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“Savage and Deformed”: Stigma As Drama in the Tempest Jeffrey R
“Savage and Deformed”: Stigma as Drama in The Tempest Jeffrey R. Wilson The dramatis personae of The Tempest casts Caliban as “asavageand deformed slave.”1 Since the mid-twentieth century, critics have scrutinized Caliban’s status as a “slave,” developing a riveting post-colonial reading of the play, but I want to address the pairing of “savage and deformed.”2 If not Shakespeare’s own mixture of moral and corporeal abominations, “savage and deformed” is the first editorial comment on Caliban, the “and” here Stigmatized as such, Caliban’s body never comes to us .”ס“ working as an uninterpreted. It is always already laden with meaning. But what, if we try to strip away meaning from fact, does Caliban actually look like? The ambiguous and therefore amorphous nature of Caliban’s deformity has been a perennial problem in both dramaturgical and critical studies of The Tempest at least since George Steevens’s edition of the play (1793), acutely since Alden and Virginia Vaughan’s Shakespeare’s Caliban: A Cultural His- tory (1993), and enduringly in recent readings by Paul Franssen, Julia Lup- ton, and Mark Burnett.3 Of all the “deformed” images that actors, artists, and critics have assigned to Caliban, four stand out as the most popular: the devil, the monster, the humanoid, and the racial other. First, thanks to Prospero’s yarn of a “demi-devil” (5.1.272) or a “born devil” (4.1.188) that was “got by the devil himself” (1.2.319), early critics like John Dryden and Joseph War- ton envisioned a demonic Caliban.4 In a second set of images, the reverbera- tions of “monster” in The Tempest have led writers and artists to envision Caliban as one of three prodigies: an earth creature, a fish-like thing, or an animal-headed man. -
Astronomy Astrophysics
A&A 472, 311–319 (2007) Astronomy DOI: 10.1051/0004-6361:20066927 & c ESO 2007 Astrophysics Light curves and colours of the faint Uranian irregular satellites Sycorax, Prospero, Stephano, Setebos, and Trinculo, M. Maris1, G. Carraro2,3, and M. G. Parisi4,5,6 1 INAF – Osservatorio Astronomico di Trieste, via G.B. Tiepolo 11, 34131 Trieste, Italy e-mail: [email protected] 2 Dipartimento di Astronomia, Università di Padova, Vicolo Osservatorio 2, 35122 Padova, Italy e-mail: [email protected] 3 Andes Prize Fellow, Universidad de Chile and Yale University 4 Departamento de Astronomía, Universidad de Chile, Casilla 36-D, Santiago, Chile e-mail: [email protected] 5 Member of the Centro de Astrofisica, Fondo de Investigacion Avanzado en Areas Prioritarias (FONDAP), Chile 6 Member of the Consejo Nacional de Investigaciones Cientificas y Tecnicas (CONICET), Argentina Received 13 December 2006 / Accepted 17 April 2007 ABSTRACT Context. After the work of Gladman et al. (1998, Nature, 392, 897), it is now assessed that many irregular satellites are orbiting around Uranus. Aims. Despite many studies performed in past years, very little is know about the light-curves of these objects and inconsistencies are present between colours derived by different authors. This situation motivated our effort to improve both the knowledge of colours and light curves. Methods. We present and discuss, the time series observations of Sycorax, Prospero, Stephano, Setebos, and Trinculo, five faint, irregular satellites of Uranus, which were carried out at VLT, ESO Paranal (Chile) on the nights between 29 and 30 July, 2005 and 25 and 30 November, 2005. -
Abhandlungen Der Braunschweigischen Wissenschaftlichen Gesellschaft Band 44, 1993, S.131-186
