Press Release Monday 12 June 2017 Royal Court Theatre
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Tales from the Colony Room: Art and Bohemia
Tales from the Colony Room: Art and Bohemia Exhibition dates: 22 April – 6 June 2020 Private view: 22 April, 6 pm – 9 pm Amelia Troubridge, Michael Wojas hoovering at The Colony Rooms, 2008, Giclée digital archival print, 16 x 12 in. © Amelia Troubridge. Courtesy of Dellasposa Galley In April, Dellasposa gallery will present Tales from the Colony Room: Art and Bohemia, a group ex- hibition of artists associated with The Colony Room Club. For more than fifty years this notorious Soho drinking den attracted some of the most important names in British art, from Francis Bacon and Lucian Freud to Damien Hirst and Tracey Emin. The exhibition will feature works by Bacon, Freud, Hirst and Emin, along with pieces by Sir Eduardo Paolozzi, Sir Peter Blake, Patrick Caulfield, Frank Auerbach, Keith Coventry and Langlands and Bell, and many other key modern and contemporary British artists. Dellasposa I 2A Bathurst Street I London I W2 2SD I t: +44 (0) 20 32 86 10 17 I www.dellasposa.com Curated by the artist and author Darren Coffield, the exhibition will feature works by artists dating from 1948 up to when it closed in 2008, and coincides with the book launch of a new biography of the club by Darren Coffield entitled Tales from the Colony Room: Soho’s Lost Bohemia. For press information, please contact Albany Arts Communications: Mark Inglefield Carla von der Becke [email protected] [email protected] t: +44 (0) 20 78 79 88 95; m: +44 (0) 75 84 19 95 00 t: +44 (0) 20 78 79 88 95; m: +44 (0) 79 74 25 29 94 Notes to Editors: The Colony Room Club The Colony Room, formerly located at 41 Dean Street, Soho, was founded in 1948 by Muriel Belcher. -
Waterloo Medical Centre 178 Waterloo Road Blackpool FY4 3AD
Waterloo Medical Centre 178 Waterloo Road Blackpool FY4 3AD Tel: 01253 344219/348619 19th September 2019 RE: Important changes to ordering of repeat prescriptions Dear Patient From Friday 1st November 2019, you will no longer be able to order your repeat prescriptions through your chosen pharmacy. You will now be required to order your prescriptions directly from your GP practice. If you already order in this way, you will not be affected by the change. There will be no change to the way you collect your prescriptions. If your pharmacist currently collects your prescription and/or delivers it directly, they will continue to do this. To clarify how you notify the pharmacy that there is a prescription to collect, please contact your pharmacy to discuss their processes. It is important that NHS money is used as efficiently as possible. Over-ordering, stockpiling and unused medicines cost the NHS hundreds of millions of pounds every year. Taking control and responsibility for your own medication has proven to be safer and reduce waste, allowing money to be used to fund other services to improve the health of people in Blackpool. NHS Blackpool Clinical Commissioning Group (CCG), which is the organisation that buys and organises local NHS services, is working with us on implementing this new process, which is in line with changes across the rest of Lancashire and the wider UK. Your prescription will need to be ordered using one of the following options: 1. Ordering online or via a mobile app – it is easier than you think and your GP practice will help you to set this up, meaning you can order 24/7. -
No. 122 November 2012
No. 122 November 2012 THE RED HACKLE RAF A4 JULY 2012_Layout 1 01/08/2012 10:06 Page 1 their future starts here Boarding Boys & Girls aged 9 to 18 Scholarship Dates: Sixth Form Saturday 17th November 2012 Junior (P5-S1) Saturday 26th January 2013 Senior (Year 9/S2) Monday 25th – Wednesday 27th February 2013 Forces Discount and Bursaries Available For more information or to register please contact Felicity Legge T: 01738 812546 E: [email protected] www.strathallan.co.uk Forgandenny Perthshire PH2 9EG Strathallan is a Scottish Charity dedicated to education. Charity number SC008903 No. 122 42nd 73rd November 2012 THE RED HACKLE The Chronicle of The Black Watch (Royal Highland Regiment), its successor The Black Watch, 3rd Battalion The Royal Regiment of Scotland, The Affiliated Regiments and The Black Watch Association The Old Colours of the 1st Battalion The Black Watch and 1st Battalion 51st Highland Volunteers were Laid Up in Perth on 23 June 2012. This was the final military act in the life of both Regiments. NOVEMBER 2012 THE RED HACKLE 1 Contents Editorial ..................................................................................................... 