Banker Murdered Close to Imperial Halls
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
BFI Press Release: Missing Believed Wiped Bumper Christmas Stocking
For Immediate Release: Tuesday 7 November 2017, London. The BFI’s Missing Believed Wiped returns to BFI Southbank this December to present British television rediscoveries, not seen by audiences for decades, since their original transmission dates. The exciting, bespoke line-up of TV gems feature some of our most-loved television celebrities and iconic characters including Alf Garnett in Till Death Us Do Part: Sex Before Marriage, Cilla Black in her eponymous BBC show featuring Dudley Moore , Jimmy Edwards in Whack-O!, a rare interview with Peter Davison about playing Doctor Who and a significant screen debut from a young Pete Postlethwaite. Lost for 50 years and thought only to survive in part, Till Death Us Do: Sex Before Marriage, originally broadcast on 2 January, 1967 on BBC1, sees Warren Mitchell’s Alf Garnett rail against the permissive society, featuring guest star John Junkin alongside regular cast members Dandy Nichols, Anthony Booth and Una Stubbs. Although the existence of this missing episode from the 2nd series has been known for some years, previous attempts to screen the episode had been refused with the print in the hands of a private collector. Having recently changed hands, MBW is delighted that access has been granted for this special one off screening, for one of 1960s best known and controversial UK television characters. Following last year’s successful screening of a previously lost episode of Jimmy Edwards’s popular 1950s BBC school-themed comedy romp Whack-O!, this year’s MBW programme includes a 1959 episode entitled The Empty Cash Box. Written by Frank Muir and Dennis Norden and starring Jimmy Edwards as the cane-happy headmaster, this episode was originally broadcast on the BBC on 1st December 1959. -
The Changing Nature of Audience Participation in Mainstream Entertainment Programming
MM From Props to Products The Changing Nature of Audience Participation in Mainstream Entertainment Programming Have you ever been a member of a Media audiences of the past are often 1967-1975). As with many quiz and game shows characterised as being passive recipients of of the time, members of the public took part as studio audience, for the recording of a the information and entertainment that was competitors. The true stars of these shows were, radio sketch show, a TV sitcom, Strictly handed down by media institutions. In our however, the presenters. Bob Monkhouse was modern media world, audiences are thought the first presenter of The Golden Shot and was or Buzzcocks? Once upon a time, you to be much more active and media institutions massively popular with contemporary audiences. might have thought that would be actively encourage audience participation. To The original host of BBC’s long-running Saturday the closest you’d get to involvement; some this is an indication of a new, democratised tea-time audience participation show, The state where the power traditionally held by Generation Game (BBC: 1971-2007) was Bruce but in fact audience participation has media institutions is being shared with audiences Forsyth (1971-1977 and 1990-1994), who long been a feature of ‘old media’ who are able to participate in the construction is astonishingly still a household name, as he and development of media texts. currently presents Strictly Come Dancing (BBC: entertainment programming. Steph This view, however, can hide the fact that 2004 onwards). Hendry considers the role of the audience participation is not a new idea. -
Quiz Twelve Answers Food and Drink – Cakes and Chocolate
