The Management of Social and Symbolic Classification Among the Masset Haida
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Read Ebook {PDF EPUB} During My Time Florence Edenshaw Davidson a Haida Woman by Margaret B
Read Ebook {PDF EPUB} During My Time Florence Edenshaw Davidson a Haida Woman by Margaret B. Blackman During My Time: Florence Edenshaw Davidson a Haida Woman by Margaret B. Blackman. Our systems have detected unusual traffic activity from your network. Please complete this reCAPTCHA to demonstrate that it's you making the requests and not a robot. If you are having trouble seeing or completing this challenge, this page may help. If you continue to experience issues, you can contact JSTOR support. Block Reference: #dfc8c240-ce25-11eb-8500-eb50c70172de VID: #(null) IP: 116.202.236.252 Date and time: Tue, 15 Jun 2021 22:06:02 GMT. “During My Time” A Haida Woman – Margaret B. Blackman. Margaret Blackman composes a remarkable life history of Florence Davidson on the book ‘ During My Time: Florence Edenshaw Davidson’. Davidson is an indigenous Haida woman from the village Masset that is now formally known as Queen Charlotte Islands that is located in the Northwest coast of Canada. As the book During My Time emphases the Haida villages during the late 19 th century, Blackman interviewed Davidson in the confined of Davidson’s kitchen and front room that Blackman taped 45 hours during the time of 1977 of the “life cycle, economics and division of labour, ceremonial activities and specialist roles” (Stearns, 1985), as the two build their friendship. The well-respected native woman was born in 1896, raised from in the big family whereas she was the ninth child born; her father was a famous woodcarver Charles Edenshaw. The ethnography is written in an indigenous female view of the life of Florence Davidson and those that influence her throughout her time, it also touches on topics such as acculturation throughout the book. -
Island of the Blue Dolphins the Golden Round
Island of the Blue Dolphins The Golden Round Grade Level Middle School: Sixth Grade through Eighth Grade High School: Ninth Grade through Twelfth Grade Subject Social Studies Common Core Standards 6–8.RH.1, 6–8.RH.2, 6–8.RH.4, 6–8.RH.7, 6–8.RH.9; 9–10.RH.1, 9–10.RH.2, 9– 10.RH.4, 9–10.RH.7, 9–10.RH.9; 11–12.RH.1, 11–12.RH.2, 11–12.RH.4, 11–12.RH.7, 11–12.RH.9 Background Information The goal of this lesson is to help students learn about the lasting human, environmental, and financial impact of the nineteenth-century Pacific trade, which involved the exchange of goods and the spread of disease between and among the people of the Northwest Coast, California, Hawaii, Canton (Guangzhou), and numerous Pacific islands and urban centers (e.g., Boston, Philadelphia, New York) on the east coast of the United States. Students will trace nineteenth-century maritime trade routes, gaining familiarity with Pacific geography and understanding of how the sea otter trade that is featured in Island of the Blue Dolphins figured as part of a much larger network of exchange. Most students of American history have learned about the Triangle Trade, the name given to the movement of ships, raw materials, processed goods, and people (enslaved Africans) between Africa, the Caribbean, and New England (one triangle) and between Western Europe, the Americas, and Africa (a second triangle) before the importation of enslaved people was outlawed in the early nineteenth century. -
Bill Reid Gallery Re-Opens ANd Commemorates 100Th Anniversary of One of Canada's Most Renowned Indigenous Artists In
FOR IMMEDIATE RELEASE June 9, 2020 Bill Reid Gallery Re-opens and Commemorates 100th Anniversary of One of Canada’s Most Renowned Indigenous Artists in – To Speak With a Golden Voice – Exhibition brings fresh perspective to Bill Reid’s legacy with rarely seen artworks and new commissions by Northwest Coast artists inspired by his life and practice VANCOUVER, BC — Bill Reid Gallery of Northwest Coast Art re-opens the gallery and celebrates the milestone centennial birthday of Bill Reid (1920–1998) with an exhibition about his extraordinary life and legacy, To Speak With a Golden Voice, from July 16, 2020 to April 11, 2021. Guest curated by Gwaai Edenshaw — considered to be Reid’s last apprentice — the group exhibition includes rarely seen treasures by Reid and works from artists such as Robert Davidson and Beau Dick. Tracing the iconic Haida artist’s lasting influence, two new artworks by contemporary artist Cori Savard (Haida) and singer-songwriter Kinnie Starr (Mohawk/Dutch/German//Irish) will be created for this highly anticipated exhibition. “Bill Reid was a master goldsmith, sculptor, community activist, and mentor whose lasting legacy and influence has been cemented by his fusion of Haida traditions with his own modernist aesthetic,” says Edenshaw. “Just about every Northwest Coast artist working today has a connection or link to Reid. Before he became renowned for his artwork, he was a CBC radio announcer recognized for his memorable voice — in fact, one of Reid’s many Haida names was Kihlguulins, or ‘golden voice.’ His role as a public figure helped him become a pivotal force in the resurgence of Northwest Coast art, introducing the world to its importance and empowering generations of artists.” Reid was born in Victoria, BC, to a Haida mother and an American father with Scottish-German roots. -
