Mathematics and Magic Realism: a Study of "The Raven Legend"
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Simon Fraser University Special Collections and Rare Books
Simon Fraser University Special Collections and Rare Books Finding Aid - Robert Bringhurst fonds (MsC 154) Generated by Access to Memory (AtoM) 2.0.1 Printed: March 23, 2015 Language of description: English Simon Fraser University Special Collections and Rare Books W.A.C. Bennett Library Simon Fraser University 8888 University Drive Burnaby British Columbia V5A 1S6 Canada Telephone: 778-782-4626 Fax: 778-782-3023 Email: [email protected] http://atom.archives.sfu.ca/index.php/msc-154 Robert Bringhurst fonds Table of contents Summary information ...................................................................................................................................... 3 Administrative history / Biographical sketch .................................................................................................. 3 Scope and content ........................................................................................................................................... 4 Arrangement .................................................................................................................................................... 5 Notes ................................................................................................................................................................ 5 Access points ................................................................................................................................................... 5 Series descriptions .......................................................................................................................................... -
Dritter Teil: Wortschatz Der Germanischen Spracheinheit by August Fick with Contributions by Hjalmar Falk, Entirely Revised by Alf Torp in 1909
Wörterbuch der Indogermanischen Sprachen Dritter Teil: Wortschatz der Germanischen Spracheinheit by August Fick with contributions by Hjalmar Falk, entirely revised by Alf Torp in 1909. Electronic version created by Sean Crist (*kurisuto*@*unagi.cis.upenn.edu*) enlarged and maintained by Dieter Studer (*dieterstuder*@*access.unizh.ch*). This document was typeset with TUSTEP from the base document “pgmc v1 5.xml” on 16 December 2006. 1 Notes on the electronic version The original text by Torp was scanned, processed with OCR equipment and corrected by Sean Crist ([email protected]). A single pass of hand-checking has been done on the entire document. This checking took around two years and was completed on 10 April 2003. He then re-checked the first 50 pages, finishing on 26 May 2003. The four levels of indentation, representing the hierarchical arrangment of the entries, were added to this PDF version on 9 June 2003. At the end of each entry there is a notation indicating where the entry is found in the original text. A notation like “25:3” means that the entry was the third entry beginning on page 25 of the original text. A notation like “102:11, 103:1” means that the entry started as the eleventh entry on page 102 and flowed over onto page 103. The Nachträge und Berichtigungen (addenda and errata) have been incorporated into the main text by Dieter Studer in May 2006. The deletions (〈nb0〉) and insertions (〈nb1〉) are denoted in the base document using XML tags, so that both the original and corrected versions of the text are recoverable. -
An Earthly Cosmology
Forum on Religion and Ecology Indigenous Traditions and Ecology Annotated Bibliography Abram, David. Becoming Animal: An Earthly Cosmology. New York and Canada: Vintage Books, 2011. As the climate veers toward catastrophe, the innumerable losses cascading through the biosphere make vividly evident the need for a metamorphosis in our relation to the living land. For too long we’ve ignored the wild intelligence of our bodies, taking our primary truths from technologies that hold the living world at a distance. Abram’s writing subverts this distance, drawing readers ever closer to their animal senses in order to explore, from within, the elemental kinship between the human body and the breathing Earth. The shape-shifting of ravens, the erotic nature of gravity, the eloquence of thunder, the pleasures of being edible: all have their place in this book. --------. The Spell of the Sensuous: Perception and Language in a More-than-Human World. New York: Vintage, 1997. Abram argues that “we are human only in contact, and conviviality, with what is not human” (p. ix). He supports this premise with empirical information, sensorial experience, philosophical reflection, and the theoretical discipline of phenomenology and draws on Merleau-Ponty’s philosophy of perception as reciprocal exchange in order to illuminate the sensuous nature of language. Additionally, he explores how Western civilization has lost this perception and provides examples of cultures in which the “landscape of language” has not been forgotten. The environmental crisis is central to Abram’s purpose and despite his critique of the consequences of a written culture, he maintains the importance of literacy and encourages the release of its true potency. -
