenough, Bruce Graham, Fred Haig, Aimee Hodnett, Dawn Hope, Liz Izen, Alison Langer, Emily Langham, Sarah-Marie Maxwell, Kate Parr, Philip Quast, Edwin Ray, Gary Raymond, Adam Rhys-Charles, Jordan Shaw, Imelda Staunton, Barnaby Thompson, Christine Tucker and Alex Young.
    [Show full text]
  • Thursday 17 January 2019 National Theatre: February
    Thursday 17 January 2019 National Theatre: February – July 2019 Inua Ellams’ Barber Shop Chronicles will play at the Roundhouse, Camden for a limited run from July as part of a UK tour Gershwyn Eustache Jnr, Leah Harvey and Aisling Loftus lead the cast of Small Island, adapted by Helen Edmundson from Andrea Levy’s prize-winning novel, directed by Rufus Norris in the Olivier Theatre Justine Mitchell joins Roger Allam in Rutherford and Son by Githa Sowerby, directed by Polly Findlay Phoebe Fox takes the title role of ANNA in Ella Hickson and Ben and Max Ringham’s tense thriller directed by Natalie Abrahami Further casting released for Peter Gynt, directed by Jonathan Kent, written by David Hare, after Henrik Ibsen War Horse will return to London as part of the 2019 UK and international tour, playing at a new venue, Troubadour Wembley Park Theatre, for a limited run in October Olivier Theatre SMALL ISLAND adapted by Helen Edmundson based on the novel by Andrea Levy Previews from 17 April, press night 1 May, in repertoire until 10 August Andrea Levy’s epic, Orange Prize-winning novel bursts into new life on the Olivier Stage. A cast of 40 tell a story which journeys from Jamaica to Britain through the Second World War to 1948, the year the HMT Empire Windrush docked at Tilbury. Adapted for the stage by Helen Edmundson Small Island follows the intricately connected stories of two couples. Hortense yearns for a new life away from rural Jamaica, Gilbert dreams of becoming a lawyer, and Queenie longs to escape her Lincolnshire roots.
    [Show full text]
  • Theatricality and Historiography in Shakespeare's Richard
    H ISTRIONIC H ISTORY: Theatricality and Historiography in Shakespeare’s Richard III By David Hasberg Zirak-Schmidt This article focuses on Shakespeare’s history drama Richard III, and investigates the ambiguous intersections between early modern historiography and aesthetics expressed in the play’s use of theatrical and metatheatrical language. I examine how Shakespeare sought to address and question contemporary, ideologically charged representations of history with an analysis of the characters of Richard and Richmond, and the overarching theme of theatrical performance. By employing this strategy, it was possible for Shakespeare to represent the controversial character of Richard undogmatically while intervening in and questioning contemporary discussions of historical verisimilitude. Historians have long acknowledged the importance of the early modern history play in the development of popular historical consciousness.1 This is particularly true of England, where the history play achieved great commercial and artistic success throughout the 1590s. The Shakespearean history play has attracted by far the most attention from cultural and literary historians, and is often seen as the archetype of the genre. The tragedie of kinge RICHARD the THIRD with the death of the Duke of CLARENCE, or simply Richard III, is probably one of the most frequently performed of Shakespeare’s history plays. The play dramatizes the usurpation and short- lived reign of the infamous, hunchbacked Richard III – the last of the Plantagenet kings, who had ruled England since 1154 – his ultimate downfall, and the rise of Richmond, the future king Henry VII and founder of the Tudor dynasty. To the Elizabethan public, there was no monarch in recent history with such a dark reputation as Richard III: usurpation, tyranny, fratricide, and even incest were among his many alleged crimes, and a legacy of cunning dissimulation and cynical Machiavellianism had clung to him since his early biographers’ descriptions of him.
    [Show full text]
  • Daniel Evans
    www.hamiltonhodell.co.uk Daniel Evans Talent Representation Telephone Christian Hodell +44 (0) 20 7636 1221 [email protected], Address [email protected], Hamilton Hodell, [email protected] 20 Golden Square London, W1F 9JL, United Kingdom Theatre Title Role Director Theatre/Producer COMPANY Robert Jonathan Munby Sheffield Crucible Theatre THE PRIDE Oliver Richard Wilson Sheffield Crucible Theatre THE ART OF NEWS Dominic Muldowney London Sinfonietta SUNDAY IN THE PARK WITH GEORGE Tony Award Nomination for Best Performance by a Lead Actor in a Musical 2008 George Sam Buntrock Studio 54 Outer Critics' Circle Nomination for Best Actor in a Musical 2008 Drama League Awards Nomination for Distinguished Performance 2008 GOOD THING GOING Part of a Revue Julia McKenzie Cadogan Hall Ltd SWEENEY TODD Tobias Ragg David Freeman Southbank Centre TOTAL ECLIPSE Paul Verlaine Paul Miller Menier Chocolate Factory SUNDAY IN THE PARK WITH GEORGE Wyndham's Theatre/Menier George Sam Buntrock Olivier Award for Best Actor in a Musical 2007 Chocolate Factory GRAND HOTEL Otto Michael Grandage Donmar Warehouse CLOUD NINE Betty/Edward Anna Mackmin Crucible Theatre CYMBELINE Posthumous Dominic Cooke RSC MEASURE FOR MEASURE Angelo Sean Holmes RSC THE TEMPEST Ariel Michael Grandage Sheffield Crucible/Old Vic Nominated for the 2002 Ian Charleson Award (Joint with his part in Ghosts) GHOSTS Osvald Steve Unwin English Touring Theatre Nominated for the 2002 Ian Charleson Award (Joint with his part in The Tempest) WHERE DO WE LIVE Stephen Richard