3 Regimental and Battalion News .............................................................. 4 Perth and Kinross The Black Watch Heritage Appeal, The Regimental Museum and Friends of the Black Watch ...................................................................... 8 is proud to be Correspondence ..................................................................................... -
The Black Watch Museum and Home Headquarters
No. 102 November 2010 THE RED HACKLE Perth and Kinross is proud to be home to the Black Watch Museum and Home Headquarters Delivering Quality to the Heart of Scotland don’t lOSE YOUR VOICE - REGISTER TO VOTE In order to vote you must be registered as an elector. If you are not on the register your views and opinions will count for nothing at election time. You can and should register to vote if you are not already registered. If you have changed your name, please let us know. Members of HM Forces and their spouses or civil partners can register either by means of a service declaration or choose to be registered as an ordinary elector instead. Remember, 16 and 17 year olds who register are entitled to vote as soon as they turn 18. P.S. Did you know that registering to vote can do more than protect your democratic rights? It can also help you open a bank account or get a mortgage, loan or mobile phone. For information on registering to vote: Phone the Freefone Helpline on 0800 393783 e-mail: [email protected] or write to the Electoral Registration Officer, Moray House, 16-18 Bank Street, Inverness IV1 1QY HAVE YOUR SAY No. 102 42nd 73rd November 2010 THE RED HACKLE The Chronicle of The Black Watch (Royal Highland Regiment), its successor The Black Watch, 3rd Battalion The Royal Regiment of Scotland, The Affiliated Regiments and The Black Watch Association Private Sam Morgan receives his Afghanistan campaign medal during the visit or the Royal Colonel to Balhousie Castle on 1 June 2010. -
Howard County Schedule of Hearings Before the Board of Appeals June 3, 2019
Howard County Schedule of Hearings Before the Board of Appeals June 3, 2019 BA - Board of Appeals Hearing: PB - Planning Board Meeting: All meetings and hearings are held on the first floor of 3430 Courthouse Drive, Ellicott City, MD 21043 Telephone: (410) 313-2350 Key- V - Variance S - Sign Case C - Conditional Use N - Nonconforming Use (NCU) D - Departmental Appeal PB - Planning Board BA - Board of Appeals WS - Work Session TBS - To Be Scheduled HEARINGS SCHEDULED @ 6:30 P.M. CASE # PETITIONER DATE OF HEARING BA 16-036C&V Miller Family Trust (Jonathan & Sonya Miller, Trustees) (Erskine) TBS Conditional use for home-based contractor and variance to (continuation) reduce the bulk regulations 20’ minimum use setback from lot lines (10430 Shady Acres Lane, Laurel, MD) (Appeal of Hearing Examiner Denial of 3-2-18) BA 747-D Brian England, t/a British American Bldg, LLC. 6/13/19 Appeal of Planning Board decision by letter dated 9/29/17 MOTIONS ONLY denying an amendment to FDP 55 that clarifies the ancillary and compatible gas station use to comport with the approved Master Comprehensive Final Development Plan. (Dismissed by the HE on 10/30/18) BA 16-028C&V Marty A. Howard (Farrar) TBS Conditional use for an expansion of an existing Conditional Use for a Landscape contractor to include the addition of 2 existing buildings and a parking lot and related variances. (8045 Hunterbrooke Lane, Fulton) (remanded to DPZ for amended TSR – due to revised CU plan) BA 16-034C Glenelg Country School (Oh) TBS (12793 Folly Quarter Road, Ellicott City) 4807 Manor Lane, Ellicott City 2 PENDING DECISION CASE # PETITIONER BA 17-011N&V Paul Saiz, t/a Bolder Restaurant (Meachum) 9/27/18 Nonconforming use to expand a restaurant to enlarge the kitchen, add a new outdoor roof structure and to increase the number of seats from 30 to 70 & variances to reduce the 30’ setback for parking to 0’ (side & rear) (17004 Frederick Road, Mt. -
