DOCSLIB.ORG

Amazing Stories Volume 01 Number 02

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Amazing Stories Volume 01 Number 02 4 lew York City CONTENTS In Our Next Issue: Contents for May "DOCTOR HACKENSAWS SECRETS", by Clement Fezandie, by popular requests. A new and hitherto un- of the Earth A Trip to the Center published story of the great and illustrious Dr. Hacken- saw, which can not fail to hold your interest from start to finish. Mesmeric Revelation "THE RUNAWAY SKYSCRAPER", by Murray Lcin- Fourth Dimension, in which the great By Edgar Allan Poe ster, a story of the Metropolitan Life skyscraper in New York vanishes into the Fourth Dimension. One of the most surprising tales The Crystal Egg we have ever read. (This story was scheduled for the By H. G. Wells May issue, but had to make room for the Jules Verne The Infinite Vision "THE SCIENTIFIC ADVENTURES OF MR. FOS- DICK", by Jack Morgan. Perhaps you did not know it, By Charles C. Winn - but there can be excellent humor in scieotifiction. One, most excruciatingly funny stories, which at From the Atom {Sequel) of the The Man same lime is an excellent piece of scientifiction, is By G. Peyton Wertenbaker [i:!td "Mr. Fosdick Invents the Seidl immobile." "A TRIP TO THE CENTER OF THE EARTH"-', . Off On a Comet (Conclusion) Jules Verne, (second installment), wherein our heroes have now penetrated to subterranean depths and find a By Jules Verne ., tremendous number of surprises. "WHISPERING ETHER" by Charles S. Wolfe, a radio story that holds your interest and injects iiuite a few Illustrates this month's stoi new thoughts into a well-known subject. One of the Wells. This is a, supposed vi of t! plan greatest short stories we have ever seen. (This story by Mr. Cave through the Cry' Egg, from the eart also was due for publication in May, and was crowded Verne story, On a COPYRIGHT ACKNOWLEDGMENT out by the conclusion of the Jules "Off Comef). met", and "A Trip to the Center of the Another weird story by Edgar Allan Poe, which we copyright 1911, by Vincent Parke & Ci 1 like. .> i vrrfiiNAi'iov-u,. si-ii- . AMAZING- RruHIKS and Canada. £-,roroaa :i -. i r tarp. Betels- Prtalid T. F. Magrano. Park Snuarn Btdg., Boston, Mm AMAZING STORIES BLANK CARTRIDGE PISTOL Price IB 1 Make Your Watches, Clocks, Etc., £?J ^, ,»^ a Visible by Night ° $100 11 2&a?J-ff *KB 'p /TbjMflj/)/ lis I SHI Sj?*- Agents Wanted a ADDRESS ORDERS FOR ALL GOODS OJV THIS PAGE TO Pokbk JOHNSON SMITH & CO. depths, mcIHE, WIS. '"»' ppim THE MAGAZINE OF SCIENTIFICTION HUGO GERNSBACK, F.R.S., Editor DR. T. O'CONOR SLOANE, M. A., Ph.D. ; Aaodau Editor Editorial and General Offices 53 Park Place. New York, N. Y. Extravagant Fiction Today ------- Cold Fact Ton THANK YOU! By HUGO GERNSBACK, F.R.S. HE firstI issue of AMAZING STORIES and each time get something new from them." 4 been on the newsstands only about Michael II. Kay, Brooklyn, N, Y., says : "You will i week, as we go to press with this, the g"e!"ua'u(ly find that when one has read your magazine second issue of the magazine; yet, even he will become so enthusiastic, so elated over his during this short time, we have been discovery, that he will deem it a pleasure to extol its deluged with an avalanche of letters of virtues to his friends. Even now my wife is approval and constructive criticism fruni practically anxiously waiting for me to finish this first issue, so every section of the country, except the West—as that she may read it herself." we have not yet had time to hear from it. Lack of space precludes adding to the list in- We hereby take this medium to thank all our definitely. friends for their kind wishes and willingness to co- As to the future: Some very valuable suggestions operate with us. We sincerely regret that we cannot were made—upon which we have acted. There was answer each and every letter individually. There are quite a demand for "Dr. Hackensaw's Secrets." Act- simply too many letters—and we feel that our read- ing upon this demand, we will, beginning with our ers would rather we utilize our efforts in the im- next issue, print new and hitherto unpublished Dr. provement of the magazine. llackeusaw st-ocies. We have a good many of these After all, it is your paper, and we are striving famous stories by Clement Fezandie. Again, a good hard to please you. Judging from the various com- many of our readers want some of the stories of ments, the first issue of AMAZING STORIES was Edgar Rice Burroughs. Accordingly, we have con- just about right—the stories pleased and the length tracted for some, to be published in the future. of the shorter stories and the division of the long Among the newer works of which we have acquired ones seemed satisfactory. the publication rights are: "Die