Quiz Twelve Answers Food and Drink – Cakes and Chocolate 1. Roald Dahl 2. W. Somerset Maughan 3. Patisserie 4. Kit-Kat 5. The Searchers 6. Coronation St. 7. Ferraro Rocher 8. Shanks & Bigfoot 9. Battenburg 10. Mr. Kipling Cats and Dogs ! 1. Four 2. Puma, cougar or panther 3. Jane Fonda 4. Chihuahua 5. Charles Darwin 6. Visconti 7. Frederick Forsyth 8. Felix The Cat 9. Suffragettes 10. W H Auden Geography – Mountains of the World 1. Mt. Kilimanjaro 2. Andes 3. Himalayas 4. Sir Edmund Hilary 5. Mt. Ararat 6. Ben Nevis 7. New Zealand 8. K2 9. Sherpa Tensing Norgay 10. Appalachians History – the 1960’s 1. 1969 2. Herman’s Hermits 3. Malaysia 4. Twiggy 5. Jim Reeves 6. Coventry 7. Lord Denning 8. William Shakespeare 9. 1961 10. Colgate 11. John F Kennedy 12. 1962 13. Harold Wilson 14. Jean Shrimpton 15. Eagle 16. Rhodesia 17. Charles Manson 18. Edward Kennedy 19. Golda Meir 20. Czechoslovakia Sport – The Olympic Games 1. c. horseshoes 2. A diploma 3. Canada 4. Literature, for his song 'Ode to sport' 5. The ancient games in Greece 6. 21 7. a. win gold in both a summer and winter olympiad (boxing and 4 man bob) 8. d. Jim Thorpe Town (in Penn. USA) 9. a. attacked his opponent with a dagger 10. Sir Arthur Conan Doyle Art and Literature 1. Botticelli 2. Gotham City 3. Douglas Adams 4. The Longest Day 5. Rudyard Kipling 6. Brendan Behan 7. Barbara Cartland 8. Unto 9. McGregor 10. Biggles 11. Hamlet 12. Penthouse 13. -
On Air No 99 Fcover
JULY/AUGUST2004 Issue 99 The Official Journal of the Hospital Broadcasting Association in this issue ... HEY YOU! Yes, I mean YOU. Please don’t turn over the page The Autumn Conference ...................................................... 2 and think that this is nothing to do with you. Committee Report ................................................................ 3 The Changing Face of Charity Law .................................... 4 Did you realise that the next issue of On Air will be Radio Redhill at the South of England Show .................. 7 our 100th and to mark the event we want to publish June’s Travels ............................................................................ 8 a very special edition and include as many stations as HBA Announcements ............................................................ 9 possible. If every station could appoint someone to Asbestos at Work Regulations ............................................ 9 scribe a few words and send me a photograph or two News in Brief.......................................................................... 10 of any recent special event or perhaps what type of News from the Stations ...................................................... 11 programmes you broadcast, if you are on Patientline Who Wants to be a Volunteer? ...................................... 12 or similar, what you do for fundraising ... or indeed 35 Years and Still Going Strong! ...................................... 13 anything you think may interest our readers, I would Launch of -
Following Is a Listing of Public Relations Firms Who Have Represented Films at Previous Sundance Film Festivals
Following is a listing of public relations firms who have represented films at previous Sundance Film Festivals. This is just a sample of the firms that can help promote your film and is a good guide to start your search for representation. 11th Street Lot 11th Street Lot Marketing & PR offers strategic marketing and publicity services to independent films at every stage of release, from festival premiere to digital distribution, including traditional publicity (film reviews, regional and trade coverage, interviews and features); digital marketing (social media, email marketing, etc); and creative, custom audience-building initiatives. Contact: Lisa Trifone P: 646.926-4012 E: [email protected] www.11thstreetlot.com 42West 42West is a US entertainment public relations and consulting firm. A full service bi-coastal agency, 42West handles film release campaigns, awards campaigns, online marketing and publicity, strategic communications, personal publicity, and integrated promotions and marketing. With a presence at Sundance, Cannes, Toronto, Venice, Tribeca, SXSW, New York and Los Angeles film festivals, 42West plays a key role in supporting the sales of acquisition titles as well as launching a film through a festival publicity campaign. Past Sundance Films the company has represented include Joanna Hogg’s THE SOUVENIR (winner of World Cinema Grand Jury Prize: Dramatic), Lee Cronin’s THE HOLE IN THE GROUND, Paul Dano’s WILDLIFE, Sara Colangelo’s THE KINDERGARTEN TEACHER (winner of Director in U.S. competition), Maggie Bett’s NOVITIATE -
