MICK KARN PIC BY STEVE RAPPORT t- 2 July 24," 1982 ,

~ ... "~ ~~ sg Week·ending July 24, 1982 ~~ 5~ ~~ 1 1· 4 FAME, Irene Cara, RSO 0

2 7 4 DA DA DA, Trio, Mobile Suit Corp/Phonogram 3 2 6 ABRACADABRA, The Steve Miller Band, Mercury/Phonogram 4 9 4 SHY BOY, Bananarama, +5 24 2 DON'T GO, Yazoo, Mute •6 DRIVING MY CAR, Madness, Stiff Buy 153 AS USED ON 7 5 7 A NIGHT TO REMEMBER, Shalamar, Solar TOP OF THE POPS 8 12 3 IT STARTED WITH A KISS, Hot Chocolate, Rak •9 31 4 COME ON EILEEN, Dexys Midnight Runners & The Emerald Express, Mercury/Phonogram 10 4 7 INSIDE OUT, Odyssey, RCA

11 8 6 NOW THOSE DAYS ARE GONE, Bucks Fizz, RCA 12 6 5 MUSIC AND LIGHTS, Imagination, R&B 13 14 5 . NIGHT TRAIN, Visage, Polydor 14 20 4 , Japan, Virgin 15 10 8 IKO IKO, Natasha, Towerbell 16 3 5 HAPPY TALK, , A&M 0 +17 35 2 THE ONLY WAY OUT, Cliff Richard, EMI 18 13 6 MURPHY'S LAW, Cheri, Polydor 19 11 7 NO REGRETS, , Chrysalis 20 28 5 ME AND MY GIRL (NIGHTCLUBBING), David Essex, Mercury/Phonogram

21 26 6 VIDEOTHEQUE, Dollar, WEA 22 23 6 HEART (STOP BEATING IN TIME), Leo Sayer, Chrysalis 23 21 6 FREEBIRD, Lynyrd Skynyrd, MCA 24 15 4 FOR THOSE ABOUT TO ROCK (WE SALUTE YOU), AC/DC, Mantic 25 30 4 TAKE IT AWAY, Paul McCartney, Partophone +26 STOOL PIGEON, Kid Creole & The Coconuts, Ze/lsland 27 18 8 BEATLES MOVIE MEDLEY, The Beatles, Pariophone 28 37 3 TOO LATE , Junior, Mercury/Phonogram 29 19 7 LAS PALABRAS DE AMOR, Queen, EMI 30 36 3 CHALK DUST - THE UMPIRE STRIKES BACK, The Brat, Hansa

31 33 5 ROCK THE CASBAH, , CBS 32 38 3 LOVE IS IN CONTROL (FINGER ON THE TRIGGER), Donna Summer, Warner Bros 33 16 4 JUST WHO IS THE FIVE O'CLOCK HERO, The Jam, Polydor · 34 22 11 l'VE NEVER BEEN TO ME, Charlene, Motown 0 ~35 STRANGE LITTLE GIRL, The Stranglers, Liberty BP412 BUBBLING UNDER +36 66 2 THE CLAPPING SONG, The Belle Stars, Stiff e l'M AFRAID OF ME, Cuhure Club, Virgin 37 17 9 WORK THAT BODY, , Capitol ·• ALWAYS ON MY MIND, WIiiie Nelson, CBS A2511 vs 509 38 43 2 NIGHTS IN WHITE SATIN, Elkie Brooks, A&M e BEACH BOY GOLD PART II, Gldu Park • KEEP ON, " D" Train, Epic/Prelude EPC 56 2 ARTHUR DALEY ('E'S ALRIGHT), The Firm, fea1ur1ng Adrian Baker, Polo 22 A2543 Bask/Stiff e CAN'T TAKE MY EYES OFF YOU, Boys • LOUIS QUATORZE, Bow Wow Wow, Town Gang, E.RC 101 RCA 263 e CLAP YOUR HANDS, Rock Sharpe & The e LOVE MY WAY, The Psychedelic Fu"', 40 39 3 I WAS·TIRED OF BEING ALONE, Patrice Replays, Rak 345 CBS A2549 Rushen, Elektra e DA DA DA (I DON'T LOVE YOU, YOU e LOVE ON A SUMMER NIGHT, The 3 HURRY HOME, Wavelength, Ariola DON'T LOVE ME), Martin Judd, Alter McCrarys, capttol CL 251 THE HANGING GARDEN, The Cure, Houra AFT 04 e LOVE HAS BEEN A UTT\.E HARD ON • EYE OF THE TIGER, Survivor, Scotti ME, Juice Newton, Capitol CL 248 Foction FIC 15 Bro1hen, SCT A2411 e MACHINERY, ShNna Easton, EMI 5326 43 27 \1 HUNGRY LIKE THE WOLF, , EMI • HAPPY HOUR, Deodato, Warner Bros e ONLY THE LONELY, Prelude, Alter 44 40 3 THE BIG BEAN, Plgbag, Y Records - K17960 Hou"' AFT 06 45 42 3 LOVELY MONEY, The Damned, Bronze • HOLD ME, Fleetwood Mac, wa.-- Bros e RUN AWAY, 10CC, Mercury/Phonogram K17115 ' MER 113 •46 67 2 MARGATE, Chas And Dave, Rockney e HURTS SO GOOD, John Cougar, Riva 36 • RUN LIKE HELL, "-ter & The Tm Tube 47 48 4 HEAT OF THE MOMENT, Asia, Geffen e IF YOU KNEW SOUSA (AND FRIENDS), Bablff, No Future 0115 48 52 3 POSTMAN PAT, Ken Barrie, Post Music Louis Clark Conducting The Royal e SENSmVE, Mick Kam, Virgin VS508 49 TODAY, Talk Talk, EMI5314 Phllhannonlc Orchestra, RCA • THANKS TO YOU, Slnnamon, PRT BKS 3 e IF YOU WANT MY LOVE, ChND Trick, e WHAM RAP, Wham, Inner Vision IV 50 25 11 l'M A WONDERFUL THING BABY, Kid Creole & Epic EPC A2406 ~442 The Coconuts, Ze/lsland

51 48 3 PL.A YTHING, Unx. Chrysalis- 52 50 LOVE HAS FOUND ITS WAY, Dennis Brown, M.M 53 '9 RENDEZVOUS, Tyge,s Of Pan Tang, MCA FLA SHBA CK11111111111111111111111111111111111111111111111111111111111111111111111111111111111111 •54 75 IEYA. Toyah, Sefarl 55 51 TINY CHtLOAEN, The Teardrop Elq:)kxlN:, Morwry1r-nonogrem .. WAA CHILD, Blondie, Chrysais CHS 2624 57 2t AVALON, Roxy Mu9lc, EG (Polydor) •58 74 RED SKIES, The Focx, MCA st M SOUL DEEP, Gary US Bonds. EMI 80 81 -ODY MADE ME, Randy Edelman, Aodcot/Phonognlm- July 16, 1977 July 15, 1972 July 15, 1967 1 SO YOU WIN AGAIN, Hot 1 PUPPY LOVE, Donny 1 A WHITER SHADE OF 81 48 10 GOOOYTWOSHOES, AdamAnl,CBS Chocolate Osmond PALE, Proco! Harum .... 4 SOONER OR LATER, Larry Graham, Warner Broe- 2 FANFARE FOR THE 2 ROCK AND ROLL PART 2, 2 ALL YOU NEED IS LOVE, •S3 73 2 CAN'T UVE Wrn,ou:T YOU, Scorpions, Ha,wst _ COMMON MAN, ELP Gary Glltter The Beatles .. ... -e THE LOOK OF LOVE,ABC,---.,.,0 ~ 3 I FEEL LOVE, Donna 3 TAKE ME BAK 'OIIE, 3 ALTERNATE TITLE, The 115 41 t TORCH, Soft Cell, Some Biuatell'honogrm O- Summer Slade Monkees 116 STAA, Second Im_, Polydor POSP 471 4 MA BAKER, Boney M 4 SYLVIA'S MOTHER, 4 THERE GOES BY EVERY· SYMBOL KEY S7 51 4 LErs TOMOHT, Blue-. Meta,ry/Phonog,am- 5 BABY DON'T CHANGE Doctor Hook and The Medi­ THING, Engelbert M 80 3 CRIMSON AND CLOVEA,Joan Jou& The-. Eplo-­ cine Show Humpetdlnck . • FAST MOVERS 6t LOSINO MY GRIP, Samoan, PolydorPOSP 471 6 ~~:~~-i~:m 5 CIRCLES, The New 5 SHE'D RAntER BE WITH 70 34 I IWANTCAHOY, BowWawW<:1#, RCA- GO, The Jacksons Seekers ME, The Turtles SIMOLES 7 PRETTY VACANT, The 8 LITTLE WlWE, The Sweel 6 IT MUST BE HIM, Vikki * ,,,..,,,.., <- - -) 7 I CAN SEE CLEARLY Carr □ Gold (--) Sex Pistols 0 - -(290.000 -) 71 JOHNWAYNI! IS BIG LEGGY, Hoyal Font.lyzee, Aegon:I AG10 8 SAM, Ollvla NewtO!hlohn NOW, Johnny Nash 7 CARRIE ANNE, The Hollies 72 TAINTED LOVE, Softc.l, Some~BZS 2 9 PEACHES/GO BUDDY 8 "VINCENT, Don Maclean 8 SEE E•LY PLAY, Pink "1.8,_ 73 a 3 BBC WORLD CUP GR.--TAND, The Roy.r ,,,_,__ GO, The Stranglers t AN AMERICAN TRILOGY, Floyd * ...... (300,000 -) ~.BBC 10 ANGELO, llrothemood ol EMs Presley 9 IF I WERE A RICH MAN, □ Gold (100,000 -) 74 S7 3 MAT ADOR, Jeff Wayne, CBS - Man 10 ROCKIN' ROBIN, Mlchael Topol 0 - (80,000 -) 71 II 8 STIIUTWALKING, - Polydor, _ Jackson 10 RESPECT, Aletha Franklin July 24, 1982 3 53 41 • THOOPS OF TOMORROW, Expkxt~. Secfet 54 .. .. 4, Rwelgne<, AllanlJe 55 45 I EYE 1H THE SKY, The...,.,, Parsons ProjK:t. Arista .. .. 4 GOLD,SiNfy Oen, MCA S1 • 55 11 THE CONCERTS IN CHINA..Jean-MiehelJarre, PotydOrO Week ending July 24, 1982 47 .. 10 THE EAGLE HAS U.NOED, Saxon. CMrere THE LOOK OF LOVE (Pts 11 3/ 2), ABC, Neu1roo 121n • SI• 75 3 FOR THOSE ABOUT TO ROCK, ACIOC, Atlantie 2 !I .... A CONCERT FOR TI-IE PEOPLE (BERLIN). Barday James 2 . 1 INSIDE OUT, Odyssey, RCA 12rl ~, - 4 I'll A WONDERFUL THING BABY, Kld Creote, Z. 12in 3 1= 1 THE LEXICON OF LOVE, ABC, 4 3 WORK THAT BODY, Diana Ross, Cepilol 121n • 11 .. 11 THE- GIFT-POl.05052, Tho.h,m, - 5 10 FAME, Ir.,. Cara. RSO 12in Neutron 51 10 SULK, The Associates, Associates o .. 7 A MGKT TO REMEMBER, .$halarna,", Solar 121n FAME- Original Soundtrack, .. .. 10 SELECT, Kim Wik», RM 0 •7 5 1= 5 4 ASSEMBLAGE, Japan, Hansa HAN LP 1 13 =~::fR:N~K~~~Sy)~~~~ Ml 12in ... •I 12 00 I DO, Stevie Wonder, Molowri 12in THE SINGLES, Roy Wood, Speed SPEED 1000 Various, RSO O ... 10 14 MURPHY'S LAW, Cheri, POfydOf 12in NOTSATISAED, Aswad, C8S 85666 3 4 2 LOVE AND DANCING, The League Unlimited .... 11 ABRACADABRA. Steve Miller Band, Mercury 67 .. 25 ALL FOR A SONG, Barbara Dickson, Epic* 12 •I MAMA USEO TO SAY (US REMIX), Junior, Mercury 121n Orchestra, Virgin ... 52 • THE HUNTER. B«,ndie, Chrysais 13 11 TORCH, Soft C.I, Some Bizzare 12:w\ 4 3 8 AVALON, Roxy Music, EG (Polydor) ... .. I DURAN DURAN, Duran Duran. EMI 14 10 FORGET ME NOTS, Patrice Rushen. E~a 121n 5 2 3 PICTURES AT ELEVEN, Robert Plant, Swansong 70 •1 ALL THE GREAT HfTS, Diana Ross, Motown 15 22 NIGHT TRAIN (DANCE MIX), V,sage, Potydor 12in 71 54 18• FIVE MILES OllT, Mike Oldfield, Vlrgln O 18 18 LETS FUNK TONIGHT, Blue Feather, Mefcury 12in •6 16 19 THE CONCERT IN CENTRAL PARK, Simon And n 17 SKY 4 - FORTHCOMING, Sky, Ariola 17 DA DA DA. Trio, Mobile Suit Co,poration 121n .. 18 .. HAPPY TAL K, Captain Sensib'e, A&M 12in Garfunkel, Geffen 73 n 14 1 N2. Status Ouo. Vertigo/Phonogram 11 35• SHY BOY, Bananarama. London 12in STILL LIFE (AMERICAN CONCERT 1981),The 74 4 NIOKT ANO DAY, Joe Jackson, A&M .7 8 7 .. 20 24 SOONER OR LATER, Lany Graham, Warne< Bros 12in Rolling Stones, Rolling Stones Records 75 50 4 ~E LOVE THAT WHIRLS (DIARY OF A THINKING HEART), 21 15 STANCHNG ON THE TOP, Temptations, Motown 12in , Mercury 22 11 IKO IKO, Natasha, Towerbell 8 6 3 MIRAGE, Fleetwood Mac, Warner Bros 78 74 5 B EAT, King Crimson, EG (Polydo<) 23 17 9 9 13 COMPLETE MADNESS, Madness, Sliff * 77 73 12 GREATEST HITS VOL 2, Neil Diamond, CBS 24 45 :~~~s:iJ~'o'N~DtUE, Fashion, Arista .. t1 11 42 41 CLUB COUNTRY, Associates, Associates 12in SHAPE UP AND DANCE (VOL 1), FeHcity Kendal, Utestyfe 37 38 DAAE, Human LNgue, Vrgin * 13 .. 43 A WAY YOU'LL NEYER BE/1..0YE CASCADE (DANCE M IX), .... 100 • CHRISTOPHER CROSS, Ctiristophel'Crou, WatnM O,os .. 77 17 5 NON-STOP ECSTATIC DANCING, Soft c.a, Some .. .. Leisf.xe Proceu, Epic 12in LOVE HAS FOUND fTS WAY, Oennia&own,A&M BillareiPhonogram .. 117 2 .. CIRCLES, At1anbc Starr, A&M 12in .. 31 NEVER BEEN TO ME, Motown THROWIN' DOWN, RkkJames, Motown STML 12167 45 rve Charlene. 11 HOT SPACE, Ouffn. EMI 28 21 .. HUNGRY LIKE THE WOLF (NIGHT VERSION), Dur_, °'-rat\ 17 THE WALL. PinkFloyd,Ha,vestSHOW 411 * 33 2 GOOD TROUBLE, REO Speedwagon, Epic .. EM I 121n .. THE RISE ANO FALL OF ZIGGY STARDUST, Da'll'id Bowie, • 30 2 THE SIMON AND GARFUNKEL COLLECTION, Simon And .. 47 54 LOVE HAS FOUND rrs WAY, Dennis s«,wn, A&M 12in .. RCA INCE 5063 Gattunkel, CBS * * 55 BEATLES MOYIE MEDLEY, Beatles. Par1ophone 57 5 KIUEAS, Kiss. Casablanca/Phonogram 100 .. 32• 26 7 WINDSONG, Randy Crawford, Warner Bros 0 .. 49 47 SPACE AGE LOVE SONG, A Aodc Of Seagulls, Jive 100 II 10 WE ARE •.• THE LEAGUE, Anti-Nowhefe League. WXVZ 32• 39 SWrTCHEO OH SWING, The Kings Of Swing Orchestra, K-Tel 50 ..,38 GIRL CRAZY, Hot Chooo£ate, Rak 33 30 12• ARE YOU READY, Bucks Flu , RCA 5 1 (l'M INTO) YOUR LOVE. Jerome. RCA 12in 52 TOO LATE (US REMIX). Junior, Mercury 1& COMBAT ROCK, The Clash, CBS .. 40 10 ,·r,:.·\:-:;;; .:,.£ ,;_;-,.,, 53 WHAT/MEMORABILIA. Soft Cel, Some Biua,e LP 35 35 39 BODY TALK, Imagination, R&B ;'r,u:~::·:-=:;.m:-:;WOEf .. i!"~{x-,f~...:-~ ·, . . •. ,;.. ·-.- •.>l;'i'•C-,·!~-'I: 54 83 rM AFRAID OF. ME, Culture Ctub, Virgin 12in • 38 70 2 THE ANVIL, Visage, Potyd,o< 0 ~. ~.,..:.•,;J ::,.;.·•,y:.';-; ·, ... ·- .-:.~/~~;f~.~-)':/3~:::~.') 55 31 AVALON, Roxy Music, Polydo( 37 31 18 THE NUMBER OF TliE BEAST, Iron Maiden. EMI 5S 50 ~~E BUZZ/DANCIN' THE NIGHT AWAY, Voggue, Mefcury 38 • 37 18 CHARIOTS OF FIRE, Vangelis. Potydor * COIIPLITT MADNESS, Madness, Stiff 31 185 BAT OUT OF HELL. Meat Loe1, EpicJCteveland * 2 2 TRANSGLOBAL UNITY EXPRESS, The Jam, Spectrum 57 53 WHrTE WEDDING, Silty ktol, Chrysalis 12in .. 5S MARGATE, Chu & Dave, Rockney 40 61 15 A FLOCK Of SEAGUUS, A Flock Of SeaguUs, Jrve 3 ORCHESTRAL MANOEUVRES IN THE DARK - LIVE AT 51 NO WAY 04.ITIOANCING IN THE STREET, UK Players, A&.M 41 20 10 ORIGINAL MUSfOUARIUM 1, Stevie Wonder, Motown THE THEATRE ROYAL DRURY LANE, Virgin Vdeo .. 12in 42 36 38 PEARLS, Ellde Bl'ooks. A&M 4 BEST OF BLONDIE, Chrysalis • SIOOXSIE & THE BANSHEES, Spearum PLAYTHING, Uru:, Chrysalis 12in 2 l'YE NEVER S EEN TO ME, Char1ene, MolOWn 5 3 .. .. NUMBER ONE/THE FUNK WON'T LET YOU DOWNfl WAS .. 15 LIVE A T HAMMERSMrTH OOEON, Kale Bush, EMI 61 ... TURBO TRAX, Various, K-Tee .. 24 4 •7 LIVE AT POMPU, Pink Floyd, Spectrum TIRED OF BEING ALONE, Patrice Rushen. Elektra 121n 45 53 37 QUEEN'S GREATEST HrrS, Queen. EMI * 8 VIOEOSTARS. E M J .. .. DER KOIAIISSAR, ATF. C8S 12in STAGE STRUCK, O..vid Eaaex, Mem.Jry/PhonOgrllm •I ROCK FLASHBACK, Deep Pu,plo. BBC/3M VIDEOTHEOUE, OoAar. WEA .. MISS ATTRACTIVE, Victor Romaro Evar., Epic 12in ..... HOH-STOP EROTIC CABARET, Soft Cel, Some PHYSICAL, Newton-John, EMI 46• 49 33• 10 14• OMa .. COME ON EILEEN, Oexy'a Mdrwght Rurw1ers, Merrury 12in Biuare!Phonogram 11 ELO U Y£ IN CONCERT, VCL .. 2 LOVE SONGS, ShrieyBusey, Applause 12 11 BOB MARLEY & THE WAILERS, EMI ... .. 1 3 WELCOME TO MY NIGHTMARE, AJice Cooper, Seted-a•Tape 51 TIN ORUM. Japan, Virgin ... .. 14 4 PJCTURE MUSIC, EMI PEUCAN WEST, Haircut Hundred, 50 32 21 One Ansta * 15 THANK YOU VERY IIUCH, Cliff Richard & The Shadows. EMI 77 J (Jun,o,, Me