Macht der Drei" And it was with a feeling of gratification that we (The Might of the Three), one of the greatest—and noted the almost unanimous condemnation of the perhaps the greatest—recent scientific!, ion story; so-called "sex-appeal" type of story that seems so and "Feuer am Nordpol" (The North Pole Fire). much in vogue in this country now. Most of bur Both these works were published in Germany. correspondents seemed to heave a great sigh of re- We also obtained the rights to an excellent radio lief in at last finding a literature that appeals to the story—one of the finest that has ever been written imagination, rather than carrying a sensational ap- —"Station X", by G. MacLeod Winsor. peal to the emotions. It is that which justifies our "The Messiah of the Cylinder", by Victor Rous- new venture—our expenditure of time and money. seau is another tremendous story, and then, of The letters, extracts from which are printed be- course, there is H. G. Wells, with his "The War in low, seem to best express the general trend of the Air." opinion. There is only one thing that troubles us now: we Mr. George W. Anderson, of Fairmount, W. Va., have more good stories to publish than we have space in addition to giving us a good suggestion, saya: in which to publish them. And here is where you "Print all scientific facts its related in the stories, can help. During the next three or four months it in italics. This will serve to more forcefully drive is our intention to enlarge the magazine, but only an home the idea upon which you have established your increased circulation can make this possible. You magazine. Personally, wr hen I have some such sys- can do your share by making the magazine known tem blazing forth before my eyes I am inclined to among your friends. If you like AMAZING stop and consider what I have learned, for future STORIES, your friends will probably' like it too. reference." If each one of you who reads this could get one ". A. Lee Gladwin, of Ames, Iowa, writes: . friend to buy the next issue of AMAZING Amazing Stories is entertaining and has food for STORIES, we would immediately be able to in- thought that no other fiction work eould begin to crease the size of the magazine fifty per cent, and compete with." thereby give vou more material. Raymond E. Dickens, Air Mail Radio Station, The success of AMAZING STORIES is entirely Iowa City, Iowa, says: in your hands. We shall do our part—we pledge "I can read these stories over several times ourselves to do everything to merit your confidence. p/imvtothedmmoftheMmE 3 if- Jules Verne half eaten away by the corrosive action of time, th« do you begin to have faith?" cried my uncle. It Was Introduction to the Story T TA VING won the attention of the -public with today ovr scientists would declare impossible. The J^J_ "Five Weeks in a Balloon," Jides Verne wrote interior of the earth is still unknown; and there in rapid success ion several- truly masterly tales. may well be rifts, passages, descending from ex- Of these remarkable- inventions of the human mind, tinct volcanoes and. penetrating far within. There "A Trip to the Center of the Earth" was the first may well be huge cavities, bubbles left in the cooling to be completed in its present form. It was -published mass, vast enough to harbor inland, seas, and shelter in 1864, in a series of books bij Verne-, denominated many of the ancient forms of life now extinct upon "Voyages Extraordinaires." This series, started in earth's surface. that year by the publisher Hetzel, has been continued The main scientific objection to this, as indeed to to recent times. most of the more fanciful of Verne's tales, lies in This particular "Voyage" has sometimes been de- the extravagant means he employs to bring his ex- clared our author's masterpiece. In it he for the plorers home again from their reckless ventures. first time gives free rein to that bold yet scientifical- But, es romance obviously demands their return ly exact imagination, whereby he. lias constructed for somehow, science discreetly accents in silence the us in fancy the entire universe. There is nothing astonishing accidents and coincidences in all the daring visions of this tale which, even they escape the doom they have invited. ' A TRIP TO THE CENTER OF THE EARTH 101 and kept the knowledge he acquired to himself. There was a reason, and it may be regarded as a MAKES A GREAT DISCOVERY MY UNCLE good one, why my uncle objected to display his than was absolutely necessary; he OOKING back to all that has occurred to learning more whten intent upon explaining the me since that eventful day, I am scarce- stammered, and ly able to believe in the reality of my phenomena of the heavens, was apt to find himself adventures.