Read This Article (PDF)
Essays in the Philosophy of Humanism Published on behalf of the American Humanist Association and The Institute for Humanist Studies Humanism v22i2.indb 1 12/04/2015 23:36:15 Essays in the Philosophy of Humanism Editor John R. Shook, American Humanist Association Consulting Editor Anthony Pinn, Rice University, USA Editorial Board Louise Antony, University of Massachusetts, USA; Arthur Caplan, New York University, USA; Patricia Churchland, University of California, USA; Franz de Waal, Emory University, USA; Peter Derkx, University of Humanistics, Netherlands; Greg Epstein, Harvard University, USA; Owen Flanagan, Duke University, USA; James Giordano, Georgetown University, USA; Rebecca Goldstein, USA; Anthony Clifford Grayling, New College of the Humanities, United Kingdom; Susan Hansen, University of Pittsburgh, USA; Jennifer Michael Hecht, USA; Marian Hillar, Houston Humanists, USA; Sikivu Hutchinson, Los Angeles County Commission on Human Relations, USA; Philip Kitcher, Columbia University, USA; Stephen Law, University of London, United Kingdom; Cathy Legg, University of Waikato, New Zealand; Jonathan Moreno, University of Pennsylvania, USA; Stephen Pinker, Harvard University, USA; Charlene Haddock Seigfried, Purdue University, USA; Michael Shermer, The Skeptics Society, USA; Alistair J. Sinclair, Centre for Dualist Studies, United Kingdom; Stan van Hooft, Deakin University, Australia; Judy Walker, USA; Sharon Welch, Meadville Theological Seminary, USA Essays in the Philosophy of Humanism publishes scholarly papers concerning philosophical, historical, or interdisciplinary aspects of humanism, or that deal with the application of humanist principles to problems of everyday life. EPH encourages the exploration of aspects and applications of humanism, in the broadest sense of “philosophical” as a search for self-understanding, life wisdom, and improvement to the human condition. -
Copyright and Use of This Thesis This Thesis Must Be Used in Accordance with the Provisions of the Copyright Act 1968
COPYRIGHT AND USE OF THIS THESIS This thesis must be used in accordance with the provisions of the Copyright Act 1968. Reproduction of material protected by copyright may be an infringement of copyright and copyright owners may be entitled to take legal action against persons who infringe their copyright. Section 51 (2) of the Copyright Act permits an authorized officer of a university library or archives to provide a copy (by communication or otherwise) of an unpublished thesis kept in the library or archives, to a person who satisfies the authorized officer that he or she requires the reproduction for the purposes of research or study. The Copyright Act grants the creator of a work a number of moral rights, specifically the right of attribution, the right against false attribution and the right of integrity. You may infringe the author’s moral rights if you: - fail to acknowledge the author of this thesis if you quote sections from the work - attribute this thesis to another author - subject this thesis to derogatory treatment which may prejudice the author’s reputation For further information contact the University’s Director of Copyright Services sydney.edu.au/copyright There’s a Problem with the Connection: American Eccentricity and Existential Anxiety Kim Wilkins 305165062 A thesis submitted in fulfilment of the degree of Doctor of Philosophy. University of Sydney. 1 I hereby declare that, except where indicated in the notes, this thesis contains only my own original work. As I have stated throughout this work, some sections of this thesis have been published previously. A version of Chapter Two features in Peter Kunze’s collection The Films of Wes Anderson: Critical Essays on an Indiewood Icon, published by Palgrave Macmillan in 2014, and Chapter Three was published under the title ‘The sounds of silence: hyper-dialogue and American Eccentricity’ as an article in New Review of Film and Television Studies no. -
