DOCSLIB.ORG

Valmiki Ramayana Griffith

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Valmiki Ramayana Griffith Ramayan of Valmiki Ralph T. H. Griffith Sacred Texts Hinduism RÁMÁYAN OF VÁLMÍKI RALPH T. H. GRIFFITH, M. A., [1870-1874] Contents Start Reading This is the first complete public domain translation of the Ramayana to be placed online. The Ramayana is one of the two epic Hindu poems, the other being the Mahabharata. The Ramayana describes a love story between Rama, an ancient King, and Sita, who is captured by Ravan, the King of Ceylon. Rama lays siege to Ceylon and wins back Sita. The parallels to the Iliad are obvious, but the details are very different. This verse translation by Griffith, whose translations of the Rig Veda and the Sama Veda are also available at sacred-texts, was scanned in 2000 from an original copy, which had very poor typesetting. Due to the difficulty of converting this 600 page text to etext, the project was put on hold for several years until OCR technology matured. Finally in 2003, the text was OCR-ed and proofed at Distributed Proofing. However, despite best efforts, there are several places in this text where the proofing was difficult or impossible. These are indicated by asterisks or (illegible). We are in the process of cleaning up these issues and hope to have a definitive version of this text at some point. In the meantime we hope you enjoy this epic, which is one of the most popular tales of Indian mythology. Title Page Title Page Invocation Invocation BOOK I Book I Canto I: Nárad. Canto II: Brahmá's Visit Canto III.: The Argument. Canto IV.: The Rhapsodists. Canto V.: Ayodhyá Canto VI.: The King. Canto VII.: The Ministers. Canto VIII.: Sumantra's Speech. Canto IX.: Rishyas'ring. Canto X.: Rishyas'ring Invited. Canto XI: The Sacrifice Decreed. Canto XII.: The Sacrifice Begun. Canto XIII.: The Sacrifice Finished. Canto XIV.: Rávan Doomed. Canto XV.: The Nectar. Canto XVI.: The Vánars. Canto XVII.: Rishyas'ring's Return. Canto XVIII.: Rishyas'ring's Departure. Canto XIX.: The Birth of The Princes. Canto XX.: Vis'vámitra's Visit. Canto XXI.: Vis'vámitra's Speech. Canto XXII.: Das'aratha's Speech. Canto XXIII.: Vas'ishtha's Speech. Canto XXIV.: The Spells. Canto XXV.: The Hermitage of Love. Canto XXVI.: The Forest of Tádaká. Canto XXVII.: The Birth of Tádaká. Canto XXVIII.: The Death of Tádaká Canto XXIX. : The Celestial Arms. Canto XXX.: The Mysterious Powers. Canto XXXI: The Perfect Hermitage. Canto XXXII.: Vis'vámitra's Sacrifice. Canto XXXIII.: The Sone. Canto XXXIV.: Brahmadatta. Canto XXXV: Visvámitra's Lineage. Canto XXXVI.: The Birth of Gangá. Canto XXXIX.: The Sons of Sagar. Canto XL.: The Cleaving of The Earth. Canto XLI.: Kapil. Canto XLII.: Sagar's Sacrifice. Canto XLIII.: Bhagirath. Canto XLIV.: The Descent of Gangà. Canto XLV.: The Quest of The Amrit. Canto XLVI.: Diti's Hope. Canto XLVII.: Sumatí. Canto XLVIII.: Indra And Ahalyá Canto XLIX.: Ahalyá Freed. Canto L.: Janak. Canto LI.: Vis'vámitra. Canto LII.: Vas'ishtha's Feast. Canto LIII.: Vis'vàmitra's Request. Canto LIV.: The Battle. Canto LV.: The Hermitage Burnt. Canto LVI.: Vis'vámitra's Vow. Canto LVII.: Tris'anku. Canto LVIII.: Tris'anku Cursed. Canto LIX.: The Sons of Vas'ishtha. Canto LX.: Tris'anku's