Digitale Bibliothek Braunschweig Dionysos von Homer bis heute. Eine Skizze Maurach, Gregor Veröffentlicht in: Abhandlungen der Braunschweigischen Wissenschaftlichen Gesellschaft Band 44, 1993, S.131-186 Verlag Erich Goltze KG, Göttingen http://www.digibib.tu-bs.de/?docid=00053323 Digitale Bibliothek Braunschweig Dionysos von Homer bis heute. Eine Skizze Von Gregor Maurach*, Münster (Eingegangen am 13.02., in veränderter Form am 16. 10. 1993) Claudiae gratias referens, nam quid sine te? Einleitung § 1 Ausa) einer bloßen Liste von Dionysos-Darstellungen in der Kunst oder von Bac chus-Vorkommen in der Literatur wäre nichts zu lernen. Möglichst viele solcher Darstel lungen und Vorkommen sollen hier zwar genannt werden (obschon dem Verfasser auch nicht annähernd alle bekannt wurden), wichtiger war aber ein Leitgedanke, der sowohl etwas vom Wesen des Gottes selbst spüren ließ als auch von der Eigenart derer, die ihn dargestellt oder in ihren Werken haben vorkommen lassen, und dieser Leitgedanke war etwa dieser: § 2 Renaissance, Wiedergeburt der Antike - sie geschah mehrfachI), im neunten, im zwölften und besonders erregend im 15. Jahrhundert; aber immer, wenn sie geschah, da mals und späterhin wieder im 17. und 19. Jahrhundert, mußten ihre Wiedererwecker die Antike auch aushalten können. Damit ist gemeint, daß z. B. Göttergestalten in der Antike bei aller Menschenähnlichkeit nicht nur immer eine gewaltige Macht behielten, denen die späteren Darstellungen zu entsprechen hatten, sondern daß in ihnen eine Spannung von Gegensätzlichem (Henrichs, Loss 235 ff.; Versne1133) herrschte, welche die Späte• ren nur allzu leicht durch Vereinseitigung oder dadurch ins Harmlose abgleiten ließen, daß sie z. B. die Göttinnen lieblich, die Götter verliebt darstellten und so mit der Wen dung ins Intime die uralte Spannung von Furchtbarkeit und Huld aus den Augen verlo ren. -
Amazing Stories Volume 01 Number 02
4 lew York City CONTENTS In Our Next Issue: Contents for May "DOCTOR HACKENSAWS SECRETS", by Clement Fezandie, by popular requests. A new and hitherto un- of the Earth A Trip to the Center published story of the great and illustrious Dr. Hacken- saw, which can not fail to hold your interest from start to finish. Mesmeric Revelation "THE RUNAWAY SKYSCRAPER", by Murray Lcin- Fourth Dimension, in which the great By Edgar Allan Poe ster, a story of the Metropolitan Life skyscraper in New York vanishes into the Fourth Dimension. One of the most surprising tales The Crystal Egg we have ever read. (This story was scheduled for the By H. G. Wells May issue, but had to make room for the Jules Verne The Infinite Vision "THE SCIENTIFIC ADVENTURES OF MR. FOS- DICK", by Jack Morgan. Perhaps you did not know it, By Charles C. Winn - but there can be excellent humor in scieotifiction. One, most excruciatingly funny stories, which at From the Atom {Sequel) of the The Man same lime is an excellent piece of scientifiction, is By G. Peyton Wertenbaker [i:!td "Mr. Fosdick Invents the Seidl immobile." "A TRIP TO THE CENTER OF THE EARTH"-', . Off On a Comet (Conclusion) Jules Verne, (second installment), wherein our heroes have now penetrated to subterranean depths and find a By Jules Verne ., tremendous number of surprises. "WHISPERING ETHER" by Charles S. Wolfe, a radio story that holds your interest and injects iiuite a few Illustrates this month's stoi new thoughts into a well-known subject. One of the Wells. -
The Metamorphoses of Magic: the Tempest and a Tempest Read from the Perspective of the Metamorphoses
6 / JOURNAL OF COMPARATIVE LITERATURE AND AESTHETICS The Metamorphoses of Magic: The Tempest and A Tempest Read from the Perspective of the Metamorphoses Jeremy Patterson Abstract he supernatural almost always plays a role in human myth-making. As a specific instance of the supernatural, magic is a significant element in Ovid’s TMetamorphoses, Shakespeare’s The Tempest, and Aimé Césaire’s A Tempest. These three works demonstrate the updating of magic in relation to sociopolitical concerns through the intertextuality of one speech. This article examines Medea’s speech on magic in the Metamorphoses, Shakespeare’s adaptation of it, and Césaire’s radical rejection and overhaul of it. For these writers, magic is a myth, or at least pales in significance when compared to human action and agency. None of the authors rejects the supernatural itself, but all of them focus their attention on what humans bring to the table, with or without magic. Keywords: Agency, Caribbean, Magic, Myth, Ovid, Shakespeare. 