About the Bridge Theatre
Running time 2 hours and 15 minutes, no interval. Please note, this production contains strobe lighting and scenes of a violent and bloody nature. First performance at Bridge Theatre on 20 January 2018, broadcast live on 22 March 2018 Julius Caesar DAVID CALDER About the Bridge Theatre Calpurnia / Varro WENDY KWEH Marcus Brutus BEN WHISHAW The Bridge Theatre was founded by Nicholas Hytner and Nick Starr Portia LEAPHIA DARKO on leaving the National Theatre after 12 years. The theatre has Lucius / Street Band / Cinna, a poet FRED FERGUS a 900-seat adaptable auditorium designed to answer the needs Caius Cassius MICHELLE FAIRLEY of contemporary audiences and theatre-makers that is capable Mark Antony DAVID MORRISSEY of responding to shows with different formats (end-stage, thrust- stage and promenade). It is the first wholly new theatre of scale Octavius / Street Band KIT YOUNG to be added to London’s commercial theatre sector in 80 years. Lepidus / Caius Ligarius / Soothsayer MARK PENFOLD The Bridge was designed by Steve Tompkins and Roger Watts of Casca ADJOA ANDOH Haworth Tompkins Architects (winner of the 2014 Stirling Prize). Cinna, a conspirator NICK SAMPSON Decius Brutus LEILA FARZAD Metellus Cimber HANNAH STOKELY Trebonius / Street Band ABRAHAM POPOOLA Connect with us Flavius / Popilius Lena SID SAGAR Marullus / Artemidorus ROSIE EDE Join in the conversation about #JuliusCaesar Philo / Street Band / Claudius ZACHARY HART ntlive.com/signup facebook.com/ntlive @ntlive Other citizens and plebeians played by members of the company We hope you enjoy your National Theatre Live screening. We make every attempt to replicate the theatre experience as Director NICHOLAS HYTNER closely as possible for your enjoyment. -
El Ecosistema Narrativo Transmedia De Canción De Hielo Y Fuego”
UNIVERSITAT POLITÈCNICA DE VALÈNCIA ESCOLA POLITE CNICA SUPERIOR DE GANDIA Grado en Comunicación Audiovisual “El ecosistema narrativo transmedia de Canción de Hielo y Fuego” TRABAJO FINAL DE GRADO Autor/a: Jaume Mora Ribera Tutor/a: Nadia Alonso López Raúl Terol Bolinches GANDIA, 2019 1 Resumen Sagas como Star Wars o Pokémon son mundialmente conocidas. Esta popularidad no es solo cuestión de extensión sino también de edad. Niñas/os, jóvenes y adultas/os han podido conocer estos mundos gracias a la diversidad de medios que acaparan. Sin embargo, esta diversidad mediática no consiste en una adaptación. Cada una de estas obras amplia el universo que se dio a conocer en un primer momento con otra historia. Este conjunto de historias en diversos medios ofrece una narrativa fragmentada que ayuda a conocer y sumergirse de lleno en el universo narrativo. Pero a su vez cada una de las historias no precisa de las demás para llegar al usuario. El mundo narrativo resultante también es atractivo para otros usuarios que toman parte de mismo creando sus propias aportaciones. A esto se le conoce como narrativa transmedia y lleva siendo objeto de estudio desde principios de siglo. Este trabajo consiste en el estudio de caso transmedia de Canción de Hielo y Fuego la saga de novelas que posteriormente se adaptó a la televisión como Juego de Tronos y que ha sido causa de un fenómeno fan durante la presente década. Palabras clave: Canción de Hielo y Fuego, Juego de Tronos, fenómeno fan, transmedia, narrativa Summary Star Wars or Pokémon are worldwide knowledge sagas. This popularity not just spreads all over the world but also over an age. -
Francis Bacon and the Colony Room