Ascension. Canto LXI: S'unahs'epha. Canto LXII.: Ambaresha's Sacrifice. Canto LXIII.: Menaká. Canto LXIV.: Rambhá. Canto LXV.: Vis'vámitra's Triumph Canto LXVI.: Janak's Speech. Canto LXVII.: The Breaking of The Bow. Canto LXVIII.: The Envoys' Speech. Canto LXIX.: Das'aratha's Visit. Canto LXX.: The Maidens Sought. Canto LXXI.: Janak's Pedigree. Canto LXXII.: The Gift of Kine. Canto LXXIII.: The Nuptials. Canto LXXIV.: Ráma With The Axe. Canto LXXV.: The Parle. Canto LXXVI.: Debarred From Heaven. Canto LXXVII.: Bharat's Departure. Book II Book II Canto I.: The Heir Apparent. Canto II.: The People's Speech. Canto III.: Das'aratha's Precepts. Canto IV.: Ráma Summoned. Canto V.: Ráma's Fast. Canto VI.: The City Decorated. Canto VII.: Manthará's Lament. Canto VIII: Manthará's Speech. Canto IX.: The Plot. Canto X.: Das'aratha's Speech. Canto XI.: The Queen's Demand. Canto XII.: Dasaratha's Lament. Canto XIII.: Das'aratha's Distress. Canto XIV.: Ráma Summoned. Canto XV.: The Preparations. Canto XVI.: Ráma Summoned. Canto XVII.: Ráma's Approach. Canto XVIII.: The Sentence. Canto XIX.: Ráma's Promise. Canto XX.: Kaus'alyá's Lament. Canto XXI.: Kaus'alyá Calmed. Canto XXII.: Lakshman Calmed. Canto XXIII.: Lakshman's Anger. Canto XXIV.: Kaus'alyá Calmed. Canto XXV.: Kaus'alya's Blessing. Canto XXVI.: Alone With Sitá Canto XXVII.: Sítá's Speech. Canto XXVIII.: The Dangers of The Wood. Canto XXIX.: Sítá's Appeal. Canto XXX.: The Triumph of Love. Canto XXXI.: Lakshman's Prayer. Canto XXXII.: The Gift of The Treasures. Canto XXXIII.: The People's Lament. Canto XXXIV.: Ráma In The Palace. Canto XXXV.: Kaikeyí Reproached. Canto XXXVI.: Siddhárth's Speech. Canto XXXVII.: The Coats of Bark. Canto XXXVIII.: Care For Kaus'alyá Canto XXXIX.: Counsel To Sítá. Canto XL.: Ráma's Departure. Canto XLI.: The Citizens' Lament. Canto XLII.: Das'aratha's Lament. Canto XLIII.: Kaus'alyá's Lament. Canto XLIV.: Sumitra's Speech. Canto XLV.: The Tamasá. Canto XLVI.: The Halt. Canto XLVII.: The Citizens' Return. Canto XLVIII.: The Women's Lament. Canto XLIX.: The Crossing of The Rivers. Canto L.: The Halt Under The Ingudí. Canto LI.: Lakshman's Lament. Canto LII.: The Crossing of Gangá. Canto LIII.: Ráma's Lament. Canto LIV.: Bharadvája's Hermitage. Canto LV.: The Passage of Yamuná. Canto LVI.: Chitrakuta. Canto LVII.: Sumantra's Return. Canto LVIII.: Ráma's Message. Canto LIX: Das'aratha's Lament. Canto LX.: Kaus'alyá Consoled. Canto LXI.: Kauslaya's Lament. Canto LXII.: Das'aratha Consoled. Canto LXIII.: The Hermit's Son. Canto LXIV.: Das'aratha's Death. Canto LXV.: The Women's Lament. Canto LXVI.: The Embalming. Canto LXVII.: The Praise of Kings. Canto LXVIII.: The Envoys. Canto LXIX.: Bharat's Dream. Canto LXX.: Bharat's Departure. Canto LXXI.: Bharat's Return. Canto LXXII.: Bharat's Inquiry. Canto LXXIII.: Kaikeyí Reproached. Canto LXXIV.: Bharat's Lamest. Canto LXXV.: The Abjuration. Canto LXXVI.: The Funeral Canto LXXVII.: The Gathering of The Ashes. Canto LXXVIII.: Manthará Punished. Canto LXXIX.: Bharat's Commands. Canto LXXX.: The Way Prepared. Canto LXXXI.: The Assembly. Canto LXXXII.: The Departure. Canto LXXXIII.: The Journey Begun. Canto LXXXIV.: Guha's Anger. Canto LXXXV.: Guha And Bharat. Canto LXXXVI.: Guha's Speech. Canto LXXXVII.: Guha's Story. Canto LXXXVIII.: The Ingudí Tree. Canto LXXXIX.: The Passage of Gangá. Canto XC.: The Hermitage. Canto XCI.: Bharadvája's Feast. Canto XCII.: Bharat's Farewell. Canto XCIII.: Chitrakúta In Sight. Canto XCIV.: Chitrakúta. Canto XCV.: Mandákiní. Canto XCVI. : The Magic Shaft. Canto XCVII.: Lakshman's Anger. Canto XCVIII: Lakshman Calmed. Canto XCIX.: Bharat's Approach. Canto C.: The Meeting. Canto CI.: Bharat Questioned. Canto CII.: Bharat's Tidings. Canto CIII.: The Funeral Libation. Canto CIV.: The Meeting With The Queens. Canto CV.: Rama's Speech. Canto CVI.: Bharat's Speech. Canto CVII.: Ráma's Speech. Canto CVIII.: Jáváli's Speech. Canto CIX.: The Praises of Truth. Canto CX.: The Sons of Ikshva'ku. Canto CXI.: Counsel To Bharat. Canto CXII.: The Sandals. Canto CXIII.: Bharat's Beturn. Canto CXIV.: Bharat's Departure. Canto CXV.: Nandigrám. Canto CXVI.: The Hermit's Speech. Canto CXVII.: Anasúyá. Canto CXVIII.: Anasúyá's Gifts. Canto CXIX.: The Forest. BOOK III Book III Canto I.: The Hermitage. Canto II.: Virádha. Canto III.: Virádha Attacked. Canto IV.: Virádha's Death. Canto V.: S'arabhanga. Canto VI.: Ráma's Promise. Canto VII.: Sutíkshna. Canto VIII.: The Hermitage. Canto IX.: Sita's Speech. Canto X.: Ráma's Reply. Canto XI.: Agastya. Canto XII.: The Heavenly Bow. Canto XIII.: Agastya's Counsel. Canto XIV.: Jatáyus. Canto XV.: Panchavatt. Canto XVI.: Winter. Canto XVII.: S'u'panakha' Canto XVIII.: The Mutilation. Canto XIX.: The Rousing of Khara. Canto XX.: The Giants' Death. Canto XXI.: The Rousing of Khara. Canto XXII: Khara's Wrath. Canto XXIII.: The Omens. Canto XXIV.: The Host In Sight. Canto XXV.: The Battle. Canto XXVI.: Dúshan's Death. Canto XXVII.: The Death of Tris'iras. Canto XXVIII.: Khara Dismounted. Canto XXIX.: Khara's Defeat. Canto XXX.: Khara's Death. Canto XXXI.: Rávan Canto XXXII.: Rávan Roused. Canto XXXIII.: Súrpanakhá's Speech. Canto XXXIV.: Sûrpanakhá's Speech. Canto XXXV.: Rávan's Journey. Canto XXXVI.: Rávan's Speech. Canto XXXVII.: Márícha's Speech. Canto XXXVIII.: Márícha's Speech. Canto XXXIX.: Márícha's Speech. Canto XL.: Rávan's Speech. Canto XLI.: Márícha's Reply. Canto XLII.: Márícha Transformed. Canto XLIII.: The Wondrous Deer. Canto XLIV: Artcha's Death Canto XLV.: Lakshman's Departure. Canto XLVI.: The Guest. Canto XLVII: Rávan's Wooing. Canto XLVIII: Rávan's Speech. Canto XLIX.: The Rape of Sitá. Canto L.: Jatáyus. Canto LI.: The Combat. Canto LII.: Rávan's Flight. Canto LIII.: Sitá's Threats. Canto LIV.: Lanká. Canto LV.: Sítá In Prison. Canto LVI.: Sítá's Disdain. Canto LVII.: Sítá Comforted. Canto LVIII.: The Brothers' Meeting. Canto LIX.: Ráma's Return. Canto LX.: Lakshman Reproved. Canto LXI.: Ráma's Lament. Canto LXII.: Ráma's Lament. Canto LXIII.: Ráma's Lament. Canto LXIV.: Rama's Lament. Canto LXV.: Rama's Wrath. Canto LXVI.: Lakshman's Speech. Canto LXVII.: Ráma Appeased. Canto LXVIII.: Jatáyus. Canto LXIX.: The Death of Jatáyus. Canto LXX.: Kabandha. Canto LXXI.: Kabandha's Speech. Canto LXXII.: Kabandha's Tale. Canto LXXIII.: Kabandha's Counsel. Canto LXXIV.: Kabandha's Death. Canto LXXV.: Savari Canto LXXVI.: Pampá. BOOK IV Book IV Canto I.: Ráma's Lament. Canto II.: Sugríva's Alarm. Canto IV: Lakshman's Reply. Canto V.: The League. Canto VI.: The Tokens.