1. Introduction One of humanity’s most resilient cross-cultural myths is that of magic. This is not to say that the supernatural in general (or even the more specific term of magic) is necessarily a myth, but rather that the very possibility of the supernatural is integral to so much of human myth-making. The element of magic is often central to that process, and this article studies the significance of magic in three literary texts (Ovid’s Metamorphoses, Shakespeare’s The Tempest, and Aimé Césaire’s Une Tempête/A Tempest) with historical and cultural disparities, but which together demonstrate the development of the use of magic as a literary device. -
Uranian and Saturnian Satellites in Comparison
Compara've Planetology between the Uranian and Saturnian Satellite Systems - Focus on Ariel Oberon Umbriel Titania Ariel Miranda Puck Julie Cas'llo-Rogez1 and Elizabeth Turtle2 1 – JPL, California Ins'tute of Technology 2 – APL, John HopKins University 1 Objecves Revisit observa'ons of Voyager in the Uranian system in the light of Cassini-Huygens’ results – Constrain planetary subnebula, satellites, and rings system origin – Evaluate satellites’ poten'al for endogenic and geological ac'vity Uranian Satellite System • Large popula'on • System architecture almost similar to Saturn’s – “small” < 200 Km embedded in rings – “medium-sized” > 200 Km diameter – No “large” satellite – Irregular satellites • Rela'vely high albedo • CO2 ice, possibly ammonia hydrates Daphnis in Keeler gap Accre'on in Rings? Charnoz et al. (2011) Charnoz et al., Icarus, in press) Porco et al. (2007) ) 3 Ariel Titania Oberon Density(kg/m Umbriel Configuraon determined by 'dal interac'on with Saturn Configura'on determined by 'dal interac'on within the rings Distance to Planet (Rp) Configuraon determined by Titania Oberon Ariel 'dal interac'on with Saturn Umbriel Configura'on determined by 'dal interac'on within the rings Distance to Planet (Rp) Evidence for Ac'vity? “Blue” ring found in both systems Product of Enceladus’ outgassing ac'vity Associated with Mab in Uranus’ system, but source if TBD Evidence for past episode of ac'vity in Uranus’ satellite? Saturn’s and Uranus’ rings systems – both planets are scaled to the same size (Hammel 2006) Ariel • Comparatively low -
Tempest in Literary Perspective| Browning and Auden As Avenues Into Shakespeare's Last Romance
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1972 Tempest in literary perspective| Browning and Auden as avenues into Shakespeare's last romance Murdo William McRae The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation McRae, Murdo William, "Tempest in literary perspective| Browning and Auden as avenues into Shakespeare's last romance" (1972). Graduate Student Theses, Dissertations, & Professional Papers. 3846. https://scholarworks.umt.edu/etd/3846 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. THE TEMPEST IN LITERAEY PERSPECTIVE: BRaWING AM) ADDER AS AVENUES INTO SHAKESPEARE'S LAST ROMANCE By Murdo William McRae B.A. University of Montana, 1969 Presented in partial fulfillment of the requirements for the degree of Master of Arts TJNIVERSITT OF MONTANA • 1972 Approved by; IAIcxV^><L. y\ _L Chairman, Board ox Exarainers tats UMI Number EP34735 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent on the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMT MUiMng UMI EP34735 Copyright 2012 by ProQuest LLC. -
02. Solar System (2001) 9/4/01 12:28 PM Page 2
01. Solar System Cover 9/4/01 12:18 PM Page 1 National Aeronautics and Educational Product Space Administration Educators Grades K–12 LS-2001-08-002-HQ Solar System Lithograph Set for Space Science This set contains the following lithographs: • Our Solar System • Moon • Saturn • Our Star—The Sun • Mars • Uranus • Mercury • Asteroids • Neptune • Venus • Jupiter • Pluto and Charon • Earth • Moons of Jupiter • Comets 01. Solar System Cover 9/4/01 12:18 PM Page 2 NASA’s Central Operation of Resources for Educators Regional Educator Resource Centers offer more educators access (CORE) was established for the