THAT ALSO IS YOU Some Classics of Native Canadian Literature
THAT ALSO IS YOU Some Classics of Native Canadian Literature Robert Bringhurst 0,"NCE UPON A TIME there was one small island, nothing more. The gods were clinging to it, clustered together like bladderkelp and bar- nacles, so thickly they could scarcely breathe. And the Raven, tied like a baby in his cradle, was floating on the sea. A voice called out to him, and he wriggled up from his martenskin blankets and looked around. In the midst of the endless flexing and rolling of the ocean, his cradle thumped and scraped against something solid. It was tall and thin and stretched as far as he could see below the waves that broke over the top of it. It was stone, and the stone was full of faces he had never seen outside his dreams. He clambered down it into deep water. In the wet twilight in front of him stood a house, and a voice came through the doorway, saying in the Haida language, Hala qách'i t'ak'in'gha:1 "Come inside, my grandson." Digha da gyasildaghasas danggha kiingagan : "From me you will borrow, to you I will give." In the house beneath the sea, he met an Old Man White as a Gull, who spoke to him again in Haida. But what the Old Man said to him next was something the Raven did not fully understand. Di hau dang iji. Waasing dang iji : "I am you," the Old Man said, "and that also is you." He gestured as he said this toward something slender, blue as air and green as beachgrass, that was moving around the carved screens at the rear of the house, like a heron choosing a fishing hole. -
Dr. Roy Murphy
US THE WHO, WHAT & WHY OF MANKIND Dr. Roy Murphy Visit us online at arbium.com An Arbium Publishing Production Copyright © Dr. Roy Murphy 2013 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopy, recording or otherwise, without prior written permission of the copyright owner. Nor can it be circulated in any form of binding or cover other than that in which it is published and without similar condition including this condition being imposed on a subsequent purchaser. A catalogue record for this book is available from the British Library. Cover design created by Mike Peers Visit online at www.mikepeers.com First Edition – 2013 ISBN 978-0-9576845-0-8 eBook-Kindle ISBN 978-0-9576845-1-5 eBook-PDF Arbium Publishing The Coach House 7, The Manor Moreton Pinkney Northamptonshire NN11 3SJ United Kingdom Printed in the United Kingdom Vi Veri Veniversum Vivus Vici 863233150197864103023970580457627352658564321742494688920065350330360792390 084562153948658394270318956511426943949625100165706930700026073039838763165 193428338475410825583245389904994680203886845971940464531120110441936803512 987300644220801089521452145214347132059788963572089764615613235162105152978 885954490531552216832233086386968913700056669227507586411556656820982860701 449731015636154727292658469929507863512149404380292309794896331535736318924 980645663415740757239409987619164078746336039968042012469535859306751299283 295593697506027137110435364870426383781188694654021774469052574773074190283 -
Every Creation Story
Every Creation Story Creation from chaos Chaos (cosmogony) Enûma Eliš (Babylonian creation myth) Genesis creation myth (Judaism, Christianity and Islam) Greek cosmogonical myth Jamshid Korean creation narratives Kumulipo Leviathan (Book of Job 38–41 creation myth) Mandé creation myth Pangu Raven in Creation Serer creation myth Sumerian creation myth Tungusic creation myth Unkulunkulu Väinämöinen Viracocha Earth diver Earth-diver Ainu creation myth Cherokee creation myth Iroquois creation myth Väinämöinen Yoruba creation myth Ob-Ugric creation myth Emergence Emergence Hopi creation myth Maya creation of the world myth Diné Bahaneʼ (Navajo) Zuni creation myth ( creation of self ) Ex nihilo Debate between sheep and grain Barton cylinder Ancient Egyptian creation myths Kabezya-Mpungu Māori myths Mbombo Ngai Popol Vuh World parent World parent Coatlicue Enûma Eliš Greek cosmogonical myth Greek cosmogonical myth Heliopolis creation myth Hiranyagarbha creation myth Kumulipo Rangi and Papa Völuspá Divine twins Divine twins Proto-Indo-European creation myths Regional Africa Ancient Egyptian creation myths Fon creation myth Kaang creation story (Bushmen) Kintu myth (Bugandan) Mandé creation myth Mbombo (Kuba, Bakuba or Bushongo/Boshongo) Ngai (Kamba, Kikuyu and Maasai ) Serer creation myth (cosmogony of the Serer people of Senegal, the Gambia and Mauritania) Unkulunkulu (Zulu) Yoruba creation Americas Mesoamerica Coatlicue (Aztec) Maya creation of the world myth Popol Vuh (Quiché Mayan) Mid North America Anishinaabeg creation stories Cherokee creation -
Resources Pertaining to First Nations, Inuit, and Metis. Fifth Edition. INSTITUTION Manitoba Dept