.1 SOONER OR LATER (INSTY(VOCAL), Larry Graham, Warner 17 DOlfT GO, Yazoo, Mute YI.Z. 001 EYE Of THE TIGER, &Jvivor, Scoffi Bros 1 WOMAN, Anti-Nowhere League, WlNZ ABCO(P) 4 2 2 ROSANNA, Toto. Columbia Bros 12in 5 THE BtQ BEAN, Ptgbag, Y Y24 3 3 HURTS SO GOOD, John Cougar, Riva 2 2 17 YEARS OF HELL (EP), Partisans, No Future 01 12 4 HOLD ME, Fleetwood Mac, Warner Broe 4 ~~HT°':~ ~Je:~e1:x. ~ . Soter 121n THE HOUSE THAT MAN BUILT (EP). Conflict, Crass 5 •5 LET IT WHIP, Dau Band, Motown 3 LETS FUNK TONIGHT/CLUB INSTRUMENTAL, Blue • 221964/1 11 ABRACADABRA. The Stew Miller Banet. Cap;tol Feather, Mercury 12in 3 , Oan-ned, Big Beat NS(P) n •7 1 DON'T YOU WANT ME, The Human League. A&MN'trgin 5 5 STANDING ON THE TOP, Temptations/Rick James, Motown •7 4 TEMPTATION, New O

' U.ST OUl'I K WUK PAICE 1 t~ICONOt= LOVE 3.99 2 ~~~ORCHESTM 2.99 4.29 3 ~MAC 4.29 4.29 4.49 ELVIS COSTELLO 5 IMPERIALBEOAOOM 4.29 STFll!""'-ER 7 A8RACADA8RA_....,..,. 8 PM:TURESAT El.EVEN 17 ~

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JOE JACKSON NIGHT ANOOAY SH.AKA.TAK NIGHTBIRDS MADNESS COMPLETE MADNESS DURAN DURAN RIO 4.29 BARCLAY J AMES HARVEST CONCERT FOR TI-IE PEOPLE 4.29 4.29 4.29 3.99 5.99 4.29 ()~\j 5.49 4.29 4.79 4.29 3.49 " 3.99 ,, ~}11.E- 4.29 4.29 u~os 3.99 '" 11E

36 ~~TWHIRLS WIDE AWAKE INA DREAM Is back In action at last. The superstar singer who's been out of the llrnellght for a yeer, releases her new on September 13 and her new slngle Is out this week. Kate's album Is 'The Dreaming' and It's the first album that she's produced herseH. The album contain■ her laat told RECORD MIRADA thla couple of _,. ago and the htt 'Sat In Your Lap' and the WMk. .. Kate la a perfectionist apeclal at■g■ ■how hod a tttla track of the album I• after all." number of spectacular releaNd u a &Ingle on July It's been rumoured that effects. 26. Kate Is wor1<1ng on a tour for "She's thinking about a Other tracks on ihe album the autumn but there has tour but that's about as tar aa are: 'Pull Out The Pin,' 'leave been no confirmation of t his. It'• got," said the apokaaman. tt Open; 'Night Of The Kate has onfy done one "There le nothing more Swell-; 'Get Out Of My aeries o f live performances a definite to say than that." Hou.. ; "All The Love; "Houdini; 'Su-nded In Gaffe' aod 'There Goes A Tenner.' Kate has used her regular backing bond and ere no guest artists on t-the album atthough ~ •• alngla The Dreaming' features anlmal Impersonator Percy Edwards and everybody'• favourite Auatrellan RoH Harris. The B side la 'Oreamtlme' an Instrumental track.

glvenNo ...... for~•• -­ long abwnce from the music acene. There have been rumoure about her quitting the mualc bualneu ettogetMr but t- hove been quashed thl• - by a apokaaman for Mr ...:ord company• .. tr• not • long time tor auch an established artist to t■ka In -ng a ■lngle,• he More Bauhaus Old a-.d BAUHAUS, WHO are currently In the studio racording their third album, play three dates In August. Modein Tha band will be 81)pearing at Sheffie6d l yceum August 14, Glasgow Tlffanys 1 5, Edinburgh. MODERN ROMANCE swing Coasters 16. A release date for back into action with a new the album hasn't been given single this month. and there is no news yet of a ll's 'Cherry Pink And Apple new single or further dates. Blossom Wh~e• which will be released on July 30. Tha single Is backed with 'Who Is John Du Prez?' which spotlights Modem Romance's trumpeter John Ou Prez. 'Cherry Pink And Apple Bk>ssom White' was originalty a doubkt number one hit In 1955, THE CLASH have added an when the original version by extra London date to tt)efr tour. Perez Prado and the cover They'll be playing Brbcton Fair version by trumpet p4ayer Eddie Deal on July 30 dua to massive ca1vert, were both at the top of public demand. the charts. July 24, 1982 7

PINK FLOYD'S new single 'When The Tigers Broke Free' will be out on July 26. Limited numbers of the s ingle will be available in a tripfe gatefold sleeve featuring stills from the film 'Pink Floyd The Wall,' currently shOwlng at by Floyd member Roger two major London cinemas Waters. and due for general reJease • Avon Books h:"lve just Star turn ·towards the end of AuguSt . published a book called 'Pink Pink Floyd also release a Floyd The Wall ' h includes Associates new album 'The Flnal Cut' on Roger's lyrics with colour August 31, which features stllls from the film taken by on Radio 1· new songs written for the film David Appleby. correction RADIO ONE celebrates its 10th anniversary of summer SORRY, IT seems that roadshows with a special series technical hitches meant our of "beach parties" starting this Associates story was wrong last month. week. Bad Manners star in the first The band's new single is show which kicks off at Cardiff caJled '18 Carat Love Affair' and Angry League, Top Rank on July 23. All the the band wm be playing dates in shows start at 7 .30 pm. The August and not Juty. The date Beat headline Deeside Leisure sheet is: Edinburgh Festival Centre On July 30 and Shakatak Assembly Rooms August 19, can be seen in action at Carlisle 20, 21. Glasgow Ultratech 23, Markel Hall August 6. Gary 24, Manchester Hacienda 25. Glitter will be hauling his London Cambridge Theatre 29, London Camden Palace 30. ~~=~l~~~•~r;~tAu~ .... ·1 e carat Love Affair' is a 13 and Junior and guests will double A side with the be starring at the Poole Arts Associates own interpretation of Centre August 27. Madness will the Diana Ross hit 'Love be ak>ng at the St Austell Hangover.' A 12 inch version of Coliseum September 2. Tickets the single features an extra are £3.50 in advance and they track 'Voluntary Wishes, Swapit are available from the venues Productions.' The 12 inch also and local record shops, features the full length version of 'Love Hangover.' Both the seven inch and 12 inch versions come in a special Metal full colour bag. • Bass player Michael Dempsey, formerly of the Cure and an Associate for two years, compound has left the group. He's replaced by John Mambey, an AC/DC's BRIAN Johnson is oJd friend of leaders Alan Stones 'too loud' featured on a new heavy metal Rankine and Billy Mackenzie. compilation album out on CITY Football Club Environment chiefs who August 12. could lose more than £4,000 monitored the concert, says that Brian is featured on some following the Rolling Stones the sound was 15 decibels vintage material with his old concert at its Ashton Gate above the noise limit of 60 band Geordie and other acts on Miller's stadium on June 27. decibels and that local residents the album include T'Msted were frightened and outraged. Sister, Anvil, The Rods, Praying The band's exploding Mantis and Lautrec. The album The local council plans to Friday, July 30, at 8 p.m. take legal acttOn against the firecrackers which the band on Abstract Records, wm have b U ll'Om81O19101'Z7•52.U double club, saying that the concert used during their show were the special I~ price of £3.99. LTU.Pl''""", ~Prowow.~.,_,,t , ontt.nighl STEVE MILLER has added two broke the agreed decibel limit also said to have terrified old dates to his sell out tour. and the fine could be up to people and pets in a wide MIiier wm now be appearing £5,000, radius. at the London Hammersmith Scrit hit? OcJeon this week on July 22 and SCAITTI POLITTI release their 23. Tickets for the extra follow up single to 'Faithless' SOUTH COAST SENSATION shows are priced £6.50, £5.50 this week. and £4.50 and they are It's 'Asylums in Jerusalem' available from the box office and the 8--side is 'Jacques and usual agents. Derrida' - a remix of a recent INCOGNITO studio recording for the BBC and not available elsewhere. are taking the South Coast by storm Scritti will also be releasing a Shocking ,- special 12-inch single on Juty 30, which will feature and DON'T MISS THEM extended verstOn of 'Jacques sister Derrida,' from the same BBC JULY 21 - Bog nor Regis Pier - 0243 session and an extra track 'A 'TWISTED SISTER, America's Slow Soul.· A limited edition 820531 most outrageous band since the print will be Included in the Plasmatics, release their first package which will be JULY 23 - Hastings Pier - 0424 522566 British single this week. numbered and personalty Ring Box Office for details The band who make their signed by various members of debut supporting Motorhead at the group. Wrexham this weekend will be The release of the album bringing out a four track 12 Inch 'Songs To Remember' will be CONCORDE MANAGEMENT & SKRATCH MUSIC single 'Ruff Cutts.' Tracks on announced shortly. presents the single are 'What You Don't The Only London Appearance of Know,' 'Shoot 'Em Down,' 'Under The Bl-,' and 'Leader Of The Pack.· The single was OAV/0 SYLVIAN: Japan mMt tha YMO Timeless produced by the band themsetves and Eddie Kramer, renowned for his work with Kiss ·B;. and Peter Frampton. Costello Twisted Sister who describe their music as "shock rock" Turning Japanese ELVIS COSTELLO releases a pack out 25,CX>O seater new 12-inch single this week. The title track is 'Man Out Of ~.,.,...___, stadiums in New York and JAPAN'S DAVID Sylvia n track la largely Instrumental Time' and the other tracks are they're renowned for their retea... a double A.... lded and both tracks are said to be Plus SUNDANCE spectacular live shows. alngle reconfed wHh the "thematically linked." 'Imperial Bedroom,' and 'Town Cryer.' Twisted Si81er plan, to play Yellow Magic Dn:hestro'a Both tracks -re by HAMMERSMITH ODEON some more British dates after Sylvian and Sakamoto and On July 30 Costello will , Rlulchl Sakamoto thla -- -n release an ordinary seven inch FRIDAY, JULY 30, 1982 their British debut with Tracka on the slngte are they're doing some cunently v9fSk>n of 'Man Out Of lime' Tickets £5, £4 -Available from Box Office Motorhead, but these await 'Bamboo Hou... ' and more work together In Japan Telephone 748 4081 And Usual Agents conflnnatlon. 'Bamboo Music'. The latter wtth an album In mind. with 'Town Cryer' as the B side. 8 July 24, 1982

DOCTOR FEELOOOD haw changed their IIM-4.lp. Both ~nd"::~~Ye ~=rep4acec.t by Buzz Barwell on drvme and Pat McMullen on beU.. Dr Feetgood wlll be bKk In action 41/2hours In Britain In the IIUtumn, efter Hmbering up with • Spent,h tour. l:f-~r~·~~::-;,~ =on Cenn on (July 25). - from • hugeSu- M5ectlon of vintage - - • theN Will bo YI__ , Instrument■, book• and megazlnee. Admlulon to the fair w lll be £1.50 from 11am to 1pm and 45p from 1pm to 5pm. ofpeace LEtCESTEA BASED quartet the SWlnglng Lllurela. who were fMtured on the ,-cent Fun Boy Three alngle "The T.. ephone ::;w:~~v: =•dea l currently worldng on a ■ Ingle and hope to tour In Nrty Auguat.

B MOVIE now have • fan club and the addreH la 8 Movie c/o Marlon, 17 St Anne'• Court, Wa rdour Street, London W1 . andquiet BAND N'9htdoctor, who support.ct UB40 on tne,r laat tour, have aplh up. Coplea of their two MARIETTA PARFITT, ,,,. ..,,. of Status Quo'• Rick, ,.,..... llve cauettfl are avallab1e from her f/rat alngle this ..-. Getting out of ,,,. kitchen and Into Rough Trade or direct from IM recording studio, Marietta hH done • ..rs/on of• Cl/ff Nlghtdoctor Tepee, 457 Latfmw Rlcherd eong, 'Do You Wanne 0.nc.'. Her old men Roed, W10 at £3 NCh p lua S0p produced the alngl• •nd Cliff I• fNtu- on becking roeels. poet and packing. K..,ln Godley Is on drums. Belfw than d•rnlng ooc:b, eh 1

I TOURS

forjust STUOK> TWO, a duo from IDLE FLOWERS, who are feat Deptford New Albany Theatre Hockney, play - following - bulldlng • cun followtng, wtll be Auguat 8. playing Putney WhHe Uon on July ;:::~'!u;o~~: Woolwk:h 30, Fulham Golden Uon Auguat 4 MARILLION, ~ by colourful Plumateed Prlnce Rupert 23, and 18, Woolwkh Tramahed singer Flah, WIii be pl•ylng MIiton Dopl'tord Tho Duke 24, 1..atci..­ Auguat 17. TM ttto wlll alao be K•ynea Starting Gate on Saturday ,,,.... 25, Hope And Anchor 28, appearing on French teS.vlalon (July 24), Southall HNda Club 29, PlumetNd Prince Rupert 30, ohortly. London MarquN Auguat 12 and Dlngwalla 31, Melvern Winter 13, Luton Technlcal CoUege Gardena Auvust e, London September 3. Greyhound 8, Woolwich :!,~~=:! ..l!t,rday T~14. (July 24) and Lambeth Town Hall THE MONOCHROME Sot, who July 29, befo,. they begin • rNjor ha.,. Just ,.INNd their new llngfe 'The Mating Game', w ill be THE IMPOSSIBLE DrMmera will Europeen tour. Support groupa: bo ploylng tho following _ , tor the giga wlll be Fut Relief and playing the London Venue on Sunday (July 29). The Set wlll £2.99 t Hamp.-lMd MoonUght Club the ~da Of Mu. w.. ,.■tu,. new drummer Mon-I• (July 25), -..mltll CARDIFF-BASED band Roots And Windsor. Su-Cla,..ndOn 27, Fulham Golden Branche• play a home town gig at Lion 28, Covent Garden Rock Nero'• on Augu.t 6. You get perfect tranquility on a Garden August 1. ~~.1:::!1~1d~-!ftrt!•.;:.,.ne PRINCE LINCOLN and tho Royal In concert together at London N.EW HEAVY fflWII bend Oump'(a RaaNe wlll be p&aymg a tour Goa.alps Club In Deen StrMt on Memorex blank cassette. And when you Ruaty Nut• who ,.._.. their eotnck:Ung whh the 1'9INH of July 28. debut alngle 'Juat For Kicks' their new •lbum 'Wild With The AHN&'. The band will play: FUNK JAZZ. band Sun Ra Arttfftra 1 1 wlll be making their first London record.something,You get perfect sound. :i~~•t i Yub July 28, London Venue Auguat 12, Cardiff ~=~:~Lee Green Okf Tiger'a Head 29, Top Rank 13, Mencheata, PSV appearance• alnoa 1970 at the Kingston Grey HorN August 16, Club 14, Hudderafleld Cleopatra's Venue on July 27 and 28. The At W H. Smith you can buy three 20, D~beth Civic Hall band a,. also hoping to confirm London MarqUN 18, Lee Green dates In Manchester .oon. Old Tlger'a Head 19, Oxford 23, London Lordahlp Partc 29, Penny Ferthlng 21 , London Nottingham Zhivago's 30. PENGUIN FURY, the bend who Memorex blank cassettes in a special Dlngwalla 23, Oxf ord Penny SONS OF Jah, who have rwleaaed ex1>41ct 1>41ople to tum up at their Farthing Septembei' 23. The band their new album 'UnlverHI gigs carrying stuffed toy are al.a last minute eddlUona to Measage' on their own Hatty penguins, play a gig at the triple pack for only £2.99. Normally, the Motorhead show at Hackney Congo label, play Hudderafteld Hammersmlth Clarendon Hotel on they're £1.10 each. So get your share of on Sunday (July 25). Cleopatra's on Saturday (July 24), Auguet 12. peace and quiet Then you can disturb RELEASES

RICHARD BONE follows his thla week. The band will be Honey', which la out thla week. H it with some high quality sound. hlghly acclaimed 'D~ltal Daya' 45 playlng a numbei' of live dates WH origlnally relNNd In with a 12 Inch alngle 'The Beat la •oon but these await Jamaica IHt year and It spent two Elite', this week. Other tracks ara confirmation. months at number one. The alngle 'Quantum Hop', 'lnvlalble Guy' l a produced by Joe Glbba, who and" Mutant WIMSom'. SQUIRE, WHO used to be with has wOftted with Bob Mar ley, Secret Artair on I Spy Records, Toots and the Maytala, Peter Tosh FORMER DARTS lead singer Bob releaae their alxth alngle 'Glrl On and o,nnla Brown. A Train' this week. The band have Fish reie.aea his alngle 'Hoter NORTHERN DUO Sun Yama this week. n·a the first aong that 0 11 Bob's written hlmaelf and It was : n':fhe~: :~~•~i,; ~~~~: • release • veralon of Bob Dylan's produced by Andy HIii, of Bucks their second slbum 'Squire Get 'Subt•rranHn Homaalck Blues' Flu and Paris fa~. Smart' for telNH at the 9nd of thla week. The alng'8 was Auguat orlglnally featured on a northern eompllatton album end has been THE WAVES releaH their debut brought out by publk demand. DAVE EDMUNDS new slngle 'Brown Eyed Son' on July re• ... • Sun Yama feature Joe Holden 11ngh,, 'From Small Thing& Big from Hull and Dolly Korova from 30. The bend ware to,med by ex­ Things Come', thla week. 11.'• 111 Soft Boy guitarist Klmberty Rew. p,evloualy unrele,aed Alnwlck, Northumbertand. 24 HOURS, a new five piece band SpringatNn aong, which from London, relNN a single, Edmunds la reputed to have first FArlli GLOBAL, who feature ax­ 'Slbenan Sid', this WNk. The bend heard beck.atage durtng Bruoa'a Ultrlvoll gultartat BIiiy Sheers, are alto lining up datu, following Wembley concerts. re._aae a th,....track 12 Inch their show at the Venue, London, alngle this week. Tracks featured rec.ntly. are 'Earth Report•, 'COded World ' JUNE LODGE and Prince and 'Love Seems Lost'. The band PREFAB SPROUT ,.lease their Mohammed have teamed up on a. hope to play some llve gigs flrat alngle 'Lion• In My Garden' single, 'Someone Loves You befora the end of the year.

