'Good' Starring David Tennant to Launch Dominic Cooke
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Keats' Move to Verse Brought to Life in Theatre
H&H Series Thursday, September 14, 2017 35 ETCETERA Keats’ move to verse brought to life in theatre The moment Hampstead poet consumption. He nursed her and John Keats’ turned from later his brother Tom. In medicine to verse is dramatised hindsight it looks odd that he in an immersive play in a wanted to be a doctor but he 200-year-old operating theatre. was a caring person who spent a great deal of his life looking Audiences of 45 a time will watch after other people and I think Rebel Angel from the “incredibly would have made a brilliant claustrophobic and atmospheric” doctor.” stands where medical students Graham-Campbell says the would often faint while watching play is relevant to younger operations. audiences in dramatising “the The Old Operating Theatre choice between a traditional Museum is near Guy’s Hospital money-making job and the arts.” where Keats began studying “Keats is a writer whose early medicine in October 1815. death, sense of melancholy, and Angus Graham-Campbell’s charisma have given him rock play follows the year when he star status.” met contemporary Percy Shelley It also reflects the pivotal role in Hampstead and had his first of mentors – Keats was assistant work published. to notorious surgeon Bill “It’s exciting to bring theatre ‘butcher’ Lucas while his into such a vibrant active space,” inspirational teacher Charles says Graham-Campbell, a trustee Cowden Clarke introduced him of the Keats-Shelley House in to progressive ideas and the left Rome where the poet died of wing Hampstead radical Leigh Old operating theatre. -
Dominic Cooke Director
Dominic Cooke Director Film 2021 THE COURIER Feature film starring Benedict Cumberbatch 42/SunnyMarch World Premiere – Sundance Film Festival 2020 2017 ON CHESIL BEACH Feature film based on the novel by Ian McEwan BBC Films & Number 9 Films North American Premiere – Toronto International Film Festival 2017 Television 2016 THE HOLLOW CROWN 3 Episodes: Henry VI Part I, Henry VI Part II, Richard III BBC/ NBC Universal Television / Neal Street Productions / WNET Thirteen Theatre 2017 FOLLIES Written by Stephen Sondheim Royal National Theatre 10 Olivier Nominations including Best Director 2016 PIGS AND DOGS Written by Caryl Churchill Royal Court Theatre 2016 MA RAINEY’S BLACK BOTTOM Written by August Wilson Royal National Theatre 1 Olivier Win 2015 HERE WE GO Written by Caryl Churchill Royal National Theatre 2015 TEDDY FERRERA Written by Christopher Shinn Donmar Warehouse 2013 THE LOW ROAD Written by Bruce Norris Royal Court Theatre 2013 IN THE REPUBLIC OF HAPPINESS Written by Martin Crimp Royal Court Theatre 2012 DING DONG THE WICKED Written by Caryl Churchill Royal Court Theatre 2012 CHOIR BOY Written by Tarell Alvin McCraney Royal Court Theatre 2012 IN BASILDON Written by David Eldridge Royal Court Theatre 2011 CHICKEN SOUP WITH BARLEY Written by Arnold Wesker Royal Court Theatre 2011 THE COMEDY OF ERRORS Written by William Shakespeare Royal National Theatre 2010 CLYBOURNE PARK Written by Bruce Norris Royal Court Theatre 1 Olivier Win 2009 AUNT DAN AND LEMON Written by Wallace Shawn Royal Court Theatre 2009 THE FEVER Written by Wallace Shawn Royal Court Theatre 2009 SEVEN JEWISH CHILDREN Written by Caryl Churchill Royal Court Theatre 2008 WIG OUT! Written by Tarell Alvin McCraney Royal Court Theatre 2008 NOUGHTS AND CROSSES Director & Writer. -
FOLLIES Book by James Goldman. Music and Lyrics by Stephen Sondheim
