The Notebooks of Joseph D. Stiles
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Socrates Tries City Management
SOCRATES TRIES CITY MAXAGEMEXT BY WM. S. BAILEY FROAI a sample of mud to the spirit of Socrates seems a far cry, yet seventy-five years ago the mud and the scholarly ghost of the ancient philosopher led to the founding of a wondrous city in the western end of X'ew York State. The city was to have been of unimaginable splendor and was to have ushered in a new civili- zation. Today its site is marked by a few circles of half-buried stones, and its memory is forgotten. Harmonia was the name of the dream city, and its cathedrals and stately halls were to have towered heavenward from the valley of the Kiantone, a small stream that rambles through a region of pastoral beauty but a few miles from Lake Chautauqua. Hither came, in 1852, a Milwaukee physician who, while in Xew York City, had heard of a spring of miraculous healing power on tke bank of Kiantone Creek and who "turned aside from my home- w^ard journey to examine the whole matter for myself," as he says. This Dr. Greaves was vastly impressed by what he saw and more particularly by what he was told. He learned that the curative value of the waters in the valley was known to the white settlers as far back as 1795 and to the Indians of a far earlier day. It was but a few years before the coming of Dr. Greaves that the two little Fox sisters at Hydesville, near Rochester, X^ew York, after becoming a village wonder with their rappings, had developed into the founders of modern Spiritualism, and during his visit to the Kiantone, Dr. -
List of Prominent UU's from UUA Site at “Web
List of prominent UU’s from UUA site at www.uua.org/uuhs/duub/ “web” means biography is on web site. 1 A Bela Bartok(1881-1945) web Matthew Caffyn, (1628-1714) Abiel Abbot (1765-1859) Cyrus Augustus Bartol (1813-1900) John C. Calhoun (1782-1850) web Francis Ellingwood Abbot (1836-1903) Clara Barton (1821-1912) Lon Ray Call (1894-1985) John Emery Abbot (1793-1819) Seth Curtis Beach (1839-1932) Calthrop, Samuel Robert (1829-1917) John Abernethy (1680-1740) web Charles Beard (1827-1888) Angus Cameron(1913-1996) web William Adam (1796-1881) web John Relly Beard (1800-1876) web Geoffrey Campbell Abigail Adams (1744-1818) web Jeremy Belknap (1744-1798) Ida Maud Cannon (1877-1960) Charles Francis Adams (1807-1886) Henry Whitney Bellows (1814-1882) Norbert Capek(1870-1942) web Hannah Adams (1755-1831) web Thomas Belsham (1750-1829) Julia Fletcher Carney (1823-1908) Henry Adams (1838-1918) Margret Jonsdottir Benedictsson (1866-1956) James Estlin Carpenter (1844-1927) James Luther Adams(1901-1994) web Georges de Benneville (1703-1793) Lant Carpenter (1780-1840) John Adams (1735-1826) web Jeremy Bentham (1748-1832) Mary Carpenter (1807-1877) John Quincy Adams (1767-1848) web Henry Bergh (1811-1880) Sara Pratt Carr (1850-1935) Marian Hooper Adams (1843-1885) Giorgio Biandrata (16th cent) William Herbert Carruth(1859-1924) Sarah Flower Adams (1805-1848) John Biddle (1616-1662) Alice Cary (1820-1871) web Elizabeth Cabot Cary Agassiz (1822-1907) Ambrose Bierce (1842-1914) Henry Montfort Cary (1878-1936) Conrad Aiken (1889-1973) Mary Billings Maude Simonton Cary (1878-1937) Lucy Aikin (1781-1861) Herman Bisbee (1833-1879) Phoebe Cary (1824-1871) web Thomas Aikenhead (1676-1698) web Antoinette Louisa Brown Blackwell (1825- Sebastian Castellio (1515-1563) Bronson Alcott (1799-1888) 1921) Mary Hartwell Catherwood (1847-1902) Louisa May Alcott (1832-1888) web Elizabeth Blackwell (1821-1910) Carrie Clinton Lane Chapman Catt (1859- Horatio Alger, Jr. -
Xerox University Microfilms 74-3230
INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again - beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation. -
GRAY-DISSERTATION-2014.Pdf