TV AND RADIO

Pink Floyd gel a plug on 'The appear on the variety show Fizz, Altered Images and FRIDAY Aockshow' when their 'Summertime Special'. Yazoo Bardo. 1974 Wembley performance of can be enjoyed with the 'The Dark Side Of The Moon' is Hor1icks on the late night chat TUESDAY'S 'Chegge(s Plays on Radio One. Earlier In the show 'Saturday Live'. Pop' features Atvln Stardust, evening Annabella of Wow Fi0<:k Of Seagulls and Classlx Bow SUNDAY Gambaccini Wow will be d iscussing the new sees Nouveaux. The late night BBC dissecting the career ol Eric singles on 'Roundtable'. Clapton, Mayall to Ja~~~~at ures Barclay Every regk>n has some music from John Cream, Layla to his on Its SATURDAY morning from current easy-listening style. The Bananarama, Haircut 100 and programme Is on Radk) One. Madness will greet earty- ri..,.. ~~rin~. ~!~:;ii~~ on WEDNESDAY on Showcase' puts the spotlight on School holidays are here and 'Chegger's Plays Pop". But Thomas Dolby and Nancy Nova B8C 1 shows old 'Cheggar's there's a vintage 'The Monkees' among Olhenl, on B8C 1. Pleys Pop' shows at 9.30am episode In.which Micky Dolen% Afte,warda Dollar and ·every day this week. Is challenged to a duel on BBC Eurovlslon songbird Nicole MONDAY'S features Bucks 1, .My 24, 1982 9 , 'HE BEArs very own pop up toaster Ranking TRoger fin got DANIELA SOA VE rhymes In time with RANKING ROGER Jam on It. Not only Is he one seventh of of music that - pl•yed In lhehouN. Birmingham's best "My /amity are • we/rd group, but he's also family," he gr/no. "I think released the single of they're •II mad. - black the summer: 'Pllto And _,. /us/ /Ike 1/stw,ing to fW(lflN •nd but my Roger (Ago Talk) Tai,,,v­ /amlly .,_ all 1/ke me. W• Lappy Dub'. An //atw, lo e.wythlng. • optimistic slice of the n wu this /oN of muaJc choicest blend of that hn led lo Ror,er'a 1/tt/e toasting and reggae, llide //ne, The Magnum Foree HI R dleco, which he and Roger wrote and Palo take round dancee •nd recorded the song with pert/es. "Two bed DJs his friend Palo. From togetherr he Jokes. ·1 •till whenct1 came the idea? lov. doing It In my -,»re time. WIien you come home from "'Well, ttt.re •re seven t»lng on tour you w•nt to do people In the &at 11nd we'Ve something completely all hlld dlfttlrent Influences,,. different, and this la what I he explains. "So when do. I must be lflddlcted to somebody came up with • music, It's Just another way of 50ng, each of ua could only en/oylng It.• use • 1/ttle of our I at/If can't 9TNP how Roger IITlltglfllllloM. l 'wl had Iota of man,,gea to toast but he Ideas, ""'J' d/ffenmt ltom 1M malntalne lt'a something lhllt Beat and that's w hy I decided _,_ with pn,ctlc., /u•t /Ike to dolt." •nru,tng alse. It WN pure f•le that Roger met his companion, t /uat comes out, I donT toNtlng know how. You think of Palo. "I met him et • toasting competition which I was I one word •.• Ilk• «Hind then judging and IHt won It,• Roger ·,or lnatance and you says. "I got his phone numl>er think of words to rhyrTHJ," and which I then managed to I0118, off M goes Into • • but lucklly one of my sJstw'• opontaneous demonstration. friends knew him so we _.,.. And • for touting with ,.. able to get In touch. _,_,,,_ .. that you get used to Iha~ loo. "Wedld•--• too commerelal It rulne It. American tour wpportlng the we thought It wN good. In "Palo •nd I ,,_.. - loNtlng together now for "I •tarted -ting by Clash, •nd ,,,.,.,. ohortly /act, we'wl dona enough for eight months and _ ... got /latwllng lo other _,._ I returning to - _,_ to th,.. / It's fun.• used lo NCh other'a At WN lnlluenc«I by Clint ,wpport the Polk:<, on lha/r Orlglfllllly Roger NW th(s •Jy,-. TOASTING ROGER: gr/II-a-minute stuff llrwt ... ,..,. Just going to do _.,our. co11a-.t1on u • one off cont/,,.,_ "Whal I'd do would "I'm hoping to be •ble to thing, but now IHt'o keeping the lling/e for our -,nd be lo to other --· . _, for - Polk»,. Roger mind. "f donT fNl/y he of • family qatem, but then - - 1,.,.,, •n - of years - the youngM lo do morw with It. If - rwcordo lhen _, o...- It but conc1-. ·1 - the Clash Ilka saying anything about the calmed down ,.. might do of four 111-. and one ---··"" -t ,.... II I could do It one nigh~ •nd - Onmy the own _, lyrlca. front, • ,,_.. futurw - I Ilk• to - -ng.-.,,..,,, to T- Roger..,.,,., had. - to do ·-olng/e ,.. enJoyed It ao much that I things a they come, but I together rd Ilka to make It do _,ng with "'1. - .wy mullic:al upbringing due - doing. lot of ,,._,ng_ did It 8""'>' o/ng/e night for that meybe In • couple - .,,_._ got • (lfNt W>k». " mot9 unttarr,round than this think Ito the,,,.,., di- - l-·-"-gets They_,,, com~ •n Iha rem.Jnder of Iha tour.• r OHN F oxx

HISNE WSINGLE

bsi deYOUNG MAN Metal Beat/Virgin RecordsLtd .

I I I I

July 24, 1982 11

·~.... Hlf NEWAIBIAI lOVE HAS FOUND ITS WAY- 1nc1udes The Hit Single 'LOVE HAS fOUND ITS WAr li ..... 12 J uly 24, 1982 . Terry's by SUNIE UMMERTIME Ball, which took ~ace on and the livin' is Monday. Based oo a Sixties easy ... Some theme, this year's event featured various dredged1.lp Snews this week of stars ol yesteryear, plus the Fun Boy Three, pretend-Sixties oombo Mood purveyors of this year's She.. Hardly sounds like the gtg Summer Hij (sez Old of the century, so you're probably pleased Iha! you Sunie's Almanack). decided to save the £46 -et Firstly, the glad tidings that price alter all . . . Neville Stapkts and his Belle Two gents known as Sam Star, Stella, appear to have and Tom have quit those been re-united. This follows a moody moderns 23 Skldoo, fo, separation that can probably be what their record company attributed to Nev's - ahem - cryplically calls "psychick wanderlust. Teny Hall has reasons·. Find the lady? Well, other problems - he's the I'm not losing sleep over the possessor of such a sweet riddle. But "Lord" J im Reid is tooth that, given the chance, inconsolat»e . . . he'll squander a who&e week's Madness man Lee "Kfx• wages on "little jelly things and Thompson's dad 58-year-old Mal$ bars," he oontesses. So Fred Thompson, has been his girlfriend minds the wage charged in oonnection with a £1 packet, doUng out a sweetie m(llion drugs racket. allowance to Tel each day. Aaahl • 11l8 Banshees are In You may also be interested to the ■tudlos doing an LP loam that all the gues1 tor Sept- n,1ease, on 'Summertime' are ao presumably the girls, with Nicky Holland of the Siouxsie-loses-­ Ravish ing Beauties heading vo lce-forever storMts the cast ... NOT THE forces' •-heart (except face, you'll recognise Mick Jones of The were something of an Anyone noticed how much maybe In Nicaragua), nor a 'Playgirl' reject Clash. Mick Is sporting the "baggy .-U e_,atton. Either that Alf of Yazoo sounds like c- ... If you can take your appalled and and OMs" look that P■lla tells us Is de or our little aongthn.lsh • on 'Don't Go'? And does disbelieving - from the knobbly, fuzzy rtgeur this season, and adopting his Is taking a hell of a rtsk anyone else besides my Big leggies ► pins displayed hent w1th such wanton favou- "Madame Recamlet"' pose ... with what's left of - informant recaJI the lady in abandon by their owner, and ck)ck his vocal c hords .•. question joining the Uttle Roostera on stage at a Jeffnly Danlet, bodypopping to concentrate his acting home with mum and dad . .. Dingwalls gig many moons on Shala....,. supremo, has been ago? Memories are made of career .. . Echo And The Bunnymen • Mikey Dread _.ad meeting Brit papsters at every this, eh , tum. He gave his phone were joined on stage at •• The Clash's special In Newcastle on number to Siobhan of • Rip Rig and Panic, In Shepton Mallet f8S1ival by a guest Wednesday and Bananarama at the Palace. but Bok>gna recently tor a clutch of Drummers Of Thursday, DJ1ng and she so tiddly that festival appearance, B urundi for a stirring renditiol) was by "°"' joining the band for she probably doesn't were nicked and fined of 'All My Colours' .•• even remember meeting the bloke. for public obscenity. Culture shock of the event. 'Bank Robber' .... bumped into Boy George in Seems Gareth Sager and however, was provided by He Mark Springer were Paul Coplin of Haysi the Kings Road, too, and Jullan Cope, who turned up on Fantayzee, you'se in big wandering about rather stage amidst the ethnic turns requested that they have their troublel At least, according to picture taken together. Boy acanttty clad, and ff that clad in black leather and doesni sound too your former colleagues Animal George obliged, and doubtless accornpanied by Nicky Holland Magnet. Like them, captin is offensive to you, then on keyboards and Dave Balfe the Folks Back Horne just wonl you've obvlouely never signed to EMI Rerds. believe Jeffrey's horoday snaps. on tubular bells. The bio, Although everyone knows he's seen them In their y. Talking of my favourite prima trading under the delightful part of Haysi (oo RCA), he's not fronts .. . moniker of Place De La donna. it seems he"s grown Everyone's favourite cheeky Concorde, played four numbers tired of the locks-up look (after c:happte, laugh-a-minute ~~! l::'c!..i.'~: i-:. all, he has been wearing them from the forthcoming ~ still signed to EMI. See? So Sting, ts: back in the courts. Teardrop E>

--aetto

·' July 24, 1982 13

Ifyou know what's good for your pocket, you'll get down to the HMV shop now. Our massive Summer Sale is still on. And thousands of albums and tapes are still going for ridiculous prices. Some are even down to just 50p. So remember. The Summer Sale. At all HMV shops now. · • I

14 July 24, 198;! GOODIES FUN BOY THREE: 'Summertime' (Chrysalla) The song of the summer. If the weather isn't hot and sultry, the music is. I've always suspected that Terry Hall has A Voice and here's the proof of the pudding. Without being depressing, there's a sad, wanton air to this treatment, and also a strong forties feel to it. Shut your eyes and you're sitting on a fire escape stairway somewhere in New York on a humid day. And ttley've used real strings - Reviewed none of this synthesiser rubbish. A step away from the jungle beat but the result is just by DANIELA as hot. SHEENA EASTON: SOAVE 'Machinery' (EMI) A great change of direction for Sheena Shirfey Orr. I couldn't see Funboy Three and Barbra Streisand wrapping her Bananarama. After 'Wordy vocal chords round this. This Rappinghood' I expected much will be a larger hit than much more from Ms Weymouth Sheena's recent releases - and friends. This is a prime glad to see her out of what example of how to. murder a could have been a very bloody good song. ff they paralysing rut. wanted to give it the F83 THE RAINCOATS: 'Running treatment they could have really Away' (Rough Trade) Not gone to town on the rhythm and having 14 Cambridge degrees I chanting. As it is, this version can't figure out which side is sends me lurching for the meant to be reviwed so 1'11 do original. both. Some people might think the Raincoats murder 'Running THE CRACK: 'Going Out' Away' (yet another re-hash . (RCA) What is the point? This this week is full of them) but it's Isn't music, thiS isn't about very pretty in a wistful way. 'No being young and going out on a One's Little Girt' is wistful too, Friday night. What a load of but in a menacing way. Ever n.Jbbish. 'Now I'm here, I drink heard a whisper that is beer, I can't think straight' yells the (fo,- want of a better word) singer. No wonder if he writes lyrics like that. I'm sick to death of morons moaning about the system. Do they think it disguises their total ineptitude?

AVERAGE WHITE BAND: 'You're My Number One (RCA) Funky combo from my home town, they used to be miles ahead of their time. Now I'm not so sure. They seem to pretending to be sub standard threatening? Then listen to this. be living up to their name, or week which are a) remakes and 10CC: 'Runaway' (Mercury) a NEIL DIAMOND: 'Be Mine A true gem and one of the should that be living down? I b) influenced by the FB3? A I'm sure this must have been Bucks Fizz? Sounds like it. Tonight' (CBS) What can you superior releases of the week. know nostalgia can be a better attempt than the Tom reviewed because it feels like say about Neil Diamond? dangerous thing but perhaps Tom Club's effort. Why bother Delighttul and offbeat. it's been out about 400 years BLANCMANGE: Ma' Typ;cal gravelly voiced song AWB would do well listen making enothor vomion unlo~c 'Feel tho to already. Anyway, 10CC are a (London) This beekons you to with :1tring nrrnngomonts, flimsy SOUNOTRACKS HEAD : to their earlier records. you want to do a better one? & turgid affair and not worth lhe it until he starts to sing. He's backing vocals and lots of 'Rein, Rain, Rain' (Rough effort. When all you fans start been listening to too much Joy crashing cymbals. Trade) Good grief, two Rough LIQUID GOLO: 'Where Did We sending in the hate mail, could Division and Talking Heads for Unconvincing. Trade records in my good CARLY SIMON: 'Why' Go Wrong?' (Polo) Do you (Mirage) Penned by the tres you make sure you send me his own good. Pity. books and I'm not even trying to really want me to tell you? Got unusual stamps for my HAZAN: 'Get A Little Closer' be presentious! Que! odd chic Nile Rogers and Bernard a few years? Edwards, Carly sings her way collection please? (EMI) Sharp production lifts this name for an ensemble but what OALEK I LOVE YOU: 'Holiday slightly above the rest of the a beautiful record. Ethereal, through what could be a TOM ROBINSON: 'Now In Disneyland' (Korova) passionate song as though it Is PHIL LYNOTT: 'Together' drivel I've had to listen to but I'd haunting and quite, quite Martin's Gone' (Statlk) Quite a Another bunch from Liverpool. a nursery rhyme. This is so (Vertigo) Produced by the man rather listen to Linx or Junior. delicious. I'm a sucker for a clever song but to my ears it's Paul and Andy from OMO had frusttating because you know it with the Midas touch, Midge piano! Rhythmic and dealings with this group before could be much better. Ure. I'm none too sure about captivating, this gets a gokj so they struck out on a limb. This What's the matter wrth this one. A bit too pedestrian for NICOLE: 'Give Me More Time' star. is aJI very experimental and everybody this week - have my liking and too much like his (CBS) What a good voice this modem and reminds me of the they forgotten what emotion is? first album. gi~ has. At only 17 she can sound of jute mills I used to (How to sound like Kevin the already put so much into a BADDIES walk past when I was a kid. Rowland BUZZ: 'Htt The Road Jock' song. It's a shame the songs part 6). Surprisingly pleasant and BAO MANNERS: 'My Girl (RCA) Yet another rehash. Yet shoukl be investigated. Lollipop' (Magnet) Poor Bad JACKSON BROWNE: another boring oJd record. This Manners must be running out of 'Somebody's Baby' (Asylum) group is yet another hype. Who Ideas. It's difficult to be wild and Another film soundtrack. The cares? T REX: 'Children Of The whacky alt the time. This is no acceptable face of West Coast Revolutlon'fl Love To better than the original, in fact rock. Not exactly what you'd call MUNDANITIES Boogle'f Solld Gold Easy come to think of it, it's worse. a stunner but then again, it ~IIOW ....mn OONI Actlon'/ London Boys' (EMI) doesn't send you rushing for the Where would Marc Bolan be If completely ruined by the TOM TOM CLUB: 'Under The sick bucket. ALVIN STARDUST: 'I Wont he were alive today I ask Boardwalk' (Island) Where production which leaves it all on You Back In My Ll1e Again' myself, as I wonder what one level. as one office some clueless Yanks (and yes, RANDOM HOLD: 'Dancing In And (Stiff) Is It Cliff? Could well be tt prompted this release. Even if sage pointed out, very sub I do know who they are) attempt The Street' (RCA) Why are you weren't told it's old Shane you"te his biggest fan you've Human League. And as to be the US version of the there so many records this poor Fenton. Nicely sung, nicely got to admit that his lyrics are Tom sings: 'Things will never be produced, it leaves me cold. even worse than Jon the same again '_ Too right. too Anderson's and that's saying are all naff. I'd k,ve to hear her right. RAGE: 'Woman• (Carrere) something. Always thought doing something more apt for Dirty old dogs. How could I say Marc Booln was overrated. her age, but unfortunately she that I love you, the singer wails. More stamps please. likes this kind of drivel. ODDITIES Well he can't like women very KATE BUSH: 'The Oreaffllng' DUMPY'$ RUSTY NUTS: 'Juot SEARCH PARTY: 'Urban (EMI) They say this one grows For Kicks' (Cool King) One Foxes' (Magnet) Another on you but to me it sounds like doesn't half get tired of synthesised duo who obviously one hell of a jumble. It's one of whacky records. This one is listen to a lot of New Musik and those songs you've got to learn, no better or no worse than any Buggies. If this is where it gets but then I always find that these other - fast boogie guitar, them. I shouldn't bother. are the ones I like best. Has London accent. singing about Kate gone to Australia recently, roaring along on his motorbike. TEDDY LINCOLN: 'Seventeen' or was she influenced by that Will be a hit on the jukebox (Regal) Not generally fond of spate of Aussie films that were down his local boozer bU1 reggae singles, but this is as shown on BBC2 recently? This nowhere else. cool as a summer shower. is a song about aborigines and Refreshing and very en;c>yable. the Australian outback, and BLACK ROSE: 'Sucker For sounds very very ethnic. Kate Your Love' (Tees Beat) POSmVE NOISE: 'Waiting even tries to sing with an much if he can put a picture of Frenzied duelHng guitars racing For The Seventh Man' (Statlk) Australian accent! Very two of them fingering one along at a helluva pace - gosh Yet more funk. This does ambitious but until I've heard it another's boobs on the cover. this intro goes on a bit - absolutely nothing for me at all, another 50 times I haven't a Macho sexist crap. whoops, here we go, Into the with its muddy production and clue. usual tortured vocals. Real run plodding place. Sounds like SEARCH: 'Peanut Butter And of the mm fodder. Music to they got tired of waiting fo,- the BOW WOW WOW: 'Loula Jam' (PRn What an odd tltla shake the nits out of your head seventh man and went home. Quatorze' (RCA) A re-r800t'ded for a funk record. I can't to. Yeuch! version, this is totally limp and imagine James Brown singing SUN YAMA: 'Subterranean lifeless. I love Bow Wow Wow about this. In fact it's completely ROSE ROYCE: 'Somehow We Homesick Blues' (Transtatlk) when they're manic and kJdicrous. M- tt Through The Rain' A group wrth a sense of humour hysterical -and fully charged, (Epic) Typical smoochy but I just can't see the joke. I've raring to go. But this is slower THE TOURING COMPANY: number. I suppose this sort of a funny feeling the lyrics might and has about as much 'Every S1'lp Of The Way' thing is popular as the last be quite witty but as they'ra • enthusiasm as a housewife on (Radioactive) Who is this, dance down the disco. I find It almost drowned the point is Valium. Noosha Fox or Kate Bush tedious and pathetic. lost. 15'