Load more

  2732
Copy Link
Recommended publications
  • CHAPTER – I : INTRODUCTION 1.1 Importance of Vamiki Ramayana
    CHAPTER – I : INTRODUCTION 1.1 Importance of Vamiki Ramayana 1.2 Valmiki Ramayana‘s Importance – In The Words Of Valmiki 1.3 Need for selecting the problem from the point of view of Educational Leadership 1.4 Leadership Lessons from Valmiki Ramayana 1.5 Morality of Leaders in Valmiki Ramayana 1.6 Rationale of the Study 1.7 Statement of the Study 1.8 Objective of the Study 1.9 Explanation of the terms 1.10 Approach and Methodology 1.11 Scheme of Chapterization 1.12 Implications of the study CHAPTER – I INTRODUCTION Introduction ―The art of education would never attain clearness in itself without philosophy, there is an interaction between the two and either without the other is incomplete and unserviceable.‖ Fitche. The most sacred of all creations of God in the human life and it has two aspects- one biological and other sociological. If nutrition and reproduction maintain and transmit the biological aspect, the sociological aspect is transmitted by education. Man is primarily distinguishable from the animals because of power of reasoning. Man is endowed with intelligence, remains active, original and energetic. Man lives in accordance with his philosophy of life and his conception of the world. Human life is a priceless gift of God. But we have become sheer materialistic and we live animal life. It is said that man is a rational animal; but our intellect is fully preoccupied in pursuit of materialistic life and worldly pleasures. Our senses and objects of pleasure are also created by God, hence without discarding or condemning them, we have to develop ( Bhav Jeevan) and devotion along with them.
    [Show full text]
  • The Ramayana (Rama’S Journey), by Valmiki, Sanskrit, 4Th Century B.C
    The Ramayana (Rama’s Journey), by Valmiki, Sanskrit, 4th century B.C. In 7 books, the first, Bala Kanda describes the birth of Rama, his childhood and marriage to Sita. The Ayodhya Kanda describes the preparations for Rama's coronation and his exile into the forest. The third part, Aranya Kanda, describes the forest life of Rama and the kidnapping of Sita by the demon king Ravana. The fourth book, Kishkinda Kanda, describes the meeting of Hanuman with Rama, the destruction of the vanara king Vali and the coronation of his younger brother Sugriva to the throne of the kingdom of Kishkindha. The fifth book is Sundara Kanda, which narrates the heroism of Hanuman, his flight to Lanka and meeting with Sita. The sixth book, Yuddha Kanda, describes the battle between Rama's and Ravana's armies. The last book, Uttara Kanda, describes the birth of Lava and Kusha to Sita, their coronation to the throne of Ayodhya, and Rama's final departure from the world. Book 1: The Epic relates to the ancient traditions of two powerful races, the Kosalas and the Videhas, who lived in Northern India between the twelfth and tenth centuries before Christ. The names Kosala and Videha in the singular number indicate the kingdoms,--Oudh and North Behar,--and in the plural number they mean the ancient races which inhabited those two countries. According to the Epic, Dasa-ratha king of the Kosalas had four sons, the eldest of whom was Rama the hero of the poem. And Janak king of the Videhas had a daughter named Sita, who was miraculously born of a field furrow, and who is the heroine of the Epic.