Copyright by Nicole Haworth Gray 2014 The Dissertation Committee for Nicole Haworth Gray Certifies that this is the approved version of the following dissertation: Spirited Media: Revision, Race, and Revelation in Nineteenth-Century America Committee: Evan Carton, Co-Supervisor Michael Winship, Co-Supervisor Lisa Gitelman Martin Kevorkian Patricia Roberts-Miller Spirited Media: Revision, Race, and Revelation in Nineteenth-Century America by Nicole Haworth Gray, A.B. in Journalism; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August 2014 Dedication For my parents. Acknowledgements I have been very lucky in friends, mentors, and colleagues in my time at the University of Texas. Thank you to my co-directors, Evan Carton and Michael Winship, whose patience, support, and insight have made this dissertation possible, and whose encouragement in many other aspects of scholastic life has been invaluable. Thanks also to Trish Roberts-Miller, who worked with me on the M.A. report that turned into the first chapter of this project and whose generosity and sense of humor did much to make graduate school more enjoyable. Martin Kevorkian and Lisa Gitelman both offered encouragement and important advice at crucial times. A research fellowship at the Library Company of Philadelphia allowed me to conduct some of the primary source reading that went in to chapters two and three, and I am grateful to the librarians for their help and to James Green for his willingness to answer so many questions about book history. -
John Murray Spear
Buescher-000.FM 7/11/06 12:31 PM Page iii The Remarkable Life of JOHN MURRAY SPEAR Agitator for the Spirit Land JOHN BENEDICT BUESCHER University of Notre Dame Press Notre Dame, Indiana © 2006 University of Notre Dame Press Buescher-000.FM 7/11/06 12:31 PM Page iv Copyright © 2006 University of Notre Dame Notre Dame, Indiana 46556 All Rights Reserved www.undpress.nd.edu Manufactured in the United States of America The Remarkable Life of John Murray Spear was designed by Wendy McMillen; composed in 11.3/14.3 Pavane by Four Star Books; printed on 50# Nature’s Natural (50% PCR) by Thomson-Shore, Inc. Library of Congress Cataloging-in-Publication Data Buescher, John B. (John Benedict) The remarkable life of John Murray Spear : agitator for the spirit land / John Benedict Buescher. p. cm. Includes bibliographical references and index. ISBN-13: 978-0-268-02200-6 (cloth : alk. paper) ISBN-10: 0-268-02200-3 (cloth : alk. paper) 1. Spear, John Murray, b. 1804. 2. Spiritualists—United States—Biography. 3. Spiritualism—United States—History—19th century. I. Title. BF1283.S69B84 2006 973.5092—dc22 [B] 2006017258 ∞ The paper in this book meets the guidelines for permanence and durability of the Committee on Production Guidelines for Book Longevity of the Council on Library Resources. © 2006 University of Notre Dame Press Buescher-001.Intro 5/22/06 11:34 AM Page 1 Introduction John Murray Spear, the eccentric visionary who is the subject of this book, was one of America’s most extraordinary characters. The world he envisioned was unconstrained by pain, imperfection, and death. -
SACR£D Sfrvicf CIVIC SPAC£
SACR£D SfRVICf CIVIC SPAC£ Sacred Service in Civic Space: Three Hundred ofCommunity Ministry in Unitarian Universalism. SACRfD SfRVICf Copyright © 2007 by Kathleen R. Parker First Edition, 2007 All rights reserved. No part of this book may be reproduced in any manner without written permission except for quotations embodied CIVIC SPAC{ in critical articles or reviews. For additional information write to: Meadville Lombard Press 5701 S. Woodlawn Ave. Three IIunJreJ Years Chicago, IL 60637 if Conununilg ISBN: 0-9795589-0-5 (10) 978-0-9795589-0-0 (13) LIBRARY OF CONGRESS CONTROL NUMBER: 2007929215 Minislry in Cover design and interior design by Dan Doolin Unitarian Universalism Cover photos clockwise from top left: Benjamin Rush, Frances Ellen Watkins Harper, John Haynes Holmes,Olympia Brown, Sophia Lyon Fahs, Francis Greenwood Peabody, Carolyn Bartlett Crane, James Luther Adams, Joseph Tuckerman, Thomas E. Wise, Mary White Ovington, Clarence Russell Skinner, James Reeb, Mary Livermore, Adin Ballou, Frederick May Eliot. KATHLEEN R. PARKER Photos are courtesy of the Dictionary of Unitarian Universalist Biography, an on-line publication of the Unitarian Universalist Historical Society, with the exception of Francis Greenwood Peabody: courtesy of Andover- Harvard Theological Library, Harvard Divinity School; Sophia Lyon Fahs: courtesy of Union Theological Seminary Archives, The Burke Library at Union Theological Seminary, Columbia University Libraries; and James Reeb: courtesy of the Unitarian Universalist Association Archives. Every effort has been made to secure permission to reproduce the images fea- tured on the front cover ofthis book. Additional copyright holders are invited to meaooiLLe LombaRO PRess contact the publisher so that proper credit can be given in future editions.