Load more

Recommended publications
  • Stranger Than Fiction the Tale of the Epic Voyage Made to Establish the Metric System Is an Intriguing and Exciting One
    words Stranger than fiction The tale of the epic voyage made to establish the metric system is an intriguing and exciting one. Arago alone to complete the final readings Julyan Cartwright from Majorca. On Majorca, Arago chose ho thinks about science during a S’Eslop, a peak on the northwest coast, as vacation on the Balearic Islands? his viewpoint of Ibiza and Formentera. He WMajorca, Minorca, Ibiza and had a hut built on the summit and settled Formentera are holiday destinations par in with his instruments for the final series excellence, not places where famous scientists of measurements. But events didn’t go of the past lived and worked, or where great according to plan. experiments were carried out. But there was War broke out between France and Spain a moment in history when the Balearic in June 1808, while Arago was on the Islands were crucial for a major scientific summit of S’Eslop. Soon undertaking. Majorcans were com- It was 1806, and the French Bureau des menting that the nightly Longitudes had the task of determining the bonfires were signals Paris meridian — the line of longitude pass- and that Arago must be ing through Paris. At the time there was no a French spy, and a universally agreed prime meridian; it wasn’t detachment of soldiers until 1884 that an international congress was sent up the moun- decided it should be the one that passes tain to capture him. through Greenwich. The reason for deter- Arago got wind of this; Troubled trip: during François mining the meridian with precision wasn’t in his memoirs, he Arago’s year-long journey home map-making but the metric system.
    [Show full text]
  • FANTASY NEWS TEN CENTS the Science Fiction Weekly Newspaper Volume 4, Number 21 Sunday, May 12
    NEWS PRICE: WHILE THREE IT’S ISSUES HOT! FANTASY NEWS TEN CENTS the science fiction weekly newspaper Volume 4, Number 21 Sunday, May 12. 1940 Whole Number 99 FAMOUS FANTASTIC FACTS SOCIAL TO BE GIVEN BY QUEENS SFL THE TIME STREAM The next-to-last QSFL meeting which provided that the QSFL in­ Fantastic Novels, long awaited The Writer’s Yearbook for 1940 of the 39-40 season saw an attend­ vestigate the possibilities of such an companion magazine to Famous contains several items of consider­ ance of close to thirty authors and idea. The motion was passed by a Fantastic Mysteries, arrived on the able interest to the science fiction fans. Among those present were majority with Oshinsky. Hoguet. newsstands early this week. This fan. There is a good size picture of Malcolm Jameson, well know stf- and Unger on investigating com­ new magazine presents the answer Fred Pohl, editor of Super Science author; Julius Schwartz and Sam mittee. It was pointed out that if to hundreds of stfans who wanted and Astonishing, included in a long Moskowitz, literary agents special­ twenty fans could be induced to pay to read the famous classics of yester­ pictorial review of all Popular Pub­ izing in science fiction; James V. ten dollars apiece it would provide year and who did not like to wait lications; there is also, the informa­ Taurasi. William S. Sykora. Mario two hundred dollars which might months for them to appear in serial tion that Harl Vincent has had ma­ Racic, Jr., Robert G. Thompson, be adequate to rent a “science fiction terial in Detective Fiction Weekly form.