Cathi Unsworth, Jordan Will, for the First Time, Tell Her Story in Her Own Words
Client List RUPERT CREW LIMITED 6 Windsor Road London N3 3SS Tel: 020 8346 3000 Fax: 020 8346 3009 Email: [email protected] Website: www.rupertcrew.co.uk Director: Caroline Montgomery Marc Alexander A former Fleet Street journalist and a consultant editor of Heritage Magazine. For many years Marc contributed a regular history column to Majesty magazine. A prolific author of both non-fiction and fiction, he has written across a variety of styles including Western, Fantasy, Horror and Adventure. His novels are currently being reissued by Endeavour Media. Translation rights available. Marc lives in London. The Wells of Ythan Quartet - Ancient Dreams, Magic Casements, Shadow Realm and Enchantment’s End Category: Fantasy Rights via RCL: Translation/film Rights sold: WEL eBook and POD Synopsis: Once, the Kingdom of Ythan was great and prosperous. But then, a Princess, the sole heir to the kingdom, disappeared. As time passed many lost hope that their Lady Eloria could or would return. The Golden Age of Ythan crumbled in despair. Now, Eloria has faded into legend. Ythan has fallen to the hands of the corrupt and the greedy. With its glory long gone, Ythan has become a place of terror and evil where every corner of this great land suffers under the tyrannical reign of the Regent. But amidst the darkness of the realm, there is a glimmer of hope. Krispin Tommasson, an apprentice toymaker, together with his fellow companions are Ythan’s only chance for salvation. Together, they must quest to discover the whereabouts of the mythical Princess - or Ythan may perish forever.. -
THE FIGHTER Program Note
THE FILMS OF DAVID O. RUSSELL January 9–February 6, 2011 THE FIGHTER Screening followed by a Pinewood Dialogue with David O. Russell moderated by Spike Jonze Wednesday, January 19, 7:00 p.m. 2010, 115 mins. Digital Cinema Projection courtesy Paramount Pictures. Directed by David O. Russell. Produced by David Hoberman, Todd Lieberman, Ryan Kavanaugh, Mark Wahlberg, Dorothy Aufiero, Paul Tamasy. Written by Scott Silver, Paul Tamasy, Eric Johnson. Photographed by Hoyte Van Hoytema. Edited by Pamela Martin. Production design by Judy Becker. Costume design by Mark Bridges. Music by Michael Brook. Principal cast: Mark Wahlberg (Micky Ward), Christian Bale (Dickie Eklund), Amy Adams (Charlene Fleming), Melissa Leo (Alice Ward), and Jack McGee (George Ward). Review by Joe Morgenstern, The Wall Street fundamentally different styles.) It's the familiar Journal, December 10, 2010: image of a boxer working with his trainer, yet the two men are locked in another kind of combat as Fans of boxing movies follow the rankings just as well. Dicky, the trainer, was once a promising closely as boxing fans do. Whenever a new one fighter who went the distance with Sugar Ray comes along, they want to know where it ranks, if Leonard. (In a film based on a true story, it remains at all, in the pantheon that includes such classics a matter of dispute whether he knocked Sugar Ray as Raging Bull, Rocky and The Champ. In the case down, or whether his opponent simply slipped.) of The Fighter, a perfectly remarkable movie Now he's a wild-eyed, crack-addicted caricature of directed by David O. -
Claiming Comedic Immunity Or, What Do You Get When You Cross Contemporary British Comedy with Disability Rebecca Mallett, Ph.D