our rendition of il It's got such a gloomy, cotton­ An, dlNf/,_,_ within the band mflln/y /CK KARN is easily on the Europe or America. for a long time, or to wool-wrapped-round./t atmosp/le,9, and our Australia at all. They all somehow got slTIJng between you and Derld? shortlist for my desert playing is really safe, unlnteresHng. I hear together - I think because our agent and the No, if anything we 11/'fJOO loss. ""11at people island dinner party - theyn, planning to releflse 'Adolescent &,x· promoters and our manager lllfJ just as worrl&d don't understand is that when we do fight, It's next. which Is disgusting. II could blow as anyone Bise that there won't be any more like fighting with your brother. Afterwards, It's M except that he'd probably Just forgotten. busy to make it. ':v"/!rythlng. It's QOt nothing to do with us now at afterwards. be too develop your atage lec:hnlque, which Sounds ,wy civil-. Bui thing• wwe not .,,., thua - soone,- or later we're going to An interview In s favourite Japanese the - point Whef! Japan play 1/... restaurant makes buslneS$ look suspiciously like OW MUCH contact do you ha.. to broM:h the notorious .,,,_ In tlll? 18 for the fact lflet lfle o/nger pleasure. You /T168l1 I get paid for this too? lfN> _, ol lfle group durl which Mlck'a girlfriend ...1- Into,,....,,_, ~stn 't get too relaxed, though - easy on the H like this, ..,,_ you ... with none other than O.rld SyMan. 11Je effalr rog.thw? ly. We thought It all out right at tho sake, at least to begin with. KfHJp a cloBr head, Oawt hates entertaining. He likes to _,. public ltnowledge, and the tone ot Mr girl. . Not I/Jal much.' II la&ls really Karn~ com,,,.,,,. then was rather more bitter not here. though. ,.,,,, tn,te on lrHlllng what he's My coinpanlon sits opposite me. dusk/8r than It seemed then today'a. and everyone's away, It's I /Ike lo entertain. So usual alt$r a holiday In Los Angeles spent with to take over that side of things. How much - the "Inside Japan• •torr ..ry Rob, the' group's fom>er guitarist. dellnll&ly all much happ;., z/-lng ....,_,,.,,,., ,wy :~"'your,,.,,,. of mind when you're te/1/ng If I can keep my covetous eyes off that ,,.._,_,,,,,.,,? . loolr N though you'rw on piercing pink and grean sweatshirt he's wearing Oh yeah• ..,..,., all dlscoverl .., That's B good question. I like that .. . do I hs'lfl for a moment, 111 start off on my list of questions. ourselves . . . · to answer it? It alt'81S a hell of a lot with the WIiy did you ~ Rk:lry - to p,odua, Sounds /Ike&:... Just.,..,,. - mood rm in, which is probably why I regret I/Jal ·-; your - •f'11e? interview (In which the sto,y came lo #ghQ now. Well, Vl,r,ln and I drew up a /Isl of posslbillties, ~",:;:;i~t~-,;:~.d' -player? /l's taken a long dme, but lhllt ..,,_ thing has but I began to lrHII /rlghtened I/Jet some of them stopped depending on OIi ..,._ " . Technically, rm taught me a lesson - a posidw, one, not just might be a bit overpoWflllng with their ld&as. explain - It may "don't tTUst anya,e ew,r again". I'm a lot calmer Such•? ~:::~~-""'n:-·· Uke the most far• about things now, because I now I understand l7lere was - oh, what's I/Jet guy's name? n,., why ..,. starl9d ~ - - .,.,, heard but it's aw. how o,,.., fflels, wloch I /ailed to do before. I one who does e_,e? mak&- ftc/udetsmus/Cand think he \9 1/nd/ng things dilllcult - awaylromall_Gl"'(I>_.. n,,.­ llertln Jow,make lt- AJ1tl,/a-"'9up? ' Yeah, I/Jet's Ill He was /a,ourlt&. Ricky's young wanHng to do /he - .._ far - • • not, lhink/ng about Yeah. /l's so wa'fd. finding yourself growing up. and seems to have a good ear for• commercJaJ and a helf,,__ ,_ my. hends do It, Being like the {lfOINTl-(/0 scc,nd, and the slngltt csme out exactly how I sccount this ,...., for the first dme. wanted It. But It's not • taate of what's to come wlthout,hb-. tor.,._, iMII,. _, ita,tpley rhythm But about me and llltve - the personal aide on my LP, /uSI a ontHJff. apart,,,,,,,,,..,,, ,.,,,, - look, I'm a big soflie and an e,not;ona/ guy, The point of doing ti/I this Is not lhllt rm bored __=--~::: . ' ,..,, but ti/I lhllt stuff really doesn1 mattor In the long with Japan, but just out of curiosity, I wanted to ron. I've known °""' for 11 yo,n, and our see whether I could - with other p,,op/6. /rlend$hlp Is s/TOnga( than anything Hice I/Jal. bend unit Is a strong unit. n,/ngs Tell me .-it the lyrics to •-•· n.e as a are Hmm. See, rm a big sotrle, deep down. 11·s d/Herent now, ll'om the dme when all that about thlng!I you do whon youro under the happened. lnHuen« of n.at Emotion - you make a loo/ yourseff, but you don? CNB, and people c BELJEVE him. All part ol growing up, aflw understand It. all. In cloalng, may I quote you • ,_ llnN /l's h-not to apply the lyrics to a pa \ , ~~I - 'Sena/0,e' lyric. - talked .,,,-.1nM/ckKam'sexl_,,,.,but to that later. In tlHt ,,,..ntJ,,,.,an ora ,1/"Now my 11/9 rK spend Inside this jealousy, for me and ,,,_ •k• for him. . I. J~ so aasy - I could he"' your beauty think of Ario/II (Japan's old label) 'I Second That Emotion'? ¢ ,,--.,,,, ·i. · ~ dme decides to take this pain away, Oh God, lw a/Ways hated that Jtit¥1i}t w.:,'Bnd our lteedom again. Steve have alWBY$ hated It- nol/ lJ-·. We're iltill gentlemen .. :· Sunie goes on a dream date with Japan's Mick Karn Pie: Justin Thomas of things, to make a lot of di fferent sounds EA CUPS clatter In a West End Into II completely new and fresh sound. Thal'• grease bar - for the best part what I wanted to d o, and we11 do It again, of two hours they're the only y'know. I want Dexys Midnight Runners to be thing that punctuates our e n ...,-chal/englng always,changl ng force. conversation. A detailed, Intense yet "Ano I think It's toml/y di fferent to anything a nyone else /s doing at the moment, and yes, nonetheless relaxed conversation I take pride In that. No, I wouldn't 1/ke to eyeball to eyeball across a form/ca d escribe It as anything a t all . . . You know, divide' . / °1'11 ,,,_ that mistake before. In 19BQ f wes Ha•lng hardJr done eny ,_f or• saying this Is IIOUI, but It w• a mistake good couple of years, the Oexys Midnight because It waan Y totally eoul. •1 mean, I wish I'd spelt It • different way, Runners man has a l ot to say. The effect Is s-o-1-e or s--o-a../, to gwe It that separation, ::z:;::;, .11J:.~1.:.ro;nro: ::r:,::r_ because people uld 'oh, he's Just reYIYlng one migh t expect from • prisoner who ha Otis Redding, whereaa It wasnY that at all. just come out of sollmry. A nd now I think It '• much more d l-t" As far • the,,,_ Is ooncem«/ and for HAT CELnc - ,,,,.. you,,. ,.,,.,, ...... ,,,. K_,,,IJ later mak• cleer, he might as to? W1'Htnt do you get your Influences well ,,... - shut - ey Ina/de. But now W from? "I donY really 1/smn It all. I think It's from w1ttt a - - • growth softening h is to fNtuTN end acrea of denim contributing to • within me, a natural thing. I dldnY sort of go an 0Nl'tlll air of geniality,' Rowland ,. more out and buy lots of Ce/Uc records. Ive than ,-Y to 1111/k. 1/stened to one or two but theyw been no About hi• new eound - Image, about his UN, really. Wllwl f formed the first group I e ttltude In the pal, about notorious Incidents -,t through /Ike • cleens/ng period to get /Ike the one that got him e --,,,,_, rid of ell the rock Influences end lls r.n to Jots aentenc»; • ...., about the mutwl admiration of eoul, which Inf/_,_, my writing - he end Adam Ant - for one enother - to approach to music and singing, but It's not the extent that Rowland reckons "Adam nicks necessary to do that now. This I• a natural e - - from us. But I donY mind that. I clfwelopment." think he's funny." Also more natural, In Ktwln~ .,,.. at /eaat, But most of till, and moat underatandlll:Jly, Is the new Image and epp11re/ - which can Kelfln tal/ca about hi,,,_,, end Dexys' music. only,,. --.. _ _ ,, chic. It's. lot At auch lengtll that It's d/fflcult to know .,_. more reuxed than the boxing boots end to begin. Let's start with the //'19 show. After pony-tall. Lesa confronting, y'ltnow? all, ti.- Projected Paulon Revue wu one of ..Definitely , yes. n still raises quite II few tt>e major _,,. In last ,-rs - ,,._.,_ sr.res. / mean people walk down the road and " Well, howe,,,,, good you thought that w-, - the width of my trouNn and leugh. The ,.. WWII ,-/ly Just lllfllmllng up for this,-," good thing about them Is they're quite he begins. '7hfs yew Is the big a t111/ck. We oomlcaf, - the crotch Is way down by www tunnel/Ing undwr,round. _ ._ the time my-• to bunt up for air. I think wen going to be Well thank God for the humour - that's big now, ,-11y ,,,_,.,,. something which hes cerlalnly - /ecklng "Just wait ti/I AugtAt after tt>e ,__ of the In the pest. I mean Oexys he,e always come LP, youw - n nothing ,-t. Agai n, well be across es being ,ery -faced. All that · doing glga In theatres only. No, I donY mind fogging and se/f./mprcwemen t ond stuff .•. people dancing, play ,,,.,.... "Po-faced? I donY see why,"he argues. "It's -,. e ._ tow- - If- you want to.•But /ust that I take It ell ,ery serlously, y 'know? I the - /s that they come In and be Just want to make brl/1/ant reoo,ds .•. I donY ,_,.,,,.,,_ know how you can talk about this lllck of "I donY Ilk• dance ,,,,,,• .,,,.,.. you - up humour. I hawtn't done an Interview for two /!At playing to the ._,. In the front. We years.,, want to profect to e,erybody. When>.., I go Exactly, a nd those aaseys you printed In the /i's Ilk• MHJncers .,. kicking people In the music pres& lmtead seemed• bit fa,ce ••• we want to rw,ch the last person In u nctlmonlous, to say the /Nat Sort of the bedrrow , e,eryone. We went to pull them lecturing. In and mo'l9 them. end g/,e them • show to "Yes, I auppoae you could soy that But remember. The show of their life!" that 's how we felt a t the time, y'know, and I don Y regret It or anything ,..., e,er done. 11>1• /NE, POSm VE thinking.but then K••ln ,., year It wouldnY be right to do essays, t""l's and never has been, anything If not why I'm doing Interviews..., F ambltlous. We talk abou t h is original be/1/genmce, both to the media and Oexys' MMM ... WHICH ,...,... us with the first record company, EM/. This must hare suspended - Inciden t, the - more than mere defensl,,,,,_ In the H Infamous Iron bar affair wh ich left no lace of the machinations of the music doiJbl in a lot of people's minds that Kevin buslnNS? K EVIN AND HELEN: 'Are you sure that p lant's a shamrock?' wn, well, to put It bluntly - mad. "Right. In the beginning I had • totally "'Well that was ·ages ago. What happened different approach to now. I wanted DMR not was we were doing II video and there was a Just to be • successfu l group making money quiet section In the mi ddle o f the song 'Then, and all but to be a group that people would blowing up tbe There My Dear? where I wantefl to ha,e new,; forget. The. group to end all groups. I 'I tbougbt about tramps. had rld/culous Ideas which contributed to the "ft was about 10 at night so I went down to group tpl/ttlng up. the local 'po/Ice smtlon to ask where they "Uke at one point ••• the first year w• could recommend I would find some (tramps) would have hit singles end make an LP and and they recommended this churchyard In become • very successful band - which we the centre of Birmingham. On the way two did. The second year, we would make a film Bauses af Parliamellt"·' blokes followed, then another four. I didn't - not a pop film - I would write a IIC:rlpt and know who the hell they were but they started we would all act In It and then we wouldn't going 'Ah, there's that flash twit, Rowland' nrak• any records that year. and started kicking my heels and generel/y "Then the thi rd year we'd do something trying to prorro/re me. ' totally-different. Uke at one stage I was even probably the best drummer In the country - studying ,at college. Anyway, I asked her "They started.chasing me and I passed this talking about blowing up the Housa of and Just draft other people In from time· to again the next d•y and went •• far as to building site and It was them or me so I Per/lament and then we'd all go to /ell fo, 10 . time. Like the brass. I'd /Ike to make clear that follow her home the fol/owing fWfHllng. All the picked up this ber and started swinging It at years end It would Juat be e crazy story. It we'Ve st/II got a brass section and we11 use time she w•• turning round, tel/Ing me to go them. Then they all started running and really freaked some of the bend out." Big Jim and the otl'HHS on a freelance bllsts. - away, but ewentua/ly I a w where she /Ired auddenly a copper oppoarod ond all ho could Well, yea, I Imagine It would. Er, do you Right now there's another musJclan In and put a tape through her door along with see was me shaking this Iron bar. I decided to think you..., mellowed et ell since then? Kevin's life who he hopea wl/l stick with him my phone number. leg It and was /os/ng h im IJ/1 I sew this other "'No, I don't think I've mellowed, Ju st fo, • long time - 21-year~d fiddle player " Within the hour she hed phoned me bedr, one waiting for me with h is truncheon. changed. What I hadn't taken Into account. Helen O'Hara who along with SteYe Brennan expressing her Interest And wen been "He said 'do you want this?' and I said 'no which Is really strange since I'm the one that comprises 11>e Emerald Express. The Inseparable eyer since/" thanks' and got arre8ted. I got II nine mo nth goes on about feeling and emotion, Is that circumstances surrounding Kevin's meeting Weil, where there's • wl// • . • What turned sentence, suspended for two ,ears. n turns aMHJt six months later I'd ha,e something with Helen are typlcally oontrow,rs/e/. you on to using fiddles, anyway? Like did you out thosB other people W&l'8 a nowhere band different to say . .. "I used to see her waiting at the same bus •- /Ike folk music? seeking pub/Icily." And •t least one change ol 1/ne-up. The stop as- me outside Birmingham. One day I "Er, not really. I would /Ike to •treas that Which· Is one charge_whlch could never be present Dexya, trimmed down to a central noticed her carrying a violin case and I asked this Is not folk music we're doing." ltwelled at our Kev, eY&n If his attitude to the nucleus "of about three or lour' ls about the her If she would be Interested In playing with Okay, but the 1/ddlN are more folk than Press Is changing. SIii/, when your music can fourth different lot of Runners, the current the band. I'd already had the Idea of using say, country and w•tern. speak for IIHlf, why bother with publicity? Or crew being more of a parMlme affair. strings and she looked g,.,,t tool "Yeah, yeah. Execuy. Theyn flddlaa rather as he says to EIieen : "11>ough splrltuaf "It's much better to work with a strong "Unfortunately. she gave me the cold than •lollns o, strings. It's Important to seduction migh t seem inore my aim, righ t • nuc/eua - that's me, BIiiy Adams {b,,nfo) end shoulder, saying she wasn't Interested In pop _,,,,_,_ that. It'• not - C.,tic music, now I Just want to take olfa ll your clothes - Seb Shelton (ex..s«:ret Affelr) who f think Is •music, only lntd/tlonal music which she was /ust /Ike II /snY folk. It's • combination of Jots do !IOtnethlng dirty to you •.."

--,_

18 July 24, 1982

Aiile drink to that THE CHURCH: 'The Blurred Crusade' (Carrere CAL 140) I PUT• -,Mk• Into my rein and fNI • charge ,o aharp and aure I muot be ,,._,ng to tt,e NCOnd Church LP/ But who ere TIie Church end why e,. ,_ ,.,lea from th• bygone beet er,e flirting with mle humour Nlf-9■rody, Ntlre •nd ebo.. •II, ,_t, of •nd for lt>e same; you can substiMe even Graham Nash has lost his particularty'Your Tum To Bum' -t. Ate time - - IMd/ng ·-- real/sing tflet CHARLENE: 'I've Never ,,,.,_ are - new mUl/ca/ fleldl to ploUgh and llttJe left unNld, 'Angelyne' for last yea( s 'Joie • kna<:k formelody. lt's timefo, and the sumptuous 'For You The Church too .,. paying trlbu,-. By opening end poking Been To Me' (Motown Blon', 'Lasl Love' for 'Daddy's them to be carted off to the Old (With A Melody Too)'. among roclr'a rich atehl-, tt,ey ere IM•lng _,_ free to (STML 12171) · Coming Home' and so on but Hippies Horne where they can The onty aberration is a version Bob expilore their .own ldeN and dl'fMIM. qualityoontrol has gone AWOL. discuss the rising cost of dope lukewarm of CHARLENE'S TYE Never Been Martey's ' Is This Love?' but then Soulful - Kl/bey's lyrlca .,. qu/alty p,woccup/ed with The only real shining light and the nice weather in To Me' Is lndispotably the worst remains Gary US Bonds' cantomia. again we're not all perfect. But dreams end - - ,,,,_,. - Kl/bey's - are record ever to reach Number Even their creamy hannonies sheoomesclose. + + + + - of ywmlng end celebntlon, celebntlng /e Roi/Ing reoeived my first shock. (Shout LX 001) Char1ene records for Motown, KANSAS: 'Vinyl -· Not tflet The Church - such e superf/c/a/ _, of home of the greatest Sixties WHEN KILLING Joke was split GWEN GUTHRIE: Confessions' (Kirshner pop'n'soul, purveyors of class asunder by the loelandic •G-n Guthrie' ( Island . e~.a spin Into,_ groo... and am lntoJC/cei.d by aong• product and bastion of exploit.sof Jaz andGOOfdle, the KIR 895714) of ~ and -.pdon. LM us pray/ + + + + t.ko Mcholls exoellenoe. I neasty wept. music press was all but forced to ILPS 96991 Charlene on Motown, It's hurriedly go and find out what GWEN GUTHRIE's solo debut I G UESS ff I was making a obsoene. stirred on this Island more Is the perfect salad day soul million dollars an album and Recovering from the shocl<, I famous for cod and myth than album. This set. which started filling huge American stadiums. began to wort< (and It was hard) music. life as a funk project for reggae I'd be content churning out this Well, in a nutshell, Peyr is mafiosi Sly Dunbar and Robbie kind of pap too. RED ;rs:~:~:u:~~~~r:.a~f of what's happening and Jaz knew Shakespeare, has a slinky Speedwagon have one good really, the song titles W8fe It. Peyrarethe real KIiiing Joke. fatback.swing to the disco theme and they've exploited It enough to give the game away. They live their music and ti rhythms. time and time again in a wetter 'Johnny Doesn't Love Here shows. 'As AboVe' Is a glorious But this is Guthrie's show. A of overblown production. 'Good Anymore', 'After The Ball', ·1 (she wrote Linda Trouble' Is uninspired music Need A Man', '~I Could See :!~ut't~-~i~.!'~sh~~ Lewis's 'This Time I'll Be written to formula. The onlytrack Myself. Bowie, Cure, punk, J<,/ D and Sweete( and Ben E King's I feel obliged to cock halt an ear The LP Is jammed full of dime more-but Peyr are one off. ·supernatural Thing') and a to Is 'Keep The Fire Bumin' '. sto,e psychology for the woman Usten to ' Oead/Undead' or 'Are session singer of note, she And what of dear old Kansas? who hasn't got a mind to make You Still There?' and the provides a passionate perform­ Anybody who wrttes lines like up. Charlene, and I mean this combination of raw Iggy ance. " Will you Slill remember when mostsi noe