    [Show full text]
  • “Savage and Deformed”: Stigma As Drama in the Tempest Jeffrey R
    “Savage and Deformed”: Stigma as Drama in The Tempest Jeffrey R. Wilson The dramatis personae of The Tempest casts Caliban as “asavageand deformed slave.”1 Since the mid-twentieth century, critics have scrutinized Caliban’s status as a “slave,” developing a riveting post-colonial reading of the play, but I want to address the pairing of “savage and deformed.”2 If not Shakespeare’s own mixture of moral and corporeal abominations, “savage and deformed” is the first editorial comment on Caliban, the “and” here Stigmatized as such, Caliban’s body never comes to us .”ס“ working as an uninterpreted. It is always already laden with meaning. But what, if we try to strip away meaning from fact, does Caliban actually look like? The ambiguous and therefore amorphous nature of Caliban’s deformity has been a perennial problem in both dramaturgical and critical studies of The Tempest at least since George Steevens’s edition of the play (1793), acutely since Alden and Virginia Vaughan’s Shakespeare’s Caliban: A Cultural His- tory (1993), and enduringly in recent readings by Paul Franssen, Julia Lup- ton, and Mark Burnett.3 Of all the “deformed” images that actors, artists, and critics have assigned to Caliban, four stand out as the most popular: the devil, the monster, the humanoid, and the racial other. First, thanks to Prospero’s yarn of a “demi-devil” (5.1.272) or a “born devil” (4.1.188) that was “got by the devil himself” (1.2.319), early critics like John Dryden and Joseph War- ton envisioned a demonic Caliban.4 In a second set of images, the reverbera- tions of “monster” in The Tempest have led writers and artists to envision Caliban as one of three prodigies: an earth creature, a fish-like thing, or an animal-headed man.
    [Show full text]
  • Astronomy and Astronomers in Jules Verne's Novels
    The Rˆole of Astronomy in Society and Culture Proceedings IAU Symposium No. 260, 2009 c 2009 International Astronomical Union D. Valls-Gabaud & A. Boksenberg, eds. DOI: 00.0000/X000000000000000X Astronomy and astronomers in Jules Verne’s novels Jacques Crovisier Observatoire de Paris, 5 place Jules Janssen, 92195 Meudon, France email: [email protected] Abstract. Almost all the Voyages Extraordinaires written by Jules Verne refer to astronomy. In some of them, astronomy is even the leading theme. However, Jules Verne was basically not learned in science. His knowledge of astronomy came from contemporaneous popular publications and discussions with specialists among his friends or his family. In this article, I examine, from the text and illustrations of his novels, how astronomy was perceived and conveyed by Jules Verne, with errors and limitations on the one hand, with great respect and enthusiasm on the other hand. This informs us on how astronomy was understood by an “honnˆete homme” in the late 19th century. Keywords. Verne J., literature, 19th century 1. Introduction Jules Verne (1828–1905) wrote more than 60 novels which constitute the Voyages Extraordinaires series†. Most of them were scientific novels, announcing modern science fiction. However, following the strong suggestions of his editor Pierre-Jules Hetzel, Jules Verne promoted science in his novels, so that they could be sold as educational material to the youth (Fig. 1). Jules Verne had no scientific education. He relied on popular publications and discussions with specialists chosen among friends and relatives. This article briefly presents several examples of how astronomy appears in the text and illustrations of the Voyages Extraordinaires.
    [Show full text]
  • Imagining Outer Space Also by Alexander C
    Imagining Outer Space Also by Alexander C. T. Geppert FLEETING CITIES Imperial Expositions in Fin-de-Siècle Europe Co-Edited EUROPEAN EGO-HISTORIES Historiography and the Self, 1970–2000 ORTE DES OKKULTEN ESPOSIZIONI IN EUROPA TRA OTTO E NOVECENTO Spazi, organizzazione, rappresentazioni ORTSGESPRÄCHE Raum und Kommunikation im 19. und 20. Jahrhundert NEW DANGEROUS LIAISONS Discourses on Europe and Love in the Twentieth Century WUNDER Poetik und Politik des Staunens im 20. Jahrhundert Imagining Outer Space European Astroculture in the Twentieth Century Edited by Alexander C. T. Geppert Emmy Noether Research Group Director Freie Universität Berlin Editorial matter, selection and introduction © Alexander C. T. Geppert 2012 Chapter 6 (by Michael J. Neufeld) © the Smithsonian Institution 2012 All remaining chapters © their respective authors 2012 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No portion of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, Saffron House, 6–10 Kirby Street, London EC1N 8TS. Any person who does any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The authors have asserted their rights to be identified as the authors of this work in accordance with the Copyright, Designs and Patents Act 1988. First published 2012 by PALGRAVE MACMILLAN Palgrave Macmillan in the UK is an imprint of Macmillan Publishers Limited, registered in England, company number 785998, of Houndmills, Basingstoke, Hampshire RG21 6XS.