Claiming Comedic Immunity Or, What Do You Get When You Cross Contemporary British Comedy with Disability Rebecca Mallett, Ph.D. Sheffield Hallam University, UK Abstract: This article addresses the mechanisms by which contemporary British comedy about disability is allowed to be funny. It argues that the available academic literature on the phenomenon is scant and a critical public vocabulary missing. Key Words: comedy, cultural criticism, tolerance. “In the Cultural review we see, Matt coughing and wheezing untruthfully. After pushing Russell into a wheelchair and claiming comedic immunity” (“Blame it on the Booties,” September, 2007). The quotation in the title of this article is taken from a poem in The Russell Brand Show broadcast on BBC Radio 2 on a Saturday in September 2007. 1 At the end of each two-hour show Mr Gee, the resident poet laureate, recites a poem he has written during the course of the broadcast. This particular poem relates to an anecdote told on the show about an incident the previous week when Matt Morgan (Russell’s co-host) had to wheel Russell through an airport. The anecdote was followed by a conversation about whether that situation was allowed to be funny, resulting in the couplet quoted above. As an intervention in that conversation and as part of thinking through the theorisation of culture and disability, this article addresses the mechanisms by which contemporary British comedy about disability is allowed to be funny. Its primary concern is not to answer in terms of essential comedic characteristics, but rather in terms of current discursive possibilities, in both wider public discourse and in the contracted world of the academy. -
Tragic Rail Death * Met Girl Killed by Train Parents Moved by Friends' and Lecturers' Memories
<<Turin Brakes live g reviewed - LS2 Music On llkley Moor Baht'at and all that - LS 1 centre Tragic rail death * Met girl killed by train Parents moved by friends' and lecturers' memories By Staff Reporters A dc:va.'itilllng mun ,11.:c1dc11t killed u wu11dL"rlul 1m!m•1ne, 1Jt e\cryone the) Leeds Mt.!I .'.tUJcm 1lu-. v. et:k. met.' Second )ear HSc.' Arch11ecLUrnl K1111v..n ii!t 'Turi· lO her friends amt lcchnoloin '.\IUllcnt Victorrn o·ancll t11m1ly, 1hc- ~2 icar olJ •.tudcnl \\a" L}IU.:h dic!t.l rm Nfl\C.:lnhc-r '.\ 11.nuw'n 10 have .1 \\i<lc c1rck of A Leed .. Mel ,pu~c~pe.rsc111 c.,11d· lricnd.., ··our ,;mp.,lhie-. ure with the fomil) She uril,?inull~ hailed lnim and in ,c,pcct to them \VC don't \\.i,h Drt1gh!!<l,1 in C'nunl) l .uu1h. 10 l·ommcnt further·· Thl' \I.ah· \\U.. he-le.I VC:,,tCrdav J.OJ A ,tatemcnt rclcm,td '1) V1l·1ori..1 ·, the. funeral will litke· pl.i<.:l' ·tuda) famil) l<X'.u,ed on hc-r pa),,s1on h.,r (h1J,1), Nl"·emher I hh1 at noon m L~edf.. Jullan,10,,n It i.aid: "V1ciori,1 wa!> dd1gh1ed So more 1.ktaib. ol the accident ABANDONED; Another year, another AGM goes by without enough voters to make key changes. After .1hm11 being in l.ci!J ... \\ere a, ailabk The ~,hce: ccmftrmed discussion of just one motion, the Refec cleared and the debates ceased. -
BBC-Year-Book-1986.Pdf
'A Annua www.americanradiohistory.com www.americanradiohistory.com BBC Handbook 1986 Incorporating the Annual Report and Accounts 1984-85 British Broadcasting Corporation www.americanradiohistory.com i Published by the British Broadcasting Corporation 35 Marylebone High Street, London W 1 M 4AA ISBN 0 563 20448 6 First published 1985 © BBC 1985 Printed in England by Jolly & Barber Ltd, Rugby www.americanradiohistory.com Contents Engineering 76 Part One: Transmission 77 & Television production 78 Annual Report Radio production 80 1984 Research and development 80 Accounts -5 Recruitment 82 Training 82 Personnel 84 Appointments, recruitment, training 84 Foreword Mr Stuart Young (Chairman) v Consultancy 86 Board of Governors viii Occupational health 86 Employee relations 86 Board of Management ix Legal matters 87 Division 87 Introductory 1 Central Services Programmes 5 Commercial activities 89 Television 5 Publications 89 Radio 14 BBC Enterprises Ltd 90 The News Year 23 BBC Co- productions 96 Broadcasting from Parliament 27 Direct Broadcasting by Satellite 97 Religious broadcasting 30 National Broadcasting Councils 99 Educational broadcasting 33 Scotland 99 Programme production in the Regions 44 Wales 108 Bristol 44 Northern Ireland 115 Pebble Mill 48 Manchester 50 Audit Report for the BBC 121 The English TV Regions 51 Balance Sheet and Accounts - Home Services BBC Data 54 and BBC Enterprises Ltd 122 Balance Sheet and Accounts - The BBC and its audiences 56 Open University 138 Broadcasting research 57 Public reaction 60 Public meetings 64