DOCSLIB.ORG

Scriptware Script LEGEND.SW3

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

THEMYSCIRA: LEGEND OF THE AMAZONS .1 EXT. GREEK PALACE - DAY A beautiful Greek City fills the screen. A Majestic Palace in the background surrounded by immaculate stone and marble buildings. FEMALE NARRATOR (V.O.) There was once a beautiful City named THEMYSCIRA, by the edge of a river called THERMODON. Several tall and beautiful women, wearing peplos of various colors. Several are simply chatting amongst themselves by a beautiful flowered fountain. FEMALE NARRATOR (V.O.) (continuing) Inhabited by a civilization of warrior women known as AMAZONS. Powerful and mighty were they. Several fully dressed guards, are gathered around a training session. Two Amazon women are in the middle of a marked circle in the dirt. FEMALE NARRATOR (V.O.) (continuing) Skilled were they in the art of battle and combat. Skilled and feared. The practice fight between the two Amazons is fierce, deadly, but controlled. FEMALE NARRATOR (V.O.) (continuing) So feared were they by man. HERODOTUS called them Androktones , "killers of Men." One of the combatants uses a powerful maneuver and overcomes her adversary. She falls as the other is about to deliver a death blow, then stops. FEMALE NARRATOR (V.O.) (continuing) They were led by two noble Queens... The victor removes her helmet to reveal. A tall beauty of flaming red hair. She smiles as she extends her hand to help her fallen comrade. FEMALE NARRATOR (V.O.) (continuing) QUEEN ANTIOPE, a fierce warrior and General of the armies... THEMYSCIRA: LEGEND OF THE AMAZONS .2 INT. GREEK PALACE - CONTINUING Inside the palace a man servant leaves a tray of fruits on a marbled pedestal. EXT. GREEK PALACE/BALCONY - CONTINUING Standing in the balcony facing the courtyard, a tall beautiful woman, with flowing, curly, long dark hair. Dressed in a long beautiful soft white silk dress, watches out to the citizens below. FEMALE NARRATOR (V.O.) And QUEEN HIPPOLYTA, ruler of Themyscira. A kind and gentle woman who pursued diplomacy before war. We notice she is wearing a GIRDLE made of GOLD. Queen Hippolyta turns when the doors behind her open to reveal... INT. GREEK PALACE - CONTINUING A strong, muscled, bearded, wearing a flowing cape of red and a RED PLUMED TROJAN HELMET. FEMALE NARRATOR (V.O.) One day she received a visit from her lover and inamorato. ARES THE GOD OF WAR... Ares removes his helmet upon entering the chamber, and drops to one knee in sign of respect. FEMALE NARRATOR (V.O.) (continuing) Men were not permitted to set foot upon their lands. Only as slaves and servants or unless called upon to render service. Hippolyta rushes to his side with a smile. FEMALE NARRATOR (V.O.) (continuing) But that night.... INT. HIPPOLYTA'S BED CHAMBER - NIGHT The room is lit by candles, as they lay in bed making love. FEMALE NARRATOR (V.O.) Ares seduction had another agenda in mind. THEMYSCIRA: LEGEND OF THE AMAZONS .3 While kissing Queen Hippolyta, his hand reaches out and drops a liquid into her drink. A goblet made of pure gold, as he picks it up and gently passes it to her. We see the goblet slip onto the marbled floor, as her hand goes limp. FEMALE NARRATOR (V.O.) (continuing) His purpose was to take back the Golden Girdle of Gaea he himself had given to Queen Hippolyta. Ares is standing by her dresser as he takes the Golden Girdle in his hands. FEMALE NARRATOR (V.O.) (continuing) For it had the power to enhance their strength and heighten their abilities. But, it would also lead its wearer into insanity if worn for an extended period of time. EXT. GREEK PALACE - MORNING Outside the main steps of the Palace, Ares soldiers surround the Amazons. Queen Antiope stands in front of the Amazons sword ready. FEMALE NARRATOR (V.O.) With the assistance of Herakles. Ares threatened to spill the blood of Queen Hippolyta if they did not surrender to them unconditionally. HERAKLES has Queen Hippolyta in chains, his sword across her neck. Ares is standing on the other side of her. Queen Hippolyta looks extremely saddened by the betrayal. Queen Antiope drops her sword. INT. DUNGEON - AFTERNOON We see several of the Amazons locked away. A metal worker puts the final touches on iron shackles on the wrist of Queen Hippolyta. FEMALE NARRATOR (V.O.) They were shackled and imprisoned. Queen Hippolyta is standing in her cell, she looks across towards Queen Antiope in another cell. THEMYSCIRA: LEGEND OF THE AMAZONS .4 FEMALE NARRATOR (V.O.) (continuing) Some of the Amazons were taken away to be used by Ares soldiers. Queen Hippolyta tries hopelessly to reach out to one of the Amazons being taken forcibly away by two soldiers. Queen Hippolyta alone, in tears behind her cell bars. Her outreached hand uselessly extended in front