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Dominic Cooke Director Dominic Cooke Director Film 2021 THE COURIER Feature film starring Benedict Cumberbatch 42/SunnyMarch World Premiere – Sundance Film Festival 2020 2017 ON CHESIL BEACH Feature film based on the novel by Ian McEwan BBC Films & Number 9 Films North American Premiere – Toronto International Film Festival 2017 Television 2016 THE HOLLOW CROWN 3 Episodes: Henry VI Part I, Henry VI Part II, Richard III BBC/ NBC Universal Television / Neal Street Productions / WNET Thirteen Theatre 2017 FOLLIES Written by Stephen Sondheim Royal National Theatre 10 Olivier Nominations including Best Director 2016 PIGS AND DOGS Written by Caryl Churchill Royal Court Theatre 2016 MA RAINEY’S BLACK BOTTOM Written by August Wilson Royal National Theatre 1 Olivier Win 2015 HERE WE GO Written by Caryl Churchill Royal National Theatre 2015 TEDDY FERRERA Written by Christopher Shinn Donmar Warehouse 2013 THE LOW ROAD Written by Bruce Norris Royal Court Theatre 2013 IN THE REPUBLIC OF HAPPINESS Written by Martin Crimp Royal Court Theatre 2012 DING DONG THE WICKED Written by Caryl Churchill Royal Court Theatre 2012 CHOIR BOY Written by Tarell Alvin McCraney Royal Court Theatre 2012 IN BASILDON Written by David Eldridge Royal Court Theatre 2011 CHICKEN SOUP WITH BARLEY Written by Arnold Wesker Royal Court Theatre 2011 THE COMEDY OF ERRORS Written by William Shakespeare Royal National Theatre 2010 CLYBOURNE PARK Written by Bruce Norris Royal Court Theatre 1 Olivier Win 2009 AUNT DAN AND LEMON Written by Wallace Shawn Royal Court Theatre 2009 THE FEVER Written by Wallace Shawn Royal Court Theatre 2009 SEVEN JEWISH CHILDREN Written by Caryl Churchill Royal Court Theatre 2008 WIG OUT! Written by Tarell Alvin McCraney Royal Court Theatre 2008 NOUGHTS AND CROSSES Director & Writer. Adapted from the novel by Malorie Blackman Royal Shakespeare Company 2008 NOW OR LATER Written by Christopher Shinn Royal Court Theatre 2007 RHINOCEROS Written by Eugene Ionesco Royal Court Theatre 2007 THE PAIN AND THE ITCH Written by Bruce Norris Royal Court Theatre 2006 THE CRUCIBLE Written by Arthur Miller Royal Shakespeare Company 2006 PERICLES Written by William Shakespeare Royal Shakespeare Company 2006 THE WINTER’S TALE Written by William Shakespeare Royal Shakespeare Company 2005 AS YOU LIKE IT Written by William Shakespeare Royal Shakespeare Company 2005 POSTCARDS FROM AMERICA Written by David Adjmi Royal Shakespeare Company 2005 THE MAGIC FLUTE Written by Wolfgang Amadeus Mozart Welsh National Opera 2004 MACBETH Written by William Shakespeare Royal Shakespeare Company 2004 BY BOG OF CATS Written by Marina Carr Wyndham’s Theatre 2003 CYMBELINE Written by William Shakespeare Royal Shakespeare Company 2003 THE ECCENTRICITIES OF A NIGHTINGALE Written by Tennessee Williams Dublin Gate 2003 LA BOHEME Written by Giacomo Puccini Grange Park Opera 2002 PLASTICINE Written by Vassily Sigarev Royal Court Theatre 2002 THE PEOPLE ARE FRIENDLY Written by Michael Wynne Royal Court Theatre 2002 THIS IS A CHAIR & IDENTICAL TWINS Written by Caryl Churchill Royal Court Theatre 2002 THE MALCONTENT Written by John Marston Royal Shakespeare Company 2001 SPINNING INTO BUTTER Written by Rebecca Gilman Royal Court Theatre 2001 REDUNDANT Written by Leo Butler Royal Court Theatre 2001 FUCKING GAMES Written by Grae Cleugh Royal Court Theatre 2001 I CAPULETI E I MONTECCHI Written by Vincenzo Bellini Grange Park Opera 2000 OTHER PEOPLE Written by Christopher Shinn Royal Court Theatre 2000 FIREFACE Written by Marius Von Mayenburg Royal Court Theatre 1998 ARABIAN NIGHTS Director & Writer The Young Vic 1998 THE BULLET Written by Joe Penhall Donmar Warehouse .