FOLLIES Book by James Goldman. Music and lyrics by Stephen Sondheim. Directed by Dominic Cooke Olivier Theatre Previews from 22 August, Press Night 6 September, booking until 4 November 1971, New York. There’s a party on the stage of the Weismann Theatre. Tomorrow the iconic building will be demolished. Thirty years after their final performance, the Follies girls gather to have a few drinks, sing a few songs and lie about themselves. Including such classic songs as Broadway Baby, I’m Still Here and Losing My Mind, Stephen Sondheim’s legendary musical is staged for the first time at the NT. Tracie Bennett, Janie Dee and Imelda Staunton play the magnificent Follies in this dazzling new production. Featuring a cast of 37 and an orchestra of 21, Follies is directed by Dominic Cooke (Ma Rainey’s Black Bottom). Winner of Academy, Tony, Grammy and Olivier awards, Sondheim’s previous work at the NT includes A Little Night Music, Sweeney Todd and Sunday in the Park with George. Follies is designed by Vicki Mortimer, with choreography by Bill Deamer, musical supervision by Nicholas Skilbeck, orchestrations by Jonathan Tunick, musical director Nigel Lilley, lighting design by Paule Constable and sound design by Paul Groothuis. The cast includes Josephine Barstow, Tracie Bennett, Di Botcher, Billy Boyle, Janie Dee, Geraldine Fitzgerald, Peter Forbes, Emily Goodenough, Bruce Graham, Fred Haig, Aimee Hodnett, Dawn Hope, Liz Izen, Alison Langer, Emily Langham, Sarah-Marie Maxwell, Kate Parr, Philip Quast, Edwin Ray, Gary Raymond, Adam Rhys-Charles, Jordan Shaw, Imelda Staunton, Barnaby Thompson, Christine Tucker and Alex Young. -
June 17 – Jan 18 How to Book the Plays
June 17 – Jan 18 How to book The plays Online Select your own seat online nationaltheatre.org.uk By phone 020 7452 3000 Mon – Sat: 9.30am – 8pm In person South Bank, London, SE1 9PX Mon – Sat: 9.30am – 11pm Other ways Friday Rush to get tickets £20 tickets are released online every Friday at 1pm Saint George and Network Pinocchio for the following week’s performances. the Dragon 4 Nov – 24 Mar 1 Dec – 7 Apr Day Tickets 4 Oct – 2 Dec £18 / £15 tickets available in person on the day of the performance. No booking fee online or in person. A £2.50 fee per transaction for phone bookings. If you choose to have your tickets sent by post, a £1 fee applies per transaction. Postage costs may vary for group and overseas bookings. Access symbols used in this brochure CAP Captioned AD Audio-Described TT Touch Tour Relaxed Performance Beginning Follies Jane Eyre 5 Oct – 14 Nov 22 Aug – 3 Jan 26 Sep – 21 Oct TRAVELEX £15 TICKETS The National Theatre Partner for Innovation Partner for Learning Sponsored by in partnership with Partner for Connectivity Outdoor Media Partner Official Airline Official Hotel Partner Oslo Common The Majority 5 – 23 Sep 30 May – 5 Aug 11 – 28 Aug Workshops Partner The National Theatre’s Supporter for new writing Pouring Partner International Hotel Partner Image Partner for Lighting and Energy Sponsor of NT Live in the UK TBC Angels in America Mosquitoes Amadeus Playing until 19 Aug 18 July – 28 Sep Playing from 11 Jan 2 3 OCTOBER Wed 4 7.30 Thu 5 7.30 Fri 6 7.30 A folk tale for an Sat 7 7.30 Saint George and Mon 9 7.30 uneasy nation. -
Demarcating Dramaturgy
Demarcating Dramaturgy Mapping Theory onto Practice Jacqueline Louise Bolton Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds Workshop Theatre, School of English August 2011 The candidate confirms that the work submitted is his/her own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. 11 Acknowledgements This PhD research into Dramaturgy and Literary Management has been conducted under the aegis of an Arts and Humanities Research Council Collaborative Doctoral Award; a collaboration between the University of Leeds and West Yorkshire Playhouse which commenced in September 2005. I am extremely grateful to Alex Chisholm, Associate Director (Literary) at West Yorkshire Playhouse, and Professor Stephen Bottoms and Dr. Kara McKechnie at the University of Leeds for their intellectual and emotional support. Special thanks to Professor Bottoms for his continued commitment over the last eighteen months, for the time and care he has dedicated to reading and responding to my work. I would like to take this opportunity to thank everybody who agreed to be interviewed as part of this research. Thanks in particular to Dr. Peter Boenisch, Gudula Kienemund, Birgit Rasch and Anke Roeder for their insights into German theatre and for making me so welcome in Germany. Special thanks also to Dr. Gilli Bush-Bailey (a.k.a the delightful Miss. Fanny Kelly), Jack Bradley, Sarah Dickenson and Professor Dan Rebellato, for their faith and continued encouragement. -