    [Show full text]
  • Bhoga-Bhaagya-Yogyata Lakshmi
    BHOGA-BHAAGYA-YOGYATA LAKSHMI ( FULFILLMENT AS ONE DESERVES) Edited, compiled, and translated by VDN Rao, Retd. General Manager, India Trade Promotion Organization, Ministry of Commerce, Govt. of India, Pragati Maidan, New Delhi, currently at Chennai 1 Other Scripts by the same Author: Essence of Puranas:-Maha Bhagavata, Vishnu Purana, Matsya Purana, Varaha Purana, Kurma Purana, Vamana Purana, Narada Purana, Padma Purana; Shiva Purana, Linga Purana, Skanda Purana, Markandeya Purana, Devi Bhagavata;Brahma Purana, Brahma Vaivarta Purana, Agni Purana, Bhavishya Purana, Nilamata Purana; Shri Kamakshi Vilasa Dwadasha Divya Sahasranaama: a) Devi Chaturvidha Sahasra naama: Lakshmi, Lalitha, Saraswati, Gayatri; b) Chaturvidha Shiva Sahasra naama-Linga-Shiva-Brahma Puranas and Maha Bhagavata; c) Trividha Vishnu and Yugala Radha-Krishna Sahasra naama-Padma-Skanda-Maha Bharata and Narada Purana. Stotra Kavacha- A Shield of Prayers Purana Saaraamsha; Select Stories from Puranas Essence of Dharma Sindhu Essence of Shiva Sahasra Lingarchana Essence of Paraashara Smtiti Essence of Pradhana Tirtha Mahima Dharma Bindu Essence of Upanishads : Brihadaranyaka , Katha, Tittiriya, Isha, Svetashwara of Yajur Veda- Chhandogya and Kena of Saama Veda-Atreya and Kausheetaki of Rig Veda-Mundaka, Mandukya and Prashna of Atharva Veda ; Also ‘Upanishad Saaraamsa’ (Quintessence of Upanishads) Essence of Virat Parva of Maha Bharata Essence of Bharat Yatra Smriti Essence of Brahma Sutras Essence of Sankhya Parijnaana- Also Essence of Knowledge of Numbers Essence of Narada Charitra; Essence Neeti Chandrika-Essence of Hindu Festivals and Austerities- Essence of Manu Smriti*- Quintessence of Manu Smriti* - *Essence of Pratyaksha Bhaskara- Essence of Maha Narayanopanishad*-Essence of Vidya-Vigjnaana-Vaak Devi* Note: All the above Scriptures already released on www.
    [Show full text]
  • Ramayana of * - Valmeeki RENDERED INTO ENGLISH with EXHAUSTIVE NOTES BY
    THE Ramayana OF * - Valmeeki RENDERED INTO ENGLISH WITH EXHAUSTIVE NOTES BY (. ^ ^reenivasa jHv$oiu$ar, B. A., LECTURER S. P G. COLLEGE, TRICHINGj, Balakanda and N MADRAS: * M. K. PEES8, A. L. T. PRKS8 AND GUARDIAN PBE8S. > 1910. % i*t - , JJf Reserved Copyright ftpfiglwtd. 3 [ JB^/to PREFACE The Ramayana of Valmeeki is a most unique work. The Aryans are the oldest race on earth and the most * advanced and the is their first ; Ramayana and grandest epic. The Eddas of Scandinavia, the Niebelungen Lied of Germany, the Iliad of Homer, the Enead of Virgil, the Inferno, the Purgatorio, and the Paradiso of Dante, the Paradise Lost of Milton, the Lusiad of Camcens, the Shah Nama of Firdausi are and no more the Epics ; Ramayana of Valmeeki is an Epic and much more. If any work can clam} to be the Bible of the Hindus, it is the Ramayana of Valmeeki. Professor MacDonell, the latest writer on Samskritha Literature, says : " The Epic contains the following verse foretelling its everlasting fame * As long as moynfain ranges stand And rivers flow upon the earth, So long will this Ramayana Survive upon the lips of men. This prophecy has been perhaps even more abundantly fulfilled than the well-known prediction of Horace. No pro- duct of Sanskrit Literature has enjoyed a greater popularity in India down to the present day than the Ramayana. Its story furnishes the subject of many other Sanskrit poems as well as plays and still delights, from the lips* of reciters, the hearts of the myriads of the Indian people, as at the 11 PREFACE great annual Rama-festival held at Benares.
    [Show full text]
  • Sathya Sai Speaks, Volume 3
    3. Ask For Me oday, you had the nectar of Ramayana from these two pandits. They spoke with genuine joy when they di- Tlated on the incidents of the Ramayana. One of them selected today the hospitality shown to Bharatha and his retinue by the sage Bharadwaja and how Bharatha reacted to it. The other Sastry, who generally talks on other topics, was persuaded this evening to select Narada’s description of the qualities of Rama to Valmiki as the theme of his talk. Remembrance of Rama’s name (Ramanama) is so sweet that I could see all of you relishing these talks. If a man talks about Rama without himself being inspired by the glory of the Lord, it sounds hollow; it is of no benefit; it is like the image of a table heavy with edible dishes seen inside a mirror — the dishes in the mirror will fill no hungry stomach. No language can picture the actual bliss that the Name can confer; words can at best delineate only an atom of that joy. People come into the world burdened with delusion (maya) and its instrument, the mind. The mind expresses itself through attraction and repulsion, affection and hatred (raga and dwesha) toward the external world. Affec- tion is passionate (rajasic) in its effect; it can be used for one’s uplift, as Narada used it to fix attention on the Lord. Hatred is negativistic (thamasic), as Durvasa expressed it in his dealings with Ambarisha and others. With- out affection and hatred, the mind cannot function at all.