of her. INT. DUNGEON/CELL - NIGHT Queen Hippolyta is praying in one corner. FEMALE NARRATOR (V.O.) One night after many days of prayer. Queen Hippolyta is visited upon by the GODDESS APHRODITE. Whom saw the love and sadness Queen Hippolyta had for her Sisters. A Beautiful Blonde haired woman appears in front of Queen Hippolyta in the form of a glowing spirit. FEMALE NARRATOR (V.O.) (continuing) The Goddess offered them their freedom on the condition that they leave the land of men and under no circumstance should the blood of man be shed. Queen Hippolyta listens intently, and then nods as she bows her head down. She brings the iron shackles up towards The Goddess Aphrodite. FEMALE NARRATOR (V.O.) (continuing) Queen Hippolyta agreed. The chains on the bracelets dissolve, leaving the bracelets still on. The cell doors all mysteriously open. FEMALE NARRATOR (V.O.) (continuing) But Queen Antiope's heart was so filled with rage. Hippolyta turns to see Queen Antiope in the open doorway. Queen Antipoe rubs her bracelets as she looks down to her arms, then looks up towards Queen Hippolyta. THEMYSCIRA: LEGEND OF THE AMAZONS .5 FEMALE NARRATOR (V.O.) (continuing) She disobeyed the condition set upon them by The Goddess Aphrodite. EXT. GREEK PALACE - CONTINUING Antiope has her armor and sword, as she strikes down one of Ares soldiers. FEMALE NARRATOR (V.O.) And took it upon her to kill her captors, as she led a handful of her Sisters and slaughtered every single man that had been left to guard the city. We see men one by one being cut down by the Amazon women. An Amazon warrior with blood splatter walks up to Queen Hippolyta and drops to one knee and extends to her the Golden Girdle taken from the palace. FEMALE NARRATOR (V.O.) (continuing) Her Golden Girdle, found by a blood spattered warrior, was returned. Both Ares and Herakles had left the city and were not aware of the events that had unfolded. Hippolyta takes the Golden Girdle, a sad look crosses her features. The Goddess Aphrodite appears to the Amazons, as they all quickly drop to their knees. FEMALE NARRATOR (V.O.) (continuing) The Goddess Aphrodite forgave the Amazons for disobeying her. But as punishment for their cruel savagery, the bracelets shall remain on them for all eternity, as a reminder of their captivity. All of the bracelets turn into a solid color of gold. Antiope gives Hippolyta a look pleading with her eyes. THEMYSCIRA: LEGEND OF THE AMAZONS .6 FEMALE NARRATOR (V.O.) (continuing) Antiope pleaded with Hippolyta, to beg Aphrodite to remove the bracelets. Queen Hippolyta simply looks at her and sadly turns away. FEMALE NARRATOR (V.O.) (continuing) But The Queen refused and accepted their punishment from The Goddess Aphrodite. We see the sun about to come up, as the Amazons are in an ancient Greek Warship. FEMALE NARRATOR (V.O.) (continuing) They commanded a vessel. In the bow of the vessel stands Queen Hippolyta, along side her is EPIONE the healer. In the aft of the vessel, Queen Antiope watches the city disappear in the distance. FEMALE NARRATOR (V.O.) (continuing) Leaving the land of men, never to be heard of, or seen from again. As it sails away towards the horizon. EXT. SKY - PRESENT DAY A C-23 Military cargo plane travels south towards Guantanamo Bay. The sky looks dark and foreboding. INT. C-23 PLANE - CONTINUING In the cargo area there are about twelve men secured to the floor plates in handcuffs and chains, all of them have hoods over their heads. Watching over them are eight soldiers. Five of them are relaxing, as the other three are armed and are keeping watch. There are several crates within the aircraft braced in the back, to the right of the cockpit. INT. C-23 PLANE/COCKPIT - CONTINUING Commandeering the aircraft is COLONEL STEVE ROCKWELL TREVOR, his headphones rest on his shoulders. To his right, CAPTAIN LYLE HOWARD. THEMYSCIRA: LEGEND OF THE AMAZONS .7 Captain Howard glances upwards towards the sky. CAPTAIN HOWARD I hate flying in this weather. We're expecting another storm front moving in from the East. STEVE (glancing over to Captain Howard) Can't wait to get these boys to Guantanamo Bay, refuel and ask permission to go to the old Ramey Air Force Base if weather permits it. CAPTAIN HOWARD I can't believe we no longer have any military bases in P.R. That was such a sweet R and R. STEVE I hear you LYLE. At least the Coast Guard there is nice enough to accommodate us. CAPTAIN HOWARD Yep, they have room for the C- 130's that fly in from Florida. They'll have plenty of room for us little guys. STEVE Us? CAPTAIN HOWARD With the Colonel's permission, I'd like to tag along Sir.
Recommended publications
  • The Amazon Myth in Western Literature. Bruce Robert Magee Louisiana State University and Agricultural & Mechanical College