Daniel Evans
www.hamiltonhodell.co.uk Daniel Evans Talent Representation Telephone Christian Hodell +44 (0) 20 7636 1221 [email protected], Address [email protected], Hamilton Hodell, [email protected] 20 Golden Square London, W1F 9JL, United Kingdom Theatre Title Role Director Theatre/Producer COMPANY Robert Jonathan Munby Sheffield Crucible Theatre THE PRIDE Oliver Richard Wilson Sheffield Crucible Theatre THE ART OF NEWS Dominic Muldowney London Sinfonietta SUNDAY IN THE PARK WITH GEORGE Tony Award Nomination for Best Performance by a Lead Actor in a Musical 2008 George Sam Buntrock Studio 54 Outer Critics' Circle Nomination for Best Actor in a Musical 2008 Drama League Awards Nomination for Distinguished Performance 2008 GOOD THING GOING Part of a Revue Julia McKenzie Cadogan Hall Ltd SWEENEY TODD Tobias Ragg David Freeman Southbank Centre TOTAL ECLIPSE Paul Verlaine Paul Miller Menier Chocolate Factory SUNDAY IN THE PARK WITH GEORGE Wyndham's Theatre/Menier George Sam Buntrock Olivier Award for Best Actor in a Musical 2007 Chocolate Factory GRAND HOTEL Otto Michael Grandage Donmar Warehouse CLOUD NINE Betty/Edward Anna Mackmin Crucible Theatre CYMBELINE Posthumous Dominic Cooke RSC MEASURE FOR MEASURE Angelo Sean Holmes RSC THE TEMPEST Ariel Michael Grandage Sheffield Crucible/Old Vic Nominated for the 2002 Ian Charleson Award (Joint with his part in Ghosts) GHOSTS Osvald Steve Unwin English Touring Theatre Nominated for the 2002 Ian Charleson Award (Joint with his part in The Tempest) WHERE DO WE LIVE Stephen Richard -
Theatre in England 2011-2012 Harlingford Hotel Phone: 011-442
English 252: Theatre in England 2011-2012 Harlingford Hotel Phone: 011-442-07-387-1551 61/63 Cartwright Gardens London, UK WC1H 9EL [*Optional events — seen by some] Wednesday December 28 *1:00 p.m. Beauties and Beasts. Retold by Carol Ann Duffy (Poet Laureate). Adapted by Tim Supple. Dir Melly Still. Design by Melly Still and Anna Fleischle. Lighting by Chris Davey. Composer and Music Director, Chris Davey. Sound design by Matt McKenzie. Cast: Justin Avoth, Michelle Bonnard, Jake Harders, Rhiannon Harper- Rafferty, Jack Tarlton, Jason Thorpe, Kelly Williams. Hampstead Theatre *7.30 p.m. Little Women: The Musical (2005). Dir. Nicola Samer. Musical Director Sarah Latto. Produced by Samuel Julyan. Book by Peter Layton. Music and Lyrics by Lionel Siegal. Design: Natalie Moggridge. Lighting: Mark Summers. Choreography Abigail Rosser. Music Arranger: Steve Edis. Dialect Coach: Maeve Diamond. Costume supervisor: Tori Jennings. Based on the book by Louisa May Alcott (1868). Cast: Charlotte Newton John (Jo March), Nicola Delaney (Marmee, Mrs. March), Claire Chambers (Meg), Laura Hope London (Beth), Caroline Rodgers (Amy), Anton Tweedale (Laurie [Teddy] Laurence), Liam Redican (Professor Bhaer), Glenn Lloyd (Seamus & Publisher’s Assistant), Jane Quinn (Miss Crocker), Myra Sands (Aunt March), Tom Feary-Campbell (John Brooke & Publisher). The Lost Theatre (Wandsworth, South London) Thursday December 29 *3:00 p.m. Ariel Dorfman. Death and the Maiden (1990). Dir. Peter McKintosh. Produced by Creative Management & Lyndi Adler. Cast: Thandie Newton (Paulina Salas), Tom Goodman-Hill (her husband Geraldo), Anthony Calf (the doctor who tortured her). [Dorfman is a Chilean playwright who writes about torture under General Pinochet and its aftermath. -
The Echo 7.Pdf