• -pair I■ beginning to frtgh1an He'• muu.tlng aboul 'con-Crlclca and IIM' Mhullleeyaola.,_wt,oi..-, .. alwll ~ Ille akin. ~ .:.;,.:..,-r,::n,. ":i:.'.'8 :,..~ ~ hla own noae In Ille tact. Joe'• ~ la an·act of penance, ol -­ ~cSomatlrMe It's - to pull Ille -gotobad. 80lutlonno~-for E : "I cant sleep anymore. rm a1ID at 8.!111 1MHY morning, ni■dlng I've been llke lhla for about six alnce I gave up dope. A )olnl'a a .. --for llbclilt-- 10yMn.Vellum and lhad10 I'd - atop. rm my memory, In - of my ,_of ... .,._togo1081Npand -.... ~--

Bau/Jt and desperatian ■ le e,/fe at _lawn From Garage/and to hell with Joe Strummer of the Clash

"The only great audience Is a young feeling that they're already an anachronism. audience and our audience lsni the youth He's a man who believes In peace but anymore. We should clear the boards for the simmers with vioklnce towards the Injustice young breed of savages that are here, never he sees everywhere. He's a man who sees mind the young pop tycoons. hlmself running out of bellefs but who has no "I'm quite ready to be knocked off my perch belief In a world beyond good and evil. Joe but I'd like It to be by someone who cares, a Strummer la a moralist? younger version of myself, I suppose. But I'm .. , believe In good and evil and that whet not moving for the pop moguls ... To me, It's you do wtll be returned to you. tt I didn't 1962 again. We're like Gene Vincent, a bit believe that rd Juat go out and ateal, become ageing but still viable and Visage, ABC, The a cat burglar like those mogul,. I belleve In Human League are all Connie Francia, pop evil - It's violence and thievery, screwing watering down and feeding off rock ... the your fellow man when he's not ready tor It. new rebels have got to surface!" It's when you think somebody'• taking the On the table In Strummer's room, there's a piss and the feellng comes to get up and ukelele and a few books, the songs of Pete smash them In the face, to take the easy way. Seeger, the great American folksinger, a I've licked drugs; whatever drives me to book about Nicaragua, another about the drinking, that's the devil. secrecy with which the British State Is ..Anyway ," aaya Joe with a sudden smile, governed. .. mustn't grumble ..." Strummer's dreama of change have Joe Strummer Is 30, the Clash are five. collapaed and so haa his bellef that the Claah Neither of them have changed the world, both would be ~ble to effect a change. He's left are growing old and both are a little afraid of watching the pop moguls dance In the charts, the fact. tf the Claah are over the hlll, how do left alnglng a lament: "There afn"t no need tor 8 1 you, go atralght to hell boys ..... i:, dx: ;:.t:~~:=g~ ~:~~~:. a song that has more sorrow and compaa.slon than .anything pop music could dream of? When I left Joe at five thirty, I was afraid to leave him alone, Mohican bent, staring out at Story: Mark Cooper Pie: Adrian Boot the wasteland of modem Newcastle. Somehow he deserves better. 0on,- all? . '·

20 July 24, 1982 "These Rock Stars A life must have powerful lungs. ofmy Youcanhear them from Penzance to own Aberdeen!" LL my life, my ·A mum and dad have pushed locate bizarre and MOterlc me, against my lngred/enta and - will, to do things like with •n original recipe ldN piano and ballet lessons, who'd like to become • l_,ctbelorecla.lngtlme sing in church and school can ring the ,,,_,,.,_, The choirs, and now they're Coclrm// Shop, 5, A"")' Row, pushing me into taking London WI 1 (Tai: 01 493 driving lessons. 9744). At £8.00 a time, I just feel these are a waste of money. I'm scared of larger vehictes, although I wouldn't mind a scooter or a motOlbike. Office Realty, my IHe has ™t_ver seemed my own. At 18, my parents still treat me as a piece blues of furniture, to obey, support AVING just left school, H and respect them and their looks as If I'll be taken on views. TI1ey treat my brothers, H for a civil service job aged 15 and 12, In just the paying £70.00 a week. This isn't same way. a bad job at all, bu1 I'd ba I can't leave though, as I'll working in an office all day and need their support for my grant know I'd be bored after even a tt I go to college next year. I've few weeks. All your favourite no older cousins I can talk to If I stuck the job for a year singles, 24 hours a day, and am very nervy in some and then tried for others, do you situations because of having to think employers would tend to 7 days a week. take a lot of violence from my go for someone who has been parents in the past. My unemployed in preference to 4 different songs boyfriend doesn't understand as me? Also, if I packed in the ;ob he's had a comparatively easy after six months or so, would it Monday to Friday, life. be held against me by future I've atways given up the of completing college. employers? I don't want to work 5 at the weekends. things my parents wanted me to Moving away from home for the rat race all my life. Records change at do after a short time. Why is could be the biggest ey&­ All, Rochdale this? What's wrong with me? opener and confidence • Don't knock It until you'Ve 8.00a.m., 12 noon, Louise, Wlsbech booster you've ever had. tried Ill Jobs for first-timers • Stop feeling so sorry for are scarce enough, and 3 p.m., and 9.00p.m. yourself. If you have no there·s no point In throwing Interest whatsoever In some away the chance of gaining weekdays. Same at of things your parents would valuable work eJCPerlence and /Ike you to do, or be, your a useful wage because of a weekends, plus one resentment Is few Mlvance reservations more at 6.00 p.m. understandable. If you feel Naming about this offloo vacancy. If you can 'I /Ive up to their you are offered the Job, be London Discline expectations and feel positive and take the smothered by their the drinks opportunity to find out. available throughout posse5Siveness, that;s Eren If past work understandable too. Many AN you tell me how to experience bears little the year. people stlll llvlng at home and make a Pina Colada relation to a later application, Itching to start out on their C cocktail? I've heard employers are more likely to Outside London, own feel Just the same way. various recipes, but would like recruit young people who've But donf be too hard on to know about the real thing. shown lnltlatlre and 24 hours a day except your parents, and, Just for Also, can anyone name a determination by working during the season's once, try to see their point of cocktail? before. view. Dave, Romford And, once you have a Job, major cricket matches, As far as they're concerned • A genuine Pina Colada you1I be In a much stronger they're trying to give you the comists of between 1* and position to meke further when it's available at chancea and opportunltlN 2 oz of white or golden rum, 2 appllcatlons elaewhere, which -,,_,,_ they ,,.,_ oz preferably f,._,, p1,-pp1e whether you stay for six the end of play. had. White youw felt /uat /Ike Juice, atralght from the fruff, months, a year, or longer. a pl«» of furniture being or• good bottled rarfety, and, Who knows, you might _,, Records this week .,,lft•d around a showroom hardest to get, lll'OUncl • surprise youl'Nlf and anfoy It include:- theyw- under the ,,_ apoonful of tinned lm-'°'1 thet paying for coconut crum, found In flJtJHl#lsl"8 _,. and gMng ._i.1i.t cocktail.,_, •nd HappyTalk you the opportunity of -c1o11c11-.B1w1cta1f Lost Captain Sensible INmlng new ski/lo sho­ the Ingredients together, with ,,_, much they care, dwp/19 6 or ao loe cu,_. In an Abracadabra otherfamlly- fllectrlc blender, for around deposit The Steve Miller Band Pwha,,_ they ha...,,, 30 ll«XH>da, adding a cherry TMI,_ that they cannot and a slice of lemon. ECEITTLY I put down a Inside Out catch up on the unfulf/1/ed 71,ere'a nothing to atop any deposit on a cassette Odyssey desires and ambitions of their lndMdual or bartencte, R radio which I no longer Fame own youth by ramming them naming an original mix want. When I told the shop I'd changed my mind, the assistant Irene Cara down your throat. unofflclally, but emurlng Up until now. you-Ye tried to I/quid lmmortallty Is difficult. was very rude and refused to Music and Lights ,._ your lndMduallty and Only members of the UK return the deposit. Can they do Imagination potent/al Independence by Bartenders Gu/Id, which this? What are my rights? eventually rejecting any holds the coclrta/1 register, Barry, Lanes A Night to Remember parental attempt to mould the are eligible to enter cocktall • Frald you've lost some Shalamar way you live your life. That's creation contests and win a money. Anyone who reserres .Just Who is the pretty negative. place for a new name on the or orders goods by putting Come up with some Ideas offlcJal 11st. PrO#lpectlve down a deposit Is entering 50'Clock Hero of your own for a change. n 's candldatH could ask a Into a contract of Sllle with The Jam . time to sort out your own friendly bartender to place the shop and 1191Mlng to buy priorities and start thinking you In the running or can Join the g oods In question. If you about what you want to do the Guild as an aaoclate simply change your mind, with your Ille for yourself. Tell member and try your luck. you'Ve broken this contract tt>em. They1/ probably be Dete//s from UK Bartenders and the shop haa •very right pl- to - how positive Gui/cl, 70 Brewer SlnH>t, to Iha deposit. youw become. London WI. But,k- there are exceptions to Donf /el your ,,.ttem of -nwhlle cocktail fanciers thlo genen,I rule which apply opting out blow your chancea •tuclr on • recipe, trying to only If you make some specific prO!llao, at the time of pl,,clng an ordw. For 8Jtllmp/fl, If the ahop ,. - to supply goods for• birthday _, -,,a,-. by a aKtaln date, but the gooda donf arrive In time, then you can NAME ------~ c,ina,/ your ordw, without TELECO io.Jng your deposit. Aa a ADDRESS -:------Nfeguard, to /H'Olfe that 8 ~.)°OU IWIW to con1p..... bclll:h the Pop-A-Gram and X·word to quefffy Guidelines certain •"8"flW')fllJt WN ~n..:.,~SendwS'"l.fT~ e,ntry to Popagrwn, AKor-c1 Mln'of, ~ -, lt'a - to follow up a verbal 11grewnent In writing. July 24, 1982 21 In fright entertainment Jobe for atudlo _,, end thet kind HO'S A pretty of thing. boy then? "We donT went lo get lnvo/Nd Rob Hal• In pol/tic,, or ta/king •bout money ford Isn't though. We are not the -1 o/ W wearing an bands..,,.,.,_ to get ,_, ap/ealled all o•w ounce of leather and atuda "I 11.. In • moderete alud today. Off duty chk for --wfthtwocarsln Juda Prleat'8 lllnger la a lt>e dmw end alx dwerla wllo maalwl fJOld ring on Heh thl'Nh me-,, Sun&,y. Ser/oua/y finger and matching chalna though, - .,. • band wllo /Ike lo - Info the l»clcl/fOUnd draped acroa hi• body, - ...,. not -nr,. Nltlng olf hla }Nna and -~-ndaofp«>pie bracea...,, ,._,,.,,. _,,,, ,.,,, ,,,_,.,,,,,_come to ___ ... us I don't oflleto,... look ,•t wey__. - -.·,,...,.-"SI ... elthour,11 rm___ - thet I elegant - IO catch lt>e _,nllght lotol,-,,,le"-t•nd,,.,,,_ Aayouwptol»bly~. our - ,.,,, eactly your typk:al ~ - ••~for new - - · "-clln/ng "t - ,,,__,__ I couchwfthhlsfrwh/ydyed-,,. ____ ol_on• Job_,- .,,,_, ___ _._ good •t ,,,. Ille helr{lt-lO_,,_,.,_ be-nr,• bit), - _ mualc bual-• "It could be Ftwl Aatalre or •,,,-Y, • ch/pa In Glenn. ,., u-. 11,e lMJ could-bum-___ do with • bit _ ol • diet • RIEST hope to be touring -,,._.__,_,,_onhls....,, Brffein-/ete thlo yNr or P-,, 191t.\ complea with "Im - ,,.,._ IO dltlcuN my at.s,e .,_ lncludlnr, the -/Ion Rob. ,,,,._ IIN,.-,,.. ·rm• _, wlnr,ln(I Na - - ,,,. _ of olmultl though. I-Iola the at.r,e. until Odol>e,- ther71 be ol 1--nr, ,_lhet might get me deported-t ,, ,,,. - ..... p/eylnr,comfortebi)' - pack- In ,,,_,,,., of IIOI IO hNr el>out It. 20,000. It's • 11,- figure to 1/Chhwe ..,_" you ...,, ,,,. Mthroom In after their tanth album •rtd nNr/y thlo ho4el room? Well, ,,_..._ •• ,,,.,,, ,..,_ In the bua/neu. mirrors ewe, we/le. It's ell lt>e "The fact thet done wonderful." we-.. eo meny 11ft elbums II/ts ua from time Rne, fl,.,._ Robert end Illa buddy lo time,•..,_ Rob. "t tlllnlc wew flUlterlst Glenn Tipton ,,... Juat ,,,_ • p,.ny good contribution to - lo ,_ lt>e dey end • airing lt>e cauae of Brltlall mualc. rm o1,,...,.,_ They - _,_bit dla/n- w/111 II,. !Odey end .-- .,..,,,_•nd n, ,..,,,,, ,,. lodey. _,,. It's ,,,. _,,,,. ol loo ,,,.,,, -"SI • - Joc1c strap on lt>e nen drlnka ,_., n/{/llt tour to <»leb,ete but then ege/n I "Ooh .,..,. on lt>e o,anr,e Juice donT - · - .,.,,y • l>/urre !Odey, would you Ith one It's rwy publicity -nr, mechlne. There nice, • ..,. Rob. "Welt • mlnufe n, IINnT - much hype ..,,_,ndlnr, us, .,...._ been p,.tty ,,_.. lo - my little pl/la. r.. 1101 l,v,oc;ent • t.r M that «Jl1 ol (le/,_ you - In - ,._,. time theyre going lo - lo cerr, thing Ilea been conc«ned. "Wew _ the - • long me out. Well It will - e """'­ ,n In lt>e _.. 'Rock Ster DIN Of time. / ,-,l>e, being cooped up Gel-•· Am I -,nd/nr, /Ike • In • amal1 ran In the middle of gwtetrtcr ..,,,,. foreign piece et tllree o'clock In lt>e morning w/111 ~flow• man ol Rob's nothing to •~ but mua/c k­ - up ... _ ._,nr, rou r,olnr,. - --could,Ike - helped "b • metier of fact I think It ,,,_For __V-; - _,.,,_,.onlo cllmblnr, lt>e - world r,olnr,, emph«M,/,__ withoutk- It Nrl:h would be • barren pi-. How's,,,., for•-"· I'm "Im not N I em on at.r,e, qulte-phlio.ophkal !Odey, I donT beceuN ff I ,,.,,_Nd /Ike thet ell know ~ come Otw' me.,. lt>e time, rd..,.,. you-,,,-_" lie A/tllougll lt>ey won1 be •l>I• to ..,._ "You~ be off -n lt>e - - the/r - for • long time, In • -,C. I can be wch • dwnon ,-,,,le would be youknow. 1..-rwyllerdon .,._, lo a- - • .-of the bend on Top Of The ,,_ eoon, fl/med et • -::,--~'!.- • chenr,e _,,rm°" Uh e/lpplnr, Info -.,g J:':"r!'L-Z:;.!:''=' - Tlllnlc COmlnr,'. Rob - "'°"' com-? the bop run sound .unounded -0,, ,_ It gm /ncredlbly - ., think ,...,_ lt>e flrwt hN"l' with ell thet - on, /l's rwy deity _, oufflt lo .,. ,_. on _,, ,ou'N pleylnr, • llell In by-----•ldeo, • he ..,._ ..,.,,_t_ power -,.,.endlt'sllOdegNN. ,_,, ___- _,..,..,. ,..., - of _,,-a,en,, __ and ,n.,,_I __,,, lo #w .,. 10,. • "We might aloo do • .­ ,,__ of our -1 11/m (om,. com-,, - - - - Rob. ..,.,, do - - _,_,,.,but._,_,,. doing .. - - ol thing.. - - ol thing.• -0,,. ol lt>e ,_.,, - thet ROB H,41.FORD le etn1c1r In tt,e back i,, a wayward i.., bNm How - ,,,. twllon concept. Robin Smith warily 'enters the Judas Priest camp .,, ____ _ Are ,,_.. .,,, - ,,,.,. for _....,. .. thet? --•• cNpe_,,,_ In - """" then_,,__, __ -.---·.,,..,,,.,,,,_ --... -It's--, "No, not ,..,,,, .,,,,,.,,,,,, -~ ------===- N /t - ·::'.:f.='=,,. />eftle cry." like lo do.,.,,. - mua1c et.,.,,. _,. ---,olnr,out--tlnr, time, ,.,.,,.....,_,._,, ,,_ __ .,.,. - up_,,..,.,,,,_,,,,. ..1o -·p1c1c up· ----'s•llllghtly.,. ,,.,_,. .. ,.,--.- .,, ___lt.lt'e•- .,.,,. - comlce but I ,,,_ ____ - ,,,. -· - ,,,. - - tell lo_,,,.French comlca. _ ,,,.,.,..__,, not ·­ ,n .....,.,,,_=·°""'get ol--~ ---do but .. _, "WE SET out lo - • ,,,."Im __ ..,. _,,,. ofth/nr,11,...._ It, 1t'e - ol graphic-. - com/ca ,.,,,,, - - · It ...... ,,.,,,,,, --_..,,,.,_.,,_,,_=-... .;:",:. .,.,. _a __ ,,,.,.. ._,,_.. ...,.. .,_.._,,,,.,,,,_of_._...... ,,,,,_ eo,_,,..,_. ___ ---o1-,,g.,_1o-,,,,,-nr,111e __ _,,.,~/a • ..,. - a,peclruffl of my - - .,. -ol/Ce,llole/CefeN___ dltJ __,,, ...__,, eo fer the ------_ol..,.,,.. - __,,,., .... ,,,, do __ - ,.,_,_.,,,,,.,_,..,, - • I - ~ - ,-,,»e's _on.,__.,,_,..,,,..,.__.,, __ __ ,,,. =·-... -. --,-•total...-....!l;':,:.,, --/lr}'ll>gefNgrwfa,... _._,,,. ..,_,,,..,, __ ----• bltlh the ______--/Odlt,butl'm-"'1 ------...,,_,,,,._ -OIi­ ---,.,..-.,-, ---PfUfl.· - 22 Joining the stadium set TALKING HEADS ·~a,.,_,, ,.,,.,, a<,ge,-• gciwlst. Wembley Arena, London ::=.. ~-,,: They urge the-lo== clap No to A UNIFORMED (IUBld Is~ oftmy theneighbour p/allc chairlo - , Dlmdher - lntoan.....,,.,,c#Nnalong - help .... ""' - Byrne - the crowd lo m«:hlr'le-the-inlo dance - bouncers push funk epics. They abo - Europe lhemb«Jcwflhbetriets. that al the qulrfe of the chBnJcter, David has teamed to awful. Didn T they p/By we#, stalk: members ts female, project - at the expense of wen,nT they boring? The blonde and coolly stunning to most of his old wft Only wnen overweight Heads and /oo/c al, but any pleasure I he sings lhtough a megaphone _,,b/ey Arena _,. made for derived from the visuals was does Byrne'.s gift for surprise each other, B manill.ge made in pounded out of me by the resurface. A perfect a car park. Wllo needs aura/s within mlnut8s. Razor Sharp parody of stadium rock, a man limousl ? Uaisons ~ play Cooper monotonously myftlmtc, pien;ing/'y percussive music, al BUZZZ, profeask>nllllam and anurance of ...eoned a volume that would have done perlormen. I.Ndlng the way -■ Dee Sharp, s,lnglng==V=: In the walls of Jericho In five Hammersmith Palals, London a cool ot,..sc>.amooth mixture of poolalde seconds 1181 - btass sections MAXIMUM JOY, a ter>-plecie dance collecttve gigolo and danc.-hall crooner. ' parody t:,o;ng last ,_,.s thing, of with the emphasis ftrmly on the feet, began With Buzzz the accent Is very firmly on course. The sjnger walls and promfalngly, but - lost their -y ENTERTAINMENT - dance tfrMS, fun times ,: halls wfftl ,ecl(fess abandon, emktst • plethora of Burundf..beat Imitation• and good IIIMO. Their aongs an, a light, airy the myftlms contrive to cash - the sort of thing the very able Plgbag memory - It's Saturday night, It's 1he disco you on the cranium while dlamlued many moon■ ago. They Jeft ua ... and It ahould be the time of your llfe. pounding you on the chest wfth their latest ~ngle 'In the Air'. Wheth&r ff• wtth their rendition of the Ray -ii.· ~ simultaneously, and before tt was left to Buzzz to work up the flrat Charles clanlc 'Hit The Road Jack', or one of tong you find yourself outsickJ aweat of the evening. The Nven-pMtee their own u~tempo numbers, Buzzz dlsplay the Venue, hotfooUng It to the London outfit. mixing a amooth concoction an Intensity and paealo n that Is rare these place next door /or a pizza, a of soul and funk, showed the all Important days. beer and • bit of glorious craft and aJc:111. to move - literally. Buzzz are a precious thing, use them well. peace and quiet. Fronted by a winning vocal three-some, Now I'll buzzz oil. At least, one reviewer did. Buzzz bounced through • set of sharp, tight Sunle dar,ce..floor kll..,._, with all the ~ ,,,. _,they're playlng the - rock clreult__ •nd Martha Ladley's life . ___ -ldo.U/1"-ln touch-lw/ah It with the stars, by ,,.,,, M-- for them." UCKILY, MARTHA Is • frugal character Daniela Soave L •nd,,.,,, wlN/y Nred -olhM g,..nt F YOU'VE been wondering who moneyfrom~:~-=- - PRS _,,. maMfl8d to ,the mysterious blond who's 1/w, for .ix /!fl' time to write. been sppearlng on Top Of The I Pops with the Associates and InWllenlhe a ~~ :,,/llfi/11-~-"" Garden. "I dldnY ,...,; .. IN uch but It Roxy Music Is, all Is about to be paid Ille rent,.,.,-,_.., lf!cinwafar-lhanln u.ctly what lJN ~ to ,,,. Muff/na, lc■nuyls,about,,,,,.too. lBEE'B_,.Y "'For Instance. the clube. fact, Steve I• meant to look The Pala<:e la OM of the - like -hlng out of Lord Of - If not the - - cluba In The Rings. Europe, and I can say that In .., can't ■ay too much ■II honesty becauae l'w been becauN I don't want to give to moat of them." too much away," Steve ..ya The Pala<:e will be the first myatertoualy. "lt'a conMCted club of Stew and Ruaty'a that with the MW single. VI­ will actually make them are going to open up • lot money. It was written Into more, be mont acceulbae to the contnoct that they would the -le. Which I• why I'm going to ba pe,formlng live next yeer. We've started to wort< on the Mia alrM