    [Show full text]
  • Sky 1 Announces New Comedy Drama Living the Dream 23Rd May | Big Talk, Productions, TV
    7/18/2017 Big Talk | Sky 1 announces new comedy drama Livingn The Dreamews Sky 1 announces new comedy drama Living The Dream 23rd May | Big Talk, Productions, TV Philip Glenister and Lesley Sharp star alongside Kim Fields, Kevin Nash, Leslie Jordan, Paula Wilcox and Jimmy Akingbola. Living the Dream, a brand new comedy drama from the makers of Cold Feet, is coming to Sky 1 later this year. Starring Philip Glenister (Outcast, Mad Dogs) and Lesley Sharp (Scott & Bailey, Paranoid), the series has been created and written by Mick Ford (Single Father, The Five), produced by Big Talk Productions (Cold Feet, Mum, Rev.) and will be directed by Saul Metzstein (Doctor Who, You, Me and the Apocalypse) and Philippa Langdale (Dickensian, Skins). The six-part series follows a British family, the Pembertons – husband Mal (Glenister), wife Jen (Sharp) and their two teenage kids, Tina (Rosie Day) and https://www.bigtalkproductions.com/sky-1-announces-new-comedy-drama-living-the-dream/ 1/3 7/18/2017 Big Talk | Sky 1 announces new comedy drama Living The Dream Freddie (Brenock O’Connor) – who decide it’s time to leave rainy England and move to the sunshine state of Florida. Mal’s bought an RV park with plans for a booming family-run business, but it soon turns out that they are not going to be living the dream they hoped. Before they’ve even settled in, Mal discovers that the park is home to a group of eccentric residents who are not exactly thrilled to meet their new owners. Jen has to learn how to survive American suburbia and the kids have to navigate a US high school.
    [Show full text]
  • The Winter's Tale by William Shakespeare
    EDUCATION PACK The Winter’s Tale by William Shakespeare 1 Contents Page Synopsis 3 William Shakespeare 4 Assistant Directing 6 Cue Script Exercise 8 Cue Scripts 9-14 Source of the Story 15 Interview with Simon Scardifield 16 Doubling decisions 17 Propeller 18 2 Synopsis Leontes, the King of Sicilia, asks his dearest friend from childhood, Polixenes, the King of Bohemia, to extend his visit. Polixenes has not been home to his wife and young son for more than nine months but Leontes’ wife, Hermione, who is heavily pregnant, finally convinces her husband's friend to stay a bit longer. As they talk apart, Leontes thinks that he observes Hermione’s behaviour becoming too intimate with his friend, for as soon as they leave his sight he is imagining them "leaning cheek to cheek, meeting noses, kissing with inside lip." He orders one of his courtiers, Camillo, to stand as cupbearer to Polixenes and poison him as soon as he can. Camillo cannot believe that Hermione is unfaithful and informs Polixenes of the plot. He escapes with Polixenes to Bohemia. Leontes, discovering that they have fled, now believes that Camillo knew of the imagined affair and was plotting against him with Polixenes. He accuses Hermione of adultery, takes Mamillius, their son, from her and throws her in jail. He sends Cleomines and Dion to Apollo’s Oracle at Delphi, for an answer to his charges. While Hermione is in jail her daughter is born, and Paulina, her friend, takes the baby girl to Leontes in the hope that the sight of his infant daughter will soften his heart.
    [Show full text]
  • Playwright DAVID HARE Receives the Guild's 2017 GIELGUD AWARD
    But the culminating moments of a richly varied program Playwright DAVID HARE Receives were devoted to the GIELGUD AWARD FOR EXCELLENCE IN THE DRAMATIC ARTS and to the afternoon’s final presentation, for The Guild’s 2017 GIELGUD AWARD OUTSTANDING CONTRIBUTION TO BRITISH THEATRE.. That trophy went to LYN GARDNER, “a renowned theatre journalist, critic, n Sunday, October 15, at a memorable UK THEATRE author, and champion of the industry, whose invaluable O AWARDS luncheon in London’s historic GUILDHALL, one insights can most often be found in The Guardian and The of today’s most versatile dramatic artists received the 2017 Stage, of which she is an associate editor.” GIELGUD AWARD FOR EXCELLENCE IN THE DRAMATIC ARTS. Not only has DAVID HARE enriched our theatrical repertory resenting this year’s GIELGUD AWARD was FREDDIE FOX, with some of the most resonant and challenging stageplays of P an actor of impeccable pedigree who is admired for our era. He has also produced screenplays that have garnered films such as The Three Musketeers, Victor Frankenstein, The Riot Club, Pride, and Worried About the Boy, as well as for such stage roles as Bosie in The Judas Kiss, a David Hare drama about the tragic fall of Oscar Wilde. Mr. Fox talked about how much he’d enjoyed working not only with Sir David but with artistic director Jonathan Kent while co-starring in this Hampstead Theatre production. As he bestowed the 2017 GIELGUD trophy, he shared two messages from admirers of Sir David who were unable to attend the Guildhall luncheon.
    [Show full text]