    [Show full text]
  • Planets, Comets and Small Bodies in Jules Verne's Novels
    DPS-EPSC joint meeting Nantes, 2-7 October 2011 Planets, comets and small bodies in Jules Verne's novels J. Crovisier Observatoire de Paris LESIA, CNRS, UPMC, Université Paris-Diderot 5 place Jules Janssen, 92195 Meudon, France Jules Verne Nantes – 8 February 1828 Amiens – 24 March 1905 An original binding of Almost all the Voyages Extraordinaires written by Jules Verne refer to astronomy. In some of From the Earth to the Moon and Around the Moon them, astronomy is even the leading theme. However, Jules Verne was basically not learned in science. His knowledge of astronomy came from contemporaneous popular publications and discussions with specialists among his friends or his family. Here, we examine, from selected texts and illustrations of his novels, how astronomy — and especially planetary science — was perceived and conveyed by Jules Verne, with errors and limitations on the one hand, with great respect and enthusiasm on the other hand. Jules Verne was born in Nantes, where most of the manuscripts of his novels are now deposited in the municipal library. They were heavily edited by the publishers Pierre-Jules and Louis-Jules Hetzel, by Jules Verne himself, and (for the last ones) by his son Michel Verne. This poster briefly discusses how astronomy appears in the texts and illustrations of the Voyages Extraordinaires, concentrating on several examples among planetary science. More material can be found in the abstract and in the web page : http://www.lesia.obspm.fr/perso/jacques-crovisier/JV/verne_gene_eng.html De la Terre à la Lune (1865, From the Earth to the Moon) and Autour de la Lune (1870, Around Palmyrin Rosette, the free-lance The rival astronomers in The Chase of the Golden Meteor.
    [Show full text]
  • Bibliographyof Space Books Andarticlesfrom Non
    https://ntrs.nasa.gov/search.jsp?R=19800016707N 2020-03-11T18:02:45+00:00Zi_sB--rM-._lO&-{/£ 3 1176 00167 6031 HHR-51 NASA-TM-81068 ]9800016707 BibliographyOf Space Books And ArticlesFrom Non-AerospaceJournals 1957-1977 _'C>_.Ft_iEFERENC_ I0_,'-i p,,.,,gvi ,:,.2, , t ,£}J L,_:,._._ •..... , , .2 ,IFER History Office ...;_.o.v,. ._,.,- NASA Headquarters Washington, DC 20546 1979 i HHR-51 BIBLIOGRAPHYOF SPACEBOOKS AND ARTICLES FROM NON-AEROSPACE JOURNALS 1957-1977 John J. Looney History Office NASA Headquarters Washlngton 9 DC 20546 . 1979 For sale by the Superintendent of Documents, U.S. Government Printing Office Washington, D.C. 20402 Stock Number 033-000-0078t-1 Kc6o<2_o00 CONTENTS Introduction.................................................... v I. Space Activity A. General ..................................................... i B. Peaceful Uses ............................................... 9 C. Military Uses ............................................... Ii 2. Spaceflight: Earliest Times to Creation of NASA ................ 19 3. Organlzation_ Admlnlstration 9 and Management of NASA ............ 30 4. Aeronautics..................................................... 36 5. BoostersandRockets............................................ 38 6. Technology of Spaceflight....................................... 45 7. Manned Spaceflight.............................................. 77 8. Space Science A. Disciplines Other than Space Medicine ....................... 96 B. Space Medicine ..............................................119 C.