A Haida Manga
Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Kateřina Cvachová Indigenous Graphic Novel: Red: A Haida Manga Master’s Diploma Thesis Supervisor: Mgr. Martina Horáková, Ph.D. 2019 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Author’s signature Acknowledgement I would like to thank Mgr. Martina Horáková, Ph.D. for her guidance during the time I was working on this thesis. Special thanks belong to Michael Nicoll Yahgulanaas for his kind and generous offer to help and answer questions regarding his work and for his permission to use his work in my thesis. Table of Contents Introduction ................................................................................................................................. 1 Manga and Western Comics ...................................................................................................... 5 The Background of Manga ..................................................................................................... 5 Manga and Comics Terminology ......................................................................................... 13 Sequential Art .................................................................................................................... 15 Time and Space in Comics ............................................................................................... 16 Panels................................................................................................................................. -
Newsletter March 2020
NEWSLETTER MARCH 2020 A new outreach booklet by the Metlakatla Nation offers a step-by-step guide NEW for First Nations that want to measure the full impact of development on their STEP-BY-STEP communities through Cumulative Effects Management (CEM). Metlakatla Cumulative Effects Management: Methods, Results and Future CEM GUIDE FOR Direction of a First Nation-led CEM Program was launched at the Indigenous FIRST NATIONS Forum on Cumulative Effects in Calgary, February 4-6. In 2014, northwest British Columbia was awash in LNG referrals and proposals. The Metlakatla First Nations responded through its Governing Council by establishing a cumulative effects management program. The Council directed the Metlakatla Stewardship Society (MSS) to undertake an Indigenous-informed approach to the work. MSS Executive Director Ross Wilson says leadership wanted to understand the full extent of oil and gas industry benefits and impacts to the community, rather than examining them one by one. “We weren’t talking about one pipeline and one facility, there were numerous pipelines and facility referrals submitted,” explains Wilson. “It was leadership’s directive that established the CEM initiative.” There was limited cumulative effects work being done on the North Coast at the time and few examples of implementing CEM in an Indigenous context. With funding from project proponents and MITACS, Metlakatla and Simon Fraser University’s School of Resource and Environmental Management (REM) partnered to establish an “Indigenous Cumulative Effects” approach. “As a department, we wanted to know what the community values were. How those values might be impacted by industrial activities. And how could we monitor those impacts and provide management approaches,” Wilson explains. -
Dritter Teil: Wortschatz Der Germanischen Spracheinheit by August Fick with Contributions by Hjalmar Falk, Entirely Revised by Alf Torp in 1909
Wörterbuch der Indogermanischen Sprachen Dritter Teil: Wortschatz der Germanischen Spracheinheit by August Fick with contributions by Hjalmar Falk, entirely revised by Alf Torp in 1909. Electronic version created by Sean Crist (*kurisuto*@*unagi.cis.upenn.edu*) enlarged and maintained by Dieter Studer (*dieterstuder*@*access.unizh.ch*). This document was typeset with TUSTEP from the base document “pgmc v1 5.xml” on 16 December 2006. 1 Notes on the electronic version The original text by Torp was scanned, processed with OCR equipment and corrected by Sean Crist ([email protected]). A single pass of hand-checking has been done on the entire document. This checking took around two years and was completed on 10 April 2003. He then re-checked the first 50 pages, finishing on 26 May 2003. The four levels of indentation, representing the hierarchical arrangment of the entries, were added to this PDF version on 9 June 2003. At the end of each entry there is a notation indicating where the entry is found in the original text. A notation like “25:3” means that the entry was the third entry beginning on page 25 of the original text. A notation like “102:11, 103:1” means that the entry started as the eleventh entry on page 102 and flowed over onto page 103. The Nachträge und Berichtigungen (addenda and errata) have been incorporated into the main text by Dieter Studer in May 2006. The deletions (〈nb0〉) and insertions (〈nb1〉) are denoted in the base document using XML tags, so that both the original and corrected versions of the text are recoverable. -