I I 24

'Well I'll be Triggered!' says Mark ,Cooper - the rain out. After that, we h,,_ for support gigs, played the v.,,.,. and caught the attention of the club'• organ,_,. John Reid. He'• now our ,,,.,_,,.,_ "Then we toured with the Thom,-on rw,,,. and IIUtv/Wld on er/spa and --- Rnal/y ,.. played th/a gig at London Unlvenlty anr:Jthere..,.,.ebout• hundred l9COld company ,_,,. ,,_.._ w. had ,,.. offers on the table but Chryulla uw us on the Friday and -'fined us on the T.-.y.• Aa far • Slua,t and Sam - con<»med, King Trigger always wanted to algn to • major label: "We want to be In the charts, simple N that/ n..-. no point In playing around In pube, working hard and loolng money. We - to go big, to pley -plac»a,g.tagood oontnct and NII a lot of - w.w both g,..,, up ,-, to put In four ,_ deg,... to do thla end we lnatNd of two. We're not a want to make n count." finite group, there._ no limit Trigger reckon that bend!I to our potenUal." ,_ '!"'MY to mako good equipment on stage." SO Bernie la glad to be back home and as a parting gift Uncle Oz preaanted him with a cheque for five thousand dollars and a new guitar to help hla career aa a solo artist. He's Just released his album 'Tum Out The Ughts' to mixed critical acclaim and he's packing them in at clubs, Including a roistering good show at the London Marquee. It's all a bit of a change from playing with GIiian and Bernie's very happy. "I felt that band weren't appearing In front or large progressing," he says. Robin Smith explores the crowds llke Madison Square .. Frankly I got fed up with Garden, but some of the fans p laying the same old stuff lucrative world of frightened me. night after night and Ian ..One came In wfth a dead could be a bit of a dictator• the temp guitarist cat w rapped around his waist "A lot of my album was and there was another one recorded when I waa atJII with dressed up as death. His face GIiian. They didn't want me to OIN O'ZZY was made up like a skull and take the tapes home In case I Osbourne's band he was carrying a scythe. I d id a bunk and didn't come and earn a made sure that I stood backl J thousand dollars a towards the back of the "I think the album could week. Eating bats Is not stage. have been a bit more posHlve necessary. .., thought the first two gigs In parts and the aecond one I played were atrocious from should change all that. ,h' s a This was the offer that my point of view because I bit Introspective, I was pretty former GIiian guitarist Bernie hardly knew any of the miserable at the time. Torme couldn't refuse - and materlal. But wtth a dwarf Bernie's recruited former after a mere two days of being hung on stage and WIid Horses drummer Frank rehearsals he was off to play other things going on, I don't Noon and dreadtocked ex~ on Ozzy's American tour, think anybody really noticed. Bethnal baas player Everton temporarily replacing Randy Throughout his dates with WIiiiams to form hla Rhoads who was kllled In a Ozzy, Bernie found he was permanent band the Electric plane crash. constantly upset by the Gypsies. "I had a phone call one recent death of Rhoads. .. I don't know what"s going evening from David Arden, ''That was the thing I Just to happen In the future, but the brother of Ozzy's couldn't coma to terms wtth. I• I'm sure there are many Glll~n glrtfrlend Sharon," says do believe In the supernatural fans out th&re who are Bern... ..At that time I waa and I'm sure the whole band Interested In me," he says. putting a new band togeti­ had a feeling that he was atlll "rm In the same posltton now and I'd even booked aome thent In some form. .. GIiian WU when I joined datN ao at first I said It was the band - I'm polNd on the lmpoulble. But then I HE worat thing waa edge of something. thought about the nice hotels checking Into hotel "Really, I Juot enjoy loonlng I'd be staying In and the -. nd ElflCtriC Gypsies . T rooms thel had been around on otage. I ■ct myoett money. booked In his name and .., wasn't too acared and I hope people ■re going ME with hi• ,_ at ualng hlo pedals and to come and ... me." SERNIE TOR Scottish singer and songwriter B A Robertson talks to Daniela Soave July 24, 1982 25

black music. f&COrd producars, and for the last programme wen. going to haYB 8 oelfldh. We7/ f&COrd It the same e"9rling as /he programme goes out I would ha"" liked to do It live bacause that gives me an extnl buzz. I love doing television because It's another ALIFE facet of the entertainment business, but no way would I ever give up scngwrl6ng_ to concentrate on becoming a telollfslon cef6brity. Wrl6ng a song is the be.st buzz you ever could get. I Jove it. Actvally, I tvm down far more television offers than I accept. I tum down things like games INTHE shows, plug shows and quizzes. Q-18 bone of contention is people always tell me that I'm always on 'Pop Quiz· when in actual fact I've only done it twice, which is no more than Midge Ure or Bob Ge/do(. I don't really have much time for hobbies as I'm always wildly • DAY01; busy. I do like to read a book or r go to a movie or watch my videos. The trouble with videos is that you forget all about time and you can watch them Into /he early /JoulS Of /he morning. Karen snd I like entertaining; she does the coolclng. I can Robertson only manage a egg and BA boiled soldiers SO if she's ill she /JS$ a Unfortuna1'11y theres no very limited diet OUr dining Teasmade so I have to get up all day long Bnd therefore room is called the strawberry and make It. 'Nhile it's brewing doesn? make \l9IY interesting room and everything In It has i i:::r~;1 171 go to the front door to get reading. I do probably get s1Tawbeni6s on It. The dining : can't lie in the mail which I separate Into BRIAN ROBERTSON comes up for air more worlc done than most table is shaped like a giant bed for long, I suppose two piles. (Me Is bills Bnd they other stars. During the 26 slnlwbarry - KJven had it l' getIgnored, the other pile Is Ian weeks I was in the studio I spec/ally made. The plates it's the West of Scotland work ethic - if you don't m8ll. I don't have a Ian club as had my cup of tea, I then have wildly late for everything, no ffJCOfded 26 songs and 26 haw, little strawberries on them such, but on the back of my a cup of colfH and a marmlte matter what I do. In fact, minutes of incidental music, Bnd everything In the room Is work all the hours God f&COfds there's always a box sandwich. I cton1 get any breakfast is consumed while which Is a good result. either green or pink. ~w,r gives you, you don't number where people can newspapers dellvered, Instead I'm standing up and blushing Apart from worlclng on the comes to dinner has to wear deseNe to get on. write to me, and they get I tend to pick them up as the my teeth. At the same time I'm music side, I also /Ike to do g,-i or pink, too. Whats my bedroom like? forwarded to me. What I do Is day progresses. ff I'm writing or drinking my cup of coffee. other things. I'm dolng·a seven We usually go to bad about occaslona/ly write a news Jetter one o'clock In the morning. I Small, square, fitted ffJCOfdlng In the studio then It God, my day sounds really week series for the BBC which and anyone who has written to usually happens to be th6 Star tedloys and boring. Wien I tell started on Monday celled 'BA like to have /Ots of things to do wardrobe which the box number is automatically or the sun, but If I'm at the BBC you that I've spent the last 26 Bnd Mis/c', Bnd every week for the next overlooks the back put on a mailing list. I've done then I tend to see the world weeks in the studio you 71 that will haw, a different theme. day bacause I garden, pale in colour - things like send them a flex/ through the eyes of the n,,,.. understand why. There ·s not For Instance the Rrst one was need that sort what's the name, oh yes disc which was called 'Bars OJ or the Guardian. 1881/y all that much you can say about songwritars Bnd olhe,s of charge to 45: a compilation of all my hits. Alter break/ast comes the about balng In the studio. It Is still to come Include a ladles' make me extra magnolia! Gnce Ive read the mail Bnd panic Stations. I'm lf!lwBys basice/ly doing the same thing night, a programme about producUve. ,, day tips•

WHILE CLEVELAND funkateers the Dazz Band are cleaning up in the American charts with their top five hit 'Let It Whip', the foxy song is only bubbling under our national best sellers list. But the octet aren't going to sweat to work harder, as they're found that the best funk comes when they mess about. According to the band's spokesman, saxophonist Bobby Harris thafs often the way With the music. "Before, when we tried to oome up with that kind of sound, we found oursetves too regimented and formulated - the only way to create good FREEEZ: simply chilled honey funk is to be kx>se and relaxed. You either hit it dead centre or REEEZ HAVE and Rocca admits he was you miss completely - there's come back Impressed w ith It. no halfway with funk!" '"There's a lot of energy on MG· from the cold. It. We were young and we F The band, who were trying to play as flashy became a hot dance ~~~mooi as we could so we were property after their John Rocca, It haa been a started eating out all the time, of going over the top. But I hitting our limits. Since then 'Southern FrNeZ' hit year of almoat rldlculoua going to flash clubs llke got too flashy and I wrote off we've been trying to get the extravagance for the North Stringfellow• and buying the car." perfect production which has last year, are again London band. expensive clothes. By the time they'd got over been a mistake. 'One To One' heading chartwards Nwe foal £18,000 on our " I decided you couldni their 15 minutes of fame the Is back In the direction we with 'One To One'. But tour, •• we were trying to exactty go to these places on band had apltt. were In first." they nearly threw It all play amall placea with a full a puahblke eo I bought a big "The publlc lorgeta very Now with original members rig Of llghta and a good Ford Mustang Ilka Steve quickly. You can sign ba88lat Peter Meas, Andy away. sound system. We also spent McOueen drives In 'Bullitt' autographs after being on Stennett on keyboards and · all last aummer In a rehearsal with the big fat wheels and 'Top Of The Pops', but within new man ex-Ught Of The Acconllng to their last studio for no particular etectrfc windows. I don't drink 14 days It's all gone." World drummer Everton talking vocalist. 21 •year-old reason. Apart from that I or s moke so this was my way Their debut album cost McCalla, Rocca knows what them a mere £3,500 to make, he wants - success. DAZZ BAND: casual Mark King & Mike Lindup of LEVEL 4.2 are THUNBEBTHUMBS ~~cial report cu«ently bubbling under the charts with . a·No~lH( lO(lS(NMAN 'Happy Hour', has no qualms about selling his music. The keytx>a.rdist. who h"rst found lame with his jazz version of 'Theme From 2001: Also Sprach Zarathustra · and now makes piles of cash producing Kool And The Gang, jUst wants to be able to pay the rent. "I'm a professional musician, I make my living from making music so I cannot Indulge myself in the philosophies that some musicians do. There's always traditionally been some criticism - especially in Jazz circles - of musicians who want to make money. Well, I don't want to starve, so I pay sttenuon to the pub/le, to whet they went by plsying s lot and doing a lot of listening. "It's apparent to me that music is no longer the 'property' of the musician. It's a commercial property," he says. Deodato, who moved to the Unil8d States In 1976, cresl8d one ol the fi,st crossoV&r Jazz hits snd people like Billy Cobham, Stanley Clarke, Rey Bsn9tto and John Tropes, who plsyed on his 1973 hit '2001 ', have all pufSJJed (eCOl'Cllng careers geared towards commercial success since. "I write ""'Y, ""'Y sparingly, " he explains. "I don1 csre too much about notes. I don't csre Bbout wriUng melodies. I write co/ou,s more than anything Deodato's talents as an "That had been the problem:. else, becaµse the arrangement snanger have n,ape

'. • ., 27'