    [Show full text]
  • Bhagavata Purana
    Bhagavata Purana abridged translation by Parama Karuna Devi new edition 2021 Copyright © 2016 Parama Karuna Devi All rights reserved. ISBN: 9798530643811 published by Jagannatha Vallabha Vedic Research Center E-mail: [email protected] Blog: www.jagannathavallabhavedicresearch.wordpress.com Website: www.jagannathavallabha.com Correspondence address: Jagannatha Vallabha Vedic Research Center At Piteipur, P/O Alasana, PS Chandanpur, 752012 Dist. Puri Orissa, India Table of Contents Preface 5 The questions of the sages 7 The teachings of Sukadeva on yoga 18 Conversation between Maitreya and Vidura 27 The story of Varaha 34 The teachings of Kapila 39 The sacrifice of Daksha 56 The story of Dhruva 65 The story of king Prithu 71 The parable of Puranjana 82 The story of Rishabha 90 The story of Jada Bharata 97 The structure of the universe 106 The story of Ajamila 124 The descendants of Daksha 128 Indra and Vritrasura 134 Diti decides to kill Indra 143 The story of Prahlada 148 The varnashrama dharma system 155 The story of Gajendra 163 The nectar of immortality 168 The story of Vamana 179 The descendants of Sraddhadeva Manu 186 The story of Ambarisha 194 The descendants of Ikshvaku 199 The story of Rama 206 The dynastyof the Moon 213 Parama Karuna Devi The advent of Krishna 233 Krishna in the house of Nanda 245 The gopis fall in love with Krishna 263 Krishna dances with the gopis 276 Krishna kills more Asuras 281 Krishna goes to Mathura 286 Krishna builds the city of Dvaraka 299 Krishna marries Rukmini 305 The other wives of Krishna 311 The
    [Show full text]
  • Shrî Râma Chandra
    f Californi. Regional Facility T-t; .^ THE LIBRARY OF THE UNIVERSITY OF CALIFORNIA LOS ANGELES ^^-^-<~-cJu^ J^^^-^^^-o^--^ — rntLA^dl^ i c -^ I Qo i2_^ bif soi.K i,i-:ssi-:i-:s Qi i:i:x's iiAi.i., .Mi;sNi«s. ciiAi'i'i-;!.!. & <ri. i.AN<;iiA.M I'l. v< i;. i.o.Mio.N. ^v . i. H'XDAv i:vi:Nix(is vi 7 June 13, 20, 27, July 4. Dr. Annie Besant "THE COMINcG OF THE WORLD TEACHERS' as §eee Ib^y Aeciieet aed Mo-dlea'e Centrat. Hindu College LECTunKS. TI . SHRl RAMA CHANDRA THE IDE^L KING. SOME LESSONS FROM THE RAmIYANA FOR THE USE OF HINDU STUDENTS IN THE SCHOOLS OF INDIA • BY ANNIE BESANT, F. T. S. From Notes of Lectures Originally Delivered AT THE Central Hindu College, Benares. Benares and London. Theosophical Publishing Society. I80i. Printed by Freeman & Co., Lti>., AT THE Taea Printing Works, Belnares. 3653 CONTENTS. Chapter I. Introduction. Chapter II. Youth and Marriage, Chapter III. Forest for Throne. Chapter IV. Brotherly Love. Chapter V. The Carrying off of SItA. Chapter VI. SIta's Faith. Chapter VII. Struggle. Chapter VIII. Triumph. 829275 SHRt RAMA CHANDRA, The Ideal King. CHAPTER I. Introduction. " Two years ago we were studying together one of the greatest books in the world," the Mahd' bhdrata. Now we are going to study the second great epic poem of India, the Rdmdyana. These two books stand out from the rest of Indian literature in a very marked way. The Vedas, the Institutes of Manu, are the great authorities for the learned, and only through the learned for the mass of the people.