ISSUE 7 // OCTOBER 2013 THE ECHO OBBY AITKEN | GILL ALLEN | RACHEL ARCHIBALD | PAUL ARDITTI | CHRISTOPHER ASHWORTH | TOM ASPLEY | HELEN ATKINSON | KELSH B-D | DAN BAILEY | SIMON BAK DANIEL BALFOUR | HAMISH BAMFORD | ALEX BARANOWSKI | HARRY BARKER | CHRIS BARLOW | DAVID BARTHOLOMEUSZ | MIKE BEER | SIMON BEESLEY | RICHARD BE OB BETTLE | DOMINIC BILKEY | SIMON BIRCHALL | ZOE BLACKFORD | BRYONY BLACKLER | MARK BODEN | FRANK BRADLEY | AMY BRAMMA | DANNY BRIGHT | ALICE BROO TEVEN BROWN | NELA BROWN | RACHEL BROWN | ROSS BROWN | BORNEO BROWN | ANDREW BRUCE | CLIVE BRYAN | RICHARD BUGG | PAUL BULL | DAVID BURTON | HAR UTCHER | ALEX CAPLEN | RICHARD CARTER | SAM CHARLESTON | KERI DANIELLE CHESSER | KARL CHRISTMAS | GEORGE CHRISTOU | THOMAS CLACHERS | SHAUN CLARK | E LARKE | RICK CLARKE | GREGORY CLARKE | SAMUEL CLARKSON | ANDY COLLINS | JACK CONDELL | CRISPIAN COVELL | TOM COX | ANDREA J COX | MATT DANDO | BEN DAVI ONY DAVIES | SIMON DEACON | STUART DEAN | GEORGE DENNIS | IAN DICKINSON | ROBERT DONNELLY-JACKSON | CAROLYN DOWNING | OLIVER DRIVER | CHRIS DROHA RALPH DUNLOP | JEREMY DUNN | MARK DUNNE | ALEX DURRELL | CHANTELLE DYSON | STEPHEN EDWARDS | ED ELBOURNE | JEREMY ELLIS | PETER ELTRINGHAM ADISONTips ENGLISH and | GARETH tricks EVANS of| DAN the EVANS |trade AARON EVANS | CHRISTOPHER EVANS | ED FERGUSON | GREGG FISHER | ADAM FISHER | JAMIE FLOCKTON | AND ANKSFrom | SEBASTIAN Terry Jardine,Mic FROST | GARETH Pool, FRY Andrew| CHRIS FULL Bruce, | ADAM John FUNNELL Leonard, | PAUL Gareth GAVIN | Fry,JEREMY GEORGE | TUOMO GEORGE-TOLONEN | TOM -
A Study of the Royal Court Young Peoples’ Theatre and Its Development Into the Young Writers’ Programme
Building the Engine Room: A Study of the Royal Court Young Peoples’ Theatre and its Development into the Young Writers’ Programme N O Holden Doctor of Philosophy 2018 Building the Engine Room: A Study of the Royal Court’s Young Peoples’ Theatre and its Development into the Young Writers’ Programme Nicholas Oliver Holden, MA, AKC A thesis submitted in partial fulfilment of the requirements of the University of Lincoln for the degree of Doctor of Philosophy School of Fine and Performing Arts College of Arts March 2018 2 DECLARATION I declare that this thesis is my own work and has not been submitted in substantially the same form for a higher degree elsewhere. 3 Acknowledgements First and foremost, I would like to thank my supervisors: Dr Jacqueline Bolton and Dr James Hudson, who have been there with advice even before this PhD began. I am forever grateful for your support, feedback, knowledge and guidance not just as my PhD supervisors, but as colleagues and, now, friends. Heartfelt thanks to my Director of Studies, Professor Mark O’Thomas, who has been a constant source of support and encouragement from my years as an undergraduate student to now as an early career academic. To Professor Dominic Symonds, who took on the role of my Director of Studies in the final year; thank you for being so generous with your thoughts and extensive knowledge, and for helping to bring new perspectives to my work. My gratitude also to the University of Lincoln and the School of Fine and Performing Arts for their generous studentship, without which this PhD would not have been possible. -
Dive Into the Hornets Nest with Hang
Media Contact: Dawn Kellogg Communications Manager (585) 420-2059 [email protected] FOR IMMEDIATE RELEASE DIVE INTO THE HORNETS’ NEST AT GEVA THEATRE CENTER The 13th Season of Geva’s nationally-recognized program of thought-provoking theatre continues on February 3rd with hang by debbie tucker green. Rochester, N.Y., January 21, 2020 - Few experiences can ignite a great conversation like a thrilling night in the theatre. The Hornets’ Nest series has theatre-goers itching for that conversation. The Hornets’ Nest series of script-in-hand readings with professional actors and directors returns with three plays investigating the most challenging and controversial ethical dilemmas of our time. Following each reading, audience members will have the opportunity to engage in open discussion with key figures from the Rochester community. Since its inception in 2007, the Hornets’ Nest series of