ODDS 'N' BODS

ROCKERS REVENGE has been snapped up by PIJonoflrOm for rush ""68se on London, S.trll picked up Dunn & - StrNt . . . I've Hna//y Invested in a quartz locked deck, so a// bpms w/11 now ba absolutely accurate (unless marlced with C for circa - meaning lhay were done In a shop) .. . -.e Wahlh (Ot-724 1559) Is looking for a /lgMng and sound engineer, to learn Iha busif>8SS from scratch If necessary, at one of the ~'s majo, ballrooms (I wond8r whk:h one?/) . .. M Puttanow-beatthis/ -says: 'W>M balWeM DJ jobs my charts are more acx:urate than half those worlcing" • • . - Wl"""""°f reintroduces -.em Soul alln//8f$ /0 IMgan at Tlffanya Iha second Friday catalogue number and sJeet,9 o/ eve,y month from Friday August 13 (let's hope that's not logo as on Epic, ac/ual/y use an omen/), with all Iha old the Pr9/ude label on the actual CN/no jocJr$ plus Iha prospect records - a long ov&rdue of Edwin Sterr live In British idenaty for the hot American disco outlet ..... September - £2 for members, 1am-8am, 1,200 capacity, lots• __ &WMtl ... Phil HN#ehunt sent me a tape C.plml RMtlo-. open air J8ZZ of local ClJmbrian band It B1,-, whose 'Y/Op/o' is a Wit)' Fest/val at --las/ weekend, at least, hed great acccmp//shed catchy last weather for once . . . Top Of flowing sax-/Nlrn' loWGHTY FIRE: 'Just A Llttle 'Fame' alter Iha R/lh time at a broadcast from the Camden synchsRevenge's supertlly ,,_le out bit of (Bobby -""' (US Slllooul SG 373) Randy Bit' (LP 'Mighty Fire' US mob/le gig last Saturday - Iha Palace recently on Cap/la/ .. . "O" Is then great out of It - see Muller-p,od/penned moderately Elektra E1-«1104) Fair1y TV series' Erica Ghnpw must Alan Coulthard'a Solar mix got later), "You're The One' smacks tuneful tt loosely strung Stevie mundane funk set serviced IO ba bitter that It's not her version 8"")006 /a/king who'd heard it starkly aloog at 11 0½bpm with Wonder-lshly growled steadily OJs by Fred Dove (hence chart on Luxembourg last Friday at that hit here, as most people electronic precision but little joy, accelerating 113-117bpm 12in mentions), - by this probably think lhay're buying 10. 10pm - like a fool I forgot 'Never Give You Up' sways swayer, more a mood than a one gently twiddling attractive her . . . UK pressings of Iha /0 hear ff as I was out drinking squidgily a1 1131,pm, 'Send song and very obvioUsty In the 98bpm jogger. much better than 'KISS Mastermixes. double with Peter Young! . . . OK, Your Love' is a purposefully Odyssey bag, ends up wooong the dull funky 122bpm 'Heavy album, although idenalied by Keith, so Pers/$ Kamt»m is roling 101bpm chugger, and 'In into an impassioned sweat and Rotation', 115bpm 'Start It Up', not in the new 'SIM Trek' flick, The Name Of Love" a lush is really rathe< good despite his ' 112bpm 'Sixth Street' - the though ifs still subtitled 'The 127bpm rhythm ballad. Not her new album in general being group also have a new 12in, not Wrath of Khan' . . . Richard best, but not bad. rathe< bad. on LP, 'Take h To The Hoop - Alli,_,, just did a brill segue FREDDIE JAMES: 'Don't Tum DAVID McPHERSON: 'You L A. Lakers' (US Elektra from IJltrar,ox 'All Stood Still" Your Back On Love' (US C.n1 S1opl' (US SAM S- 0-69900). a sparse c126bpm into the similar Sheena Enton Attlsta CP 716) Tony Greei>­ 12349) Shep Pettibone-mixed funk smacker about basketball 'Machinery' - wnat a way to prod/Tee Scott-mbced huslpm instrumental verston freaky 'Fierce Instrumental' as Klng's production team, the only UA but now an area manager starting electronically In Peach wellas a'Traditional advantage in this for Alfred Mam, Hna/ly made Boys style. Instrumental'. h's deceptive - 113-112-113-112bpm track Joy an honest woman and CONWAY & TEMPLE: 'Love my floe< got surprisingly frisky being 1hat It rot surprisingly honeymooned in New Yorlc Light. (You C.n Lay Your while It was on. mixes perfectly wtth 'So Fine', where they caught all the many Head On My Shoulder)' (US BOBBY "O": 'Still Hott 4 U' 'I'm In Low', etc. doo-wop shows, both live and Old Town OTXL-1984) Craftily (US "0 " - OR 718) PATRICK COWLEY futurfng on radio (chack 101FM IMPORTS compulsive well constructed Although there's an 'I'm So Hot SYLVESTER: 'Do Ya Wanna Sundays 7pm-midnlght, and chick 'n' chap duetted 110bpm For You' vocal A-side, It's this Funk' (US Mogatone MT 102) twfddle throughAM SHARON REDO: 'Beat The 12in south.JI swayer mixes dynamite ratting and smacking Sylvester is in 'You Make Me /requMcles Saturday IOam­ StrMI' (LP •- Hott' US perfectly out of Odyssey (In fact 122bpm 121n lns1rumentaJ Feel (Mighty Real)' voice on this ,!p,71 /0 locate Bobby Jay's Prelude PRL 14106) it was this rather than Odyssey rhy11\m side tha1'11 grab most very similar 130bpm 12in synth show) ... Rick -land kindly Sinnamon's producer Eric which got my floor started on jocks - wild and "fien:e" with and drumklt backed pounder, gave me a replacement WIiiia Matthew ooncentrates too much Friday!), the pleasan1 groove fluttOf echo and all the trandy T• Walking 1,1, A Ole Way on c,eating a hard dry rhythm switching into some rap bits trimmings, It vari-synchs St18er so Tuesdays at t.. BNt texture whk:tl may be modish before the end. Nice to see the sentationally (and I mean. - are ooo/ again/ . .. Rick but lacks Instant happy appl>al, vintage label back. now based sensationally!) through Sharon TURN TO PAGE 28 himself jocJr$ at Tu/N HIii's although this jittery bu11>1ing in suburban Woodbury rather Redd's 'Beal The Street.' SOS-SOUL ON SOUND - sos A NEW CONCEPT IN SOUL MUSIC ENTERTAINMENT All the - Jazz Funk and Soul Soundo plus News-Reviews and lntenliews with the 81ara who make the music-all on a six1y minute cassette tor £1 .50. -lof1nlghtly by Top London OJ Tony Jenlclns and featuring Competitions, Gig Guides and Special Guest Reviews SOS brfnga you all you need 10 know 10 keep you in touch with the ever changing Soul Music Scene. Soul On Sound Is proleoaionally produced on a high quality cassette complete with Full Colour Inlay Card and Cassette Casa. SOS Number One will be avaiable on July 31 from apeciailat music shop&- leading high straa1 outlets and good record shops everywhere. Order your copy now from your record dealer. * * * * SPECIAL INTRODUCTORY OFFER * * * * Also available on Mall Order· Direct From SOS (MUSIC CASSETTES) LTD - 11 BALFOUR MEWS, MAYFAIR, LONDON W1Y SRJ £1.50 Includes postage & packing - Cheques/PCs payable 10 SOS (Music Cassettes) Ltd Special Oiocounts lor BulkPun:t,ua (10+) 10 bona-fide disc jockeys - Contact us for detallsat the above address or Telephone01-629 5897 (24hr Answering Machine) ** PROMOTE YOUR CLUB OR STORE ON SOS - WRITE IN OR PHONE FOR OUR ADVERTISING RATES ** For Distribution Details call us on 01-629 5897 28 July 24, 1982 DEE DEE WOP: 'Get OIi My Cloud" (Canadian Alo RIO 39) Exaggera1edly Engtish accented chick talks through the Stones oldie over a thudding c112bpm 12in beat. TERRI GONZALEZ: 'Bom A Winner' (US Becket BKD-510) Ponderous slow tugging c99bpm 12in thudder. BARAY WHITE: 'Change' (US Unlimited Gold 4ZS-03051) A GRAND MASTER FLASH & striking start then dips FROM PAGE 27 THE FURIOUS FIVE: 'The disastrousty before Barry Message' (US Sugarhlll SH- hollers a c131bpm 12in 584) Rather good interestingty smacker about a change being well done bu1 now dated for all natural to begin wrth slow · needed. Indeed. except Cowley's camp thudding c t 10bpm 12in rap SOUND TROUPE: 'Can You followers. about hard limes. Really See Me' (US SAM S- DAVID SANBORN: 'Rush RICH LITTLE: 'President's 12348) Chaps 'n' chix sung Hour' (LP 'As We Speak' US Rap' (US Boardwalk deliberatety jotting slow Warner Bros 1-23650) The NB9-99901) Ronald & Nancy c116bpm 12in ;ogler. jazz saxist's speoalist Reagan impersonations (with TOM COLLINS: 'Do It' (US convoluted c116-112-116bpm applause) over the c100bpm URSA 12UA-100) Vocally instrumental burbler and 12in 'Genius Of Love' riff, not varied butch guy/chix mood'8r c105bpm 'Port Of call' very tunny unless you're in tune interplaying bumply j;ggling are naturalty being charted by and in America. c121 · 122bpm 12in thudder. some jocks because. wetl, It's ORANGE KRUSH: 'Action' CHERYL LYNN: 'Instant Love' David Sanborn. Real dance (US Pn,p Street PSR-001) (US Columbia 44-02914) Dull appeal is low AvAn if the Tranny 9'9ctro he:tt.s, Cheri jorky c120bpm 12in tumbier. music's OK. chipmunk voices and rapping DUTCH BAND Blue Feather, cuffently cllmblng the charts with 'Let's Funk Tonight,' PIECES OF A [)REAM: 'We soulful chick all weaving together at a slow c106bpm play a string of dates -rtlng this month. Are One' LP (US Elektra They kick off by supporting Ught Of The World the Hammersmith Odeon on 60142) Down tempo jazz _,t 12in funk pace. BREAKERS at from the Last cut each side, the GLASS: 'Let Me Feel Your July 31 followed by gigs In their own right at: Hltchln Regal August 5, Manchater chix-sung jittery 109bpm 'Yo Heartbeat' (US West End Unity 7, Cardiff Top Rank September 3, Brighton Top Rank 10, London Venue 11. BUBBLING UNDER the UK Frat' half-stepper and 'Mt. Airy WES-22145) Trendy Peec!Hsh More w/11 be confirmed Disco 90 (page 4) wi1h dates later. Groove', a sJow 107bpm introed chix wailed ponderous increased support are instrumental smacker starting c112bpm 12in jotter, release Is, I still have the bursts in the intro (fun to mix) LOUIS CLARK eonducilng instrumentaJ flip. Roundtree 'Htt On You' (Ma with the currently trendy back­ 13n), Kevin Toney 'Special K' I nagging doubt that not enough before the guys wonyingly wail THE ROYAL PHILHARMONIC VARIOUS: 'Disco Breaks On over the moderatety funky tracking beat effect. 'Spread The Wrxd' I 'Red Tape· of a song develops, despite the ORCHESTRA: 'If You Knew LAURICE HUDSON: 'Feel My The Double' LP (Dutch Rama last minute insertion at my monotonous lurching sparse Souaa (And Friends)' (RCA (US Fantasy LP). Magic Lady Hom 2-6002) Double album of synthetic beat. Veteran Love' (US Snowflake SOS 'Give It Up' (US A&M LP). suggestion of more variety RCAT 256) Terrific uttra jolfy 505) Familiar sounding Maxine recent (but not new) full length towards the end. However. its Philadelphia soul DJ / group marching and galloping party 12Jn material, half Pieces Of A Dream 'Mt. Airy Slngleton-ish lurching C116bpm Groove· t 'Don't Be Sad' immediate impact is strong manager Kae Winiams wrote it. fun, the 12in seguing both 12in mldtempo rolling smacker. reasonabte / half gay, all mixed DISTINCTION: 'That's The t 28bpm parts in fact in reverse (Elektra LP). Shakatak 'Bitch To (especially on radio), and it sung by a lady wi1h an "L", just and including yet another shou'd do much better than that Way I Like tt' (Hanaa HANSA order to the 7in sides, the a­ 'You're The One For Me' The Boys' (Polydo< LP). f>;gbag lacks that vital magk: spark. 'The Big Bean' (Y 1~n). Dance last disaster. 12-16) Appealing sounding side Part 1 (~ you get me) going GERALD MALLORY: 'Lay tt phasing out of 'Htt'N Aun KENI BURKE: ' Aisin' To The Uverbird foursome with Real Reaction 'Disco Train' / 'Train nicety before Mario Lanza's Down On Me' (US Prelude Lover'. Sound' (Carrere 12in), Conway Top' (RCA RCAT 2:>2) Around Thing connections (but then 'Valencia' (US RCA). Cor! PAL O 627) Smoothly crooned ROCK CANOY: 'I Got Love' what black Liverpudlians BLANCMANGE: 'Feel Me' & Temple 'Love Lights' (US Old for ages on album, this intensifying c125bpm 12in (US Prollle PA0-7009) Tee beautifully soulful classy coot (London BLANX 2) John Scott-rmed chick-sung chunldly Town 12in). W Reynolds jitteringly tugging chugger. 'Special Effects' (US eap;tol unhurried (0 - )94bpm 12.in ~~~~~\:~~~ng l Luongo-mixed 11 1bpm 12in breaking only in the North-West tugging duH c111bpm 12in jogger has been fWpped for they chant this new Roy Carter­ white boys funker starts jogger. 1~n), Bob James 'Spunky' I (where they tend to chart 'Shamboozie· (Tappen Zee LP), value by his set's next hOttest prOd I penned lightweight promisingty in Peech Boys style anything that's out). WYND CHIMES: 'Checkln' Out cut, the similarty cool drifting spurting 119 but then naff spoken vocals Mezzoforte 'ShoOling Star' THE SYSTEM: 'It's Passion' Your Stuff' (US RCA PD- and rotting 111 • 112½bpm {intro)-1 21-119-121bpm 12in spoil it. and unbelievably the (Steinar 12in), Funkapolitan (US Mirage OM 4837) Synth 13249) Guys yowled rumbling thudder, like a more souttul instrumental flip lacks the 'Run Run Run (Instrumental)' 'Hang Tight.' On both, ifs the heavy ponderousty repetitive monotonous c117pbm 12in man's vocal quality that counts. Bananarama. Peech parts. (London 1 ~n). c115bpm 12in instrumental snicker. HIT NUMBERS: Beat Pe< HOT CUISINE: 'Keep The smacker, which Peter Powell H~AISE: 'Funky Ntte' (US Hi­ Minute tor last week's pop chart Same Old Feeling' likes. Smoke HSM 1000) Heavy slow (Kaleidoscope KRL A13-2560) cl06bpm 12in funk in three entries on 7in. (endings BRENDA JONES: 'My Heart's denoted by I for fade, c for cold, Roy Carter-produced simple Not In It' (US Wave DL 1215) different versk>ns. high prtched unison chanted JAY W McGEE: 'When We r tor resonant) are Yazoo CM Lord co-prod/penned 125½1, Cliff Richard 1121. and harmonised flowing soulfulty waikK! emphatic Party' (Canadian Scorpio DK spacious dean burbting 82-()1) Stevie Wonder-4sh chix Elkie Brooks 0-27-55-0r, The c113bpm 12in lurching thudder Firm 1291, Randy Edelman 125bpm 12in kicker with synth DJ SPOT with lots of presence and bass supported clean c120l>pm 1~n twiddles breaking through the rumbfing thuddef, Jay's name 0-461, Belle Stars 0-89/1881, • synth. catchy vocal pattern, now • not actuaJty being printed as the Chas & Dave 146c, Gary US SOIIANY _ have_hltttng--purelyon BT (BRENDA TAYLOR): 'You Bonds 1()9...111 -1131. scorpions certainty on white label although eani Have Your Cake & Eat It artist, oddly. there's possibly a remix due. EASY GOING: 'Go Away Uttle 152-1S3f. The Fixx Too' (US After Hour Records 60-120-123-0r, BOYS TOWN GANG: ·can1 :::=.,~=::ufft:~U:a::=~~ AHA 4100) Purposeful Girl' (Italian Delirium OLM Take My Eyes Off You' (ERC mo,e room, • prom-, thfe -.Id be a Nll\llar _,.. c112bpm 12in chunderer with M25965) A<,w;ng c118bpm 1 ~n ERCL 101, via PAT) Number pM, - 12fn the extended 1 10-111 bpm everywhere. Here it's flipped by 7 {THE BEST PART OF) BIIEAKJH' UP, Roni Otlflllho, remix of 'Get Down On It' the frantically galloping ,;ngy v__,..i 121n prevk>usty onty availabte for 132bpm 'Disco Kicks (Remix).' 8 STOAIIY WEATIIER, Viola W111e, US Su-121n Walkman wearers on the 'Dura­ DONNA SUMMER: 'Love Is In 11 MAMA TOLD ME, ~ue, - Rio 121n Oance' cassette compilation. Control (Finger On The 10 PASSION, Fllrto, - Unldlec 121n PATRICK SOOTHE: 'Never Trigger)' (Warner Bros K 11 11 SING SINO SING,~ Calelfo ~ US Knew Love Uke This Before' 79302T) P,-operty remxed, Proflle/DutchRamaHom121n (Streetwave STA A 13-2596) extended and deddedty strung 12 11o1 A WONDERF\JL 11flNG 8A8Y, Kid c:..o&e, Z. 121n The Richard Jones-produced out 132bpm 12in version of her 13 DO I DO, Stew, Wo-, 121n track is so truty awesome this Quincy Jones--produced current 14 TORCH, Solt Cell, - lllzzare-n 121n time that the sinister bass figure pop hit, with instrumental flip, 15 DA DA DA, Trio, -ne Sutt Corpomton 121n is likety to do damage to your not that this lengthening adds 111 DON'T COME CRYING TO ME, Linda Cllfford, US Capitol speakers as this purposefulty any punch to the rT'IOf'e concise LP pushing 109bpm 12in jitterer 7in. 17 WORK THAT 80DY, DI--, Ctpltol 121n unwinds, Earth Wind & Fire's BB & a BAND: 'Imagination' 18 KEEP ON, "D" Train, Epfc 121n Ga number one In the gay chart, overworked Phenix Horns yet (Capitol 12CL 257) Jacques BOYbeS TOneWNln their 'Cant Take My Eyes Off 111 I LIKE PLASTIC, Marallanl 'Dellla' -• Reel eu.121n num r o Ho"11a-;,• again braying behind pent up Fred Petrus-produced stark 117 20 IT'S ALRIGHT/WHO DUNNIT'I, Gino Socdo, US Allanllo You' revival is now out here Patrick {instrumental flip) - but, (intro)-119bpm 12in smacker AFC LP vital to Streerwave though this bristling with vocodered title line DISCO HIRE STAGE TWO FROM THE HARROW DISCO CENTRE LTD. FULL RANGE OF SOUND AND LIGHTING EQUIPMENT AVAILABLE FOR PROFESSIONAL OR HOME USE COMPLETE DISCO· PACKAGES WITH COMPLETE DISCO WITH LIGHTS LIGHTS FOR IDRE I_ FROM£13 £12 including VAT DECK UNTS. AMPS. SP£AKEftS, PROJECTORS. 90UfC) TO UOHT STR08ES, DRY tC£ ANO BUBBLE MACHINES, SNAKE U0HTS. LASERS. ETC., ETC. (.AL.L PRICES EXCI..IJSIVE OFVA TJ 197, WATFORD ROAD SEND SAE FOR FULL HIRE UST TO RECORD & DISCO CENTRE CROXLEY GREEN 350 RAYNERS LANE, PINNER, MIDDX 01-86811637 RICKMANSWORTH WATFORD 44822 • Hire .. £MIi WATFORD 30789 • Sales £47S

RECORD & TAPE MART UNTS IC!-'4-5~ OUID £1"-11S 'Small Ads' appear on oc~acn1 page 30 this week s

SALE! DISCO EQUIPMENT Ex-hire, second-hand and * * excess stock DISCOUNTS ON NEW OLDl■S UNLIMIT■D UNITS DEPARTMENT R , TELFORD, SHROPSHIRE TF2 9NQ SendS.A.E. lor liltofoYef 2000 Singlts& 1000LP'sat ncreditllepricts. The t900tdsbelow H.P. available artn::ludedin our list al 60peach, 10for£S · 20tor£9. Allin Pic:tLKe c.ov.rs. Call atour showrooms P383:2 8A0 MANNERS ~~~~,=- P3643 DAVIOBOWIE Lo_, ] "P:1438"'" -I wane IO tie a1r■lght NEWHAM AUDIO P2'3< P3367 IGHTORCMESTAA --M-Nwortcl 52 ROMFORD ROAD P:2&55 XX ------1 P2788 IEOMAN Lydia LONDON E15 4BZ P2968 O""- --­....,,...... AM2417 I P1072 MANHATTANTRANSFEA 01"1affll9strMC W\ 5'nC>aPOrt Telephone 01-534 4064 P,&129 MATCHBOX -LoYNmacleafoototyou- P2550 NEW MUSIK Uvingby~ P1332 PRATT&McVJN ....., ..,. P321K1 B. A. R08ERTSON Tobeo,nonobe P2◄~ ROSE ROYCE !sit loYe yc,u•reahr P2398 STRANGLERS Nvdeardeviot P3502 DONNA SUMMER P3793 HAAAY TRUMANN .,,_..., P3410 VILLAGE PEOPI...E C-,i'!IJIOpthemu.c P35N XTC --T~otL.ondon ALSO GREAT BARGAINS TO ADVERTISE 100HrTSINOLES . . .•.• 1:22.50 100POPSINGI..IES . ------• C7.00 100SOUl.s.NGLES . ,,...... [10.00 50REOGAIE SNOI.IES _.,..,._ ...... ts.00 100pt(;'T\,IAECOVERSWCM.ES - ... tt0.00 ZSN[WWAVIE ...••. ------··· C'-00 ADD FOR POST & PACKING ....l•SSINGL ES ... 11•15 •• IN DISCOSCENE 1&-20 ..... RING 01-836 1522 RECORD&TAPEEXCHANGE ALL RECORDS, TAPES, RARITIES, VIDEOS - BOUGHT, SOLD, EXCHANGED!!