Francis Bacon and The Colony Room Richard Calvocoressi On September 1, 1983, the American pho- his copy, the magazine would print a brief euphe- tographer Neal Slavin photographed the habit- mistic apology: “Jeffrey Bernard is unwell.” This in conversation with ués of the Colony Room in their cramped was later used by Keith Waterhouse for the title Neal Slavin watering hole as part of his project to docu- of his play, which opened in London in 1989 with ment groups of various kinds, which was pub- Peter O’Toole as Bernard. (O’Toole, another lished in his large-format book Britons (1986). notorious drinker, was also a member of the The Colony Room was a private drinking club on In addition to Bacon, Board, Wojas, and a Colony.) Bruce Bernard, though often melan- Dean Street in London’s Soho, founded in 1948 framed photograph of Muriel Belcher keeping choly through drink, led a more structured life by Muriel Belcher. Feared and revered in equal a watchful eye, the company immortalized that as a picture editor, writer, and photographer. measure by her clientele, the lesbian Belcher’s day consisted of the actor Tom Baker, of Doctor While in New York last November for the foulmouthed, camp wit was legendary. The Who fame; the interior decorator and fashion installation of the Francis Bacon: Late Paintings club’s earliest and most celebrated member was designer Thea Porter; John McEwen, art critic exhibition, I discussed the shoot with Neal Slavin Francis Bacon, but other regulars included the of The Spectator magazine; Michael Clark, a over lunch. -
Filming in Croatia 2020 1 Filming in Croatia 2020
Filming in Croatia 2020 1 Filming in Croatia 2020 Production Guide cover photo: Game of Thrones s8, Helen Sloan/hbo, courtesy of Embassy Films 2 Filming in Croatia 2020 Contents Introduction · 4 Permits and Equipment · 94 Location Permits · 97 Filming in Croatia · 8 Shooting with Unmanned Aircraft The Incentive Programme · 12 Systems (drones) · 99 Selective Co-Production Funding · 20 Visas · 102 Testimonials · 24 Work Permits for Foreign Nationals · 103 Customs Regulations · 105 Local Film Commissions · 38 Temporary Import of Professional Equipment · 107 Locations · 46 Country at a Glance · 50 Made in Croatia · 108 Istria · 52 Kvarner and the Highlands · 56 Dalmatia · 60 Slavonia · 64 Central Croatia · 68 Crews and Services · 72 Production Know-How · 75 Production Companies · 80 Crews · 81 Facilities and Technical Equipment · 83 Costumes and Props · 85 Hotels and Amenities · 88 Airports and Sea Transport · 89 Buses and Railways · 91 Traffic and Roads · 93 Zagreb, J. Duval, Zagreb Tourist Board Filming in Croatia 2020 5 Introduction Star Wars: The Last Jedi, John Wilson/Lucasfilm © 2018 Lucasfilm Ltd. All Rights Reserved Croatia offers an ideal combination Dubrovnik as the setting for King’s Landing, the fortress of Klis as the city of Meereen, and locations in Šibenik and Kaštilac of filming conditions. It is a small, for the city of Braavos. Numerous locations throughout Croatia hosted the bbc One’s McMafia, awarded best drama series at yet diverse country, with breath- the International Emmy Awards. hbo’s Succession season 2 taking locations; its landscapes finale took the luxurious cruise down the Dalmatian coast before scoring Golden Globe for Best Television Series – Drama. -
A Lively Theatre There's a Revolution Afoot in Theatre Design, Believes
A LIVELY THEatRE There’s a revolution afoot in theatre design, believes architectural consultant RICHARD PILBROW, that takes its cue from the three-dimensional spaces of centuries past The 20th century has not been a good time for theatre architecture. In the years from the 1920s to the 1970s, the world became littered with overlarge, often fan-shaped auditoriums that are barren in feeling and lacking in intimacy--places that are seldom conducive to that interplay between actor and audience that lies at the heart of the theatre experience. Why do theatres of the 19th century feel so much more “theatrical”? And why do so many actors and audiences prefer the old to the new? More generally, does theatre architecture really matter? There are some that believe that as soon as the house lights dim, the audience only needs to see and hear what happens on the stage. Perhaps audiences don’t hiss, boo and shout during a performance any more, but most actors and directors know that an audience’s reaction critically affects the performance. The nature of the theatre space, the configuration of the audience and the intimacy engendered by the form of the auditorium can powerfully assist in the formation of that reaction. A theatre auditorium may be a dead space or a lively one. Theatres designed like cinemas or lecture halls can lay a dead hand on the theatre experience. Happily, the past 20 years have seen a revolution in attitude to theatre design. No longer is a theatre only a place for listening or viewing. -