national and international distribution of to NASA educational materials. NASA has formed partnerships with universities, NASA-produced educational materials in audiovisual format. Educators can museums, and other educational institutions to serve as regional ERCs in many obtain a catalog and an order form by one of the following methods: States. A complete list of regional ERCs is available through CORE, or electroni- cally via NASA Spacelink at http://spacelink.nasa.gov/ercn NASA CORE Lorain County Joint Vocational School NASA’s Education Home Page serves as a cyber-gateway to informa- 15181 Route 58 South tion regarding educational programs and services offered by NASA for the Oberlin, OH 44074-9799 American education community. This high-level directory of information provides Toll-free Ordering Line: 1-866-776-CORE specific details and points of contact for all of NASA’s educational efforts, Field Toll-free FAX Line: 1-866-775-1460 Center offices, and points of presence within each State. Visit this resource at the E-mail: [email protected] following address: http://education.nasa.gov Home Page: http://core.nasa.gov NASA Spacelink is one of NASA’s electronic resources specifically devel- Educator Resource Center Network (ERCN) oped for the educational community. -
Publications of Richard W. Pogge
Publications Richard William Pogge Updated: 2021 March 10 Doctoral Dissertation “The Circumnuclear Environment of Nearby, Non-Interacting Seyfert Galaxies”, University of California, Santa Cruz, June 1988. (Abstract published in PASP, 100, 1296, 1988. See also #7, 8, 10, 11, & 12 below.) Papers Published in Peer-RevieWed Journals 1. “X-Ray, Radio, and Infrared Observations of the Rapid Burster (MXB 1730-335) During 1979 and 1980”, LaWrence, A., et al. (52 authors), 1983, ApJ, 267, 301 2. “The Spectra of Narrow-Line Seyfert 1 Galaxies”, Osterbrock, Donald E., & Pogge, Richard W. 1985, ApJ, 297, 166 3. “The Extended Narrow Emission-Line Region of NGC 7469 Revisited”, DeRobertis, M.M. Pogge, R.W. 1986, AJ, 91, 1026 4. “Star Forming Regions in Gas-Rich Lenticulars. I. Ha Imaging of an Initial Sample of Galaxies”, Pogge, Richard W., & Eskridge, Paul B. 1987, AJ, 93, 291 5. “FY Aquilae and the Gamma-Ray Burst Event of 1979 March 31”, Hartmann, Dieter, & Pogge, Richard W. 1987, ApJ, 318, 363 6. “Optical Spectra of Narrow Emission Line Palomar-Green Galaxies”, Osterbrock, Donald E., & Pogge, Richard W. 1987, ApJ, 323, 108 7. “The circumnuclear environment of the nearby non-interacting Seyfert galaxies NGC 5273 and NGC 3516”, Pogge, R. W., 1988, LNP, 307, 46 8. “An Extended Ionizing Radiation Cone from the Nucleus of the Seyfert 2 Galaxy NGC 1068”, Pogge, Richard W. 1988, ApJ, 328, 519 9. “Extended Ionized Gas in the Seyfert 2 Galaxy NGC 4388”, Pogge, Richard W. 1988, ApJ, 332, 702 10. “OTS 1809+314 and the Gamma-Ray Burst GB 790325b”, Hartmann, Dieter, Pogge, Richard W., Hurley, Kevin, Vrba, Frederick J., & Jennings, Mark C. -
William Shakespeare, the Tempest
William Shakespeare, The Tempest 99 The Tempest William Shakespeare (1564-1616), the greatest writer in English and perhaps the greatest dramatist of all time, wrote 39 plays (some with collaborators), 154 sonnets, and other poetry. His father was a glover, and his mother came from a Catholic family. They lived in a prosperous market town in the English Midlands, Stratford-upon-Avon. The town's grammar school would have provided William with an excellent education in oratory, rhetoric, and classical literature. At 18, he married 26-year-old Anne Hathaway. They had a daughter, Susanna (six months after their wedding), and not two years later, twins were born, Judith and Hamnet (who died at 11). Sometime after losing his only son, Shakespeare would have begun his career in London as an actor, playwright, and part-owner of a playing company called the Lord Chamberlain's Men, which became the King's Men after the death of Queen Elizabeth and the accession of King James in 1603. He seems to have produced his plays between 1589 and 1613|comedies, histories, tragedies. Outbreaks of the plague shut down theater performances periodically throughout these years. Most of his last plays belong to a hybrid tragicomic genre that has been called \romance." One of these is The Tempest, the last of his solo-authored plays. It is a valedictory work, in which Shakespeare explores his great themes of forgiveness and reconciliation, the power of artistic creation, the possibilities for redemption in politics. Given the recently established British colonies -