    The Amazon Myth in Western Literature. Bruce Robert Magee Louisiana State University and Agricultural & Mechanical College

    Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1996 The Amazon Myth in Western Literature. Bruce Robert Magee Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Magee, Bruce Robert, "The Amazon Myth in Western Literature." (1996). LSU Historical Dissertations and Theses. 6262. https://digitalcommons.lsu.edu/gradschool_disstheses/6262 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the tmct directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter 6ce, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely afreet reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps.
  • SPECIAL TOURS MYTHOLOGY Gallery of Greek and Roman Casts

    SPECIAL TOURS MYTHOLOGY Gallery of Greek and Roman Casts

    SPECIAL TOURS MYTHOLOGY Gallery of Greek and Roman Casts Battle of the Greeks and Amazons Temple of Apollo at Phigaleia (Bassai) Greek, late 5th c. B.C. The Mausoleion at Halikarnassos Greek, ca. 360-340 B.C. Myth: The Amazons lived in the northern limits of the known world. They were warrior women who fought from horseback usually with bow and arrows, but also with axe and spear. Their shields were crescent shaped. They destroyed the right breast of young Amazons, to facilitate use of the bow. The Attic hero Theseus had joined Herakles on his expedition against them and received the Amazon Antiope (or Hippolyta) as his share of the spoils of war. In revenge, the Amazons invaded Attica. In the subsequent battle Antiope was killed. This battle was represented in a number of works, notably the metopes of the Parthenon and the shield of the Athena Parthenos, the great cult statue by Pheidias that stood in the Parthenon. Symbolically, the battle represents the triumph of civilization over barbarism. Battle of the Gods and Giants Altar of Zeus and Athena, Pergamon (Zeus battling Giants) Greek, ca. 180 B.C. Myth: The giants, born of Earth, threatened Zeus and the other gods, and a fierce struggle ensued, the so-called Gigantomachy, or battle of the gods and giants. The giants were defeated and imprisoned below the earth. This section of the frieze from the altar shows Zeus battling three giants. The myth may reflect an event of prehistory, the arrival ca. 2000 B.C. of Greek- speaking invaders, who brought with them their own gods, whose chief god was Zeus.
  • Theseus Aegeus = Aethra