readings has become nationally recognized and lauded as one of the most innovative theatrical initiatives in the country. The 2019-2020 series continues on February 3 with hang by debbie tucker green and directed by Pirronne Yousefzadeh. A crime has been committed. The victim has a choice to make. The criminal is waiting. In an undefined space, three unnamed characters (One, Two and Three) are engaged in a judicial process. One and Two are officials overseeing the case, while Three (a Black woman) is there to decide the fate of a man who has committed an unspecified crime against her family. hang is shattering play about one woman's unspeakable decision. What is the line between criminal justice and revenge? Should repentance impact a demand for justice? debbie tucker green is a British playwright, screenwriter, and director. -
Terrible Rage)
JCDE 2018; 6(1): 15–39 Dan Rebellato* Nation and Negation (Terrible Rage) https://doi.org/10.1515/jcde-2018-0009 Abstract: The aftermath of the Brexit referendum has revealed a deeply divided Britain, with anger on both sides and seemingly little desire to seek compromise or mutual understanding. Remainers denounce Leavers as ignorant bigots. Lea- vers denounce Remainers as metropolitan elitists. Theresa May went even further, characterizing supporters of open borders and free movement as ‘citizens of nowhere’ whose lack of attachment to nation suggests they simply don’t under- stand what citizenship means. Given the UK’s regional correlation between high levels of theatregoing and high support for Remain, this is a challenge for theatre- makers and scholars. One strong feature of contemporary British playwriting is a detachment from place; in numerous recent plays, place is estranged, unspeci- fied, annulled, orphaned, globalized, generalized, combined, relativized and scenographically anonymized. Does this represent an absence of nation? No, because this would be to accept the rigid oppositions of the Leave campaign between nations and open borders, between the local and the global. Instead, there is a restless deconstructive movement within the very identification of nation that moves to transcend it and this is captured and embodied in the heterotopic ambiguities of the spatially specific performance of the placeless play. Keywords: theatre, playwriting, dramaturgy, Brexit, European Union, space, place, nation, state, globalization, heterotopia, David Goodhart, Dani Rodrik, Jean-Luc Nancy, Jeremy Bentham, Michel Foucault, Joanne Tompkins Caryl Churchill can tell the future. Top Girls was a magnificent commentary on the 1980 s, written at the beginning, not the end, of the decade. -
The Moonstone William Wilkie Collins Was Born in London Popular with Such a Huge Audience
COMPLETE CLASSICS UNABRIDGED Wilkie Collins HE OONSTONE TRead by Ronald M Pickup and cast 1 Cousin – Prologue – The Storming of Seringapatam (1799) 6:14 2 So, as told in our camp, ran the fanciful story... 7:31 3 The Story – First Period – The Loss of the Diamond (1848) 7:03 4 Chapter 2 7:48 5 After that it was all over with me, of course. 6:03 6 Chapter 3 9:56 7 Going round to the terrace, I found... 11:00 8 Chapter 4 12:25 9 I saw no sign of the girl in the plantation. 10:48 10 Before I could say a word, I saw Mr Franklin... 2:18 11 Chapter 5 12:09 12 There was perhaps a grain of truth mixed up... 11:15 13 Chapter 6 12:53 14 I instantly exerted my wits. 10:31 15 I handed the paper back to Mr Franklin... 10:20 16 Chapter 7 11:55 17 Chapter 8 8:02 18 As for Mr Franklin and Miss Rachel... 7:40 19 Add one thing more to this, and I have done. 6:57 20 On the fourteenth, came Mr Godfrey’s answer 10:01 2 21 Chapter 9 9:21 22 With those words she went out... 9:24 23 Chapter 10 8:42 24 You might have heard a pin fall. 8:49 25 I had just ranged the decanters in a row... 9:52 26 Here I struck in. This sort of thing didn’t at all square... 8:35 27 Chapter 11 7:55 28 About half-past seven I woke, and opened my window..