Perfect Little Planet Educator's Guide
Educator’s Guide Perfect Little Planet Educator’s Guide Table of Contents Vocabulary List 3 Activities for the Imagination 4 Word Search 5 Two Astronomy Games 7 A Toilet Paper Solar System Scale Model 11 The Scale of the Solar System 13 Solar System Models in Dough 15 Solar System Fact Sheet 17 2 “Perfect Little Planet” Vocabulary List Solar System Planet Asteroid Moon Comet Dwarf Planet Gas Giant "Rocky Midgets" (Terrestrial Planets) Sun Star Impact Orbit Planetary Rings Atmosphere Volcano Great Red Spot Olympus Mons Mariner Valley Acid Solar Prominence Solar Flare Ocean Earthquake Continent Plants and Animals Humans 3 Activities for the Imagination The objectives of these activities are: to learn about Earth and other planets, use language and art skills, en- courage use of libraries, and help develop creativity. The scientific accuracy of the creations may not be as im- portant as the learning, reasoning, and imagination used to construct each invention. Invent a Planet: Students may create (draw, paint, montage, build from household or classroom items, what- ever!) a planet. Does it have air? What color is its sky? Does it have ground? What is its ground made of? What is it like on this world? Invent an Alien: Students may create (draw, paint, montage, build from household items, etc.) an alien. To be fair to the alien, they should be sure to provide a way for the alien to get food (what is that food?), a way to breathe (if it needs to), ways to sense the environment, and perhaps a way to move around its planet. -
Red Material on the Large Moons of Uranus: Dust from the Irregular Satellites?
Red material on the large moons of Uranus: Dust from the irregular satellites? Richard J. Cartwright1, Joshua P. Emery2, Noemi Pinilla-Alonso3, Michael P. Lucas2, Andy S. Rivkin4, and David E. Trilling5. 1Carl Sagan Center, SETI Institute; 2University of Tennessee; 3University of Central Florida; 4John Hopkins University Applied Physics Laboratory; 5Northern Arizona University. Abstract The large and tidally-locked “classical” moons of Uranus display longitudinal and planetocentric trends in their surface compositions. Spectrally red material has been detected primarily on the leading hemispheres of the outer moons, Titania and Oberon. Furthermore, detected H2O ice bands are stronger on the leading hemispheres of the classical satellites, and the leading/trailing asymmetry in H2O ice band strengths decreases with distance from Uranus. We hypothesize that the observed distribution of red material and trends in H2O ice band strengths results from infalling dust from Uranus’ irregular satellites. These dust particles migrate inward on slowly decaying orbits, eventually reaching the classical satellite zone, where they collide primarily with the outer moons. The latitudinal distribution of dust swept up by these moons should be fairly even across their southern and northern hemispheres. However, red material has only been detected over the southern hemispheres of these moons, during the Voyager 2 flyby of the Uranian system (subsolar latitude ~81ºS). Consequently, to test whether irregular satellite dust impacts drive the observed enhancement in reddening, we have gathered new ground-based data of the now observable northern hemispheres of these moons (sub-observer latitudes ~17 – 35ºN). Our results and analyses indicate that longitudinal and planetocentric trends in reddening and H2O ice band strengths are broadly consistent across both southern and northern latitudes of these moons, thereby supporting our hypothesis.