An Earthly Cosmology
Forum on Religion and Ecology Indigenous Traditions and Ecology Annotated Bibliography Abram, David. Becoming Animal: An Earthly Cosmology. New York and Canada: Vintage Books, 2011. As the climate veers toward catastrophe, the innumerable losses cascading through the biosphere make vividly evident the need for a metamorphosis in our relation to the living land. For too long we’ve ignored the wild intelligence of our bodies, taking our primary truths from technologies that hold the living world at a distance. Abram’s writing subverts this distance, drawing readers ever closer to their animal senses in order to explore, from within, the elemental kinship between the human body and the breathing Earth. The shape-shifting of ravens, the erotic nature of gravity, the eloquence of thunder, the pleasures of being edible: all have their place in this book. --------. The Spell of the Sensuous: Perception and Language in a More-than-Human World. New York: Vintage, 1997. Abram argues that “we are human only in contact, and conviviality, with what is not human” (p. ix). He supports this premise with empirical information, sensorial experience, philosophical reflection, and the theoretical discipline of phenomenology and draws on Merleau-Ponty’s philosophy of perception as reciprocal exchange in order to illuminate the sensuous nature of language. Additionally, he explores how Western civilization has lost this perception and provides examples of cultures in which the “landscape of language” has not been forgotten. The environmental crisis is central to Abram’s purpose and despite his critique of the consequences of a written culture, he maintains the importance of literacy and encourages the release of its true potency. -
THAT ALSO IS YOU Some Classics of Native Canadian Literature
THAT ALSO IS YOU Some Classics of Native Canadian Literature Robert Bringhurst 0,"NCE UPON A TIME there was one small island, nothing more. The gods were clinging to it, clustered together like bladderkelp and bar- nacles, so thickly they could scarcely breathe. And the Raven, tied like a baby in his cradle, was floating on the sea. A voice called out to him, and he wriggled up from his martenskin blankets and looked around. In the midst of the endless flexing and rolling of the ocean, his cradle thumped and scraped against something solid. It was tall and thin and stretched as far as he could see below the waves that broke over the top of it. It was stone, and the stone was full of faces he had never seen outside his dreams. He clambered down it into deep water. In the wet twilight in front of him stood a house, and a voice came through the doorway, saying in the Haida language, Hala qách'i t'ak'in'gha:1 "Come inside, my grandson." Digha da gyasildaghasas danggha kiingagan : "From me you will borrow, to you I will give." In the house beneath the sea, he met an Old Man White as a Gull, who spoke to him again in Haida. But what the Old Man said to him next was something the Raven did not fully understand. Di hau dang iji. Waasing dang iji : "I am you," the Old Man said, "and that also is you." He gestured as he said this toward something slender, blue as air and green as beachgrass, that was moving around the carved screens at the rear of the house, like a heron choosing a fishing hole. -
Dr. Roy Murphy
US THE WHO, WHAT & WHY OF MANKIND Dr. Roy Murphy Visit us online at arbium.com An Arbium Publishing Production Copyright © Dr. Roy Murphy 2013 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopy, recording or otherwise, without prior written permission of the copyright owner. Nor can it be circulated in any form of binding or cover other than that in which it is published and without similar condition including this condition being imposed on a subsequent purchaser. A catalogue record for this book is available from the British Library. Cover design created by Mike Peers Visit online at www.mikepeers.com First Edition – 2013 ISBN 978-0-9576845-0-8 eBook-Kindle ISBN 978-0-9576845-1-5 eBook-PDF Arbium Publishing The Coach House 7, The Manor Moreton Pinkney Northamptonshire NN11 3SJ United Kingdom Printed in the United Kingdom Vi Veri Veniversum Vivus Vici 863233150197864103023970580457627352658564321742494688920065350330360792390 084562153948658394270318956511426943949625100165706930700026073039838763165 193428338475410825583245389904994680203886845971940464531120110441936803512 987300644220801089521452145214347132059788963572089764615613235162105152978 885954490531552216832233086386968913700056669227507586411556656820982860701 449731015636154727292658469929507863512149404380292309794896331535736318924 980645663415740757239409987619164078746336039968042012469535859306751299283 295593697506027137110435364870426383781188694654021774469052574773074190283 -
Every Creation Story