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  • Arnold Wesker'ın Chicken Soup with Barley
    Atatürk Üniversitesi Sosyal Bilimler Enstitüsü Dergisi 2011 15 (2): 133-145 The Legacy of Communist Idealism Contested in Chicken Soup with Barley by Arnold Wesker: Political Imperative upon the Personal and Subverted Binary Opposites Erdinç PARLAK (*) Abstract: A dramatic dismantling will surely show that Arnold Wesker’s early plays represent the most amiable contestation of the New Left and the new conditions with the surprising yet desired success of the Labour. In early post-war years, Britons anachronistically hold the myth of the long Edwardian summer and thus reconnect with peace after the Great Wars. Unfortunately, though, the repressed memories of Wars haunt the writings and the aura of the age. That’s why in Wesker’s accounts, especially in his early corpus, Wars work double shift reminding us the hopes of the new generation and their disillusionment after the failure of the Labour. With this background in mind, our study tries to enlarge the theme of communist idealism and disappointment contested in Wesker’s Chicken Soup with Barley. In this play, an angry young man through and through and a representative playwright of the first wave in post-war British drama, Arnold Wesker poignantly shows how politics works as an imperative upon the private and the personal and it is also the sexual politics that Wesker contests and subverts. These two issues further serve for his handling of ethnicity (Anglo-Jewry), class (proletariat) and gender (binary opposition). Key Words: Arnold Wesker, communist idealism, subverted binary opposites, sexual politics, Anglo-Jewry, proletariat Arnold Wesker’ın Chicken Soup With Barley (Arpalı Tavuk Çorbası) Oyununda Komünist İdealizm Mirası: Birey Üzerindeki Siyasi Zorunluluk ve Bozulan İkili Karşıtlıklar Özet: Dramatik bir çalışma Arnold Wesker’ın ilk oyunlarının, İşçi Partisi‘nin beklenen fakat şaşırtıcı başarısıyla gelen yeni dünya düzeni ve Yeni Sol hareketinin en hafif ve yumuşak tanıklığını gösterecektir.
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  • Daniel Evans
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  • University of Pardubice Faculty of Arts and Philosophy Angry Young Men
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  • I Can't Recall As Exciting a Revival Sincezeffirelli Stunned Us with His
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  • 1 Plays, Books
    PLAYS, BOOKS - WRITTEN, PUBLISHED and PERFORMED; PRIZES. 1950s (Circa) And After Today – play written for amateur drama group ‘The Query Players’ to which A.W belonged. Never performed. Precursor to Chicken Soup with Barley. 1951 The Reed That Bent. A novel. Unpublished but used as the basis for ‘Chips With Everything’. Begun 30 April finished 17 August. The novel itself was drawn from assembled letters written to friends and family during 8 weeks of ‘square bashing’ as an RAF National Service conscript. 1955 Pools. A short story. Begun 16th October, finished following month. 1956 The Kitchen. No date on written MS. Probably begun in this year. Entered for The Observer Play competition in original form of two acts with no Interlude. No prizes. 1957 Life Is Where You Live. Musical written for Primrose Jewish Youth Club of which A.W. was the ‘drama director.’ Fiona Castiglione, the granddaughter of the composer, Rutland Boughton, wrote four or five songs then gave up! June 1957. Chicken Soup With Barley. First notes, circa early October 1957. The play (first entitled ‘When the Wind Blows’) begun 8 October 1957. 1958 Chicken Soup With Barley. First presented at The Belgrade Theatre, Coventry, 7 July for one week, directed by John Dexter. Subsequently at The Royal Court, London on14th July for one week as part of a four week ‘Guest Repertory Season’. Roots. Begun 20th June. 2nd typed draft completed 29 October. I’m Talking About Jerusalem. Begun 9 December. (1st typed draft dated 1st December 1959. 3rd typed draft dated 11th May 1960. Pools. Printed in The Jewish Quarterly, Winter 58/59.
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  • Theatre, Communism, and Love
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  • Ian Gelder Photo: Jonathan Dockar-Drysdale
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  • Fiona Lindsay [email protected] 07836767487
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