    [Show full text]
  • Maa Durga Temple, Auckland, NZ Monthly Newsletter
    May 2016 Issue #17 Maa Durga Temple, Auckland, NZ Monthly Newsletter May 2016 – Events and Festival dates (Please confirm exact date and time with Panditji) WEEKLY PROGRAMS AT THE TEMPLE(4/3 Onslow Avenue, Papatoetoe, Auckland) Temple Timings: Tuesday: 9am to 12.00 am and RAM KATHA, HANUMAN CHALISA, AARTI AND MAHA 5pm to 8.00pm PRASAD. Panditji: Tel. 09 2798108 Friday: Sahastra Naam Pooja, PRAVACHAN, HANUMAN FREE HINDI CLASS EVERY SUNDAY FROM CHALISA AND DURGA CHALISA 10.30AM & MUSIC CLASSES ON MONDAYS Saturday: MATA RANI CHOWKI or BHAJAN SANDHYA FROM 5PM AT TEMPLE CONTACT TEL. 09 FOLLOWED BY AARTI AND MAHA PRASAD 2798108 April Highlights at the Temple that the holy river Ganga was reborn. Ganga Saptami is considered as an occasion where river From 8th till 16th Chaitra Navratri was celebrated at Ganga is worshipped with full devotion. In India the Temple. There was Ram Katha, pooja, aarti lot of dedication and devotion is shown to Ganga and maha Prasad on all days. Many devotees Ji. There are many stories about the magnificence participated in the festival. Please check out the and importance of Ganga ji. One legend is that photos and videos posted on our facebook page. Ganga ji is born due to sweat of God Vishnu’s feet, another legend is that Ganga Ji was born from May Festival Details: Kamandal of Lord Brahma.There is one more Surdas Jayanti 2016 - May 11: story about the origin of Ganga that Bali was Surdas Jayanti commemorates the birthday of killed by Lord Vishnu. Then Lord Brahma cleaned saint Surdas who was blind.
    [Show full text]
  • The Ramayana by R.K. Narayan
    Table of Contents About the Author Title Page Copyright Page Introduction Dedication Chapter 1 - RAMA’S INITIATION Chapter 2 - THE WEDDING Chapter 3 - TWO PROMISES REVIVED Chapter 4 - ENCOUNTERS IN EXILE Chapter 5 - THE GRAND TORMENTOR Chapter 6 - VALI Chapter 7 - WHEN THE RAINS CEASE Chapter 8 - MEMENTO FROM RAMA Chapter 9 - RAVANA IN COUNCIL Chapter 10 - ACROSS THE OCEAN Chapter 11 - THE SIEGE OF LANKA Chapter 12 - RAMA AND RAVANA IN BATTLE Chapter 13 - INTERLUDE Chapter 14 - THE CORONATION Epilogue Glossary THE RAMAYANA R. K. NARAYAN was born on October 10, 1906, in Madras, South India, and educated there and at Maharaja’s College in Mysore. His first novel, Swami and Friends (1935), and its successor, The Bachelor of Arts (1937), are both set in the fictional territory of Malgudi, of which John Updike wrote, “Few writers since Dickens can match the effect of colorful teeming that Narayan’s fictional city of Malgudi conveys; its population is as sharply chiseled as a temple frieze, and as endless, with always, one feels, more characters round the corner.” Narayan wrote many more novels set in Malgudi, including The English Teacher (1945), The Financial Expert (1952), and The Guide (1958), which won him the Sahitya Akademi (India’s National Academy of Letters) Award, his country’s highest honor. His collections of short fiction include A Horse and Two Goats, Malgudi Days, and Under the Banyan Tree. Graham Greene, Narayan’s friend and literary champion, said, “He has offered me a second home. Without him I could never have known what it is like to be Indian.” Narayan’s fiction earned him comparisons to the work of writers including Anton Chekhov, William Faulkner, O.