    Theseus Aegeus = Aethra

    The Athenians Cecrops • Born of the soil – Autochthonous • Man with the body of a serpent • First king of Attica • Married Agraulus, daughter of Actaeus Competition for the City • Gods to assign cities to themselves • Poseidon and Athena both want Attica • Poseidon: – Offers a salt water spring • Athena: – Offers Cecrops an olive tree – Athena wins, and the city is called Athens Cranaus • Cecrops died without a male heir • Cranaus succeeded – At the time of the flood of Deucalion – He was the most powerful Athenian – Also autochthonous – Deposed by his son-in-law, Amphictyon Deucalion = Pyrrha Cranaus Amphictyon = Cranae • Amphictyon ruled 12 years • ‘Amphictyon’ means “neighbour” – Amphictyonic Councils • Overthrown by Erichthonius Erichthonius • Athena wanted new armour • Hephaestus fell in love with Athena – Tried to force himself on her but she repelled him – He ejaculated and the semen fell to the Acropolis • Erichthonius sprung from the soil Athena Scorning the Advances of Hephaestus Paris Bordon ca. 1550 Erichthonius • Overthrew Amphictyon • Established the Panathenaea • Placed the wooden Athena on the Acropolis. – The Palladium of Athens – Athena Polias (Protector of the City) Erichthonius = Praxithea Pandion = Zeuxippe Erechtheus Philomela Butes Procne • This lineage, presented by Apollodorus, starts the debate. • Are Erichthonius and Erechtheus the same? • Does this version represent two myths combined? • Under Erechtheus, Athens conquered Eleusis • Butes was priest of Athena and founder of the Eteobutadae Family The Polias Priestess
  • Feminine Narrative and Agency in Wonder Woman Mikala Carpenter

    Feminine Narrative and Agency in Wonder Woman Mikala Carpenter

    Eastern Michigan University DigitalCommons@EMU Master's Theses, and Doctoral Dissertations, and Master's Theses and Doctoral Dissertations Graduate Capstone Projects 2018 Sculpted from clay, shaped by power: Feminine narrative and agency in Wonder Woman Mikala Carpenter Follow this and additional works at: http://commons.emich.edu/theses Part of the Children's and Young Adult Literature Commons, and the Feminist, Gender, and Sexuality Studies Commons Recommended Citation Carpenter, Mikala, "Sculpted from clay, shaped by power: Feminine narrative and agency in Wonder Woman" (2018). Master's Theses and Doctoral Dissertations. 893. http://commons.emich.edu/theses/893 This Open Access Thesis is brought to you for free and open access by the Master's Theses, and Doctoral Dissertations, and Graduate Capstone Projects at DigitalCommons@EMU. It has been accepted for inclusion in Master's Theses and Doctoral Dissertations by an authorized administrator of DigitalCommons@EMU. For more information, please contact [email protected]. Sculpted from Clay, Shaped by Power: Feminine Narrative and Agency in Wonder Woman by Mikala Carpenter Thesis Submitted to the Department of English Language and Literature Eastern Michigan University in partial fulfillment of the requirements for the degree of MASTER OF ARTS in Children’s Literature Thesis Committee: Annette Wannamaker, PhD, Chair Amanda Allen, PhD, Second Reader 15 March 2018 Ypsilanti, Michigan Carpenter ii To the wonder women in my life who have loved me, who have challenged me, who have made me stronger, brighter, better. Carpenter iii Acknowledgments In Wonder Woman Vol. 4 #40 (2015), Diana declares, “An Amazon looks for ways to empower her sisters … because their strength is hers.” The creation of this thesis project has only been accomplished with the same tenet in mind.
  • The Myth of the Amazons Maria Balla

    The Myth of the Amazons Maria Balla

    The myth of the Amazons Maria Balla SCHOOL OF HUMANITIES A thesis submitted for the degree of Master of Arts (MA) in Black Sea cultural Studies February 2017 Thessaloniki – Greece Student Name: Maria Balla SID: 2201140004 Supervisor: Prof. Manolis Manoledakis I hereby declare that the work submitted is mine and that where I have made use of another’s work, I have attributed the source(s) according to the Regulations set in the Student’s Handbook. 02/2017 Thessaloniki - Greece ABSTRACT This dissertation was written as part of the MA in Black Sea cultural Studies at the In- ternational Hellenic University. The aim of this paper is to analyze the different varia- tions and the most predominant versions of the myth of the Amazons and to present the basic mythological references of these wild warriors. Additionally, the individual mythological facts are described and the most famous figures of the Amazons are high- lighted. The individual characteristics that are presented bring into negotiation the dif- ferent aspects concerning the social, cultural and historical dimensions of the myth. This paper searches the reasons why this myth was created and why it became part of the Greek mythology and determines the value of the myth in general. It also presents clearly both the mythological status of the Amazons based on literary sources and the particular features of their existence in a wider context. On a second level, the figure of the Amazons is approached as a social and political phenomenon of the classical pe- riod and especially of the Athenian society. It examines the contribution of the social stereotypes of the era to the formation of the myth and the relationship with the xen- ophobic climate against the Persians.
  • Wonder Woman