    [Show full text]
  • Astronomy Astrophysics
    A&A 472, 311–319 (2007) Astronomy DOI: 10.1051/0004-6361:20066927 & c ESO 2007 Astrophysics Light curves and colours of the faint Uranian irregular satellites Sycorax, Prospero, Stephano, Setebos, and Trinculo, M. Maris1, G. Carraro2,3, and M. G. Parisi4,5,6 1 INAF – Osservatorio Astronomico di Trieste, via G.B. Tiepolo 11, 34131 Trieste, Italy e-mail: [email protected] 2 Dipartimento di Astronomia, Università di Padova, Vicolo Osservatorio 2, 35122 Padova, Italy e-mail: [email protected] 3 Andes Prize Fellow, Universidad de Chile and Yale University 4 Departamento de Astronomía, Universidad de Chile, Casilla 36-D, Santiago, Chile e-mail: [email protected] 5 Member of the Centro de Astrofisica, Fondo de Investigacion Avanzado en Areas Prioritarias (FONDAP), Chile 6 Member of the Consejo Nacional de Investigaciones Cientificas y Tecnicas (CONICET), Argentina Received 13 December 2006 / Accepted 17 April 2007 ABSTRACT Context. After the work of Gladman et al. (1998, Nature, 392, 897), it is now assessed that many irregular satellites are orbiting around Uranus. Aims. Despite many studies performed in past years, very little is know about the light-curves of these objects and inconsistencies are present between colours derived by different authors. This situation motivated our effort to improve both the knowledge of colours and light curves. Methods. We present and discuss, the time series observations of Sycorax, Prospero, Stephano, Setebos, and Trinculo, five faint, irregular satellites of Uranus, which were carried out at VLT, ESO Paranal (Chile) on the nights between 29 and 30 July, 2005 and 25 and 30 November, 2005.
    [Show full text]
  • In the Year 2889 Verne, Jules
    In the Year 2889 Verne, Jules Published: 1889 Categorie(s): Fiction, Science Fiction, Short Stories Source: http://www.gutenberg.org 1 About Verne: Jules Gabriel Verne (February 8, 1828–March 24, 1905) was a French author who pioneered the science-fiction genre. He is best known for novels such as Journey To The Center Of The Earth (1864), Twenty Thousand Leagues Under The Sea (1870), and Around the World in Eighty Days (1873). Verne wrote about space, air, and underwater travel before air travel and practical submarines were invented, and before practical means of space travel had been devised. He is the third most translated author in the world, according to Index Transla- tionum. Some of his books have been made into films. Verne, along with Hugo Gernsback and H. G. Wells, is often popularly referred to as the "Father of Science Fiction". Source: Wikipedia Also available on Feedbooks for Verne: • 20,000 Leagues Under the Sea (1870) • Around the World in Eighty Days (1872) • A Journey into the Center of the Earth (1877) • The Mysterious Island (1874) • From the Earth to the Moon (1865) • An Antarctic Mystery (1899) • The Master of the World (1904) • Off on a Comet (1911) • The Underground City (1877) • Michael Strogoff, or The Courier of the Czar (1874) Note: This book is brought to you by Feedbooks http://www.feedbooks.com Strictly for personal use, do not use this file for commercial purposes. 2 Little though they seem to think of it, the people of this twenty- ninth century live continually in fairyland. Surfeited as they are with marvels, they are indifferent in presence of each new mar- vel.
