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FREE THE ELEMENTS OF TYPOGRAPHIC STYLE: VERSION 4.0 PDF Robert Bringhurst | 398 pages | 15 Jan 2013 | Hartley & Marks Publishers | 9780881792126 | English | Seattle, WA, United States The Elements of Typographic Style by Robert Bringhurst Slideshare uses cookies to improve functionality and performance, and to provide you with relevant advertising. If you continue browsing the site, you agree to the use of cookies on this website. See our User Agreement and Privacy Policy. See our Privacy Policy and User Agreement for details. If you wish to opt out, please close your SlideShare account. Learn more. Published on Aug 25, Combining the practical, theoretical, and historical, this edition is completely updated, with a thorough revision and updating of the longest chapter, Prowling the Specimen Books, and many other small but important updates based on things that are continually changing in the field. SlideShare Explore Search You. Submit Search. Home Explore. 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Free online books of all time6. You just clipped The Elements of Typographic Style: Version 4.0 first slide! Clipping is a handy way to collect important slides you want to go back to later. Now customize the name of a clipboard to store your clips. Visibility Others can see my Clipboard. Cancel Save. [PDF] The Elements of Typographic Style: Version Goodreads helps The Elements of Typographic Style: Version 4.0 keep track The Elements of Typographic Style: Version 4.0 books you want to read. Want to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover. Error rating book. Refresh and try again. Open Preview See a Problem? Details if other :. Thanks for telling us The Elements of Typographic Style: Version 4.0 the problem. Return to Book Page. Renowned typographer and poet Robert Bringhurst brings clarity to the The Elements of Typographic Style: Version 4.0 of typography with this masterful style guide. Combining practical, theoretical, and historical, this book is a must for graphic artists, editors, or anyone working with the printed page using digital or traditional methods. Having established itself as a standard in its field The Elements of Typogra Renowned typographer and poet Robert Bringhurst brings clarity to the art of typography with this masterful style guide. Having established itself as a standard in its field The Elements of Typographic Style is house manual at most American university presses, a standard university text, and a The Elements of Typographic Style: Version 4.0 work in studios of designers around the world. It has been translated into italian and greek, and dutch. Get A Copy. PaperbackVersion 3. More The Elements of Typographic Style: Version 4.0 Original Title. Other Editions Friend Reviews. To see what your friends thought of this book, please sign up. To ask other readers questions about The Elements of Typographic Styleplease sign up. What's new in Version 4. I have read earlier versions of this book, but I'm interested to know which chapters or even which pages are new to this version so I can add to my notes from earlier readings. See 1 question about The Elements of Typographic Style…. Lists with This Book. Community Reviews. Showing Average rating 4. Rating details. More filters. Sort order. Start your review of The Elements of Typographic Style. Oct 21, Ken-ichi rated it really liked it Recommended to Ken- ichi by: Daniela. Shelves: learningsnootdesign. Yes, I seriously read a typographic style manual, but believe me, it was worth it. Not only is this a detailed, informative, and surpassingly witty survey of typography, but it's simply a beautiful book to hold and to read. It's a bit like taking an introductory lesson from a friendly architecture professor, learning about intricacies and critical minutia you had never before considered, and slowly realizing your teacher designed the room, the building, perhaps even the chair you're sitting in, Yes, I seriously read a typographic style manual, but believe me, it was worth it. It's a bit like taking an introductory lesson from a friendly architecture professor, learning about intricacies and critical minutia you had never before considered, and slowly realizing your teacher designed the room, the building, perhaps even the chair you're sitting in, and that the entirety of your surroundings is an expression of the lesson itself. I feel similarly about Tufte 's books, except there the classroom is a church, and the professor is a jerk. I picked this up as a sort of sideways approach to improving my web design planning on moving on to The Elements of Typographic Style Applied to the Web next. I hope I absorbed a little because there's a lot to knowbut I think the main thing I've learned is a finer appreciation for the discipline. Invisibility is the mark of almost all good design, but good typography is hard to see even when you're looking right at it. Words are hard not to read, but at least now I know to at least try and take a closer look. Did I mention this book is hilarious? There's this one note on setting ragged text, in which Bringhurst cautions against giving software free reign over "an honest rag. This means fixed word spaces, no minimum line, no letterspacing, and no hyphenation beyond what is inherent in the text. In a hard rag, hyphenated linebreaks may occur in words like self-consciousnesswhich are hyphenated anyway, but they cannot occur without manual intervention in words like hyphenation or pseudosophisticationwhich aren't. I mean, how many ironic involutions can you fit in a paragraph? I guess paragraphs about paragraphs provide extraordinary opportunities. I'm finding myself increasingly fascinated with and amused by expertise in all its forms, and this book is a prime example. Parts of it are akin to reading wine labels that speak of odors and flavors you could never even imagine, let alone recognize in a glass of wine. The specimen section is particularly wine label-like, where Bringhurst analyzes an assortment of notable typefaces. He describes Quadraat as "not pretty; its beauty is deeper and stranger than that" p. Throw in some talk of ascenders and bicamerality and you've got attributes just as arcane and remarkable as "hay-scented" and "overtones of kumquat. View 2 comments. Nov 07, Carlos Scheidegger rated it liked it. This book convinced me that there is a lot of art in typography. It convinced me that good typography can make a big difference in how good text looks in a page. And it definitely convinced me that Robert Bringhurst is a stellar typographer. But it hasn't convinced me that he can convey this knowledge effectively. Bringhurst has deep knowledge of typography, and the historical chapter on typefaces alone makes it worth your read. However, in many instances he falls into the trap of confusing trad This book convinced me that there is a lot of art in typography. However, in many instances he falls into the trap of confusing tradition with quality, and begs most of the raised questions. The chapter on page proportions, as a concrete example, is pure numerology. His style is a little florid for my tastes, and I feel like his love of the subject matter got in the way of his exposition. If you are willing to read past The Elements of Typographic Style: Version 4.0 and are willing to appreciate just how much someone can love typography, and how it obviously comes through in form and function of this book, I highly recommend it. If you are looking for a guide on specifics, perhaps only a fifth of the book will be of direct use. View 1 comment. Jul 21, Morgane rated it it was amazing. What a beautiful book! It almost doesn't matter what this book was about, because it was so thoughtfully laid out and lovely to read, which is in itself a testament to great typography. But the content was equally good. I learned so much about type, from the mundane technical details to the influence of language and politics. Bringhurst's little jokes and anecdotes are the cherry on top. Anyone who is interested in type, words, history, design, art, and all that is good in the world should read t What a beautiful book! Anyone who is interested in type, words, history, design, art, and all that is good in the world should read this book. Sure, it's simply the best book on print typography out there. That's nice, I suppose, but the content of this book pales in comparison to its form. It's a book on book design that serves as its The Elements of Typographic Style: Version 4.0 case study in effective design.