Screen International and Bfi London Film Festival Reveal Uk Stars of Tomorrow 2015
SCREEN INTERNATIONAL AND BFI LONDON FILM FESTIVAL REVEAL UK STARS OF TOMORROW 2015 London, Monday 5 October 2015: Screen International has today revealed its 2015 UK Stars of Tomorrow, a showcase of the UK and Ireland’s newest and most exciting actors, directors, writers and producers, eagerly-anticipated by the international film industry. They are being presented for the first time in a high-profile industry event at the BFI London Film Festival held in partnership with American Express (7-18 October). Following last year’s successful collaboration between the Festival and Stars of Tomorrow, this year’s talent will be introduced to leading lights from the international film industry in London for the Festival, including US casting directors, European and US producers, festival programmers and international filmmakers. The Stars of Tomorrow featured in a special photoshoot at BFI Southbank, published in industry trade magazine Screen International, will also be the special guests at an exclusive industry dinner during the Festival, hosted by British Council and the Casting Society of America (CSA). The 2015 UK Starts of Tomorrow announced today: Adelayo Adedayo, actor, made her mark in ITV’s Some Girls and appeared in feature films including Gone Too Far! (LFF 2013) and Unlocked; Aleem Khan, writer-director, shortlisted for a BAFTA award for his short Three Brothers is currently working on his first debut feature After Love; Alex Lawther, actor, a UK Critics’ Circle young British performer of the year award- winner as the young Alan -
Idub – the Potential of Intralingual Dubbing in Foreign Language Learning: How to Assess the Task
Language Value July 2017, Volume 9, Number 1 pp. 62-88 http://www.e-revistes.uji.es/languagevalue Copyright © 2017, ISSN 1989-7103 iDub – The potential of intralingual dubbing in foreign language learning: How to assess the task Noa Talaván [email protected] Tomás Costal [email protected] Universidad Nacional de Educación a Distancia, Spain ABSTRACT Research on the use of active dubbing activities in foreign language learning is gaining an increasing amount of attention. The most obvious skill to be enhanced in this context is oral production and a few authors have already mentioned the potential benefits of asking students to record their voices in a ‘semi- professional’ manner. The present project attempts to assess the potential of intralingual dubbing (English-English) to develop general oral production skills in adult university students of English B2 level in an online learning environment, and to provide general guidelines of dubbing task assessment for practitioners. To this end, a group of undergraduate pre-intermediate students worked on ten sequenced activities using short videos taken from an American sitcom over a period of two months. The research study included language assessment tests, questionnaires and observation as the basic data gathering tools to make the results as reliable and thorough as possible for this type of educational setting. The conclusions provide a good starting point for the establishment of basic guidelines that may help teachers implement dubbing tasks in the language class. Keywords: Audiovisual translation, dubbing, language learning, oral skills, online tasks, assessment rubric I. INTRODUCTION The iDub – Intralingual Dubbing to Improve Oral Skills project arose from the need to evaluate the potential didactic efficiency of dubbing as an active task in distance foreign language (henceforth, L2) environments as well as from the lack of assessment materials in this learning context.