Every Creation Story Creation from chaos Chaos (cosmogony) Enûma Eliš (Babylonian creation myth) Genesis creation myth (Judaism, Christianity and Islam) Greek cosmogonical myth Jamshid Korean creation narratives Kumulipo Leviathan (Book of Job 38–41 creation myth) Mandé creation myth Pangu Raven in Creation Serer creation myth Sumerian creation myth Tungusic creation myth Unkulunkulu Väinämöinen Viracocha Earth diver Earth-diver Ainu creation myth Cherokee creation myth Iroquois creation myth Väinämöinen Yoruba creation myth Ob-Ugric creation myth Emergence Emergence Hopi creation myth Maya creation of the world myth Diné Bahaneʼ (Navajo) Zuni creation myth ( creation of self ) Ex nihilo Debate between sheep and grain Barton cylinder Ancient Egyptian creation myths Kabezya-Mpungu Māori myths Mbombo Ngai Popol Vuh World parent World parent Coatlicue Enûma Eliš Greek cosmogonical myth Greek cosmogonical myth Heliopolis creation myth Hiranyagarbha creation myth Kumulipo Rangi and Papa Völuspá Divine twins Divine twins Proto-Indo-European creation myths Regional Africa Ancient Egyptian creation myths Fon creation myth Kaang creation story (Bushmen) Kintu myth (Bugandan) Mandé creation myth Mbombo (Kuba, Bakuba or Bushongo/Boshongo) Ngai (Kamba, Kikuyu and Maasai ) Serer creation myth (cosmogony of the Serer people of Senegal, the Gambia and Mauritania) Unkulunkulu (Zulu) Yoruba creation Americas Mesoamerica Coatlicue (Aztec) Maya creation of the world myth Popol Vuh (Quiché Mayan) Mid North America Anishinaabeg creation stories Cherokee creation -
A Fine Day in Masset: Christopher Auchter Revisits Crucial Moment in Haida Renaissance
NOW IS THE TIME A Fine Day in Masset: Christopher Auchter Revisits Crucial Moment in Haida Renaissance By Philip Lewis August 13, 2019 It was a fine day in Masset: August 22, 1969. For the first time in living memory, a traditional totem pole was being raised in the community. Surrounded by their extended families, members of the Eagle and Raven Clans formed parallel teams to leverage the towering structure into place alongside the old church where it still stands to this day. A NATIONAL FILM BOARD OF CANADA PRODUCTION NOW IS THE TIME A NATIONAL FILM BOARD OF CANADA PRODUCTION NOW IS THE TIME Elders would speak of “a forest of totem poles,” recalling a time when the giant carvings were common throughout the Haida Gwaii archipelago, but by the late 1960s most had vanished — suppressed by Christian missionaries and assimilationist laws that aimed explicitly to eradicate Indigenous identity from the Canadian landscape. The new pole was the brainchild of Robert Davidson, also known by his Haida name, Guud San Glans, a visionary young artist who would reinvigorate the tradition, becoming a central figure in a vibrant Haida renaissance. While previous generations had kept Haida art alive with small-scale wooden and argillite carvings, Davidson was working a monumental scale that had not been seen in almost a century. Twenty-two-year-old Robert Davidson and his grandfather, Tsinii Robert. Hardly out of his teens at the time, Davidson and his project were the subject of a short NFB doc, released in 1970, called This Was the Time. But the film raised more questions than it answered, presenting events through the muddled lens of the dominant Euro-Canadian culture. -
VIOLENCE, CAPTIVITY, and COLONIALISM on the NORTHWEST COAST, 1774-1846 by IAN S. URREA a THESIS Pres
“OUR PEOPLE SCATTERED:” VIOLENCE, CAPTIVITY, AND COLONIALISM ON THE NORTHWEST COAST, 1774-1846 by IAN S. URREA A THESIS Presented to the University of Oregon History Department and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Master of Arts September 2019 THESIS APPROVAL PAGE Student: Ian S. Urrea Title: “Our People Scattered:” Violence, Captivity, and Colonialism on the Northwest Coast, 1774-1846 This thesis has been accepted and approved in partial fulfillment of the requirements for the Master of Arts degree in the History Department by: Jeffrey Ostler Chairperson Ryan Jones Member Brett Rushforth Member and Janet Woodruff-Borden Vice Provost and Dean of the Graduate School Original approval signatures on file with the University of Oregon Graduate School. Degree awarded September 2019 ii © 2019 Ian S. Urrea iii THESIS ABSTRACT Ian S. Urrea Master of Arts University of Oregon History Department September 2019 Title: “Our People Scattered:” Violence, Captivity, and Colonialism on the Northwest Coast, 1774-1846” This thesis interrogates the practice, economy, and sociopolitics of slavery and captivity among Indigenous peoples and Euro-American colonizers on the Northwest Coast of North America from 1774-1846. Through the use of secondary and primary source materials, including the private journals of fur traders, oral histories, and anthropological analyses, this project has found that with the advent of the maritime fur trade and its subsequent evolution into a land-based fur trading economy, prolonged interactions between Euro-American agents and Indigenous peoples fundamentally altered the economy and practice of Native slavery on the Northwest Coast.