    Wonder Woman

    WONDER WOMAN screenplay by Allan Heinberg story by Zack Snyder & Allan Heinberg and Jason Fuchs based on characters from DC Comics WONDER WOMAN created by William Moulton Marston This script is the confidential and proprietary property of Warner Bros. Pictures and no portion of it may be performed, distributed, reproduced, used, quoted or published without prior written permission. FINAL SHOOTING SCRIPT WARNER BROS. PICTURES INC. © 2017 4000 Warner Boulevard WARNER BROS. ENT. Burbank, California 91522 All Rights Reserved FADE IN: 1 EXT. THE EARTH (FROM SPACE) 1 The EARTH as seen from space, perfect and seemingly serene. DIANA (V.O.) I used to want to save the world... The distant SOUND OF TRIBAL DRUMS as we DESCEND planet- ward. CIRCLING the globe, CLOSER as the DRUMS BUILD. DIANA (V.O.) This beautiful place. LOUDER DRUMS SOARING OVER oceans and continents. CLOSER. DIANA (V.O.) But the closer you get, the more you see the great darkness simmering within. Finally, we arrive in PARIS, FRANCE. 2 EXT. LOUVRE MUSEUM (PARIS) - EARLY MORNING 2 The LOUVRE MUSEUM -- with its 16th-Century architecture and its I.M. Pei glass-and-metal PYRAMIDS -- a place where the past and the future meet. DIANA PRINCE (30), antiquities expert, strides towards the Louvre, passing ARMED MILITARY at guard and alert. DIANA (V.O.) And mankind? That’s another story altogether. A TRUCK pulls up, blocking our VIEW. ARMED SECURITY OFFICERS exit, unloading a CRATE from WAYNE ENTERPRISES addressed to DIANA PRINCE: CURATOR. 3 INT. LOUVRE MUSEUM - CORRIDOR - CONTINUOUS ACTION 3 Diana walks down a HALLWAY with Assyrian bas-relief sculptures showing the good, and the bad, of humanity throughout history.
  • The Labours of Heracles

    The Labours of Heracles

    The Fi~t Labour: The Nemean Lion . The First Labour which Eurfstheus imposed on Heracles, when he The Thl~d !;a?our: The Ceryneian Hind .. came to reside at Tiryns, was to kill and flay the Nemean, or Cleonaen H~racles s ~ hlrd Labour was to capture t?e C~rynelan Hmd, and lion, an enormous beast with a pelt proof agail,st iron, bronze, and bring her ahve from Oenoe to Mycenae. This swIft, dappled creature stone. had brazen hooves and golden horns like a stag, so that some call her . Arriving at Cleonae, between Corinth and Argos, Heracles lodged a .stag. She was sacred to Art~mis \vho, when only a child, saw five m the house o~ a day-l~bourer, or shepherd, named Molorchus, hInds, l.arge!than bulls, grazIng on the banks o~ the dark-pebbled whose son the hon had killed. When Molorchus was about to offer a Thessahan nver Anaurus at the foot of the Parrhaslan Mountains; the ram in propitiation of Hera, Heracles restrained him. 'Wait thirty sun twinkled on their horns. Running in pursuit, she caught four of day~: he said. 'If I return safely, sacrifice to Saviour Zeus; if I do not, them, one after the other, with her own hands, and harnessed them sacrifice to me as a hero!' . .. to.her chariot; .the fifth fled across the river Celadon to the Ceryneian Heraclesreache~ Nemea at midday, but SIncethe hon had HiIl- asHera Intended, already having Heracles's Labours in mind. depopulated the nelghbourhoo~, he found no one to direct him; nor Loth either to kill or wound the hind, Heracles performed this were any tracks to be seen.
  • [PDF]The Myths and Legends of Ancient Greece and Rome