DOCUMENT RESUME ED 400 143 RC 020 735 AUTHOR Bagworth, Ruth, Comp. TITLE Native Peoples: Resources Pertaining to First Nations, Inuit, and Metis. Fifth Edition. INSTITUTION Manitoba Dept. of Education and Training, Winnipeg. REPORT NO ISBN-0-7711-1305-6 PUB DATE 95 NOTE 261p.; Supersedes fourth edition, ED 350 116. PUB TYPE Reference Materials Bibliographies (131) EDRS PRICE MFO1 /PC11 Plus Postage. DESCRIPTORS American Indian Culture; American Indian Education; American Indian History; American Indian Languages; American Indian Literature; American Indian Studies; Annotated Bibliographies; Audiovisual Aids; *Canada Natives; Elementary Secondary Education; *Eskimos; Foreign Countries; Instructional Material Evaluation; *Instructional Materials; *Library Collections; *Metis (People); *Resource Materials; Tribes IDENTIFIERS *Canada; Native Americans ABSTRACT This bibliography lists materials on Native peoples available through the library at the Manitoba Department of Education and Training (Canada). All materials are loanable except the periodicals collection, which is available for in-house use only. Materials are categorized under the headings of First Nations, Inuit, and Metis and include both print and audiovisual resources. Print materials include books, research studies, essays, theses, bibliographies, and journals; audiovisual materials include kits, pictures, jackdaws, phonodiscs, phonotapes, compact discs, videorecordings, and films. The approximately 2,000 listings include author, title, publisher, a brief description, library -
LCSH Section H
H (The sound) H.P. 15 (Bomber) Giha (African people) [P235.5] USE Handley Page V/1500 (Bomber) Ikiha (African people) BT Consonants H.P. 42 (Transport plane) Kiha (African people) Phonetics USE Handley Page H.P. 42 (Transport plane) Waha (African people) H-2 locus H.P. 80 (Jet bomber) BT Ethnology—Tanzania UF H-2 system USE Victor (Jet bomber) Hāʾ (The Arabic letter) BT Immunogenetics H.P. 115 (Supersonic plane) BT Arabic alphabet H 2 regions (Astrophysics) USE Handley Page 115 (Supersonic plane) HA 132 Site (Niederzier, Germany) USE H II regions (Astrophysics) H.P.11 (Bomber) USE Hambach 132 Site (Niederzier, Germany) H-2 system USE Handley Page Type O (Bomber) HA 500 Site (Niederzier, Germany) USE H-2 locus H.P.12 (Bomber) USE Hambach 500 Site (Niederzier, Germany) H-8 (Computer) USE Handley Page Type O (Bomber) HA 512 Site (Niederzier, Germany) USE Heathkit H-8 (Computer) H.P.50 (Bomber) USE Hambach 512 Site (Niederzier, Germany) H-19 (Military transport helicopter) USE Handley Page Heyford (Bomber) HA 516 Site (Niederzier, Germany) USE Chickasaw (Military transport helicopter) H.P. Sutton House (McCook, Neb.) USE Hambach 516 Site (Niederzier, Germany) H-34 Choctaw (Military transport helicopter) USE Sutton House (McCook, Neb.) Ha-erh-pin chih Tʻung-chiang kung lu (China) USE Choctaw (Military transport helicopter) H.R. 10 plans USE Ha Tʻung kung lu (China) H-43 (Military transport helicopter) (Not Subd Geog) USE Keogh plans Ha family (Not Subd Geog) UF Huskie (Military transport helicopter) H.R.D. motorcycle Here are entered works on families with the Kaman H-43 Huskie (Military transport USE Vincent H.R.D. -
Place in the Poetry of Wallace Stevens and Robert Bringhurst
The “Cure of the Ground”: Place in the Poetry of Wallace Stevens and Robert Bringhurst by Kirsten Hilde Alm B.Sc., University of Saskatchewan, 2001 M.A., Trinity Western University, 2011 A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY In the Department of English © Kirsten Hilde Alm, 2016 University of Victoria All rights reserved. This dissertation may not be reproduced in whole or in part, by photocopying or other means, without the permission of the author. ii The “Cure of the Ground”: Place in the Poetry of Wallace Stevens and Robert Bringhurst by Kirsten Hilde Alm B.Sc., University of Saskatchewan, 2001 M.A., Trinity Western University, 2011 Supervisory Committee Dr. Nicholas Bradley, Supervisor Department of English Dr. Iain Macleod Higgins, Departmental Member Department of English Dr. Margaret Cameron, Outside Member Department of Philosophy iii Abstract This study analyzes the Canadian poet, typographer, and translator Robert Bringhurst’s (b. 1946) extensive engagement with the poetry, poetics and metaphysical concerns of the American modernist poet Wallace Stevens (1879-1955). It asserts that Bringhurst’s poetry responds to Stevens’ poetry and poetics to a degree that has not previously been recognized. Although Bringhurst’s mature poetry—his works from the mid-1970s and after—departs from the obvious imitation of the elder poet’s writing that is present in his early poems, it continues to engage some of Stevens’ central concerns, namely the fertility of the liminal moment and/or space and a meditative contemplation of the physical world that frequently challenges anthropocentric narcissism. -
Letter to the Editor* Response to Aaron Glassʼ 2009 Review Essay