ALL LPs, singles, & cassettes (pre-recorded or used blanks) bought or exchanged, 1 p-£2.50 each paid (more for rarities & videos). ALL accepted In ANY condition - absolutely NONE refused!! Bring ANY quantity to:

38 NOTTING HILL GA TE, LONDON W11 (727 3539) 28 PEMBRIDGE RO, NOTTING HILL GATE W11 (727 3538) 90 GOLOHAWK RO, SHEPHERDS BUSH W12 (749 2930) LUTON DISCO. & UGKTING CENTRE 75, 88 & 94 WEWHGTON STREET 229 CAMDEN HIGH ST, NW1 (2671898) LUTON LU1 SAA, ENGLAND Telephone 0582 391021 or 411733 Or SEND any quantity by post with SAE for cash to Telex: 825562 CHACOM G DISCLIGHT Record & Tape Exchange, 38 Notting Hill Gate, OPEN IIOIH'RI 10 Lm.~ p.m., EXCEPT WED, 1.30 p,m.-i p,m., SAT 10-4.30 London W11 (None returned once sent - we decide WFRE BIGI WE'RE SMALL fair price; list + SAE for estimate if required). a~=~~ •-SERVCE All shops open 10-3 EVERY day of the year for rAC,un.s ON~S ,._,SDMIC#ilOll'Y~O many 10008 of cheap used/unuaed record, tape & • 8"t"CW.E~-"ICU..otHO video bargains (wholesale discounts for dealers) PYROTECHNICSANO HOVE'l TIES RARmES ·are bought, sold, exchanged UP- ~, - ~~~~- STAIRS 111 38 Notting HIii Gate, W11. ~ l!:f::=~~~:,.:.~-.::'C:.~~":r..!1':KS.... u:-~~V;J;~~~TION-- ' '

30 July 24, 1982 STEVE DAY - 01-524 4976. TO ADVERTISE Mobile Discos

PHIL BLI ZZARD - T e l: 0782·263674. IN THIS PAGE DOUBLE IMAGE - A good ideal - (0623) 514680. DAVE JANSEN - 690-7636. CLOUD 9. - ?68-7447. RING 01 836 1522 BROMLEY RECORD Fair, July 311. TS Natv1ck Hall Comer, Bromley DJ Jingles Personal For Sale Coovnon, Magpte Hall Lane, 1.1am £1 , 12.30pm-5pm 30p. - Enquiries: PROFESSIONAL JINGLES. - De­ tails SAE: Box No 3507. JANE SCOTT for genuine friends, TYGERS OF PAN TANG Official Maidstone 677512. introduction to the oppooite sex with Tour Souvenirs. - Send SAE to: Fan Clubs sincerity and thoughtfulness. - ()&. Tygef'S Of Pan Tang, c/o Holy T• tails: SAE to Jane Scott, 3 SOU. Shirts. 15 Great Western Road. North Street. Quadrant, Brighton, LondonW9. AMANDA LEAR Fan Club. Send OFRCIAL Info Service. - Send Sussex BN1 3GS. ROSE TATTOO Official Tour SAE tor details. - 5. Beverley SAE to US INFO, PO Box 48. ARE YOU SEEKING oc:cuftists, Souvenirs. - Send SAE to: Rose Couf1, 51 Johns Road, Sidcup, Kent London N6 SAU. wrtches, communes, etc? Pen­ Tattoo, c/o Holy T-$hirts, 15 Gt-eat CUFF UNITED. News and reviews Friends in aa areas and thfOughOul: Western Road, London Y/9. Cliff Richard and other goepel/rock ADAM ANT off,cial badges, set of 5 U.S.A./ worldwide. Stamp t o: 6'RLSCHOOL - OFAQAL Tour a rtists. - 35 Eastman £1.30 + SAE. AvailatMe individualiy. Worldwide Baraka, House, The Golden Souvenirs. - Send SAE to Poyndeni Road. London SW4. SAE for details. - A M. Punshon, Wheel, Liverpc)ol l15 3HT. GirLschool. Clo Holy T-Shirts, 15 GENESIS OFFICIAL CLUB. - 207 Stoke Road, Slough Sl2 SAX. LONELY? SHY? ()ven,ome loneli­ Great Western Road, London W9. DJs wanted Send SAE to GENES,$ INFORMA­ ness, date anyone you fancy. Read MOTORHEAD - OFRCIAL Tour TION, PO Box 107. London N6 ROO STEWART/FACES Fan Club. 'Lovers and Friends' for lnfonnatk>n Souvenirs. - Send SAE to PERSONALITY DJs with SAU. For all the latest news, plus exciting and addresses. It's unique. £1 .50 Motorhead, Clo Holy Ta.Shirts, 15 Roadshows required. Bookings THE WHO Official Club. - SAE to men::handise and free rarities offer, from Hamilton House Publishing, Gt-eat Western Road. London W9. Nationwide. Must ha'18 good equip­ THE WHO, PO Box 107A. London send a SAE to: - ·RSFFC", 79 Creston.~. TANK-OFFICIAL Tour Souvenirs. ment and decent lightshow. - N6 SAU. Canute Road, Kent 1000 PHOTOGRAPHS to help you - $end SAE to Tank, Clo Hofy T­ Spectr\J!TI International Agency. 171 choose your PenfrlendS & Partners. Shlrts, 15 Great Westem Road, Kingsway. Hove. E. Sussex. Tat Send stamp for Free 12 page phOlO London W9. (0273) n6642. Brochure. - Ooveline A 16, Lewes, DJY BADGES. Design your own PROFESSIONAL PERSONALITY Management Sussex BN8 4AA. indMdual badge. - SAE tor details: DJ required for top South WaJes ANO-A·FRIEND oontact bureau (A), '207 Stoke Road. SJough. Sl2 SAX. Nitespot. Top salary. acoommoda· 43-48 New Street, Binnlngham. De­ RECORD MIRROR Dec 1978 • April tion avaial>te. Send demo tape and tails SAE/Tel: 021-429 6346. * * * 1981. offers. - '20 Rolston Oose, phOlOgraph to: - Box No 3506. NEW POSTERS! PROFESSIONAL FRIENDSHIP 3 Mamage for all -,. Plymouth. £2.10 ages. - Stamp to: 'New Horizons'' RECORD MIRRORS. Full set from PROMOTIONS 124/RM, Keys Avenue, Bristol BS7 Jan 79. - Ring Paul. Boome End OHi. 20807. ~...:{~.•Illy SNn:: SIAN (Page 3 Girt) COMPANY ROLLING STONES, Wem 26.6.82 FREEi 1982 catalogue of books, Photos & Posters to the fair hair bk>ke. had Stones badges. patches, T-shirts, photos, DIANA ROSS are now Jooklng for bands painting on back of denim, Bowie posters. Please state your fnt:erests. INTERESTING RARE AND UN­ with the dedicalion and T-shirt + Jeana. Thanks for fantas­ 1000's of TV, movie star items. USUAL MATERIAL ON O .N. detennination to suoceed. tic VM3W on your shou6ders. I'd on me Send large SAE: - Harlequin, 68 St JOHN, BLONDIE, K WILDE, K Applicants must forward bk>nd, faded denim, orange T-shirt Petengale.Slod.~Jf 20p a word GUY 28 hippie type Into festivals Midcttesex. Sussex. ·RONNIE SCOTTS' O.J. 'Ome' etc. seeks caring girt for genuine OLDIES 55-82, large SAE for seeks new club . - P h one r8'atlonship. - Box No 3508. bumper size list. Guaranteed 45. 801-3293. PORTSMOUTH MALE 21 seeks EP. LPs, containing thOUsands of HAPPY BIRTHDAY KATE BUSH. Please write ad In BLOCK CAPITALS girlfriend 16+ into . - pop. punk. pictUte cover singles, - The Leeds University Lionhearl. Use this form to write out your Box No 3509. orig i nal R·n·R sfxlles rarllies, BOLAN MAGAZINE ·Scream' two. NEW FRIENDS Woodwide. SAE deletions. - J & J Records ltd. 24 out now. - 70p from Allan Bolan, 61 advert. Please write everything Cletails. - I.P.C.A.. 39A Hatherleigh Upperhall Park, Berkhamstead. W8'1ington Road, Leeds 12. Heading required (eg. Personal, Fan Club, etc.) ...... Road, Rufslip Manor, Middlesex. Hefts. No callers. BEATLES CONVENTION Adelphi in BLOCK CAPITALS. QUIET 19 YR MALE, HAWKWIND 50 DIFFERENT top hit ex-jukebox Hotel, U...erpoot, August 28/29. - FAN, SEEKS ATTRACTIVE GIRL· singles, irduding Abba. !(.Bush, SAE details Caw,m Meoca, 18 FRIENDS. INTERESTS GIGS, ELO. Stones. K.Wilde etc. Only Malhew Street, Liverpool l2 6RE. MOTORBIKES. SEND PHOTO. - £8.00 induding postage. - Gemini, RATES AND CONDITIONS Number of weeks (1, 2 or 3 weeks, etc.) ...... BOX NO 351 1. PO Box 11. Malke1 Place, Boston, GUY 23 borod and lonety, seeks girl Lines. • HEADINGS: Personal, Fan Clubs, Pen Friends, tor love and fun. Coventry North­ Situations Vacant Situations Vacant. Records For Sale, For Sale, ampton area. - Box No 3512. Records Wanted, Instruments For Sale, Commencing luue dated ·····----- SHY MALE (23) slim, average L YRIC WRITERS requi red by looks, seeks similar female for holi­ PLASTIC WAX RECORDS Ren'. £1.50 each; STRICTLY PRE-PAID BY 1000's SINGLES, LPs. large SAE all ttvee £4. - Dept 12. Hamilton CHEQUE OR POSTAL ORDER. ROLLING - 4 Hampden Road, Caversham. House Publishin g , Creston. Reading. CASH WILL NOT BE ·HITS-U MISSeo· '58-'81. Deleted MAKE FORTUNE selling lists in STONES singles. All types graded. - SAE Street. SAE, - Cooespondence (4) ACCEPTED. C hris, 60A Les liepark Road. Club, London we 6EJ. AT WEMBLEY! C,O'ydon. - · LATEST COLOUR PHOTOS! 3000 singles, 25p eadi. Hits from ------..······ ··...... Uclu.ivto ~ c.pturing •II the SEMI-DISPLAY tttionof tMlr ree-.nttourl 50's. so·s + 70's. Long SAE: - Musical Services (Minimum - 3 ems) Pop, 172 Kings.Road, Reading. £4.70 Single Column Centimetre SPECIAL OFFER PRICES EX JUKE Box Aecofds. h'om 70-s 10drtt.rent5"x3"!11" p,inta: . •• and ao·s all top 30's hits. No A Dream. PrOfes­ ONLYC2.90(+ 20pP + P)! Rubbish. £9 tor 50. £15 tor 100. - sional demos from as little as £12. 30dfflH-ent ... - Details SAE Dempro. 5 Repton PLEASE MAKE SURE WHEN SENDING PAYMENT IN ONLYtt.10(-t- 30pP + P) Avenue, Gidea Park,. Aomford, ALL 60 DIFFERENT FOR ONLY {tr~3; ~s~-kw ANSWER TO CLASSIAEO ADVERTISEMENTS YOU ····················································-----········ =· Essex. £15.90(+ 45p P + P}I 0765. LYRICS WANTED by Musle Pub­ SEND ONL V CHEQUES OR CROSSED POSTAL ALSO ••• 4 DIFFERENT COLOUR BOLAN/T.REX 27 singles, 11 ORDERS, AND ALWAYS RETAIN THE COUNTER· ··························----- 10" x 8" BLOW UPS albums. - Bolton 50130. . lishing House, 11 SI Al)ans Avenue. (2 Wick, 1 Kitlth, 1 Whole Band) SINGLES. ALBUMS Pie Discs. SAE London W14. FOILS AS PROOF OF REMITTANCE. ONLYt1.50 EA.CH I+ 30p P + P)I for list - Jo, 18 Sandfield Terrace, 'ALL 4 FOR t5.60 ( + 50p P + P) Guikfford. Surrey. NAME AND ADDRESS WHEN INCLUDED IN ADVERT 7 DAY DELIVERY REFUNDED IF NOT COLLECTO R S LIST 1957-80 DELIGHTED lnstru. for Sale MUST BE PAID FOR. ALSO • • NEW TOYAH (25.4.82). singles 1,000 titles. Mairfy original Advertisements must be QUEEN(5.6.82). pressings, many COiiectors items. All at one realistK: price. LARGE SAE: . SYNTHESIZER, YAMAHA C55. ALTERED IMAGES/CLARE (30.5.82) Perfect concfltion. £250 received at least 8 days prior to NAME .••••...•••.••••••••...••••.•.•••...••.••••••••••..•••.•••••.•••••••• HAIRCUT100 - Noel, 23 Olurch Aete, Bradtord­ or nearest Tat: 851-4945. ~Mode. Jfi~n. Adam, St.tu• On-Avon. Wiltshire. Offer. - issue date Quo. F~. Alk:e c.oop.r, Duran CHEAP HIT singles~ lhOusands Duran,BarryMllnllow, RyCooder. Joan Jett. TNrdrop Explodn, available. new and used. Send large MotorhMd and OY9f' 250 others SAE: - Gemini, PO Box 11, Bos- ADDRESS .•••••.••••.••••.••..•••••••••••••••••••••••••••••••••.•••••• send now for new SALE Catalogue and rww FrN poster alu proof shNta of ""'·GT YARMOUncs. UTH Record Fair, Sun- Jingles Send completed form with 10" x 8" colour blow up• day 25th Juty, Oril1 Hall, York Road. Cheque/Postal Order to: Small CHEOUES/P.O. ~ to 11 am - 4.30pm. adm 40p (9.30am JINGLES. CUSTO.SED or Pre­ t1}. PETE STILL PHOTOGRAPHY Reoo«led. - Write lo - Ads Dept., Record Mirror, 40 (Dept RR53), 6A, WAL0EGRAVE RARE ADAM Clilt, Quo , Kim. Music, 178 Northfield Avenue, ROAD, LONDON SE19 2AJ Autographed. promos. SAE to: - Ealing, London W13 tor details. or Long Acre, London WC2E 9JT...... ----- Box No 3510. phone 01-840 0394. - . · ------· ·~-- le

July 24, 1982 31 out to Antigua on June 4 two feel a compulsion to try and be weeks before flying to New ·wttty at the end of people's YOf"k to rehearse for their letters. While some do actually current US tour, I find it try to be funny, otten those who amusing to read the write in have genuine and aforementioned snippet. important points to make, so Perhaps In the future. Sunte why not respond as such? will stick to fact as 0pJX>S8d to Nick Brett, SwlndOf'I, WIits GOD'S fantasising about hobnobbing ·• Becauae everything would with the stars. end up n boring as your Jane Worm■ fey , Reddttc h, letter Wo,ca • When It come■ to Sunle and hobnobbing with the Bribery atara we can ••■ure you Wrlt8 to lllllllm.n, Record Mirror there'■ no fantaay 40 Long Acre, London WC2 corner TOYS I HAVE watched the trends of the letters printed on your page Cliff hanger for well over a year. There Status seems to be five things which WHO IS Mark Cooper? Answer will help a letter get printed. symbol - he Is a narrow minded 1) Condemn RECORD tournalist who ts totally oblivlous MIRROR totally I AEALLy don't know what the to what is going on around him. 2) Rip apart the reviews in the music business Is coming to. I am of course referring to his previous week's issue The Eighties have been the predlctable review of Cliff 3) Use the phrase "Just who Richard's latest single 'The worst years ln music history so the hell does ... think he/she far. The whole music scene Only Way Out'. is." seems to be based on the So Cliff makes "young music 4) Don't write a letter with Gary current trends. All you ever see for middle aged people" does Numan in it on televisk>n, hear on the radio he? 5) Say RECORD MIRROR Is or read about In the papers are I suppose the ageing Mr great Cooper does not realise that bands like Sott Cell, Duran Tom McGuire, Reading, Berka Cliff has a foUowing made up of Duran. Depeche Mode, Fun • You left one out. Enclose a Boy Three, Visage and many young children, teenagers and fully fledged adults. In other fiver w ith every letter other synthesiser groups. words, it does seem that a lot of None of these groups will be around in 10 years time. people appreciate his music. Groveller Straight down the Une rock'n'roll I wonder, did Mane Cooper realty listen to his record or was is the onty honest form of I WOULD like to thank Sonia music. The only bands that will the Incompetent fool obliged to Ducie for the good review she condemn Cliff before even be around in 1 O years lime are gave Toyah's Hammersmith good solid rock bands who concert. I was present at the gig Ber1al don't change direction because ~1 ~::1a:.~:=-t, 1115'S81f and it was even better of some trend. • Merk Cooper tried than the first time I saw her last Everybody changes their llllt8nlr19 10 the Cliff elr19le · Christm~. Thank you . musical tastes as they get older bu1 the batterlN In hie RECORD MIRROR, you're but once you get into hard hearing ■Id gave out great. You'd be even greater ff driving rock bands such as you gave me a five pound Status Quo there Is no holding record token. you back. You stay farthtut for Tom Mcguire, Reeding, Berka ever. Wit's end • I've Juat explained that Paul Levrler, Hythe, Kent one. Tom. we•,. not the onea · • I can ... you're a · who Mnd out the acke,. - progrea1lve thinker. Tell me, you do ,•'I; do tMy 11111 paint themNlvea wtth woad down In Kent theH daya?

Rigging panic I HAVE come to the conclusion that the record charts are rigged. Otherwise It would surety not be possible for total crap records like 'Goody Two Shoes' by Adam Ant end 'Happy Talk' by Captain Sensible to reach number one. Even the artists· names are pathetic. ft would be interesting to hear 1} In the !Mglnnlng God crwfwl mod end rock. 2) The &rth was • dull end God ukl be what Alan Jones makes of this pl«» ,.t tt>ere punk Issue. Meanwhile, I am kicking 3) And God crufwl • r,roup ol dl9clp/N called St Sid, St John, St Paul and St 51,wen end did myself for all the times I've r,, .. ,_,,,.,_ots...- defended the charts against the 4) And God - this wN flOOd and he ~n to cruf9 mot9 r,roupa ~e~~saUons I'm now And on fhe I/rat day he crwfwl the Damned 1 And on ,,,. NCOnd uy ,,. crwfwl ,,,. C/Nh Keith Baker, Ba1ln91toke, And on fhe third dlly he crwfwl fhe Exp/o/ted Hanta , And on fhe fourth uy he creafwl the UK SUl>a • Ju■t becauH you don't And on fhe 1/flh uy he created the Angelle Upotarfa like theN 19C!)rd• getting And on fhe .ixth day he CtNNd fhe Anti-Now,,.,. L-ue high In the chart• doeani And on the _,,, uy he WN eo k-he dldnY do enyl/llng .,..,.... rlly ,,_n they're And fhe Lord - f10 forltt lo llrlohton end up• akin-and tt>ere was much r,nNhlng rigged of - and wringing of hands Tn fhe ,.nd,-t . . David Kelly, Scarborough, Yorks • And the Lord said unto the men In white coat■ go forth Into the land that la known as We are not Scarborough and get thla looney In e otnlltjllcket u quick u you can

amused VftfY kind group, interested in lmperaonating Scott Walker, not people who are interested In the other way round. Old folk I WANT to reply to a letter of them. Lots of love. Jaclde Crawford, F,_ Schoormllna, Dongen, Abefyetwyth I John Manwen from RECORD TliANKS' FOR an the stuff on MIRROR June 19, concerning Netherland• e YN, we know. It WU a Jethro Tun you've featured au-,, • They muat be'a ...y · joke. Gecldltll??II - mind . recently. Their album, single ! According to him, Queen had • unuaual bunch ·indeed tf end ooncert have all been ~ they're lntereated In people reviewed so how an interview to -utall ~ ::,m~~i~.: who throw beer cana at their top tt off? tell you honey, they dldl Queen aupportllCbl Jeremy Wreck, Scunthoere - • alftlouflh the,,,_ - bcl/fllng at the hated him, especially when he compared to Perry Como. she didn't feel pleasu'9 at thai your paper and after reading -, rm ..,,. the - of• podgy four-,-,.old th,- back the cans at fans A/lyway, how ~ fresh would she? this week's editlon these doubts ~--bl--,/d-caur,htmy who were nol to blame. Interviews with the God Lika - Saban, Henow have been oonfirmed. :U"-::,°"i,:.1=..,~ for ,our llfll ,_ ..,,.,,, hopalul/y, I'm sure you haV9 never met Genius as he's back in this e Y.ou ahould have _, the - I am referring to the snippet Queen In private, for you don, grin on her'-_,,_ that reads "Duran Duran have John C.._ ~, Rhyt know - they are Uke. I havel COOAs"'i-~ -caption under the counting 2,000 four end e haft been hanging out 01 Wimbledon e Well, you know,._ touchy- people are about their And In my opinion they're just a photo, Julian Cope Is the one qulde ..." Since Dutan Duran - - - - ~bly 1n the back row o1 the c11orua '\

IT'S THE unllkellest ohowblz team up since Stan Laurel and Ollie Hardy, but with a second ■Ingle, 'Don1 Go' all Mt to follow the smash classic 'Onty You' right up the charta, Yazoo have proved that the oddest bedfellows can make success as well •• the odd bft of money. Yazoo are, aa I'm sure you all know by now, the enigmatic Vince Clarke, late of Basildon pretty boys Oepeche Mode, and old time friend, the statuesque and soulful Allson Moyet. better known to us and for reasons best known to herself as Alf. " 'Only You' was going to be a one off thing," says the k>vely Aff, "then we decided we wanted to carry on and see what we could come up with." So, flushed with aucceas, the couple came up with the brllllant 'Don't Go' . .. , wa• Just getting bored before," says Vince, .. and fed up wtth so much presoure being In a ■uccas■ I\II band. It doeon't do anything for your Imagination - there'• no time to wrlta, experiment and develop. And the music la the moat lmpo,tant thing.•