    [PDF]The Myths and Legends of Ancient Greece and Rome

    The Myths & Legends of Ancient Greece and Rome E. M. Berens p q xMetaLibriy Copyright c 2009 MetaLibri Text in public domain. Some rights reserved. Please note that although the text of this ebook is in the public domain, this pdf edition is a copyrighted publication. Downloading of this book for private use and official government purposes is permitted and encouraged. Commercial use is protected by international copyright. Reprinting and electronic or other means of reproduction of this ebook or any part thereof requires the authorization of the publisher. Please cite as: Berens, E.M. The Myths and Legends of Ancient Greece and Rome. (Ed. S.M.Soares). MetaLibri, October 13, 2009, v1.0p. MetaLibri http://metalibri.wikidot.com [email protected] Amsterdam October 13, 2009 Contents List of Figures .................................... viii Preface .......................................... xi Part I. — MYTHS Introduction ....................................... 2 FIRST DYNASTY — ORIGIN OF THE WORLD Uranus and G (Clus and Terra)........................ 5 SECOND DYNASTY Cronus (Saturn).................................... 8 Rhea (Ops)....................................... 11 Division of the World ................................ 12 Theories as to the Origin of Man ......................... 13 THIRD DYNASTY — OLYMPIAN DIVINITIES ZEUS (Jupiter).................................... 17 Hera (Juno)...................................... 27 Pallas-Athene (Minerva).............................. 32 Themis .......................................... 37 Hestia
  • View Screenplay

    View Screenplay

    WONDER WOMAN LEGEND OF THE AMAZONS (Live-action) Screenplay by Curly Raphino Story by Curly Raphino Based on the DC Comics characters created by William Moulton Marston Copyright © 2012 by Curly Raphino Curly Raphino Registered, WGAw [email protected] 404-530-9693 1 FADE IN: INT. AMAZON BASILICA - NIGHT A dusty HARDCOVER BOOK with the title “BANA-MIGHDALL” imprinted on the cover is secretively pulled out of an unworldly vault and placed upon a lectern. A young woman’s hand touches the letters and it magically translates the title to “THE TEMPLE OF WOMEN.” She opens the book to reveal words written in Greek. Again, with the brush of her fingertips, the words change into English. DIANA (obscured by shadows) The Amazon’s sacred scriptures. This is sure to reveal some answers. She takes cover, as two Amazon guards pass by. Then she proceeds. DIANA (CONT’D) (reading from the book) When the world was young, Zeus created a notable race of all males mortals in a barbaric land, with hopes of regenerating worship of the Olympian gods. He called them Gargareans. FLASHBACK TO: EXT. GARGAREAN KINGDOM - DAY The sunrise sparkles over an exquisite, JEWEL-LIKE roof top, covering an incredible, STATE-OF-THE-ART 6th century PALACE. SUPER: SCYTHIA 530 BC STARK SOLDIERS dressed in Greco-Roman warrior attire march through a vast KINGDOM COMPOSED OF ONLY MEN. DIANA (V.O.) They were widely feared and unrivaled warriors, Led by an incomparable king -- Orpheus. * Curly Raphino * [email protected] * (404)530-9693 * 2 INT. GARGAREAN LAIR - DAY ORPHEUS, tall, bearded, strawberry blond hair, stands before a towering mirror, as he is being primped and dressed by two man-servants.
  • Euripides' Antiope and the Theban Trilogy by Julianna K. Will a Thesis