Letter to the Editor* Response to Aaron Glassʼ 2009 Review Essay on The Bill Reid Gallery of Northwest Coast Art Martine J. Reid This letter to the editor is offered as a personal response to Aaron Glass’ 2009 Review Essay focused on the Bill Reid Gallery of Northwest Coast Art, a museum project with which I have been involved. In connection with Glass (2009), this response will address specifically: 1) the curatorial intent in the permanent exhibition of Bill Reid’s precious metal works, namely the division of Reid’s creative journey into three phases and 2) my use of Alfred Gell’s reference to the “techniques of enchantment” in the text panel. Past and current research on the Bill Reid Catalogue Raisonné (BRCR) has informed the curatorial intent for the exhibition Restoring Enchantment: Gold and Silver Masterworks by Bill Reid. I had originally titled the exhibition Deeply Carved: Gold and Silver Masterworks by Bill Reid, but I changed it to its definitive title after reconsidering the writings of Gell, which were seducing as they seemed to relate appropriately to Reid’s concept of the “well-made object.” A catalogue essay, which would have clarified some of Glass’ relevant points, had been planned but time and financial constraints did not permit its publication. When I was asked less than three months prior to the opening of the Bill Reid Gallery of Northwest Coast Art (BRGNWCA) to be the curator of the permanent exhibition featuring Reid’s jewelry, my response to the daunting challenge was to choose a theme and format that would best make use of the Bill Reid Collection (BRC) and would articulate my knowledge of Reid’s works within the larger spectrum of his artistic development and practice. -
Translating Orality in Robert Bringhurst's a Story
VOICE IN TEXT: TRANSLATING ORALITY IN ROBERT BRINGHURST’S A STORY AS SHARP AS A KNIFE, HARRY ROBINSON’S WRITE IT ON YOUR HEART, AND WAR PARTY’S THE REIGN by Paul Watkins A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in The Faculty of Graduate Studies (English) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) June 2010 © Paul Watkins, 2010 Abstract Voice in Text investigates the process of translation that occurs when transmitting oral stories into a written framework with the intention to bridge the gaps that exist between oral traditions and technological scholarship. This thesis explores the potential motives behind Robert Bringhurst’s retranslation of John Swanton’s Haida texts, Wendy Wickwire’s transcription of Harry Robinson’s stories onto the page, and War Party’s use of Hip Hop as an expression of Native identity. Translating (one culture into another and the spoken into the written) can be used as a tactic to reinscribe cultural priorities and also to enact resistance. A storyteller’s allowance of the transcription and translation of their stories can be read as a plea for a listening that functions cross-culturally, a listening in which we can gradually learn to hear the storyteller’s voice in a written context. I apply theories of hybridity and intersubjective approaches to listening in my investigation to uncover how the translator and storyteller engage in a cross-cultural mode of transformation. Because of the highly sensitive nature of translating First Nations literature into a European poetic context, as both Bringhurst and Wickwire do, I explore some of the debates surrounding cultural appropriation, as well as show how potential divergences between written and oral practices interact to question what constitutes a respectful rendering of another culture. -
Brother G's Cyclopedia
Brother G’s Cyclopedia Of Comparative Mythology 210 building blocks for the aspiring mythopoet B c d e f g h k l m t u Dedicated To Messrs. Mircea Eliade and Hugh Nibley, who introduced a young boy to comparative mythology. To Lord Dunsany and Mr. H. P. Lovecraft, who pioneered the art of literary mythopoeia. And To Messrs. M. A. R. Barker and J. R. R. Tolkien, who taught us that master worldbuilders must be referred to by three initials and a last name. Table of Contents Introduction…………………………………………………………………...................................1 From Acosmism to Writing ………………………………………………………………….....x Appendix A: Non-Standard Portfolios………………………………………………………...x Appendix B: Epithets and Fusions……………………………………………………………..x Appendix C: Meta-Theory…………………………………………………………………......... x Appendix D: Story-starting Phrases…………………………………………………………… x Appendix E: Bringing It Together……………………………………………………………… x Appendix F: Random Tables…………………………………………………………………... x 1 Introduction Appendix A: Appendix B: Appendix C: If the main entry concerns itself chiefly with ideas of religion and mythology, then Appendix C concerns itself chiefly with ideas about religion and mythology. Appendix D: Appendix E: Appendix F: Include reading list 2 A solar vehicle is a mode of transportation used by the sun to make its journey across the sky and anywhere else that it goes (such as the underworld). It is most commonly a barge or chariot. Depictions of solar barges date to the Neolithic and are older than the sun chariot. Examples include the solar barge of Ra (Egyptian) and the chariots of Apollo (Greek) and Surya (Hindu). A world tree is an AXIS MUNDI. Typically its roots reach the UNDERWORLD (represented as either earth or water) and its branches (inhabited by birds) the OVERWORLD in order to connect them to each other and to the phenomenal world.