    [Show full text]
  • DECEMBER 2008 S a N a T H a N a S a R a T H I Devoted to the Moral and Spiritual Uplift of Humanity Through SATHYA DHARMA SANTHI PREMA AHIMSA
    DECEMBER 2008 S a n a t h a n a S a r a t h i Devoted to the Moral and Spiritual Uplift of Humanity through SATHYA DHARMA SANTHI PREMA AHIMSA Vol: 51 Issue No. 12 Date of Publication: 1st December DECEMBER 2008 “We should exercise our discrimination to know what is good and what is bad. In the © Sri Sathya Sai Books and Publications Trust, same way, we should accept what is good in Prasanthi Nilayam Printed and Published by society and discard all that is bad. Even if K.S. RAJAN somebody has done harm to us, we should on behalf of the owner, Sri Sathya Sai do good to him. We should help even those Books and Publications Trust, Prasanthi Nilayam 515 134, who have harmed us and done injustice to Anantapur District (A.P.), Printed at M/s Rajhans Enterprises, us. They might sometimes show certain 136, 4th Main Road, Industrial Town, Rajaji Nagar, Bangalore - 560 044, Karnataka. bad qualities due to their selfishness, but we Published at Prasanthi Nilayam 515 134. E-mail: [email protected] should always think good of them.” [email protected] For Audio Visual / Book Orders: orders@ sssbpt.org ISD Code : 0091 STD Code : 08555 Telephone : 287375 Sri Sathya Sai Central Trust Telefax : 287390 C O N T E N T S General enquiry : 287164 Sri Sathya Sai University - Administrative Office : 287191 / 287239 Sri Sathya Sai Higher Unity is what Bharat Needs Most .................365 Secondary School : 287522 Sri Sathya Sai Bhagavan’s Birthday Message Primary School : 287237 SSSIHMS, Prasanthigram, Sahasra Poorna Chandra Darshana Puttaparthi : 287388 SSSIHMS, Whitefield, Santhi Celebrations ........................................372 Bangalore : 080 28411500 A Report Annual Subscription acceptable for 1, 2 or 3 years.
    [Show full text]
  • Sundara Kãnda - Hanuman’S Odyssey by BS Murthy
    Sundara Kãnda - Hanuman’s Odyssey By BS Murthy If Mahabharata's Bhagvad-Gita is taken as a philosophical guide, Ramayana's Sundara Kãnda is sought for spiritual solace. What is more, many believe that reading Sundara Kãnda or hearing it recited would remove all hurdles and usher in good tidings! Well miracles apart, it's in the nature of Sundara Kãnda to inculcate fortitude and generate hope in one and all. After all, isn't it a depiction of how Hanuman goes about his errand against all odds! Again, won't it portray how Seetha, on the verge of self-immolation, overcomes despair to see life in a new light? Besides, how Hanuman's Odyssey paves the way for Rama to rescue his kidnapped wife! One is bound to be charmed by the rhythm of the verse and the flow of the narrative in this sloka to sloka transcreation of Valmiki's adi kavya - the foremost poetical composition in the world. After all, it was the saga of Rama that inspired Valmiki the barbarian to spiritualize the same as Ramayana in classical Sanskrit! Canto 1 - Hurdles in Skies Egged on by peers Vayu’s son Enshrined by man as Hanuman Enthused himself to shoulder Search of Seetha, Rama’s spouse Snared whom Ravan to Lanka Sea across that hundred leagues. With his head then held so high Gained he size for task on hand. On that Mahendra mountain then Colossus like he sauntered there. Uprooted were trees all those Brushed as with his chest that strong. Varied hues of elements there Made that mountain resplendent.
    [Show full text]
  • Ramayan Ki Kathayen, Pandemic and the Hindu Way of Life and the Contribution of Hindu Women, Amongst Others
    Hindu Sevika Samiti (UK) Mahila Shibir 2020 East and South Midlands Vibhag FOREWORD INSPIRING AND UNPRECEDENTED INITIATIVE In an era of mass consumerism - not only of material goods - but of information, where society continues to be led by dominant and parochial ideas, the struggle to make our stories heard, has been limited. But the tides are slowly turning and is being led by the collaborative strength of empowered Hindu women from within our community. The Covid-19 pandemic has at once forced us to cancel our core programs - which for decades had brought us together to pursue our mission to develop value-based leaders - but also allowed us the opportunity to collaborate in other, more innovative ways. It gives me immense pride that Hindu Sevika Samiti (UK) have set a new precedent for the trajectory of our work. As a follow up to the successful Mahila Shibirs in seven vibhags attended by over 500 participants, 342 Mahila sevikas came together to write 411 articles on seven different topics which will be presented in the form of seven e-books. I am very delighted to launch this collection which explores topics such as: The uniqueness of Bharat, Ramayan ki Kathayen, Pandemic and the Hindu way of life and The contribution of Hindu women, amongst others. From writing to editing, content checking to proofreading, the entire project was conducted by our Sevikas. This project has revealed hidden talents of many mahilas in writing essays and articles. We hope that these skills are further encouraged and nurtured to become good writers which our community badly lacks.
    [Show full text]