    [Show full text]
  • Eng 4936 Syllabus
    ENG 4936 (Honors Seminar): Reading Science Fiction: The Pulps Professor Terry Harpold Spring 2019, Section 7449 Time: MWF, per. 5 (11:45 AM–12:35 PM) Location: Little Hall (LIT) 0117 office hours: M, 4–6 PM & by appt. (TUR 4105) email: [email protected] home page for Terry Harpold: http://users.clas.ufl.edu/tharpold/ e-Learning (Canvas) site for ENG 4936 (registered students only): http://elearning.ufl.edu Course description The “pulps” were illustrated fiction magazines published between the late 1890s and the late 1950s. Named for the inexpensive wood pulp paper on which they were printed, they varied widely as to genre, including aviation fiction, fantasy, horror and weird fiction, detective and crime fiction, railroad fiction, romance, science fiction, sports stories, war fiction, and western fiction. In the pulps’ heyday a bookshop or newsstand might offer dozens of different magazines on these subjects, often from the same publishers and featuring work by the same writers, with lurid, striking cover and interior art by the same artists. The magazines are, moreover, chock-full of period advertising targeted at an emerging readership, mostly – but not exclusively – male and subject to predictable The first issue of Amazing Stories, April 1926. Editor Hugo Gernsback worries and aspirations during the Depression and Pre- promises “a new sort of magazine,” WWII eras. (“Be a Radio Expert! Many Make $30 $50 $75 featuring the new genre of a Week!” “Get into Aviation by Training at Home!” “scientifiction.” “Listerine Ends Husband’s Dandruff in 3 Weeks!” “I’ll Prove that YOU, too, can be a NEW MAN! – Charles Atlas.”) The business end of the pulps was notoriously inconstant and sometimes shady; magazines came into and went out of publication with little fanfare; they often changed genres or titles without advance notice.
    [Show full text]
  • From Michael Strogoff to Tigers and Traitors ― the Extraordinary Voyages of Jules Verne in Classics Illustrated
    Submitted October 3, 2011 Published January 27, 2012 Proposé le 3 octobre 2011 Publié le 27 janvier 2012 From Michael Strogoff to Tigers and Traitors ― The Extraordinary Voyages of Jules Verne in Classics Illustrated William B. Jones, Jr. Abstract From 1941 to 1971, the Classics Illustrated series of comic-book adaptations of works by Shakespeare, Hugo, Dickens, Twain, and others provided a gateway to great literature for millions of young readers. Jules Verne was the most popular author in the Classics catalog, with ten titles in circulation. The first of these to be adapted, Michael Strogoff (June 1946), was the favorite of the Russian-born series founder, Albert L. Kanter. The last to be included, Tigers and Traitors (May 1962), indicated how far among the Extraordinary Voyages the editorial selections could range. This article explores the Classics Illustrated pictorial abridgments of such well-known novels as 20,000 Leagues Under the Sea and Around the World in 80 Days and more esoteric selections such as Off on a Comet and Robur the Conqueror. Attention is given to both the adaptations and the artwork, generously represented, that first drew many readers to Jules Verne. Click on images to view in full size. Résumé De 1941 à 1971, la collection de bandes dessinées des Classics Illustrated (Classiques illustrés) offrant des adaptations d'œuvres de Shakespeare, Hugo, Dickens, Twain, et d'autres a fourni une passerelle vers la grande littérature pour des millions de jeunes lecteurs. Jules Verne a été l'auteur le plus populaire du catalogue des Classics, avec dix titres en circulation.
    [Show full text]
  • Science Fiction's Inception in Interwar Pulp Magazines
    City University of New York (CUNY) CUNY Academic Works School of Arts & Sciences Theses Hunter College Spring 5-6-2021 Amazing Stories: Science Fiction’s Inception in Interwar Pulp Magazines Zachary Doe CUNY Hunter College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/hc_sas_etds/760 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] 1 Amazing Stories: Science Fiction’s Inception in Interwar Pulp Magazines By Zachary Doe Submitted in Partial Fulfillment of the requirements for the degree of Master of Arts (English), Hunter College, The City University of New York 2021 04/17/2021 Professor Jeff Allred Thesis Sponsor 04/17/2021 Professor Alan Vardy Second Reader 2 The approach to the imaginary locality, or localized daydream, practiced by the genre of [Science Fiction] is a supposedly factual one. Columbus’ (technically or genealogically non-fictional) letter on the Eden he glimpsed beyond the Orinoco mouth, and Swift’s (technically non-factual) voyage to ‘Laputa, Balnibarbi, Glubbdubdrib, Luggnagg and Japan,’ stand at the opposite ends of a ban between imaginary and factual possibilities. Thus, SF takes off from a fictional (‘Literary’) hypothesis and develops it with extrapolating and totalizing (‘scientific’) rigor– in genre, Columbus and Swift are more alike than different. –Darko Suvin, “On the Poetics of the Science Fiction Genre” Science Fiction is not about the future; it uses the future as a narrative convention to present significant distortions of the present.
    [Show full text]