    Euripides' Antiope and the Theban Trilogy by Julianna K. Will a Thesis

    Euripides’ Antiope and the Theban Trilogy by Julianna K. Will A thesis submitted to the Graduate Program in Classics in conformity with the requirements for the Degree of Master of Arts. Queen’s University Kingston, Ontario, Canada April, 2015 Copyright © Julianna K. Will, 2015 Abstract This thesis is a discussion, reconstruction, and analysis of Euripides’ lost Antiope. Based on metrical studies which suggest a date much earlier than its usual date of 410 or 408 B.C., I specifically focus on the possibility that Antiope might be part of a larger Theban trilogy, produced together with Suppliant Women and one other play. I begin with a thorough look at the mythological material existing before Euripides’ version of the story, as well as the tragedy’s effect on later versions. From there I provide a translation of the existing fragments arranged in the order I believe they were written for the tragedy, and a reconstruction with discussion. The latter half of the thesis I devote to reading Antiope as part of a trilogy. I compare the similarities between the proposed Theban trilogy with the more firmly established Trojan trilogy, and I provide a discussion on Antiope and Suppliant Women, commenting on how reading the two plays together can drastically change an analysis of either. I conclude that even if Euripides did not have “trilogy” in mind when he wrote Antiope and Suppliant Women, the connection between the two tragedies is both too important and too subtle for them to have been produced in separate years and still have been appreciated by an ancient audience.

  • Amazons - Wikipedia, the Free Encyclopedia

    Amazons - Wikipedia, the free encyclopedia https://en.wikipedia.org/wiki/Amazons Amazons From Wikipedia, the free encyclopedia The Amazons (Greek: Ἀμαζόνες , Amazónes , singular Ἀμαζών , Amaz ōn), also known as Oiorpata in Iranian and Scythian, were believed to have been a nation of all-female warriors in Greek mythology and Classical antiquity. Herodotus placed them in a region bordering Scythia in Sarmatia (modern territory of Ukraine). Other historiographers place them in Anatolia,[1] or sometimes Libya.[2] Notable queens of the Amazons are Penthesilea, who participated in the Trojan War, and her sister Hippolyta, whose magical girdle, given to her by her father Ares, was the object of one of the labours of Hercules. Amazon warriors were often depicted in battle with Greek warriors in amazonomachies in classical art. The Amazons have become associated with many historical people throughout the Roman Empire period and Late Antiquity. In Roman historiography, there are various accounts of Amazon raids in Asia Minor. From the Early Modern period, their name has become a term for female warriors in general. Amazons were said to have founded the cities and temples of Smyrna, Sinope, Cyme, Gryne, Ephesus, Pitania, Wounded Amazon of the Capitol, Magnesia, Clete, Pygela, Latoreria and Amastris; according to legend Rome. the amazons also invented the cavalry.[3] Contents 1 Etymology 2 Origins 3 The myth 3.1 Lists 3.2 Hero cults 3.3 In art 4 In historiography 5 Medieval and Renaissance literature 6 Historical background 7 Archaeology 7.1 Scythians and Sarmatians 7.2 Minoan Crete 8 Modern legacy Amazon preparing for a battle (Queen 8.1 In literature Antiop or Armed Venus), by Pierre- 9 See also Eugène-Emile Hébert 1860 (National 10 References Gallery of Art, Washington, D.C.).
  • Hercules Is Wonder Woman's Father

    Hercules Is Wonder Woman's Father

    Hercules is Wonder Woman’s Father Diana’s Origin By Jesters Joker The Amazons of Themyscira are a race of immortal warrior women that live on the mystically hidden island known as Paradise Island. They were created by a coterie of Olympian gods over three thousand years ago as their messengers to the world in the name of peace and justice. The youngest and most powerful of the Amazons, Princess Diana would become to be known as Wonder Woman. This coterie of female goddess convened in the land of the Underworld. There, in the Cavern of Souls were kept the spirits of all women who had unjustly died at the hands of a man. The goddesses combined their powers to grant life to all of the souls. Through their magics, the goddesses formed thousands of super-humanly strong, adult female bodies from the clay bed of a lake in Greece, and imbued them with the spirits from the Well of Souls. The first such creature to emerge from the lake was dubbed Hippolyta who would become Queen of the Amazons. The second would be her sister Antiope. The goddesses decreed that the Amazons were to spread the message of Gaea, a message of peace, tolerance, and equality. As a symbol of their devotion, Hippolyta and Antiope were each given a Golden Girdle of Gaea which are equal to a Crown and Sceptre and had mystical powers that enhanced their strength and abilities significantly. The Amazons eventually founded the city of Themyscira in Anatolia and became known as fierce warriors of peace in Turkey, Greece and Rome.